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Call of Duty: Black Ops 6 Set to Launch Season 6

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Call of Duty: Black Ops 6 has officially announced its sixth season. The new update brings the Halloween event known as The Haunting. In particular, it introduces new maps, modes, and more. Also, it could be the last major update before Black Ops 7 arrives in November. This latest offering enables players to explore fresh content to catch up before the next installment in the series.

New Maps and Modes

According to Activision, Season 6 comes with a heavy dose of Halloween spirit. Specifically, The Haunting adds a Halloween-themed map variant of Nuketown. Developers call it Boo-Town. It is a variant, core, 6v6, small-sized setting. This makeover features various spooky elements. From spiders to skeletons, players can experience the eerie environment after the sun sets.

Similarly, the latest seasonal update introduces three new multiplayer maps in the game.

  • Gravity: Brand-New, Core, 6v6, Medium-Sized
  • Mothball: Brand-New, Strike, 6v6/2v2, Small-Sized
  • Rig: Brand-New, Core, 6v6, Small-Sized

Aside from the additional maps, Season 6 features a new multiplayer mode. In particular, this is the Slasher Deathmatch. It has matches featuring Jason from Friday the 13th and Chucky from Child’s Play. In every round, players can face off as or against the iconic horror villains. Survivors must do everything to survive rounds. They must also be alert, as slashers will hunt them down using special abilities.   

Competitive Play and Rewards

As per the official blog post, the upcoming season refreshes Ranked Play. It uses the same rules and maps as the Call of Duty League. Likewise, players compete to boost their skill rating. At the same time, winning helps them earn special rewards. Among other things, players can get weapon blueprints, calling cards, and unique camos.

Black Ops 6: Free Trial

Activision revealed that there will be a one-week free trial for Black Ops 6. This open access period runs from October 9 to October 16. All players can experience the campaign, multiplayer, and Zombies modes. However, the free trial does not include the Ranked Play. But that is not a huge letdown. This free access even lets players try new content from The Haunting.

Launch Date

Call of Duty: Black Ops 6 Season 6 officially comes out on October 9. The seasonal update will be available across all platforms.

From themed events to fresh content, this season could help increase player interest in the first-person shooter franchise. This is a smart way to build momentum before Black Ops 7 launches. It somewhat puts the game in a good position against Battlefield 6 — intensifying competition.

World of Warcraft Rolls Out New Hotfixes for October

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World of Warcraft has just received several hotfixes for October. This update follows the last hotfixes launched on September 24. The new patch applies to multiple expansions and game modes. It fixes issues in Hardcore, Mists of Pandaria Classic, Season of Discovery, The War Within, and WoW Classic Era. All of these updates balance gameplay, fix bugs, and improve the overall gaming experience.

Adjustment in Classes

According to Blizzard Entertainment, the hotfixes gave tuning adjustments to several classes. Particularly, these changes affected damage and healing output. In detail, Frost Death Knight saw a 3% reduction in all ability damage. Likewise, Hunters with the Beast Mastery and Marksmanship specialization also received cuts. Their Dark Ranger abilities now have 8% and 6% less damage, respectively. In the same way, Arcane Mages’ damage dealt dropped by 3%. However, the decrease in damage rates does not affect PvP combat.

At the same time, Priests in the Discipline specialization received a 15% boost to Atonement healing. But this effect has now only increased by 75% outside of raids.  It was once 100%.

The update also fixed an issue with Rogue’s Fatebound damage bonus. It got updated to match the showed value.

Dungeons and Raids

Based on the official hotfix notes, there are changes for Mythic difficulty to many dungeon and raid encounters. The patch focuses on balancing boss mechanics and damage output. For instance, Nexus-King Salhadaar in Manaforge Omega had several damage rates reduced by 10% to 20%. Likewise, the All-Devouring Dimensius saw big adjustments. He got a 20% cut in raidwide damages. There are also reductions in health pools. Plus, Dimensius’ cast times rose for key abilities. It gives players more reaction time.

Updates on Player versus Player (PvP)

Blizzard Entertainment said PvP combat has better balance across class abilities. Specifically, the 11.2 Class Set damage bonus of Blood Death Knights is now 33% effective. In the same way, Restoration Druids got an 80% gain in Reactive Resin healing. On the other hand, the Hunters had mixed changes. Additionally, Enhancement Shamans increase damage by 45% to Stormstrike. There was also a 20% rise in Lightning Bolt in PvP, while Retribution Paladins faced a 15% damage reduction.

Changes in Mists of Pandaria Classic

The developer also announced that upgrading gear from the Dominance Offensive and Operation: Shieldwall factions is now possible. Players in Mists of Pandaria Classic can try this new feature. Blizzard even fixed the Empowering Flames debuff. And guess what, players can now start War Games!

Take Note

The availability of the new hotfixes in World of Warcraft varies. Some may take effect right away. But others could need restarts.

Personal Injury on Set: A Simple Guide for Creatives

Film sets feel organized, yet small mistakes can cause real harm. Cables lie across floors, lights run hot, and tight schedules push people to hurry.

Many crew members and performers work job to job. After an injury, it is easy to feel lost. Domingo Garcia y asociados explains accident basics and legal options in clear language. 

Reading a quick overview can help you understand the first steps before you speak with a local lawyer.

How People Get Hurt

Common issues on set include trips and falls, cuts from sharp props, strains from heavy lifts, and burns from lighting or effects. Car scenes, long nights, and fast turnarounds raise the chance of crashes and fatigue. Heat stress is also common during long exterior days.

Industry groups publish safety tips because these problems come up often. SAG AFTRA posts guidance on reporting hazards, stopping work when things feel unsafe, and handling stunts, firearms, and special effects. 

You can find those safety pages and reporting steps on their site. They show what a production should do to prevent harm and how a worker can speak up. See the union’s safety resources for details on common risks and how to report them.

You can also learn from official government guidance. OSHA’s Theatre eTool covers lighting, rigging, electrical work, and scenic construction. It is built for live performance, but much of it fits film sets, especially when departments share spaces and power. 

These references help when you are writing down what went wrong and who was responsible.

Who Can File a Claim

Your options depend on how you were hired and where the incident happened.

Employees on a production often have access to workers’ compensation. This can include union and nonunion hires who are on payroll. Workers’ compensation usually pays for medical care and part of your lost wages. 

You do not have to prove fault to receive basic benefits. It may limit lawsuits against the employer, but it does not block claims against other parties who caused the harm.

Many people are hired as independent contractors. That label does not always decide your rights. If the production controlled your schedule, told you how to do the work, provided tools, and set the rate, a court or agency might treat you like an employee for benefits. 

Keep emails, call sheets, contracts, and tax forms. These documents help a lawyer choose the best path for you.

Visitors and background performers can also be injured. If the injury happened because of unsafe conditions, poor supervision, or bad equipment, you may have a claim even if you were on set for a short time.

Workers’ Comp or Third Party Claim

There are two main paths after an on set injury.

Workers’ compensation. If you are an employee, you can usually file a workers’ compensation claim through the production company or payroll provider. This covers medical care and part of your wages. 

The process is faster than a lawsuit. It does not pay for everything. For example, it may not cover full wage loss or non economic harm. If you accept this coverage, you normally cannot sue your employer for negligence.

Third party claim. You can seek damages from someone other than your employer who played a part in the incident. Examples include a rental house that supplied a faulty lift, a driver hired by a separate vendor, a venue with a broken walkway, or a special effects company that ignored safety rules. 

Third party claims can include medical costs, full lost income, and pain related damages, depending on local law.

Many injured people do both. They file for workers’ compensation to start medical care, then bring a third party claim if the evidence shows outside fault. A lawyer who knows film contracts and vendor chains can find those outside parties and their insurers.

What To Do Right Away

Get medical care first. Visit the set medic, urgent care, or a hospital. Tell the provider your injury is work related. Keep records, including discharge papers, test results, and receipts. Follow the treatment plan and go to follow up visits.

Report the incident in writing. Notify your supervisor, production manager, or safety officer the same day if you can. Ask for an incident report and request a copy. If you are a union member, tell your union rep as well.

Collect evidence. Take photos of the area, gear, and any hazard signs. Save screenshots of call sheets, risk assessments, and stunt or effects plans. Ask witnesses for names and contact details. 

Write a short timeline while your memory is fresh. Note pain levels and limits you feel at work and at home. A simple phone note with dates is enough.

Protect your claim. Avoid posting about the incident on public social media. Be careful with casual comments in group chats. Insurance adjusters may read them. Do not sign releases or give recorded statements without advice from a lawyer. Simple words can be misread later.

Evidence, Costs, and Time Limits

Good records help you value your claim. Track all costs. This includes medical bills, transport to appointments, medication, rehab, and gear you had to replace. 

Save proof of lost income. For freelancers, gather past invoices, tax returns, and emails that show upcoming gigs you missed. If you act or perform, note auditions and bookings you could not attend.

Responsibility often turns on rules. Safety bulletins, risk assessments, and standard procedures show what should have happened. If a vendor or department ignored a reasonable rule, that supports negligence. 

Union and safety resources give you a clear baseline, which helps your lawyer and the insurer talk about the case with fewer disputes.

Deadlines are strict. Time limits to file workers’ compensation forms and injury lawsuits vary by state and country. Some are one year or less. If the claim involves a government site or permit office, notice periods can be even shorter. 

Move fast. An early consult helps you avoid missing a deadline and protects evidence before it is lost.

Most cases end in settlement. Many resolve after medical care is stable and the long term impact is clear. A common process includes a demand letter, document exchange, and talks between lawyers and insurers. 

If no agreement is reached, your lawyer can file suit and continue to negotiate while preparing for court. This step can take time, because healing and future costs must be measured with care.

How a Lawyer Helps Film Workers

A lawyer who understands production work knows how sets run, who controls each area, and where insurance coverage sits. They can read call sheets, stunt plans, vendor contracts, and payroll records. They can find the right insurers and match each insurer to its risk.

For those who want to learn options before choosing a lawyer, many law firms offer plain guides on accidents, insurance talks, and lawsuits. Clear, native language explanations help you ask better questions when you meet with a local attorney.

A good legal team also works with your doctors, organizes bills, and builds a full picture of your loss. They prepare you for statements and depositions so you are calm and accurate. 

Many personal injury lawyers use a contingency fee. Their pay comes from a recovery. Terms vary. Ask for the agreement and read it closely.

Final Takeaway

You do not need to pick between your health and your career. Start medical care, report the incident, save records, and speak with a lawyer who knows film work. 

Simple steps and steady documentation make the process easier. They also improve your chance of fair payment so you can return to set with fewer surprises.

When Your AI Model Becomes a Black Box You Can’t Fire

Imagine an employee you don’t understand. They are strangely silent in meetings, but their reports bring in millions. Would you fire them? Probably not. But you can’t completely trust them either.

Well, that’s exactly how your AI module behaves. It works better than anyone else, but if you’re called to a board meeting tomorrow and asked, “Why did it make that decision?”, you won’t have an answer.

The question is: what is more dangerous for business — a model that makes mistakes or a model that is right but cannot explain itself? Generative AI consulting is supposed to be able to do this. It is someone who will build a trust architecture that allows you to explain the black box before it becomes your only irreplaceable employee.

Every accelerator has its own graveyard, not of products, but of proofs-of-concept that never reached production. They didn’t fail technically. They failed because no one could explain them. That’s why CTO stories often sound the same…

The Graveyard Of Explanations: CTO Cases

There is a familiar story. The CTO says, “The model predicts default better than any of our experts. But the lawyers said: without an explanation, we won’t let it go into production.” As a result, the system sits on the server. Alive, powerful — but useless.

This is a classic scenario in fintech. The algorithm gives a credit score, and no one can explain why one application was approved and another was not. The regulator asks, “Which field was key?” There is no answer. The project is frozen.

In medtech, it’s even worse. The model sees a tumor in the image. The doctor asks, “Why did you decide that?” There is no interpretation. Try to build patient trust on this absence.

Now let’s look at e-commerce. Personalization works: users click. But suddenly the system starts making strange recommendations. The CTO writes in the chat: “Check what’s going on with the model.” The engineer’s answer: “It can’t be explained.” What to do? You can’t turn it off; it works too well.

Strengths Versus Real Risks

Scenario The strong point of the model Vulnerability What happens in practice
Fintech (scoring) High accuracy of loan forecasts Lack of transparency in decisions Regulator rolls back project: “We cannot approve something that is not explained
Medtech (diagnostics) Sensitivity is higher than that of the average doctor The doctor does not see the logic of the conclusion The patient loses trust: “If the doctor himself doesn’t understand, why should I?
E-commerce (recommendations) Steady growth in conversion and clicks Random, Ridiculous Scenarios of Issuance Risks to the brand: users share absurd examples on social networks

Generative AI Consulting: Choose What Works, Not What Sounds Good

What should be done? There are solutions: XAI (explainable AI), interpretation layers, hybrid approaches. But they are not universal. One works in fintech, another in medicine. The obvious solution is to engage AI strategy consulting — not to ‘sell ready-made universal tools,’ but to help you choose an approach that is actually applicable in your industry, not just in an abstract presentation. That’s the role that specialized firms such as N-iX often take: acting as translators between raw AI capabilities and real business needs.

The counterargument goes like this: “So what, Google doesn’t explain its algorithms either, and nothing happens.” Yes, but where are you, and where is Google? You live in different realities: Google has armadas of lawyers and its own jurisdiction. The average business does not have this cushion.

The alternative? Use simpler models, which may be less accurate but are transparent. Sometimes “worse” means ‘better’ because it can actually be implemented. Generative AI consulting will help you act as a filter: it will help you say “enough complications, let’s take what works” at the right time.

The emotion here is simple: fatigue. The CTO looks at the server room and thinks, “Again. Another PoC that will remain a PoC.” The conclusion? A model without explanation is like a leader without speech. Everyone listens, everyone obeys, but no one understands.

Transparency As Architecture, Not Configuration

The mistake is almost always at the beginning. The CTO thinks, “Let’s do it first, then explain it.” But the explanation cannot be configured “later” with a button. It must be built into the architecture.

Transparency is not a “feature.” It is a management principle. Imagine that AI is your internal company. Models are employees. Pipelines are departments. MLOps are managers. If you haven’t drawn up the organizational structure of this company, then, sorry, you’re not managing it. It’s managing you.

This is where AI strategy consulting comes in: not as a supplier of yet another set of tools, but as an architect who helps embed explainability into the very structure of the system, rather than slapping it on as an afterthought. Firms such as N-iX specialize in this kind of architectural thinking, building transparency into AI systems from the ground up.

What Can Be Done Before The Model Gets Out Of Control?

  1. Build explainability into the architecture. Don’t wait for a crisis to happen; build it into your pipelines from the outset.
  2. Identify areas of risk. In fintech, this is scoring; in medicine, it’s diagnostics; in e-commerce, it’s personalization. These areas require additional transparency.
  3. Appoint an “interpretation owner.” Not an abstract “team,” but a specific person responsible for ensuring that AI can be explained to the business and the regulator.
  4. Do an “if tomorrow the regulator” test. A simple check: can you explain the model’s key decision in 5 minutes?

Yes, it is more difficult to build transparency. Yes, it takes longer. But then it saves months of pain. Because introducing explainability in a crisis is like teaching a manager to speak only when he is already being dragged to court.

And here’s the paradox: you wanted a “tool,” but you got a new business partner — a model that will one day start making decisions for you. The only question is whether you will sit next to it at the negotiating table… or on a stool across from it.

Conclusion

Maybe we’re wrong? Maybe black-box isn’t a bug, but the new norm? Maybe businesses need to learn to trust blindly?

It’s a question without an answer. But if tomorrow your AI makes a decision that changes the fate of a customer, a company, or a market, will you be able to explain what happened?

You probably can’t fire AI — not yet, at least. But you can design a system where it’s not the only boss in the room. The real question is: will you sit next to it at the table as a partner, or let it run the meeting while you just watch?

12 New Songs Out Today to Listen To: The Mountain Goats, Joyce Manor, and More

There’s so much music coming out all the time that it’s hard to keep track. On those days when the influx of new tracks is particularly overwhelming, we sift through the noise to bring you a curated list of the most interesting new releases (the best of which will be added to our Best New Songs playlist). Below, check out our track roundup for Tuesday, October 7, 2025.


The Mountain Goats – ‘Cold at Night’ and ‘Rocks in My Pockets’

The Mountain Goats have shared two tracks from their “full-on musical” album Through This Fire Across From Peter Balkan. ‘Cold at Night’ and ‘Rocks in My Pockets’ revolve around a shipwreck, as John Darnielle explains:

A GREAT GOOD DAY TO ALL WHO SAIL THE TREACHEROUS WATERS OF OUR BROKEN WORLD. WE, THE MOUNTAIN GOATS, COME BEARING NEW SONGS, NOT JUST ONE AS IN FORMER DAYS BUT TWO, AS THERE IS A NEED FOR MORE SONGS. “COLD AT NIGHT” IS ABOUT A SHIPWRECK AND ITS IMMEDIATE AFTERMATH. BASS ON “COLD” IS BY TOMMY STINSON WHO YOU KNOW FROM THE REPLACEMENTS AND GUNS ‘N’ ROSES. GUITARS ON “COLD” ARE BY MATT DOUGLAS, WHO PRODUCED THESE TRACKS AND WROTE THE STRING ARRANGEMENTS.

“ROCKS IN MY POCKETS” IS A SOLILOQUY FROM ADAM, ONE OF THREE SURVIVORS FROM THE WRECK. IT IS THE LAST WE HEAR FROM HIM. HARP BY THE GREAT MIKAELA DAVIS. ALL THREE MEMBERS OF THE MOUNTAIN GOATS — JON, JOHN, AND MATT — PLAY GUITARS ON “ROCKS,” AND THE TRACK IS LIVE EXCEPT FOR THE PERCUSSION AND HARP OVERDUBS. HARMONY & RESPONSE VOCALS ON “COLD AT NIGHT” ARE BY LIN-MANUEL MIRANDA, WHO SANG AS CHARLEY IN THE 2012 “MERRILY WE ROLL ALONG” CONCERT. I WILL NEVER GET OVER HAVING A GUY WHO HAS SUNG SONDHEIM ONSTAGE ON MY ALBUM: THANKS, BUD. THE REST OF YOU: ENJOY!

Joyce Manor – ‘Well, Whatever It Was’

“‘Well, Whatever It Was’ has got to be one of the most Southern California sounding songs ever recorded,” Barry Johnson said about the lead single of Joyce Manor’s just-announced album I Used To Go To This Bar. “I hear Jane’s Addiction in the verses, Beach Boys / Weezer in the chorus, and RHCP in the outro. It was LITERALLY produced by the guy from Bad Religion FFS. Everyone was just firing on all cylinders for this one. Joey Warnoker’s drumming, TLA’s mix, and Lenny Castro’s percussion all just sent it to the end-zone. This song would go insanely hard in a Shrek film.” It’s as fun as it sounds, especially when paired with the Lance Bangs-directed video parodying The Great British Bake Off.

Austra – ‘Siren Song’

Austra, the  project of Canadian vocalist and composer Katie Stelmanis, has shared a stirring, kinetic new single, ‘Siren Song’, from the forthcoming album Chin Up Buttercup. “‘Siren Song’ exists somewhere at the intersection of ABBA, Ray of Light, The X-Files and Greek mythology,” Stelmanis said of the track, which was co-written with Montreal songwriter, musician and DJ Patrick Holland. “ABBA inspired the early songwriting with Patrick. The Siren introduced herself to me while I was improvising the demo recordings and I quickly realized that Orpheus would be our common nemesis. Following a recent X-Files binge, I was heavily inspired by Mulder’s desperate search for his sister. Ray of Light came in at the end as my co-producer Kieran Adams and I were establishing the sonic realm which would become the backdrop for our Siren to lament the loss of her lover to Orpheus and his pesky Lyre.”

Jay Som – Past Lives [feat. Hayley Williams]

Ahead of the release of her new album Belong on Friday, Jay Som has shared its most high-profile collab, ‘Past Lives’ featuring Paramore’s Hayley Williams. “It’s a dream come true to have Hayley sing on my first feature on an album before the recording of ‘Float’, I still can’t believe it happened,” Melina Duterte commented. “She’s one of the kindest artists out there, and she graciously accepts and uplifts the people around her. We’re all so lucky to witness her talent and live on the same timeline as her.”

Stella Donnelly – ‘Year of Trouble’

‘Feel It Change’, the last single of from Stella Donnelly’s forthcoming album Love and Fortune, was one of the best songs of September. Today the Australian singer-songwriter has followed it up with a bracingly intimate piano ballad, ‘Year of Trouble’. “This one is all heart no ego, all pain no gain,” Donnelly said. “I originally tried to make this a dance-floor heartbreak but I was being too ambitious and overthinking it. Julia [Wallace] helped me figure out that I just needed to play it by myself.”

h. pruz – ‘Krista’

h. pruz has unveiled ‘Krista’, a driving, ghostly single from their upcoming LP Red sky at morning. “I orient the arc of this album as a long journey for a wandering lost traveler, encountering both inner and external turmoil along the way,” Hannah Pruzinsky explained. “When I approached my friend Jono to work on a cover design for this collection of music, we unpacked layers of lore, a world of systems that both the narrator in the songs and the listener is interacting amongst.”

Beverly Glenn-Copeland – ‘Children’s Anthem’ and ‘Let Us Dance (Movement One)’

Beverly Glenn-Copeland has announced a new album, Laughter in Summer, a collaborative LP born from the love story between himself and eco-poet, theatre actor, and producer Elizabeth Copeland. It’s out February 6, and two songs from it, ‘Children’s Anthem’ and ‘Let Us Dance (Movement One)’. “‘Let Us Dance’ holds deep personal meaning for us as a couple, and it’s one of our most favorite songs to perform together,” the pair said in a statement. “It’s a gentle reminder that life invites us to embody joy through movement, no matter the circumstances, no matter how difficult the path. Originally published on Keyboard Fantasies, this choral rework features a newly minted Montreal choir that we met mere moments before recording Movement One. It’s raw and honest–much the way we live our lives now.”

“‘Children’s Anthem’ was one of our very first creative collaborations as a couple, originally written in 2007 for an anti-bullying conference,” they added. “We’re bringing it back on this new album with a fresh arrangement dedicated to our precious granddaughter Freya. We hope it will serve as a rally cry to support and protect all the children of the world. At a time when violence has become endemic, this song and its message is more critical than ever.”

Preoccupations – ‘MUR’ and ‘PONR’

Preoccupations have dropped two outtakes from their latest album, Ill At Ease. ‘MUR’ is mangled and fiery, while ‘PONR’ is haunting and dystopian. “With ‘MUR’, I was trying to translate the feeling of overwhelming, aggressive, helplessness and unwillingness to talk about things that scare you, into the form of sound,” bandleader Matt Flegel shared. “It builds up and hits the point of almost rapture, and then explodes into a rant and rage, and unburdening of all the things you were exasperated about.” ‘PONR’, Flegel added, is “set in a far future, where the feeling of nostalgia died a long time ago. It’s about finding a trove of relics that you think of as new and incredible, but they’ve existed in far superior forms in the past. You don’t know any better, but it makes you feel good, so you don’t question it. Time moves on a you eventually grow tired of it all and burn it, and try to find or create better versions of the things. It’s basically about the inevitability of disappointment, and the inherent human need to tear things down, make a blank slate, and create something new.”

Hilary Woods – ‘Taper’

Hilary Woods’ new single ‘Taper’, which lifted from the Irish musician’s upcoming album Night CRIÚ, is chilly and hypnagogic, the perfect song to wrap up your day. “‘Taper’ is a song that honours a presence to one that is absent,” Woods shared. “A love song that only a children’s choir could express fully, it was a real joy to work with the Hangleton Brass Band on this one.””

Hayley Williams Joins Jay Som on New Single ‘Past Lives’

Jay Som has teamed up with Paramore’s Hayley Williams for ‘Past Lives’, the latest single from her upcoming album Belong ahead of its release on Friday. Beautifully fuzzy and emotive, the track follows previous singles ‘Float’ (featuring Jimmy Eat World’s Jim Adkins), ‘A Million Reasons Why’, ‘Cards on the Table’, and ‘What You Need’. Check it out below.

“It’s a dream come true to have Hayley sing on my first feature on an album before the recording of ‘Float’, I still can’t believe it happened,” Jay Som said in a statement. “She’s one of the kindest artists out there, and she graciously accepts and uplifts the people around her. We’re all so lucky to witness her talent and live on the same timeline as her.”

Joyce Manor Announce New Album ‘I Used To Go To This Bar’, Share New Single

Joyce Manor have announced a new album, I Used To Go To This Bar. The follow-up to 2023’s 40 oz. to Fresno comes out January 30, 2026 via Epitaph Records. The band’s Barry Johnson described lead single ‘Well, Whatever It Was’ as a “song would go insanely hard in a Shrek film,” which is really doing the job for me. Its Lance Bangs-directed video parodies The Great British Bake Off and features a cast of comedians and musicians playing UK rockstars. Check it out and find the album cover, tracklist, and Joyce Manor’s upcoming tour dates below.

“‘Well, Whatever It Was’ has got to be one of the most Southern California sounding songs ever recorded,” Johnson said. “I hear Jane’s Addiction in the verses, Beach Boys / Weezer in the chorus, and RHCP in the outro. It was LITERALLY produced by the guy from Bad Religion FFS. Everyone was just firing on all cylinders for this one. Joey Warnoker’s drumming, TLA’s mix, and Lenny Castro’s percussion all just sent it to the end-zone.”

Used To Go To This Bar, which includes the early single ‘All My Friends Are So Depressed’, was produced by Brett Gurewitz (Bad Religion, Epitaph Records CEO). “Working with Brett was amazing,” Johnson commented. “When it comes to our musical DNA, he’s one of the architects of everything we grew up on. Having him guide our record helped us make something that we could put next to those classic records that shaped us. I really feel like we were behind the wheel, and I’m really proud of it.”

“When you’re a musician in the studio, you want to be creative,” Gurewitz added. “You don’t want to wait around and feel frustration because people are taking a long time to plug something in. I always try to work fast and keep things creative and fun.”

I Used To Go To This Bar Cover Artwork:

I Used To Go To This Bar Tracklist:

1. I Know Where Mark Chen Lives
2. Falling Into It
3. All My Friends Are So Depressed
4. Well, Whatever It Was
5. I Used To Go To This Bar
6. After All You Put Me Through
7. The Opossum
8. Well, Don’t It Seem Like You’ve Been Here Before?
9. Grey Guitar

Joyce Manor 2025-2026 Tour Dates:

Oct 16 – Munich, DE – Backstage Werk *
Oct 17 – Berlin, DE – Columbia Theater *
Oct 18 – Oberhausen, DE – Turbinenhalle
Oct 19 – Brussels, BE – AB
Oct 20 – Haarlem, NL – Patronaat
Oct 22 – Bristol, UK – The Prospect Building *
Oct 23 – Glasgow, UK – SWG3 Glasgow *
Oct 25 – London, UK – Roundhouse
Oct 26 – Leeds, UK – Leeds University Union
Nov 8 – Pensacola, US – Night Moves Fest
Mar 9 – Phoenix, AZ – The Van Buren ^
Mar 11 – Austin, TX – Stubb’s Waller Creek Amphitheater ^
Mar 12 – Houston, TX – House of Blues Houston ^
Mar 13 – Dallas, TX – House of Blues Dallas ^
Mar 14 – New Orleans, LA – House of Blues New Orleans ^
Mar 16 – Orlando, FL – House of Blues Orlando ^
Mar 17 – Atlanta, GA – Buckhead Theatre ^
Mar 18 – N. Myrtle Beach, SC – House Of Blues Myrtle Beach ^
Mar 20 – Baltimore, MD – Nevermore Hall ^
Mar 21 – Boston, MA – Citizens House of Blues Boston ^
Mar 22 – Philadelphia, PA – The Fillmore Philadelphia ^
Mar 24 – Brooklyn, NY – Brooklyn Paramount ^
Mar 25 – Buffalo, NY – Asbury Hall ^
Mar 26 – Toronto, ON Canada – The Danforth Music Hall ^
Mar 27 – Detroit, MI – Majestic Theatre ^
Mar 28 – Chicago, IL – The Salt Shed ^
Apr 10 – Indio, CA – Coachella Valley Music & Arts Festival
Apr 17 – Indio, CA – Coachella Valley Music & Arts Festival
Apr 26 – Madison, WI – The Sylvee ^
Apr 27 – Minneapolis, MN – Varsity Theater ^
Apr 30 – Des Moines, IA – Wooly’s ^
May 1 – St. Louis, MO – Delmar Hall ^
May 2 – Lawrence, KS – Liberty Hall ^
May 4 – Denver, CO – Fillmore Auditorium ^
May 5 – Salt Lake City, UT – The Depot ^
May 7 – Great Falls, MT – The Newberry ^
May 8 – Calgary, AB Canada – The Palace Theatre ^
May 9 – Edmonton, AB Canada – Midway Music Hall ^
May 11 – Vancouver, BC Canada – Commodore Ballroom ^
May 12 – Seattle, WA – The Showbox ^
May 13 – Portland, OR – Roseland Theater ^
May 15 – San Francisco, CA – The Fillmore ^

* w/ The Hotelier, Tiger’s Jaw, Oso Oso & Ways Away
^ w/ Militarie Gun, Teen Mortgage & Combat

Book Review: Grace Byron, ‘Herculine’

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“So much of transsexualism is the divulging of history,” Grace Byron writes in her propulsive and searing debut novel, Herculine. “It is not a gift so much as a bomb we’re all passing to each other.” In this case, it’s literal. An unnamed narrator passes time in New York City by doing bumps of ketamine, freelance writing, sexting, and trying to ignore the demon in her head, spurned by adolescent conversion therapy. At first it seems hammed up — “Evil, evil girl,” the demon tells her — but becomes frighteningly real as she makes her way to an all trans-girl commune her ex invited her to via the text “girl i’m literally begging you to join the cause,” which feels more appropriate for going out on a Friday night than uprooting your life and sleeping in cabins.

“For a lesbian commune,” she notes when she first arrives, “the girls read surprisingly little Sylvia Plath.” They have dyed hair and tattoos, though, and for food, they’ve started a GoFundMe. “Some girls cammed, some girls scammed Amazon, everyone chipped in farming,” Byron writes, at once a perfect satire of a utopian anarchist community New Yorkers are desperate to flee and form and a completely realistic order of operations that lesbians could achieve. She and Ash have intense, constant sex — the narrator feels guilty for leaving her prematurely to heal after bottom surgery — but it feels nice to be the host’s little plaything, a continuous plus one. She’s staying in Ash’s cabin (“a little concubine for the queen”) and other girls have started to notice and move away from her at their dinners.

It’s true though that wherever you go, you will follow — the demon inside the narrator’s head re-emerges here. The commune has revealed itself to be slightly different; the girls have all sold their souls to the devil, basically, in exchange for facial feminization surgeries and the ability to get pregnant. It’s an interesting, probing concept — these trans women have already manipulated and transformed their bodies to be more like the ideals they had in their heads, but exactly how far will they go? Is an eternal connection to the underworld worth the self-actualization that comes from being able to engage in the purest and most indisputable form of womanhood, pregnancy? And, what, is the baby gonna be evil or something? “Trans-girl utopia, baby,” Ash says, smiling. “At Herculine, we can get all that we want.”

Through its structure of communal living and trans solidarity, Herculine feeds on complex thought patterns like these — everyone justifies their involvement with the demon since they feed on trauma as much as trans girls do — a “survival tactic,” Ash says. “It’s a dissociation tactic, an art practice, a bonding element.” It’s a lot to consider. With the demons’ help, the narrator could publish a book, get FFS, anything she desires to prove to everyone back in New York that she’s worthy. This will show everyone who thinks “abolishing the cop in your head” is an interesting thing to write about. Hasn’t she been pestered by her internal demons — with no reward — for years? 

Though at times the book doesn’t feel as sharp as Byron’s other, prolific criticism — the commune scenes were often hard to conjure, the girls blurring into themselves, and the finale’s all-out war against subtlety felt like a graphic, gory fireworks display — Herculine delves deep into our own desires, however messy (and often disgusting) they are. It’s a jarring, sticky novel that isn’t afraid to wade into the muck of transness and feminism, emerging with some urgent, and bizarre, solutions. A bomb indeed.


Herculine is out now.

Battlefield 6 Previews Gameplay Changes and Day-One Patch

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Battlefield 6 has officially shared the upcoming gameplay changes based on community feedback. At the same time, the developers revealed a launch day patch for all players. The key details arrive a few days before the launch on October 10. 

Turning Feedback Into Changes and Improvements

According to Electronic Arts (EA), Battlefield 6 is the most tested entry in the series. In particular, it logged more than 92 million hours of gameplay during the Open Beta. At the same time, there have been over 30 Battlefield Labs sessions.

With these, the developers were able to get vital learnings. Particularly, class pick rates mainly depended on map layouts. In detail, most players chose Support for close-quarters maps, such as Siege of Cairo. Similarly, Recon was more popular among players on longer-range maps, including the Iberian Offensive.

The feedback showed that kill rates were steady across playlists. Match length also changed within Closed Weapons playlists by up to 45 seconds. In the same way, players revived teammates more in these playlists. It came with longer matches.

Overall, a larger number of players prefer Open Weapons. Still, some specific players choose Closed Weapons. So, the developers are including both at launch to meet both player picks. On top of that, Closed Weapons mutators will stay in the Portal toolset. This move lets players have custom experiences.

Launch Playlists and Menu Improvements

Based on the Battlefield Team announcement, all maps will be available to players across platforms at launch. Also, game modes will have separate playlists. These popular modes include Breakthrough, Conquest, and Escalation. Plus, there will be mixed playlists. It makes sure that matchmaking stays smooth when changing modes.

There has also been a change in the menu. Before, the menu was called Portal. Now, it is named Community. This section features an improved Server Browser. Likewise, players can find verified modes in it.

Battlefield 6 Day-One Patch Notes

Aside from the gameplay changes, the developers are dropping a big update at launch, said EA. To specify, there will be more than 200 fixes and improvements. The patch details are as follows: 

  • More responsive player movements, with pacing fixes
  • Rebalanced weapon recoil for better long-range fights
  • Improved gadgets with smoother animations
  • Adjusted maps to balance offensive and defensive roles
  • Clearer UI and HUD elements
  • Cleaner and Sharper audio
  • Fixed network for less lag

All in all, these updates enable Battlefield 6 to deliver the best gaming experience. In a way, it also helps in getting more players than its competitors.

Pokémon GO Reveals Plans for Halloween 2025

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Pokémon GO has just revealed its plans for Halloween 2025. As always, it has exciting treats for all fans around the world. The event will also be a two-part celebration. But developer Niantic has only shared details of the first part so far. In particular, part one is full of spooky content. There will be new Pokémon and limited-time bonuses. Likewise, players can find festive decorations and music.

Two New Pokémon Come on Halloween 2025

According to Niantic Incorporated, this year’s event adds Poltchageist and Sinistcha. These characters are called the Matcha Pokémon. They are Ghost-and-Grass type. It is also the first time these creatures show up in the mobile title.

Likewise, players can turn Poltchageist into Sinistcha. All they have to do is use 50 Poltchageist Candy. On top of that, Halloween 2025 gives trainers a chance to face Shiny Sinistea. They can find it during raids or in the wild.

GO Pass: Halloween 2025 Exclusive Bonuses

The Pokémon GO team said that bonus rewards await players in the event. To unlock, they have to buy the GO: Pass: Halloween 2025 or the GO Pass Deluxe. The rewards also come in a tiered system:

First Tier

  • 2× Catch Candy (3× Catch Candy with GO Pass Deluxe)

Second Tier

  • Higher chance for Trainers level 31 and above to get Candy XL for Nice, Great, and Excellent Throws

Third Tier

  • 2× Candy for transferring Pokémon, with higher XL Candy odds for level 31 players
  • 3× Candy for transferring Pokémon, with even higher XL Candy chances for level 31 players using the GO Pass Deluxe.

At the same time, Niantic said that the following rewards are available to Deluxe users:

  • Candy XL
  • More encounters with event-themed Pokémon
  • Premium Battle Passes
  • Rare Candy XL
  • Teatime Pose

Wild Spawns, Raids, and Shadow Battles

In Halloween 2025, players can also expect wild encounters with other Pokémon, said Niantic Incorporated. These are Greavard, Hisuian Zorua, Zorua, and more. Lucky trainers even have the chance to encounter shiny ones. 

Similarly, different Raids bring more characters. Plus, this raises the chance of seeing a Shiny Sinistea.

  • One-Star Raids: Galarian Yamask, Poltchageist, Sinistea
  • Three-Star Raids: Alolan Marowak, Hisuian Samurott, Hisuian Typhlosion
  • Shadow Raids: Shadow Phantump, Shadow Yamask

Field Research and Other Treats

Based on the official announcement, there will be an event-themed Field Research. Also, players can earn Mega Energy for some Pokémon after completing particular tasks.

At the same time, the upcoming event adds avatar items and stickers. In the same way, the developers included a new version of the Lavender Town music. And to round things up, the game will also feature themed decorations.

Availability

Pokémon GO Halloween 2025 Part 1 starts on October 21 (10:00 a.m.) to October 27 (10:00 a.m.) local time.