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Clairo Joins the Roots’ Dave Guy on New Single ‘7th Heaven’

The Roots’ Dave Guy has announced his debut solo album, Ruby, which is set to arrive on September 20 via Big Crowd. He’s also shared a new single, ‘7th Heaven’, which features Clairo. Check it out and find the album cover and tracklist below.

“It has a groove and is more in line with what the guys and I are known for with Menahan Street Band, but it is also in-your-face and catchy,” Guy said in a statement. “It’s a bit of an ode to Tijuana Brass too, a Herb Alpert-esque track with a tight horn line and has that energy that pops.”

Ruby Cover Artwork:

Ruby Tracklist:

1. 7th Heaven
2. Footwork
3. I’ll Follow You
4. – Morning Glory
5. Pinky Ring
6. Diamond Encore
7. Still Standing
8. Dave Wants You
9. Drony Boy
10. Quesodillas
11. The Green Door
12. Ruby’s Rubies

Buying Vintage Jewelry? Remember These Key Shopping Tips!

Vintage jewelry possesses an allure that attracts collectors and fashion enthusiasts alike. Whether you’re new to jewelry shopping or a seasoned pro, there are always tips to enhance your buying experience. In this blog post, we’ll delve into some shopping pointers to ensure you make informed decisions and discover the perfect vintage gem for your collection.

  1. Educate Yourself on Eras

Vintage jewelry spans periods, each with its unique characteristics. Before diving into your shopping adventure, take the time to acquaint yourself with eras like Victorian, Art Deco, Retro, and Mid-Century Modern. Understanding each era’s qualities will provide insights when examining pieces in person or online.

  1. Prioritize Authenticity

Authenticity is crucial when collecting vintage jewelry for sale online. Unfortunately, imitation pieces widely circulate in the market and target buyers who may need to be better-versed in design elements or materials used during specific periods. To verify a piece’s authenticity, closely examine its craftsmanship. Look for any maker marks or hallmarks on the metal itself. Opt for sellers who offer details about the origins of their products.

  1. Inspect Condition Carefully

Before purchasing vintage jewelry, it’s crucial to examine its condition. You should note signs of wear due to age and pay attention to missing gemstones or past repairs. Look at the clasps, the prongs that secure stones (a weak spot), and the durability of necklace chains. Thoroughly inspect each component to understand restoration expenses.

  1. Consider Collectible Materials

When selecting jewelry pieces, consider the materials used, as they can significantly impact their value and desirability. Precious metals like gold and platinum hold worth and appreciate over time based on market fluctuations. Gemstones such as diamonds or colored stones like emeralds, rubies, or sapphires are also sought after by collectors. Additionally, remember that materials like Bakelite or Lucite have recently gained popularity.

  1. Explore Local Estate Sales and Auctions

Exploring local estate sales and auctions can unveil jewelry with histories. These events often showcase vintage treasures as families may decide to part with heirlooms or personal collections for personal reasons. Attend nearby estate sales and browse auction platforms specializing in jewelry for a chance to discover hidden gems. Get ready to research the items you’re interested in and establish a budget to avoid getting swept up in the excitement of bidding.

  1. Embrace Online Marketplaces

Buying vintage jewelry has become more convenient in this era. Online marketplaces offer a range of pieces from sellers worldwide, all from the comfort of your home. Take your time to read item descriptions, thoroughly inspect high-quality images, and ensure that sellers have feedback from buyers.

  1. Cultivate Relationships with Antique Dealers

Developing connections with dealers and jewelry experts can be highly beneficial when looking for exquisite vintage jewelry. Familiarize yourself with stores or attend antique shows where jewelry specialists exhibit collections. By building relationships with these professionals, you may gain access to insider information on collections and have the opportunity to acquire unique pieces before they hit the market.

  1. Consider Authenticity Certificates

Some vintage jewelry items come with certificates of authenticity issued by appraisers or experienced jewelers who meticulously assess their value and origins. While not every vintage piece will come with a certificate, one can offer reassurance about the quality and authenticity of your purchase.

  1. Don’t Forget About Size

When buying vintage rings, bracelets, necklaces, or watches, paying attention to the size is crucial, as it can vary depending on the period, which is especially vital for statement pieces. Be sure to check the measurements provided by the seller or request them if they’re not available. Knowing the item’s size will help avoid disappointment when you receive your treasure.

In Conclusion

Vintage jewelry isn’t about accessories; it represents history and skilled craftsmanship that carry stories, beauty, and individual charm. Whether new to collecting or a seasoned enthusiast, following these shopping tips can enrich your journey and improve your chances of discovering that perfect vintage gem. Educating yourself on eras, carefully examining the condition of each piece, considering materials, exploring various shopping options like local estate sales and online marketplaces, and establishing connections with antique dealers all make your vintage jewelry shopping experience a success.

A Journey Through Music: Qing Zhao’s Experiences as a Judge and Performer Qing Zhao’s Musical Journey: From Performance to Education

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Qing Zhao, a renowned pianist and music educator, has had an illustrious career marked by her performances and contributions as a competition judge. Her experience in these roles not only showcases her musical talents but also her commitment to nurturing the next generation of musicians.

In 2024, Zhao served as a semifinal judge for the Blüthner-Internationales Festival der Musik und der vierte Deutsch-Carl Ronisch-Internationale Klavierwettbewerb. This role provided her with a profound appreciation for the diverse talents of musicians from around the world. “As a judge, I was deeply impressed by the passion and dedication each participant brought to their performance,” Zhao says. This experience also allowed her to gain new insights and methodologies from fellow judges, enhancing her own musical knowledge and evaluative skills.

In addition to her many achievements, she was also invited to serve as a juror for the 30th International Johannes Brahms Competition in China. This prestigious competition, held annually in Austria since 1993, is a testament to the enduring legacy of Johannes Brahms and his profound impact on the world of music. Being selected as a juror for this esteemed competition is a significant honor, recognizing her expertise and contributions to the field.

Recently, Zhao was honored with an invitation to serve as a judge at the prestigious Global Association for Music Education (G.A.M.E.) competition, taking place this June in Beijing. Spearheaded by a distinguished panel of international music educators, artists, and performers, this esteemed competition G.A.M.E. serves as a non-profit and academic organization dedicated to fostering cultural exchange, cultivating global music collaboration, and nurturing the next generation of musical talent.

Zhao recognizes the significance of G.A.M.E. as a great platform for talent discovery and cultivation. The competition provides a stage for young pianists to showcase their artistry and virtuosity, gaining international recognition and connecting with a broader audience. Zhao says, “G.A.M.E. plays a crucial role in elevating the performance level of its participants. The competitive nature of the event encourages musicians to refine their technical skills, deepen their artistic expression, and push the boundaries of musical excellence. Furthermore, G.A.M.E. fosters cross-cultural understanding and appreciation by bringing together pianists from diverse backgrounds. This global exchange of musical perspectives enriches the participants’ artistic horizons.”

Through her multifaceted career as a performer, judge, and educator, Qing Zhao continues to make significant contributions to the music community. Her dedication to excellence and passion for music education inspire both her students and colleagues, ensuring a lasting impact on the world of music.

Adrianne Lenker Shares New Mega Bog–Directed Video for ‘Evol’

Adrianne Lenker has shared the music video for ‘Evol’, a track from her latest album Bright Future. It’s directed by Erin Birgy of Mega Bog. Watch it below.

The video is “a portrait of a wandered person, unrooted and questioning the realities of connection,” according to Birgy. “Their curiosity leads through landscapes and the people invested from them. This figure is on the verge of outgrowing stoic individualism encouraged by colonialism that fights to deny [the] interconnectedness of egoless place and being.”

“The film plays with magical realism to give symbol to alien, and often haunting, shifts of perception while finding one’s role in a meaningful community/ecosystem that was ever present, and often overlooked or habitually dismissed in western thought,” Birgy added. “We had an amazing team of desert rats, farmers, artists, horses, and aliens to make this film. It was so special to collaborate with Adrianne & some of my closest friends in this extra-musical storytelling project.”

Wings of Desire Announce New EP, Share New Song ‘OUTTAMYMIND’

Wings of Desire have announced a new benefit EP, Shut Up & Listen. Following last year’s Life Is Infinite, the collection will arrive on August 30. All proceeds will go to the Long Table, a community project in their native Stroud that offers pay-what-you-can meals to its customers and is under threat of eviction. Listen to the new single ‘OUTTAMYMIND’ below.

In a statement, James Taylor and Chloe Little shared:

Grassroots organisations that serve the community are more important than ever, and new models of social enterprise that nurture the health, community and spiritual wellbeing of the most marginalised must be preserved at all costs.

The Long Table is the beating heart of our local community in Stroud, they run a radical social project with a pay what you can system that serves around 40,000 hot meals a year. It’s about dignity, equality, and everyone helping their neighbours in need. Earlier this year their home Brimscombe Mill was sold from beneath them and it is now at risk of being turned into warehouse space for the new owner.

The Shut Up & Listen EP grew out of our need to preserve this sacred space and support our unique local community, which is the closest thing we have to a new earth. We have put together a limited edition cassette tape and all proceeds will go to The Long Table in helping them fight their impending eviction.

We will follow their lead and offer a pay what you can system to ensure that just like basic human necessities are not gate kept, that creativity should be accessible to all.

Discussing the new single, they added: “‘OUTTAMYMIND’ is inspired by the concept of reincarnation, parallel lives and the Mandela effect. If these concepts are true then I wonder how many lives we have lived and who we have been. What have we experienced before? Or are we just repeating the same life over and over again until we’ve pulled off the ‘perfect life’. A life where we have annihilated all unhealthy and foolish desires, a life where we have inflicted as little pain on ourselves, others, and the planet. Or maybe reincarnation allows us to experience the full spectrum of life through many guises. If that is the case then perhaps we should live fearlessly and in a constant state of wonder.”

Shut Up & Listen Cover Artwork:

Shut Up & Listen Tracklist:

1. Shut Up And Listen!
2. Forgive & Forget
3. Some Old Place I Used To Know
4. OUTTAMYMIND

FIDLAR Announce New Album ‘Surviving the Dream’, Release New Songs

FIDLAR have announced a new LP, Surviving the Dream, which will be out on September 20. The 13-song, self-produced album, which follows 2019’s Almost Free, is preceded today by two songs, ‘GET OFF MY WAVE’ and ‘FIX ME’; the latter also comes with a video featuring Sosie Bacon. Check it out below.

“This record is about doubling down on what you love,” frontman Zac Carper said in a statment. “For us, its about playing shows and making music. Coming back after a few years away, our intention was to self-make an album that the 3 of us are stoked on. We’re very very very pumped on it and what’s to come. These songs are meant to be heard live with the fellow FIDIOTS going off.”

“We picked these two songs to lead off the record because it represents the energy we pull off live,” he added. “It’s all about the sad moshpit. And having Sosie agree to be part of the video was just awesome. We did karaoke with her on her birthday and she killed it. When we came up with the idea, she was the only choice. She’s perfect.”

Surviving the Dream Cover Artwork:

Surviving the Dream Tracklist:

1. FIX ME
2. LOW
3. SAD KID
4. DOWN N OUT
5. ORANGE COUNTY
6. BREAK YOUR HEART
7. GET OFF MY WAVE
8. CHANGE
9. MAKING SHIT UP
10. DOG HOUSE
11. I DON’T WANT TO DO THIS
12. NUDGE
13. HURT

This Is Lorelei Unveils New Song ‘Perfect Hand’

Ahead of the release of his new album Box For Buddy, Box for Star, This Is Lorelei – the solo project of Water From Your Eyes’ Nate Amos – has shared one more single, ‘Perfect Hand’. It follows previous cuts ‘Dancing in the Club’, ‘I’m All Fucked Up’, and ‘Where’s Your Love Now’. Check it out below.

Speaking about the track, Amos said in a statement: “‘Perfect Hand’ is about clarity in the muck – you’ve been headed in a direction so long you don’t know why anymore, and suddenly there’s a moment when you remember and it brings you peace of some kind, like waking up in a good way.”

Fucked Up Announce New Album ‘Another Day’, Drop New Song

Fucked Up have announced Another Day, the follow-up to last year’s One Day. The LP, their shortest to date, is set for release on August 9. The lead single ‘Stimming’ comes with a video directed by and starring drummer Jonah Falco. Check it out below.

“In making the video for ‘Stimming’, we tried to depict the transcendence of music from within our bodies outward to physical action,” the band explained in a statement. “Stimming is self-soothing behaviour through repetition, and in the context of music and our band, we overcome, calm, and manifest the best of ourselves through these specific, finely tuned physical movements which create a freeing joyous place from which to bring new ideas into the world.

Another Day was recorded between Toronto and London, with guitarist Mike Haliechuk producing and Alex Gamble engineering and mixing. Guest vocalists include PONY’s Sam Bielanski, Pretty Matty, Charlie Manning Walker, Holden Abraham, D. Franklan, and Danko Jones.

Another Day Cover Artwork:

Another Day Tracklist:

1. Face
2. Stimming
3. Tell Yourself You Will
4. Another Day
5. Paternal Instinct
6. Divining Gods
7. The One to Break It
8. More
9. Follow Fine Feeling
10. House Lights

Nilüfer Yanya Announces New Album, Shares New Single ‘Method Actor’

Nilüfer Yanya has announced her third album, My Method Actor. The follow-up to 2022’s PAINLESS lands on September 13 via Ninja Tune. Today’s announcement comes with the release of the new single ‘Method Actor’, which follows ‘Like I Say (I runaway)’. Check it out below, along with the album cover, tracklist, and Yanya’s upcoming tour dates:

Yanya worked on the album in London, Wales, and Eastbourne with her creative partner Wilma Archer. “This is the most intense album, in that respect,” she said in a statement. “Because it’s only been us two. We didn’t let anyone else into the bubble.”

Of the new single, she added: “I was researching method acting – and from what I read, it’s based on finding this one memory in your life, a life-altering, life-changing memory. The reason why some people find method acting traumatic and maybe not safe mentally, is because you’re always going back to that moment.… It’s a bit like being a musician. When you’re performing, you’re still trying to invoke the energy and emotion of when you first wrote it, in that moment.”

My Method Actor Cover Artwork:

My Method Actor Tracklist:

1. Keep On Dancing
2. Like I Say (I runaway)
3. Method Actor
4. Binding
5. Mutations
6. Ready for Sun (touch)
7. Call It Love
8. Faith’s Late
9. Made Out Of Memory
10. Just A Western
11. Wingspan

 

Nilüfer Yanya 2024 Tour Dates:

Sep 28 — Philadelphia, PA – Underground Arts
Sep 30 — Washington, DC – Black Cat
Oct 1 — New York, NY – Brooklyn Steel
Oct 2 — Boston, MA – Royale
Oct 4 — Montreal, QC – La Tulipe
Oct 5 — Toronto, ON – Phoenix Concert Theatre
Oct 6 — Cleveland, OH – Grog Shop
Oct 7 — Chicago, IL – Metro
Oct 9 — Nashville, TN – Basement East
Oct 10 — Carrboro, NC – Cat’s Cradle
Oct 11 — Atlanta, GA – Terminal West
Oct 13 — Lawrence, KS – Bottleneck
Oct 15 — Denver, CO – Meow Wolf
Oct 18 — Vancouver, BC – Hollywood Theatre
Oct 19 — Seattle, WA – The Crocodile
Oct 20 — Portland, OR – Wonder Ballroom
Oct 22 — San Francisco, CA – August Hall
Oct 24 — Los Angeles, CA – Fonda Theatre
Nov 24 — Brussels, BE – Botanique Orangerie
Nov 25 — Amsterdam, NE – Melkweg Old Hall
Nov 26 — Berlin, GE – Kesselhaus
Nov 28 — Paris, FR – La Bellevilloise
Nov 30 — Brighton, UK – Concorde 2
Dec 2 — Bristol, UK – Fleece
Dec 3 — London, UK – HERE at Outernet
Dec 4 — Nottingham, UK – Rescue Rooms
Dec 5 — Manchester, UK – Academy 2

Album Review: Charli XCX, ‘BRAT’

In an era of perfectly manicured and evolving pop stars, Charli XCX is honest, reactive, and conflicted. Her musical identity is seen as continuously ping-ponging between extremes: a pop nostalgist and the face of the genre’s avant-garde, perenially on the cusp of or redefining stardom yet clearly more comfortable with just being an It Girl, the kind she assembled for her ‘360’ music video, which featured Rachel Sennott, Julia Fox, Chloë Sevigny, and Alex Consani, among others. She’s looking back but tapped into the future. Critical acclaim and commercial success is a scale she toys with on each release, which always seems to jar in response to the previous one. Her 2022 album CRASH was her first to reach the Billboard top 10 and top the UK Albums Chart; if the pattern is correct, BRAT should find her catering to her niche, and in some ways, it fits the bill. If mainstream sensibilities have to immediately be balanced out by chaotic ones, it’s her turn to “be a mess and play the role,” as she puts it on ‘I might say something stupid’.

Yet Charli’s pop vision is never as straightforward as it seems. This is someone who recently said, in a tone the interviewer identified as an “irony-rich drawl,” that she’s “into this idea of lying all the time. Being really truthful, but also lying.” Initially, the rollout for BRAT did hint at a rather single-minded focus: returning to the singer’s club roots with help from close collaborators well-versed in its language, namely A.G. Cook and EasyFun. In a live setting, CRASH’s mainstream flirtations also meant embracing her previous eras, whereas BRAT zeroes in on the present and is only interested in recontextualizing old hits that can slot into her set, the word “PARTY” looming behind her. But while it may be a party record, a club record even, Charli treats these spaces with the same nuance afforded by the singer that’s said to be the subject of ‘Girl, so confusing’. The dark corners of the club are also of the mind, she realizes, and what often springs up, more overtly and bluntly recorded than ever before, is her relationship to fame: “I used to never think about Billboard/ But now I’ve started thinking again/ Wondering about whether I deserve commercial success,” she sings on ‘Rewind’.

It’s perhaps too easy for an artist with Charli’s self-awareness to wink at her place in the pop landscape, gamified as it is. But none of the references on BRAT totally scan as such; even if they become cause for speculation, Charli focuses on the emotion, not the person or the world they belong in. At times, that emotion is one of ambivalence, like in ‘Girl, so confusing’, which her dry monotone doesn’t obscure so much as amplify. When she pays tribute to her late mentor SOPHIE on ‘So I’, it’s in part to humanize her and explore feelings of grief, of being intimated by someone’s talent and regretfully holding them at a distance. As in the past, bravado and nervousness go hand in hand. “Why I can’t even grit my teeth and lie?/ I feel all these feelings I can’t control,” she sings, somewhat ironically, over stabbing and gleaming synths on ‘Sympathy is a knife’. Yet she’s cannier than ever when it comes to twisting and playing with them, especially in the sequencing. Just notice how the weight of the first person shifts in an incredible run of songs: so uncertain in ‘I might say something stupid’, where I is the first word of a sentence that’s never completed before cutting to the euphoric anticipation of ‘Talk Talk’, and then the self-possessed declarations of ‘Von dutch’: “It’s so obvious I’m your number one.”

It’s this kind of controlled volatility that BRAT excels at better than anything Charli XCX has released in the past. Like the singles suggested, it’s full of delirious fun and ego, but it’s also already secured a spot, in many fans’ hearts, as her best record thanks to its vulnerability – a quality she leans on, unlike even some of her collaborators, without veering into the trap of “confessional pop.” This was true of how i’m feeling now, of course, but another thing that separates these two records – apart from the insecurities being not so tied to (but rather in tandem with) a romantic relationship, plus the whole lockdown thing – is how it drags us slightly out of the present, out the club, and into the present participle (how i’ve been feeling) and future conditionals: What might happen if I choose a different path? This is the question she poses on the intimate ‘I think about it all the time’, where a visit to a friend leaves her pondering about motherhood. The identity of the friend is the last thing anyone could possibly care about; what matters is how the thoughts could transform her world, musically and otherwise. “My career feels so small in the existential scheme of it all,” she confesses, in a blink-and-you’ll-miss-it way. It’s not just the world of pop stars that can feel small and alienating, of course. We’re just lucky to catch a glimpse of it all.