Speaking about the song, the band’s Maia Sinako said in a statement: “Once upon a time there were two twin brothers named Albert and Henry. They lived in a beautiful house at the end of a long quiet street. Albert and Henry were very big and strong, so big and so strong people were almost scared of them when they walked by. But on the inside, Albert and Henry felt small, like children, afraid of the world and the people in it. That’s why they stayed in the beautiful house at the end of the long quiet street. Out of sight, undisturbed, the twin brothers ran free, rolling in the leaves on the lawn, chasing birds, or cats into trees. Because they were dogs. The biggest dogs I’ve ever seen.”
A trio of new Presage Cocktail Time GMT watches have been introduced by Seiko, featuring the brand’s first GMT-compatible Cocktail Time watches. Three models are included in the collection: ‘Skydiving’, ‘Rusty Nail’, and ‘Acacia’, all inspired by Japanese cocktail culture and specific drinks from the Star Bar in Tokyo’s sophisticated Ginza district.
With its elegant handle, the Presage Cocktail Time GMT hand is inspired by a cocktail stirrer, while the second hand symbolizes a cocktail glass stem. The timepieces track two time zones simultaneously with Arabic numerals at each index. Preserve Cocktail Time GMT has razor-sharp markers, Dauphine-style hands, and a date feature at 3 o’clock. Powering the timepieces is a 41-hour power reserve 4R34 GMT calibre.
A five-link bracelet completes the ‘Skydiving’ model, while brown leather straps finish the ‘Rusty Nail’ and ‘Acacia’ models.
Winter is a magical time of year, especially for families with kids. The excitement of the first snowfall, building snowmen, and sipping hot cocoa by the fire are hallmarks of the season. However, the challenge lies not just in enjoying these moments, but also in ensuring your home remains a warm and comfortable haven as temperatures drop. One way to achieve this is through air source heat pumps. These efficient systems are revolutionizing the way households manage their heating, making life simpler for families everywhere.
The Smart Switch to Air Source Heat Pumps
Choosing the right heating solution is crucial for maintaining a cozy home during winter. Enter air source heat pumps—a modern, energy-efficient heating system that harnesses the ambient air to provide consistent warmth. Families that switch to air source heat pumps often find their winters significantly more manageable, thanks to the advanced technology and multiple benefits these systems offer.
Energy efficiency is perhaps the most compelling reason to consider air source heat pumps. By transferring heat rather than generating it, these pumps use far less electricity compared to traditional heating systems. This efficient use of energy not only keeps utility bills in check but also aligns with environmentally conscious choices, reducing your home’s carbon footprint.
Taming Utility Bills for Family Budgets
Managing a household budget can be a balancing act, especially with the extra expenses that winter brings. Heating comes at the top of many families’ lists when it comes to increased cold-weather spending. Air source heat pumps shine in this aspect, as their efficiency translates into lower operational costs.
With traditional systems like furnaces or heaters, energy consumption can spike dramatically in colder months, leading to stressful utility bills. Air source heat pumps, however, offer a more steady and predictable expense curve, helping to avoid budgetary shocks. Families can reinvest these savings into other enjoyable winter activities, like skating lessons or holiday gifts, enriching the overall winter experience. It will also come in handy during Cincinnati furnace maintenance.
Simplifying Maintenance and Reliability
Winter is already a busy season for families, packed with holiday planning, school breaks, and seasonal activities. Additional home maintenance chores are often the last thing parents want to handle. Air source heat pumps have a distinct advantage in this area thanks to their minimal and straightforward maintenance requirements.
Compared to bulky furnace systems that often need regular servicing, air source heat pumps are easier to manage. Routine maintenance is limited to cleaning filters and ensuring external units are free from debris, tasks that are quick and not cumbersome at all. Reliable performance means these systems are less likely to break down during critical times, providing the consistent warmth every family needs throughout winter.
Enhancing Indoor Safety and Comfort
When kids are involved, safety becomes a paramount concern, especially with household appliances. Traditional heating methods, such as space heaters or fireplaces, can pose risks such as burns, fires, or carbon monoxide poisoning. Air source heat pumps eliminate these hazards by offering a safer alternative. Since they don’t involve combustion or hot surfaces, they reduce risks significantly, allowing parents to breathe easier.
Moreover, air source heat pumps provide consistent, even temperatures throughout the home. This minimizes the need for extra blankets at night or overheated rooms during the day, offering a balanced environment that keeps every member of the family comfortable.
Environmental Responsibility: Teaching the Next Generation
Parents today are increasingly focused on teaching their children about environmental stewardship. Switching to air source heat pumps can be a tangible way of demonstrating this commitment. By choosing an energy-efficient system, families can reduce their overall energy consumption and greenhouse gas emissions, contributing to a more sustainable future.
Kids learn best from the actions and choices of their parents. Using eco-friendly technologies like air source heat pumps can be a daily lesson in responsible living. This can inspire children to think more critically about their own environmental impact, encouraging practices like recycling or conserving energy, and fostering a sense of responsibility towards the planet.
Conclusion
Winter with kids is a delightful season filled with memories waiting to be made. Ensuring your home remains a warm, safe, and comfortable place is crucial for making the most of this time. Air source heat pumps offer an efficient, reliable, and cost-effective solution for meeting your family’s heating needs.
By simplifying maintenance, balancing utility bills, and enhancing safety, these modern systems make winter more straightforward for busy families. Plus, the added benefit of promoting environmental responsibility ensures that air source heat pumps are not just an investment in your home’s comfort, but in your family’s future as well.
As we move deeper into 2024, the significance of maintaining a potent Instagram presence continues to escalate. Entrepreneurs, influencers, and large enterprises alike are turning to strategic solutions to amplify their social media profiles.
Why is it essential to enhance your digital footprint? What are the benefits of bolstering your Instagram with additional likes and followers? In this comprehensive guide, we explore nine leading websites that can help elevate your Instagram metrics through reliable, effective services tailored to meet diverse needs.
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Comparison of 9 Best websites to buy Instagram followers and likes
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Conclusion
Choosing the right service to buy Instagram followers, likes, and views requires understanding your unique needs and the capabilities of various platforms.
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Everything is perfect on Instagram, or so Rosie believes. She’s just married Jordan, a handsome if uninteresting start-up bro, and raises money with Rainbow Futures, an LGBT organization. But something’s nagging at her, and it arrives in the form of square photos on her phone. Eventually, when she sees an ad for a folksy, earthy vegetable peeler she can imagine herself using upstate, she bites the bullet and upends her life with Jordan for a more DIY approach to living, purchasing an expensive, historic home in the Hudson Valley.
The house takes a lot of work, but fortunately, the handy queer couple Dylan and Lark rent the outhouse while they fix the place up. Rosie becomes enchanted with their easygoing lifestyle in a polycule and chill demeanor, but Jordan takes this as a hit to his manhood and disapproves of their relationship. Rosie’s desires can’t be controlled, though, and as her life merges with the pair, she finds out things about herself Jordan might not have the solution for.
Our Culture talked with Laura Blackett and Eve Gleichman about writing as a duo, formation of queer characters, and Instagram fantasies.
Congratulations on your second book! Has the writing process gotten easier as a duo from your debut?
Eve Gleichman: Thank you, and no! Writing this book was as difficult as the first, because it’s a different book with its own set of unique problems that we created for ourselves. The key, in other words, that fits the lock for the first book doesn’t fit the lock for this one. But I do think we did have a better idea, going into Trust & Safety, how to work together; who’d be driving the plot forward (Laura) and who would be obsessing over sentence details (me). As with the first book, there was a lot of joy in generating these characters and the various traps we set for them. Writing is usually such a solitary act — that I get to share the experience with Laura makes the whole experience so much better.
Laura Blackett: One of the new challenges we faced when writing Trust & Safety was figuring out how to write about a group of people, instead of a single, central relationship. It was difficult and exciting to create the social tensions that live between the many characters of our book. They talk about one another, do things in secret, and exclude one another. There’s love and connection between them, and also yearning and jealousy and real questions of belonging.
I loved that the main tenetof the book is that Instagram fantasies will almost never match up to their real-life counterparts. Did you have particular inspiration for Rosie’s story and desires?
EG: I wish I had learned this lesson myself, but I continue to buy things from Instagram. Yesterday I was served an ad for a shirt with the blue Corning Ware cornflower design on it, and immediately bought it.
LB: Instagram is a great place to go if you want to imagine that other people are experiencing more pleasure and connection than you are, and to buy something to soothe that anxiety. Rosie buys sourdough starter, expensive vegetable peeler, and a house in upstate New York. I think Rosie believes that with a little peace and quiet — and the right stuff from Instagram — she can self actualize, or at least become someone she likes. And that raises the stakes of her move. She finally has everything she wants, but can she be happy?
Rosie and Jordan’s attitudes towards Dylan, Lark, and their polycule are interesting because they’re two subsets of allyship. Rosie is really drawn towards Dylan and her handiwork because she’s never seen anyone like her, and Jordan, while still tolerant and respectful, maintains a careful distance. Did you consciously craft their responses to the couple?
EG: We knew that Dylan would emasculate Jordan, and we knew Jordan wouldn’t like being emasculated. I’m not sure he is so tolerant or respectful of Dylan; she really gets under his skin, and he spends a lot of time complaining about her!
LB: Right, similarly, we knew that Rosie would develop a crush on Dylan, and that she would become in some ways Jordan’s rival. I think we liked the idea of an asymmetrical rivalry — one where Jordan is more fixated on Dylan than Dylan is on Jordan. In the novel, Rosie straddles two worlds, straight and queer, and takes from each what she wants.
Why do you think Rosie takes such a liking to Dylan and her new lifestyle? Is it that she was just never exposed to something like it in Brooklyn?
EG: For Rosie, Dylan represents the path not chosen; she appears to have a strong sense of self, cool passions, a chosen family, and very little anxiety. Rosie, on the other hand, twists herself into knots wondering “what if?” What if she hadn’t married Jordan, and had instead lived a life off the grid? What if, instead of following a template for marriage and family, she’d lived a queer life?
LB: Part of her fascination with Dylan and the others in the polycule is that she is a consumer and they are makers. They build things from scratch, including their own family structures and identities. Rosie wants some of that for herself, but doesn’t really know how to get it without buying it.
On the other side, what threatens Jordan so much? Can he not stand that Rosie might want something different than what he provides?
EG: American life was made for Jordan, and the template works for him, because it puts him on top. When Jordan turns on the TV, he sees himself reflected: a straight, white, cis guy with a wife, a home, and maybe a baby on the way. This is the life he’s purchased, and he wants the lifetime warranty too: security, stability. So when the allegedly stable structure of his marriage is threatened by a queer polycule that’s cooler, more creative, and more seductive than his own marriage, he freaks out.
LB: I couldn’t have put it better!
The queer polycule is so interesting, funny, and is mixed with so many gender identities. What was it like coming up with these characters?
LB: It was very fun! Many of the queer characters’ names and gender identities shifted over the course of writing the book, which feels reminiscent of the particular queer culture that surrounds me. It was nice to approach the identities of our characters with openness and curiosity, which is how I would want to treat my friends and myself.
Continuing from The Very Nice Box, your social satire skills are sharp as ever — Rosie’s Instagram obsession, her canvassing with Rainbow Futures, and Dylan and Lark’s constant lax, earthy lifestyle were some of the best parts. What do you pull from in real life for these bits?
EG: I know we’re writing satire, but to me, it never feels that way when we’re writing it. We’re simply including details that are true to the world around us, which includes smart technology, Instagram reels, Union Square canvassers, etc. It turns out that when you put those details plainly on the page, it reads like satire.
LB: I think Eve and I do tend to keep an eye out for the banal absurdities of everyday life. Writing these details into the book didn’t feel like an act of imagination. More like making a collage from the stuff surrounding us.
This book made me so worried about money, and these characters aren’t even real. Rosie and Jordan sink their costs into this huge renovation, and while Jordan makes a living with ludicrous tech startups, Dylan and Lark live comfortably in their own ways. Was finance a big part of the book in the planning process?
EG: We were certainly thinking about money. Rosie moves through life thirsting after better things: a better vegetable peeler, a better house, a better husband. Lots of these upgrades require only one thing, money, which Rosie has access to, now that she has access to Jordan’s family money.
LB: I think so. I think this book is about what happens when you have the resources to live out your escapist fantasies and then have to answer to them. I think it also played into the satire and the social tension to have Rosie and Jordan have more money than talent.
I’m wondering if, by centering the story around Rosie, the readers seeing the queer characters here from an outsider’s point of view was a deliberate choice. Did it also help in Rosie dredging up some undiscovered feelings within herself?
EG: Good question — we could have told the story from the queer polycule’s point of view, but that would have been (in my view) less inherently funny and interesting. What I like about being in Rosie’s perspective is that we begin with a familiar pillar — a straight marriage — and then take a hammer to it.
LB: Right, we also wanted to see what would happen when straight people end up surrounded by queer people. Everyone Rosie and Jordan meet when they move upstate is queer. This is not usually how it goes for them, and I think this reversal is a big source of humor and tension in the novel.
Finally, what’s next? Are you working on any other fiction projects at the moment?
LB: I feel like we are in a familiar place as collaborators and friends– we notice things, tell each other stories, and talk about ideas. This was the fertile ground from which both of our novels grew, so we’ll just have to wait and see what happens next.
Sophie Allison is currently in the midst of a solo US tour billed as the Lost Shows, where she has been performing new material. “‘Lost’ feels like something new and something old at the same time,” she explained in a statement. “It’s a song that’s full of reflection and I wanted its production to really capture that feeling. I’m happy to have a chance to play it at these more intimate solo shows, because I think it really shines in that setting.”
Cola have previewed their upcoming album The Gloss with a new single, ‘Pulling Quotes’. It follows earlier cuts ‘Albatross’ and ‘Pallor Tricks’. Check out a video for it below.
Discussing the song, the band’s Tim Darcy said in a statement:
Ben sent us this demo with music based on the melodic limitations of the Uilleann pipes, which he is learning to play (the bassline is mimicking the drone of the pipes). He and Evan then recorded a demo together that they were really happy with. I’ll admit I wasn’t drawn to it initially but they kept reiterating their enthusiasm for it. I finally sat down and wrote the whole vocal in one afternoon, pretty nearly in final form which rarely happens.
Lyrically, it’s a song about a relationship where two people are approaching each other like journalists, or perhaps even are journalists. The music is so bright and open I felt the lyrics needed to be a bit cheeky to match the tone. There is definitely some pathos, though, in the darkness of the bridge.
Ben Stidworthyadded of the video: “For me, the video could be seen as a reflection on the cycles of desire and deception in our relationships, and the interference running through that arc – the endless doom scrolling and stalking and assumptions and projections and repeating all these roles we think we should be playing that we’ve seen on tv. It’s about navigating through all this mediation, and trying to make sense of what’s real in the density and mess of it all.”
The Gloss arrives June 14 via Fire Talk and Next Door Records in Canada.
On The Dream of Delphi, her sixth studio album as Bat for Lashes, Natasha Khan largely abandons the realm of fantasy. She’s still working with characters – here, she introduces the Motherwitch, which is also the name of the Tarot-style oracle card deck she designed and released in 2023 – but the archetype allows her to express a new kind of embodied physicality, not run from it. While 2019’s Lost Girls was based on a screenplay Khan wrote for an ’80s-inspired sci-fi vampire film centered around a gang of biker women, the new record is inspired by, dedicated to, and named after her daughter. In following the conception, birth, and growth of a human being, The Dream of Delphi feels earthly yet infuses the most domestic of spaces with a kind of cosmic wonder. “I can’t escape life by making beautiful things as much as I did,” Khan said in press materials. “But there’s sort of a beauty to my mortality now.”
The songs are indeed beautiful, though more sparse and ambient-leaning than anything Bat for Lashes have released before. There’s not only a tenderness but a lightness to it: a number of instrumental tracks whirling together pianos, synths, woodwinds, and wordless vocals are woven between more robust pop songs. Even at just over half an hour, the album feels outstretched and slightly unfocused, as if straining to reach album-length runtime. The titular and most fully-formed song on it arrives first, an enchanting invocation adorned by Mary Lattimore’s harp before it’s cut through by a shuffling beat. It primes us for an expansive listening experience, but perhaps that cinematic quality is only fully achieved when paired with its accompanying album film, The Dream of Delphi – A New Transmission. In relaying her journey of motherhood, there are moments when Khan retains the magical realism and theatricality that have become markers of her work, but strips away some of the drama; ‘Breaking Up’ and ‘Waking Up’, which combine to convey the dissolution of Khan’s relationship with Delphi’s father, are oddly indistinct and framed as interludes.
Although some of the songs lack muscle, the album also benefits from its malleability. ‘At Your Feet’, which was released as an advance single after the shimmering and straightforward pop of ‘Home’ and ‘Letter to My Daughter’, was improvised on the piano in the state of sleep deprivation that comes with new parenthood, and the words that eventually float through feel primal and potent: “What will become of you and me?” she ponders. Slight as it might occasionally feel, the album presents its wisdom not as grand but rather intimate revelations that can dissipate from one moment to the next. “You’re a gift/ You’re from me, but you’re not mine,” she intones on ‘Christmas Day’. It feels like an internal realization, but Khan is immediately compelled to pass down her knowledge in the form of poetry on ‘Letter to My Daughter’, singing, “Don’t give yourself up to thinking/ This ride is ever over/ Remember you came from a spiral unfolding/ A tender star while magnolia are slowly unfurling.”
It’s more than other artists spend whole albums trying to articulate, but you wish more the music – though still spell-binding – carried the same weight. It’s not that the songs feel undercooked; Khan has a natural ability to string melodies that soar, mesmerize, and transport across even the most ambient tracks. They are quiet devotionals that aren’t disconnected from the rest of the world so much as they seek a portal to it, and Khan deftly traces the universal in the personal moments she shares, comparing an “ancestral line or spiral in the cosmos” to “the spiral that I saw in her soft hair when she was a baby.” But there is a sense that the artist, however vulnerable in her songwriting, also casts a protective shield around it, preventing that wider resonance – inevitably tied to the global anxiety she experienced during lockdown – from rising to the surface. When the entire universe seems to revolve around a tiny human being, you have to be careful with your words, and so much of what Khan wishes to communicate, at the end of the day, is beyond them. It’s also, The Dream of Delphi suggests, impossible to ignore.
Kississippi has announced a new EP, damned if i do it for you, which arrives on July 26. Check out the new single ‘Last Time’ below.
damned if i do it for you follows Kississippi’s 2021 album Mood Ring. In a press release, Zoe Reynolds described it as “a journey of introspection, peeling back all of your layers and searching for the love that you’ve always dreamed of within yourself. It’s a battle to find bliss in solitude, while you’re still healing from the wounds of a shattered heart. Along the way, it uncovers truths about identity and grapples with whether or not the imperfections you’ve found can be transformed into something beautiful. It’s a path to self-discovery and growth, as you navigate the complexities of self-love and acceptance.”
‘Last Time’ came about after Reynolds ran into an ex-partner at a gig. “As I took the stage with only a drum machine and mic, it hit me that I was essentially doing karaoke to these songs about unrequited love, knowing that the person I wrote them about was in the next room with someone else,” she recalled. “‘Last Time’ is about realizing someone you love has moved on before you know it, and the irony of having to do it live, in front of an audience.”
damned if i do it for you is coming Cover Artwork:
damned if i do it for you is coming Tracklist:
1. Smaller Half
2. Last Time
3. Jesus Freak
4. Bird Song
beabadoobee released a new song, ‘Coming Home’, taken from her upcoming album This Is How Tomorrow Moves. It follows lead single ‘Take a Bite’, and you can listen to it below.
“I wrote it in a hotel room in LA when I was away from my boyfriend, my loved ones, my two cats,” Bea Kristi said of the track in a statement. “It opens with all the little mundane things like doing the dishes, that I miss because I’m always away. Really, it’s just a cute little love song with a weird non-existent structure.”
This Is How Tomorrow Moves arrives out August 16 on Dirty Hit.
