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The Avalanches’ New Album: Everything We Know So Far

The Avalanches have a new album on the way. The follow-up to 2020’s We Will Always Love You is called No Bad Memories, and it’s out on October 16 via Modular. Here’s everything we know so far.

How many tracks are on the album?

On September 2, the Avalanches revealed the album’s full tracklist, which boasts 31 tracks (though the ones marked with “***” are exclusive to digital album) and an impressive array of guests:

1. Bd-R
2. Together (feat. Nikki Nair, Jessy Lanza & Prentiss)
3. Xerox Altalink B8055 (feat. Ryoji Ikeda)
4. I Give Everything I Have 2 U (feat. Loaded Honey)
5. Every Single Weekend (feat. Jamie xx)
6. Friends Forever
7. Blue Shadows (feat. Karen O)
8. Logoland
9. Like Clockwork / Hit By Traffic (feat. Khadija Al Hanafi)
10. All The Time In The World (feat. Rivers Cuomo, Vegyn & Baby Marlboro)
11. 3D Glasses Not Included
12. Vida (feat. Erick the Architect)
13. Paradise Island (feat. Khadija Al Hanafi & Mike Patton)
14. Unicorn Quest™ (feat. Ryoji Ikeda)
15. Far Away (feat. John Glacier & Khadija Al Hanafi)
16. He Lives In The Old World ***
17. Can’t Get Over Losing You (feat. Portraits of Tracy)
18. Watch Out! It’s Cloudy (feat. Khadija Al Hanafi)
19. Highfield (feat. Panda Bear)
20. El Dorado TV Spot (feat. Haley Joel Osment) ***
21. Under Yr Power
22. SUV Heaven (feat. Khadija Al Hanafi)
23. One More Fantasy (feat. Carly Simon)
24. Break Out Corporate Tag (feat. Ryoji Ikeda & Portraits Of Tracy)
25. Magic Wand (feat. Barry Can’t Swim)
26. Superfun!™ TV Spot (feat. Mike Patton & Haley Joel Osment)
27. No Bad Memories
28. Our Love Is Alive (feat. Suzanne Ciani & Barry Can’t Swim)
29. Total Recall (feat. Mike Patton) ***
30. Final Credits (feat. Loaded Honey) (Loaded Honey Version) ***
31. The Pavements Light (feat. Haruomi Hosono)

When did the Avalanches start dropping hints of a new album?

The first teaser came just a year after the release of their last album, with the band writing “Album #4” on Facebook and checking in at “Planet Earth.” They took to social media to hint at the album again in 2023, posting, “What do you imagine the next Avalanches album to sound like?”

The teasers started feeling more concrete last fall, when the group shared a photo of a pile of LaCie Rugged drives. More recently, they revealed a new logo on Instagram after wiping their profile clean. And now, as Stereogum reports, they’re rolling out the album via a fictional company called Takumi, whose mascot is a purple cat flying around on a broomstick. An animated ad promoting it first appeared on platforms including Spotify and YouTube before surfacing on the Takumi Digital Archives Instagram. All the way back in December, the Avalanches shared photos of actor Haley Joel Osment wearing a uniform that featured the Takumi logo.

What does Takumi do?

The company offers clients the opportunity to upload their memories, particularly of old commercials. “Our new TAKUMI data centre is now operational,” reads the caption on one post. “The 155,000ft fault tolerant facility comprises 1,800 computing cores, three petabytes of high-density racks and 36 superchips with low-latency networking. A world first in Non-Volatile storage solutions. At Takumi, your memories are safe with us.”

There’s also an accompanying website full of fake vintage magazine covers and retro ads, which might be hinting at song titles. Adding to the nostalgic aesthetic are images of CDs, cassettes, floppy disks, VHS, and USB drives. There are also prompts like “I remember… we were at the club?” and other text that could be glimpses of song lyrics.

What have the Avalanches said about the new album?

“It’s been interesting as adults to reflect on this often stunning period of marketing – the creativity, filmmaking, photography and music – but which was also – you know, selling a completely unobtainable dream,” the band said in a press release announcing the record. “The way we value devices and products; the way we reflect and represent ‘a life lived’; the wonder of memory and deep power of nostalgia, especially in sound. Revisiting imagery and jingles from childhood and realizing how profoundly they have stuck… Taking these sound sources from within the heart of this kinda corporate framework and flipping the fragments into our own kind of joyous pop music … eventually we arrived at this world of No Bad Memories.”

Have the Avalanches released any singles from the album?

On May 14, the Avalanches returned with a new single, ‘Together’. The trio of Robbie Chater, Tony Di Blasi, and Andy Szekeres made the ebullient track in collaboration with Nikki Nair, Jessy Lanza, and Prentiss. On June 5, they followed it up with ‘Every Single Weekend’, an extended version of the collaboration that initially appeared on Jamie xx’s 2024 album In Waves. To accompany the album announcement, they shared ‘Can’t Get Over Losing You’, a collaboration with Portraits of Tracy.

This post will be updated…

All Things Go Festival Announces 2026 Lineup

All Things Go DC has announced the full three-day lineup for its 2026 edition, which will be headlined by Mitski and Hayley Williams. Ethel Cain, Slayyyter, Brandi Carlile, Zara Larsson, Father John Misty, Muna, Magdalena Bay, Grace Ives, and more are on the bill. The event takes place September 25-27 at the Merriweather Post Pavilion. Check out the full lineup below.

The NYC edition of the festival happens the same weekend, at Forest Hills Stadium, but the lineup has yet to be announced. There’s also a Toronto edition taking place on June 6 and 7.

Friday, Sep 25, 2026
Mitski
Ethel Cain
Rainbow Kitten Surprise
Magdalena Bay
Slayyyter
Robby Hoffman
Balu Brigada
Ninajirachi
Rico Nasty
SYML
Wes Parker

Saturday, Sep 26, 2026
Hayley Williams
Muna
Zara Larsson
Suki Waterhouse
Del Water Gap
She & Him
The Beaches
The Beths
Rebecca Black
Naika
Hemlocke Springs
Haute & Freddy
Grace Ives
Zolita
Love Spells
Susannah Joffe
Glom
Kevin Atwater

Sunday, Sep 27, 2026
Brandi Carlile
Lola Young
Sienna Spiro
Father John Misty
Tinashe
Flipturn
Wolf Alice
CMAT
Jensen McRae
Ryan Beatty
Stella Lefty
Rochelle Jordan
Tiny Habits
Trousdale
Violet Grohl
Natalie Jinju
googly eyes
Jake Minch

Cola Share Video for New Single ‘Haveluck Country’

Ahead of the release of their new album, Cost of Living Adjustment, this Friday (May 8), Cola have shared one more single, ‘Haveluck Country’. Following previous entries ‘Hedgesitting’ and ‘Conflagration Mindset’, it comes paired with a music video helmed by Camille Anais Semprez and Cedar Teionietathe Jocks. Check it out below.

“We knew from the get that we wanted to work with Camille Anais Semprez and Cedar Teionietathe Jocks again—the filmmaking duo who crafted the video for ‘So Excited’ and kicked off our debut album so brilliantly,” the band said in a statement. “They took Tim to a western movie set in the deep desert, abandoned of activity in the midnight hours.

“It was the perfect setting to investigate the themes of the song,” they continued “What does it mean to live in the Haveluck Country anyways? The ‘red right hand’ could be of a gunslinger swinging a gun arm out in earnest—or pure camp. A metaphor for an archaic political climate. Who needs vaccines anyways? Take your vitamins. Is the sun perhaps setting on the old west? Is the pathetic and imaginary political promise of the ‘shining city on the hill’ vacant and empty as a western saloon façade??”

Album Review: Kacey Musgraves, ‘Middle of Nowhere’

Kacey Musgraves was wandering around her hometown in Texas when she noticed a small sign that said, “Golden, Texas: Somewhere in the middle of nowhere.” She loved that it was “self-deprecating but also kind of confident,” she explained in an interview, which is the exact tonal balance she strikes on her latest record. Middle of Nowhere, in fact, begins “out there on the edge of the world, way past common sense” before Musgraves proclaims that she lives in “the great state of confusion.” Yet the album is less incoherent than her 2021 pop pivot star-crossed, and even more grounded than 2024’s Deeper Well, which focused less inspiringly on growth and healing. She’s not only more comfortable but more incisive in this transitional lane, leaning into the country classicism of Pageant Material (an important part of the album’s story is Musgraves’ return to the revived Lost Highway Records) and the radiance, if not the total brilliance, of Golden Hour. You could reduce it to the musical equivalent of the “girl who is going to be okay” meme, but you might be surprised by some of the places it takes you.


1. Middle of Nowhere 

The title track feels like Musgraves’ way of starting the album in medias res, having taken the decidion to leave the reckless men behind and “lean into the in-between.” Yet the vast, empty space she situates us in feels naturally cozy, not least because, despite her final proclamation that “It’s just me and me” from now on, longtime collaborator Daniel Tashian immediately serves as a wonderful duet partner. Middle of Nowhere may be stacking its guest features later on, but the homey camaraderie is there from the very beginning.

2. Dry Spell

Musgraves, “lonely with a capital H, if you know what I mean,” fittingly sings her own harmonies on the lead single, which rolls out double entendres like she’s already got Sabrina Carpenter on the line for a remix. The sultriness rubs up against the sense of resignation as she sings “911, it’s officially a cry for help,” like she’s picking up a phone with a dead battery. But the tune is insiduously catchy and well-crafted, relieving any fear that her sexual frustration might translate into musical fatigue. 

3. Back on the Wagon

Sweetened by Paul Franklin’s pedal steel, Musgraves slips into her warmest cadence as she defends her man over accusations that he’s bound to fuck it up, singing, “He’s caused so much pain, but this time, he’s changed.” She’s well aware of her possible naivety; even if she didn’t downright admit it, the echoes of her early sound would hint at it. Sometimes there’s a thin line between going back to your your roots and burying your head in the sand. 

4. I Believe in Ghosts 

I believe there’s too much ‘We are the People’ by Empire of the Sun in what’s otherwise a solid track; the chorus is especially evocative, but that chord progression just flattens it.

5. Abilene

What ‘I Believe in Ghosts’ does achieve is setting the mood for a haunting stretch of songs, with ‘Abilene’ especially showcasing Musgraves’ knack for storytelling. It’s the best country song about the titular city since Katie Crutchfield and Jess Williamson’s 2022 Plains single. 

6. Coyote [feat. Gregory Alan Isakov]

For an album called Middle of Nowhere, it’s no surprise this reflective middle stretch is the most nuanced and rewarding, darkening even further with ‘Coyote’. The central couplet – “I saw a coyote running down the highway last night/ And it made me think of you” – is so potent it makes the chorus sound like a post-chorus, a recognition of a flawed man’s buried vulnerability that’s knowingly more convincing than ‘Back on the Wagon’. Gregory Alan Isakov’s guest vocals are unfortunately overshadowed, which only drives the message home. 

7. Loneliest Girl

It would’ve worked perfectly as a follow-up single to ‘Dry Spell’, striking a finer balance between witness and sincerity. While Musgraves is making peace with the loneliness, her band adds wistful asterisks all over her professed happiness.  

8. Everybody Wants to Be a Cowboy [feat. Billy Strings]

Even as a loner, or perhaps especially as one, Musgraves is a keen observer, easily singling out those who embrace the cowboy aesthetic for performative reasons. Her problem isn’t so much the cosplaying, though, as the inability to get the work done in the morning – or actually stick to it. Billy Strings gets about as much time in the spotlight as Gregory Alan Isakov, though his supportive role doesn’t make as much sense in the context of the song.  

9. Horses and Divorces [feat. Miranda Lambert]

Musgraves and Miranda Lambert bury the hatchet on the waltzing ‘Horses and Divorces’, probably the most lived-in song on the album. Horses, divorces, cussing, and drinking are a few of their common interests, though nothing seems to beat the shared pleasure of singing together, especially as they raise their voices on the line, “What asshole doesn’t like Willie?”

10. Uncertain, TX [feat. Willie Nelson]

That line is basically a setup for Willie Nelson’s guest spot, which is again much subtler than you might think – he beautifully joins in to scoff at “cowboys that just can’t get off the fence.” But the cowbell makes clear we’re still at the same party, in what Musgraves quotably refers to as “the great state of confusion.” (Uncertain, TX is an actual place on the map.) 

11. Rhinestoned

“I used to wake and bake,” Musgraves sang on Deeper Well’s title track. “Everything I did seemed better when I was high, I don’t know why.” The exquisitely melodic ‘Rhinestoned’ serves as a kind of explanation. 

12. Mexico Honey

In the drought-like conditions of Middle of Nowhere, ‘Mexico Honey’ comes off like the sexiest song in the world, even if it’s a little middle-of-the-road. Last time may not have been that good, but the tides are shifting in the singer’s favour. 

13. Hell on Me

For most of the album, Musgraves explicitly avoids ruminating on the past, weaving heartbreak into metaphor while avoiding getting too personal. But even on a record that’s anchored in the present, not stressing over the beginning and ending of a story, she can’t help but close on a reflective, even reconciliatory note. Clichés abound, but no one sings them like Musgraves. “I always do this/ Wind up losing/ My light in someone else’s dark,” she sings. Yet she manages to steer clear of that path on Middle of Nowhere, sparkling off her own version of the story.

Invincible VS: All Confirmed Characters and Their Playstyles

Wondering which Invincible VS characters have been confirmed? If you’ve spent time with fighting games, you know it always comes back to the roster, and this one’s already looking pretty stacked. Invincible VS is a fast-paced 3v3 tag fighter with responsive controls and strong presentation, packed with long combo strings, timing-based defense, and the kind of over-the-top, bone-crunching action the series is known for.

And with the Invincible franchise itself packed with all sorts of heroes, villains, aliens, and Viltrumites, it was only natural that the game would pull together a roster just as varied and chaotic. Every character in Invincible VS comes with its own playstyle, strengths, and trade-offs, which directly affect how fights play out, how your team works together, and how you handle different matchups in real time. Here are all the confirmed Invincible VS characters so far.

Invincible VS: All Confirmed Characters and Their Playstyles

As of writing, there are a total of 18 confirmed characters in Invincible VS, and the lineup already covers a wide spread of playstyles. From heavy-hitting Viltrumites to technical fighters and ranged specialists, each character in Invincible VS has its own style for pressure, combos, and matchups in real time. So here’s the full list of confirmed characters and what each one brings into a fight:

Allen the Alien

Allen is closer to a tank-type character. He can absorb a lot of damage and keep pushing forward, which makes him reliable in close-range fights. Once he gets in, his grabs and brawling tools let him lock opponents down and keep the fight at close range.

Anissa

Anissa is a straight-up power character. Her hits carry weight, and she pushes opponents into defensive situations quickly. If she gets going, it’s hard to stop her momentum.

Atom Eve

Atom Eve’s matter control lets her deal damage, create space, and recover mid-fight, so she can adjust depending on what’s happening.

Battle Beast

Battle Beast is very much a close-range bruiser. His reach and armored attacks make him hard to challenge directly, and once he’s in control, he tends to stay there.

Bulletproof

Bulletproof sits somewhere in the middle. He has the strength to deal damage, the durability to take hits, and enough mobility to keep up, which makes him an easy pick for most teams.

Cecil Steadman

Cecil uses his tools, weapons, and ReAnimen to disrupt opponents instead of trading hits head-on.

Conquest

Conquest is sort of like a pressure-heavy character. His strength forces opponents to react, and once he’s in range, it’s difficult to create space again.

Dupli-Kate

Dupli-Kate works more like a swarm-style character. Her clones let her crowd opponents and create openings, but losing them still matters, so you have to be careful with how you use them.

Ella Mental

Ella Mental feels like a space-control character. Her elemental abilities let her keep opponents at a distance or interrupt their rhythm when they try to close in.

Invincible

Invincible is easily an all-rounder. He has enough speed, strength, and durability to handle most situations.

Lucen

Lucen is an offence-first character. His attacks hit hard, and he keeps pushing forward, which can lock opponents into defense.

Monster Girl

Monster Girl is more of a close-range grappler. Her armored attacks and command grabs punish hesitation, especially when the opponent relies too heavily on blocking.

Omni-Man

Omni-Man is a high-impact all-rounder. He has speed, reach, and power, which make him dangerous in almost any situation.

Powerplex

Powerplex works like a momentum-based character. His electricity builds as fights get more intense, letting him hit harder at key moments.

Rex Splode

Rex is a more unpredictable, setup-heavy character. His explosives open up unusual combo routes and pressure options.

Robot

Robot fits the role of a ranged control character. His missiles and lasers keep opponents at a distance and force them to deal with his tools first.

Titan

Titan is closer to a defensive heavy. He can absorb hits and return serious damage, which works well if you’re comfortable taking a hit to land one.

Thula

Thula is a precision-based character. Her reach and timing matter more than raw power, and she can catch opponents slipping if used carefully.

And that does it for our Invincible VS characters guide. For more gaming news and guides, be sure to check out our gaming page!

080 Barcelona Fashion Week Went Romantic, Tailored, and Edgy

I heard someone say Madrid dresses the wife and Barcelona dresses the mistress. I believe Barcelona dresses the simply not interested. The woman I saw on the runway (who changed entirely from brand to brand) held onto one thing. Freedom. And if there’s one word to quickly describe 080 Barcelona Fashion Week, that’ll do. It always does, as long as the city isn’t trying to sit on the fashion capital map, busy with its own commercial agenda. Set against Port Vell for its 37th edition, here are three labels I liked enough to Google before I even trusted myself to spell them right.

080 Barcelona Fashion Week - DOBLAS FW 26/27 COLLAPSE
Courtesy of 080 Barcelona Fashion Week – Doblas

Doblas

Carlo Doblas has a thing for sharp tailoring. And by sharp, I mean I saw a leather coat so stiffly rectangular it could slice your vegetables with its shoulders, leaving no room for sleeves, just a one-sided peekaboo pocket. His “Collapse” collection went on to play with proportions, structure, tension, and maybe even fashion’s ongoing thing with the ‘tradwife’ idea.

080 Barcelona Fashion Week - Benavente
Courtesy of 080 Barcelona Fashion Week – Benavente

Benavente

I’ll let you guess where Paco Benavente’s inspiration came from. Your clue is the collection’s title, “Les Muses de l’Empereur” (French for The Emperor’s Muses). Catchy, if you were only ever in history class for the love stories. Napoleon and Josephine, Henry VIII and Anne Boleyn, battle uniforms and ball gowns, all squeezed into modern clothing.

080 Barcelona Fashion Week - Bibencia
Courtesy of 080 Barcelona Fashion Week – Bibencia

Bibencia

Roberto Montes Sanz took a trip down memory lane too. Though his went further back. The collection “Penélope,” got its name from Odysseus’ wife and is “a manifesto about good fortune.” The woman waited 20 years just to find out whether her husband was dead or not. Not sure “good fortune” is exactly how you’d describe poor Penelope, but edgy corsetry, feathers, and flowers, is how you’d describe the collection.

Chanel Cruise 2027 — Matthieu Blazy in Biarritz, Without the Postcard

At the outbreak of World War I, finding yourself in Paris wasn’t really a choice, and neither was the exit route. Unless, of course, you were part of the crème de la crème, the intellectuals, the artists, or Coco Chanel. The Atlantic sun was still shining in Biarritz, though exclusively for those mentioned above. In 1915, Chanel arrived with her lover, Arthur “Boy” Capel, and the idea of opening her first fashion house was quickly born, funded, and built. Biarritz saw some of her earlier collections, as fashion bent a little by necessity. Matthieu Blazy takes us back for the maison’s Cruise 2027 collection.

Cruise 2026/27 collection Matthieu Blazy for CHANEL
@chanelofficial via Instagram

With summer sounds and whale songs (at some point interrupted by Kylie Minogue’s “Come Into My World”) the models started coming down a runway designed to resemble Chanel’s first salon, which to be honest, wasn’t far from the city’s municipal casino that hosted the show. A light beige carpet made you think of sand, and the Bay of Biscay, visible from the windows, completed the image. Prior to that, Blazy had already taken a peek at archival photos of Picasso, Dalí, and a 1926 sketch which American Vogue described as Chanel’s ‘Little Black Dress.’ The opening look was Blazy’s version of that. A loose drop-waist, v-neck, midi dress featuring well-behaved white stitching, paired with a clutch bag whose ribbons traced the floor (the original had the bow on the back).

Cruise 2026/27 collectionMatthieu Blazy for CHANEL
@chanelofficial via Instagram

The resort customer has to like logos, they were everywhere. Double Cs became part of the construction, scaled up, scaled down, repeated until they stopped looking like a detail. “I used to work at Bottega,” Blazy told Harper’s Bazaar, laughing. “No logo. I got familiar with the idea of a logo here, and I love a logo. This one is beautiful… thank god.” The customer also seems drawn to the sea, we’re on the French West Coast, after all. Tight swimming caps, oversized wading boots, alarmingly big beach bags, urchin-like hair accessories, mermaid-coded dresses, and fishy details all made it into the lineup. One can only hope the sequins catching the light didn’t blind Nicole Kidman in the front row (already the talk of the day, before the show, at least), or A$AP Rocky, who later performed at the after-party. Everyone’s crazy for Blazy.

AI Image Editor for Products That Works

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Artificial Intelligence (AI) has turned out to be helpful in many ways. This is despite the drawbacks often associated with its use. For instance, it makes information discovery more direct and specific. Artists in creative fields also maximize AI to replicate certain audio and visual elements. Even students (allegedly) use it to finish lengthy school requirements. But what if I told you it also benefits product photos? That is right. In the digital marketplace, an AI image editor for products is a game-changer.

As with selling items on eBay, Amazon, or Etsy, visuals also matter in managing a brand or creating social media content to promote products. It can mean the difference between a sale and a missed customer. But sadly, producing high-quality visuals often becomes time-consuming and expensive. And the process will most likely frustrate creators. It is a relief that users can easily find an AI image editor for products nowadays.

The good news is that this guide will help you explore product editing with AI. It will also show how Simfa positions itself as an AI image editor for products that work.

How an AI Image Editor for Products Helps

Before anything else, let us define what an AI image editor is. To put it simply, it is a software application that uses smart technology to automatically enhance, edit, and optimize photos. So, instead of manually adjusting every detail, users can just access different features to automate the process.

This tool is often used for various purposes, including e-commerce stores, social media marketing, branding agencies, and freelance creatives. AI image editors allow users to produce studio-quality images without professional editing expertise.

Such an offering is crucial in digital marketplaces where high-quality product visuals help:

  • Increase click-through rates
  • Emphasize product features
  • Build trust with potential buyers
  • Improve brand perception
  • Boost product sales

Simfa: An AI Image Editor for Products That Works

AI image editor for products

Simfa is an AI-driven creative platform that makes high-quality content creation easier for creators and brands. While traditional editing options require manual effort and juggling multiple software tools, this ultimate toolkit simplifies everything for users. Simfa can handle tasks like generating images, upscaling images, swapping faces and outfits, removing backgrounds, and enhancing product images.

This AI image editor also takes things up a notch. How so? Well, Simfa also offers a range of creative assets specifically tailored to products. At the forefront are templates that creators can use to stage products across categories such as fashion, jewelry, food and beverage, electronics, and furniture. For more customized outputs, Simfa allows users to adjust the depth of field, color temperature, and film grain.

Key Benefits of Using Simfa for Product Image Editing

  • Faster Editing Workflow – With this AI tool, creators do not need to deal with steep learning curves or software training and can generate outputs in a few clicks.
  • Professional-Quality Visuals – Simfa emphasizes calibration in its pipelines, ensuring that advanced technology refines every detail and maintains visual consistency.
  • Cost Efficiency – Package prices range from $15 to $99 per month, eliminating the need to hire professionals who often charge high rates.

Why You Should Switch to Simfa

Instead of paying a fortune for expensive photo studios or watching three-hour editing tutorials, an AI image editor for products generates top-tier images quickly. That means creators can achieve efficient production time that keeps up with the growing demand for visual content. It may seem simple at first glance, but it actually allows small businesses or sellers to level the playing field with larger brands, at least in terms of visual presentation. And for many, that means a lot. Not to earn more than major competitors but to rake in enough sales to keep their thing going.

No need to worry. This won’t replace designers. It aims only to enhance their capabilities and reduce repetitive tasks. It empowers them. By combining automation with creative flexibility, this AI tool helps users focus more on ideas and less on technical execution. Overall, Simfa not only saves users from headaches but also elevates product images to new heights.

Beyond the Sovereign Gaze: How Animot Dismantles Anthropocentrism

In the heart of the Peckham arts district stands Safehouse—a Victorian residential relic etched with the scars of time. Once a derelict structure fading into urban oblivion, it now serves as a “temporary sanctuary” for artists, providing the profound material foundation for the exhibition Animot. The title derives from Jacques Derrida’s seminal work, The Animal That Therefore I Am (2008), in which he coined the term “Animot” to deconstruct the linguistic violence humans inflict upon non-human beings through monolithic categorization. Within this domestic ruin, the exhibition stages a radical intervention into power, language, and the gaze. 

To blur the heavy residential history of Safehouse, the curatorial team shrouded the floors in vast expanses of translucent plastic membrane. This covering acts as a strategy of “de-tagging”: the raw, weathered textures visible beneath the plastic evoke an “unfinished tense,” stripping the space of its definitive social functions and plunging it into a fluid, liminal state that refuses categorization. At the center of the ground floor, the membrane cascades from the ceiling like a waterfall, bisecting the space and partitioning twenty works—spanning photography, installation, jewelry, and painting—into two distinct visual realms. This spatial rupture effectively dismantles the “sovereign gaze,” preventing the spectator from consuming the exhibition in a single, panoramic sweep.

The exhibition’s visual identity mirrors a core narrative in Derrida’s text: the philosopher, emerging naked from the shower, finds himself locked in a gaze with his cat and feels a profound sense of “shame” imposed by human civilization. The choice of a Sphynx cat for the exhibition poster—devoid of fur and biological ornamentation—symbolizes an extreme equilibrium of power. When both human and non-human are stripped bare and rendered defenseless, the hierarchies of subject and object begin to collapse. Visually, the cat appears to step off the poster and onto the plastic-covered floor, guiding the audience into a non-authoritarian field constructed by the membrane.  

The first floor offers a moment of reflection on contemporary institutional structures. A meticulously constructed “Blackout Video Room” pays homage to Tracey Emin’s recent immersive projections at Tate Modern. In this lightless void, moving images are liberated from external interference, compelling the audience to shed the arrogance of anthropocentrism and engage in a deep, visceral visual struggle with the non-human imagery.

At its core, Animot is a commitment to anti-anthropomorphism. While we are accustomed to projecting human emotions onto the non-human—a subtle form of “managerial control”—the crumbling walls and plastic veils of Safehouse render such control obsolete. By “withdrawing the right of interpretation,” the curators force the human spectator to descend from their position of supremacy.

The twenty artworks on display are no longer “managed assets” to be observed and categorized; they are heterogenous subjects inhabiting a temporary refuge. Navigating this unstable space, the audience is led to rethink the relationship between human and non-human: not as one of naming and possession, but as the name Safehouse suggests—a relationship of coexistence and mutual respect, seeking sanctuary together amidst the ruins.  

Animot successfully translates Derrida’s linguistic critique into a spatial phenomenon, reminding us that true ecological care is not a sophisticated “managerial game,” but a profound surrender and restoration of power.

Featured Artists:

Chuhan Xiao, Duolan, Ella Jiang, Greg, Guangyu Zhang, Han Gao, Hanchao Zhang, Henryk Terpilowski, Jie Huang, Joseph Le Fevre, Joy Wang, Nata Hamilton, Qinyue(Shuyang) Chen, Sinyu Yan, Wz Jin, Xiaoxiao Song, Yiyue Wang, Yoyo Zhang, Yuxin Tang, Zhuoran Li

Curator:

Freya (yiyi) Chen

Greg

Special Thanks:

Britney Teng, Ella Jiang, Yi Lai

Photo Credit:

Britney Teng, Ella Jiang

Why Dogs Need Boots on Rough Terrain Surfaces

Heading outdoors with a four-legged companion ranks among life’s simple pleasures. Yet rough terrain hides real dangers for unprotected paws. Jagged rocks, scorching pavement, icy trails, and abrasive gravel can slice, burn, or wear down paw pads faster than most owners realize. Too often, pet parents only think about paw protection after an injury happens. Knowing the risks ahead of time helps prevent painful wounds, limping, and costly trips to the vet. Here’s what every dog owner should understand about terrain hazards and how the right gear keeps paws safe.

Common Terrain Hazards That Damage Paws

Rocky Trails and Gravel Paths

Loose stones and uneven rock act like coarse sandpaper on paw pads. Over miles of hiking, even tough pads wear thin and crack. Tiny pebbles wedge between toes, leading to soreness or infection if left unnoticed. Mountain paths and unpaved roads deliver constant friction that breaks down skin over time. Choosing durable boots for dogs gives reliable defence against sharp rocks, temperature extremes, and hidden debris.

Extreme Temperatures

Asphalt baking under the summer sun can climb past 60°C, hot enough to blister paw pads in seconds. On the opposite end, frozen ground and packed ice bring frostbite risks during cold months. Road salt and chemical de-icers make matters worse by drying out and cracking sensitive skin.

Thorns and Debris

Forest floors conceal hazards that paws discover the hard way: thorns, shattered glass, rusty metal, and splintered branches. One puncture wound can keep an otherwise healthy dog off trails for weeks. Wet leaves and mud hide these dangers even more effectively.

Signs of Paw Damage to Watch For

Dogs instinctively mask discomfort, so spotting trouble early takes attention. Limping or hesitation before stepping signals that something already hurts. Pads that look red, puffy, or cracked point to abrasion or thermal burns. A dog obsessively licking one foot often feels irritation or pain there. Blood between the toes means a cut or embedded object needs care. Quick paw checks after each outing catch small problems before they grow.

How Protective Footwear Prevents Injuries

Well-made boots put a durable layer between tender pads and punishing surfaces. A quality pair grips slick terrain while blocking abrasion. Boots also shield paws from irritating chemicals and keep healing wounds clean.

Traction and Stability

Textured rubber soles grip wet stone, ice, and polished floors far better than bare pads. With a confident footing, dogs move more freely and place less stress on joints. Fewer slips mean fewer twisted legs and awkward falls.

Temperature Regulation

Insulated linings guard against frozen ground in winter. Breathable fabrics prevent overheating when temperatures rise. This balance keeps paws comfortable whether exploring snowy ridges or sun-warmed trails.

Choosing the Right Fit

A secure fit keeps boots in place without pinching. Measure paw width and length while the dog stands naturally on a flat surface. Fastenings should hold snugly at the ankle yet leave room for healthy blood flow. Proper sizing allows toes to spread as they would barefoot.

Material Considerations

Waterproof shells keep rain and stream crossings from soaking pads. Flexible soles move with natural paw motion instead of fighting it. Reinforced toe caps handle extra abuse on rocky ground. Reflective accents help drivers and hikers spot dogs in dim light.

Getting Dogs Comfortable With Footwear

Most dogs need a short adjustment period before boots feel normal. Begin indoors with brief sessions lasting just a few minutes. Pair each fitting with treats and praise so boots become a positive experience. Slowly extend wearing time, then practice on familiar pavement before tackling rugged terrain.

Common Adjustment Challenges

High-stepping or exaggerated gaits usually fade after a handful of practice walks. Some dogs shake their feet or paw at the fastenings initially. Patience and consistency help them adapt. Once past the learning curve, most dogs accept boots as standard gear for adventures.

When Boots Are Essential

Certain conditions demand paw protection no matter a dog’s usual tolerance. Summer outings across exposed rock or blacktop require barriers against heat. Winter walks on treated sidewalks call for chemical shielding. Dogs recovering from surgery or nursing injuries benefit from covered paws. High-energy breeds logging long miles on rough ground face heightened abrasion risks every outing.

Conclusion

Guarding paws on challenging terrain spares dogs from preventable pain and keeps them active for years to come. Sharp stones, blistering pavement, freezing ice, and hidden debris threaten bare feet on every trail. Quality boots deliver essential protection while boosting grip and comfort across seasons. A bit of time spent finding the right fit, plus patient introduction, pays off through safer and more enjoyable outings. Healthy paws support mobility and happiness, making solid footwear a smart choice for any owner who loves exploring alongside their dog.