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Album review

Album Review: Lorde, ‘Virgin’

“I’m ready to feel like I don’t have the answers,” Lorde sings on Virgin’s opening track, ‘Hammer’. That doesn’t mean she’s not searching, but...

Album Review: Hotline TNT, ‘Raspberry Moon’

No matter the era, trading in shoegaze usually means sweeping tidal waves of romance and optimism underneath even more towering noise and distortion. The...

Album Review: HAIM, ‘I quit’

At their recent live shows, HAIM have been broadcasting statements that not only promote the titular message of their new album – I quit...

Album Review: U.S. Girls, ‘Scratch It’

Over the past decade or so, U.S. Girls have carved a lane as one of the most critically acclaimed alt-pop projects thanks to Meg...

Album Review: Pixel Grip, ‘Percepticide: The Death of Reality’

If you are a fan of Pixel Grip, Percepticide: The Death of Reality possesses no song that will not satisfy. If you are new...

Album Review: Pulp, ‘More’

On their first album in 23 years, Pulp are still caught up with the inexplicable nature of beauty and love. But for perhaps the...

Album Review: Miley Cyrus, ‘Something Beautiful’

Pop stars are prone to hyperbole. Artists at every level of fame, in fact, are prompted to promote their new material by at least...

Album Review: Garbage, ‘Let All That We Imagine Be the Light’

Garbage needs no introduction. Garbage gets one anyways. Since 1995 the band has sold over 20 million records, garnering popular attention with songs like...

Album Review: Matt Berninger, ‘Get Sunk’

If the last time you engaged with Matt Berninger’s songwriting was through the most recent National albums, Get Sunk’s backstory and overarching mood will...

Album Review: Stereolab, ‘Instant Holograms on Metal Film’

Fifteen years may have passed since Stereolab’s last album, but no amount of time – or retro-futurist aesthetics – can keep the Groop’s music...