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Cloud Nothings Release New Song ‘I’d Get Along’

Cloud Nothings have dropped ‘I’d Get Along’, the latest single from their forthcoming album Final Summer. It follows the previously released ‘Running Through the Campus’ and the title song. Listen below.

Vocalist/guitarist Dylan Baldi had this to say about the new track in a statement :”I got pretty obsessed with the band Earth during the pandemic, and that led to an obsession with other doom metal, and then I started buying lots of fuzz pedals and downloading distortion plugins online—basically just anything that would blow out my guitar sound and get it sounding somewhere in the deep and fuzzed out ballpark of the heavy music I was listening to. ‘I’d Get Along’ is sort of a Cloud Nothings take on that sound, where the guitar is big and bulky but there’s a really poppy vocal melody on top, and the drums are bouncy and rolling around the other instruments in their own idiosyncratic way.”

Final Summer lands on April 19 via Pure Noise Records.

Desire Announce New Album ‘Games People Play’, Unveil New Song ‘Darkside’

Desire have announced their third album, Games People Play. The follow-up to 2022’s Escape will be out later this year on Italians Do It Better, and lead single ‘Darkside’ is out now. Check it out below.

“The song is about the invisible line we draw between our outer reality & our inner world,” the duo explained in a statement. “The darkside is a metaphor for the unmasked internal space that we rarely share with strangers, a secret realm that never sees the light of day. On the endless hunt for love, we crave a deeper connection that can only come with truth. The mirror sees you… on the darkside. Crash into the starlight.”

Games People Play Cover Artwork:

FKA twigs Joins Two Shell on New Single ‘Talk to Me’

The mysterious London electronic duo Two Shell have teamed up with FKA twigs for their latest single, ‘Talk to Me’. The group has been cryptically putting out and then deleting versions of the song – featuring edited-in vocals from Frank Ocean, Taylor Swift, Chris Martin, PinkPantheress, and JungKook – for more than two weeks; “a karaoke version and multiple iterations featuring vocal lines from recognisable voices,” according to a press release. But this is an official collaboration that lists twigs as a co-writer and boasts an entirely new arrangement and instrumental. Listen to it below.

FKA twigs stars as Shelly Webster in the upcoming remake of The Crow. Earlier this year, she began teasing a new album inspired by the move she made to Prague a few summers ago, where she “fell in love with techno.” Her mixtape CAPRISONGS came out in early 2022.

Two Shell dropped the Lil Spirits EP in February 2023 and later released ‘✨mum is calling✨’ as its new closing track.

The Decemberists Announce New Album, Share New Single ‘Joan in the Garden’

The Decemberists have announced their first album in six years, As It Ever Was, So It Will Be Again. The follow-up to I’ll Be Your Girl is slated for release on June 14 through YABB/Thirty Tigers. The four-part double LP was produced by lead singer Colin Meloy and Tucker Martine. It includes the previously released single ‘Burial Ground’, featuring the Shins’ James Mercer, and REM’s Mike Mills also appears on the record. New single ‘Joan in the Garden’ is a 19-minute epic that serves as the album’s closing track. Listen to it and find the album’s details below.

“‘Joan in the Garden’ has been kicking around as an idea since the I’ll Be Your Girl sessions,” lead singer Colin Meloy explained in a statement. “I got into a Joan of Arc kick after reading Lydia Yuknavitch’s beautifully batshit novel The Book of Joan. I wanted to make my own version of Joan — but the song that came was as much about the creative process as it was about the actual woman, about angelic visitation and creative visitation and the hallucinogenic quality of both.”

As It Ever Was, So It Will Be Again Cover Artwork:

As It Ever Was, So It Will Be Again Tracklist:

1. Burial Ground
2. Oh No!
3. The Reapers
4. Long White Veil
5. William Fitzwilliam
6. Don’t Go to the Woods
7. The Black Maria
8. All I Want Is You
9. Born to the Morning
10. America Made Me
11. Tell Me What’s on Your Mind
12. Never Satisfied
13. Joan In The Garden

Beirut’s Zach Condon Joins Efterklang on New Single ‘Getting Reminders’

Efterklang have returned with a new single, ‘Getting Reminders’, featuring Beirut’s Zach Condon on trumpet. It accompanies the release of the documentary Efterklang: The Makedonium Band, which is screening at film festivals throughout Europe this summer. Check out a video for ‘Getting Reminders’ and watch a trailer for the documentary below.

“To me, ‘Getting Reminders’ is a flash of light, a domino effect of feelings from a simple reminder, like a photo, a word, or when we encounter love, that suddenly sets our minds free,” vocalist Casper Clausen explained in a statement. “In reality, I feel a dark and highly politicised force tearing us apart, across land and culture. I feel like reminding myself that there’s a landscape that lives beyond and between us all, where we are free to cross and meet one another.”

“We took ‘Getting Reminders’ with us on our trip to North Macedonia for the Makedonium Band, where the song really started shaping itself, finding resonance, it became a sort of mysterious communication tool,” Clausen added. “We would play it to many people there, from shy teens to a confident president and perform it together with local musicians in front of their freedom monument; Makedonium (Ilinden Memorial).”

Efterklang last released the Plexiglass EP in 2022. Their most recent album was 2021’s Windflowers.

Keeley Forsyth Collaborates With Colin Stetson on New Single ‘Turning’

Keeley Forsyth has released a new single, ‘Turning’, featuring Colin Stetson. It’s the second offering from Forsyth’s new album The Hollow, following last month’s ‘Horse’. Check it out below.

“Colin is a force, elemental and truly moving to witness,” Forsyth commented in a statement. “Experiencing him perform live was in many ways the catalyst for this collaboration. I wanted to try and match his instrumentation with a percussive, staccato vocal line, aiming to complement his playing without overshadowing or personally being so central to the piece. It’s quite rare to hear Colin’s playing accompanied by a vocalist and it’s an experiment I’d like to explore with him further in the future.”

The Hollow will be released on May 10 via FatCat’s 130701 imprint.

One Step Closer Share Video for New Single ‘Giant’s Despair’

One Step Closer have shared a new single, ‘Giant’s Despair’, alongside an accompanying video. It follows the recently released ‘Leap Years’, which led the Wilkes-Barre hardcore band’s upcoming album All You Embrace. Check it out below.

All You Embrace, the follow-up to 2021’s This Place You Know and last year’s Songs for the Willow EP, arrives on May 17 via Run for Cover.

No Windows Release New Single ‘Zodiac 13’

No Windows have released a new single called ‘Zodiac 13’. It’s set to appear on the duo’s upcoming Point Nemo EP, which arrives May 3 via Fat Possum, alongside the previously shared ‘Song 01’ and ‘Fibbs’. Check it out below.

“This song is written about the isolation I felt as the winter months started, it is about friendships ending and changing and coming to terms with their being a constant doubt when it comes to people near to you,” the band’s Verity Slangen said of ‘Zodiac 13’ in a statement. “Lyrically this is the oldest song on the EP, and I was much more unsure of my feelings back then, it’s nice to have something to look back on and see how my writing has changed.”

METZ Share New Single ‘Light Your Way Home’ Featuring Black Mountain’s Amber Webber

METZ have released ‘Light Your Way Home’, the latest preview and closing track of their upcoming LP Up on Gravity Hill. Following previous singles ’99’ and ‘Entwined (Street Light Buzz)’, the track features vocals from Amber Webber of Black Mountain. Check out director Colin Medley‘s video for it below.

“’Light Your Way Home’ is definitely one of our favorites from Up On Gravity Hill,” METZ frontman Alex Edkins explained in a statement. “I was listening to lots of Jesu and Low (as I do most winters) when writing this one. Lyrically, it’s about missing your loved ones to the point of losing your grip on reality. We distorted and added a mechanical slap back to the drums to create a wild and huge sound. I love how big we got the production on this one. It’s like nothing we’ve ever made before, sonically or lyrically. Amber Webber (Black Mountain, Lightning Dust) was so great to work with, and her voice just takes this song to another stratosphere. I think the video by Colin Medley perfectly captures the vibe and intent of the song.”

Up on Gravity Hill is due out April 12 via Sub Pop.

Mo Troper Dropped By Label, Management, Publicist Following Abuse Allegations From Floating Room’s Maya Stoner

Lame-O Records has announced it will no be longer be releasing the new album from Portland power-pop musician Mo Troper, Svengali, after Troper’s ex-partner, Maya Stoner of Floating Room, accused him of abuse. “In light of recent information, we will no longer be releasing Mo Troper’s album Svengali,” Lame-O’s statement message reads. “Refunds will be available at point of purchase. We are sending healing thoughts to Maya and victims of abuse everywhere.”

Troper’s manager, Luke Phillips, has also dropped Troper as a client following the allegations. “Mo and Maya are both people I consider friends—I was briefly managing Floating Room and was even asked to officiate their wedding—and to read these tweets / see these videos has been overwhelming,” he said, adding:

Everything I knew about their relationship was from afar and. in light of all this, I don’t think I can go on working with Mo, and will give him space to make his own statements.

I believe Maya. I hope everyone involved can take the steps to heal and grow from this, and I hope that those blindsided by these allegations like I was can find space to support eachother through whatever they need going forward

Grandstand Media, the publicity company that had been working with Troper, is also no longer representing the musician, and Troper is no longer listed as a client on the firm’s website, as Stereogum points out.

Camp Trash, who were set to begin tracking their second album with Mo Troper this week, will not go ahead with the recording, the band’s Keegan Bradford said on X: “Abuse is always something to address and to take seriously. This news comes at the cusp of the members of Camp Trash arriving in Portland Saturday night and we were scheduled to begin recording our second LP with Mo Troper today. Upon hearing Maya’s story, myself and the band have made the decision not to move forward with recording our album with Mo, and we hope Maya can find comfort and healing.”

Since Friday, Stoner has shared several posts on her social media accounts accusing Troper of abuse, calling him “a straight up sick in the head violent and depraved person” and “a serial abuser.” In a video message shared on X, which she later clarified was about Troper, Stoner said, “This man abused me. I’m still fucking healing from it, and he’s just bragging about it. And he can brag about it because I’m just an autistic sex worker indigenous brown person, and he’s a popular white guy. Rich white guy.”

In another clip, Stoner added, “I didn’t want to participate in call-out culture, but if he’s going to fucking brag about it, well, he’s the one that is fucking bringing it up.” She attached excerpts from Svengali‘s press bio, which reads:

Before “Svengali” came to describe any vaguely megalomaniacal personality in the entertainment industry – from the genuinely evil Phil Spector and Colonel Tom Parker all the way to their Diet Rite equivalent Jack Antonoff – he was a literary character who was probably the prototypical megalomaniacal personality in the entertainment industry. The antagonist in the famously mid and otherwise unmemorable 19th century novel Trilby, Svengali is depicted as a machiavellian manipulator who transforms the guileless titular character into a famous singer. Mo Troper’s Svengali is a deeply psychological record with the throbbing heart of a fragile giant. It is a meditation on evil-ness. At certain points across Svengali’s 13 tracks, Troper relishes his own innate evil-ness; just as often he’s repulsed by it.

“he loves being evil and he was evil to me,” Stoner wrote. She also highlighted a passage from the bio that refers to “a toxic relationship where you can’t quite tell if you’re the manipulated or the manipulator.” Responding to the excerpt, she added, “he’s bragging about being an abuser in the album description. it wasn’t a ‘toxic’ relationship it was abusive.”

As of Sunday, Troper has deleted his social media accounts. Svengali was originally set for release on May 3, and, as of publication, is no longer available for purchase on the Lame-O Records website.

If you or someone you know have been affected by domestic abuse, the following organizations may me able to help:

The National Domestic Abuse Helpline (UK)
The National Domestic Abuse Helpline (US)