fantasy of a broken heart have teamed up with Jordana for a new song, ‘Found You Again’. It marks the band’s first new music since the release of their debut LP, Feats of Engineering, in late September. Listen to it below.
Discussing the collaboration, fantasy of a broken heart’s Bailey Wollowitz said:
“Found You Again” is a sincere stab at an upbeat song of the summer, fantasy style. And in true fantasy style, it has inevitably found its way into the world a little bit late, in the gloomy month of November.
We met Jordana through mutual friends while finishing the sessions for Feats of Engineering and were immediately struck by her stellar songwriting instinct, as well as her incredible dance moves (witnessed backstage at a Palm gig.) Right before she flew away to Los Angeles, we got in the studio to record some last minute vocal overdubs for the record, a true cherry on top right before our mix deadline.
We knew that a full collaboration needed to happen asap. And thus “Found You Again” was born, a sweet little number about encountering an old lover and reflecting together on what made it so sweet in the first place. Jordana, Al, and Bailey all take turns leading the tale; the tune also features first time recorded contributions from recurring fantasy live band members Margaux (on bgvs) and Kolb (on bass guitar and tin foil crumpling).
Sun June have put out a new track, ’41 Dollars’, along with a demo of ’16 Riders’ from their latest LP Bad Dream Jaguar. Take a listen below.
“’41 Dollars’ is about listening to men talk,” vocalist Laura Colwell explained in a statement. “The song kinda sounds like nodding your head in exaggerated agreement and smiling through it. It cycles through a familiar mix of empathy, pity, annoyance, and frustration as conversations tread the same tired topics. It’s about trying to be present but drifting off into your own world of concerns. Men are gonna talk. Bop through it. We laughed and cried a lot while making this!”
The Raincoats’ bassist, Gina Birch, has offered her take on Yoko Ono’s ‘Listen, the Snow Is Falling’. It marks Birch’s first release since her debut solo album I Play My Bass Loud in 2023. Listen to it below.
Written by Ono and recorded with the Plastic Ono Band, the track was originally released as the B-side of John Lennon’s 1971 single ‘Happy Xmas (War is Over)’. Speaking about the cover, Birch said:
In 2023 I played a gig at Tate Britain when the brilliant Yoko Ono show was on at Tate Modern. I thought it would be great to play one of Yoko’s songs at our performance…so even though it was August, Marie Merlet, Jenny Green and I played ‘Listen, the Snow is Falling’. I had been asked to write something for the Tate magazine about Yoko Ono, as well as having recently painted a full-length portrait of her for my exhibition featuring Goddesses and Inspirations at Gallery 46. As a result I was feeling particularly connected with her in my head. We chose the song because it is haunting and beautiful and it was released as a b-side. Who doesn’t love a b-side? My bandmate Marie Merlet had the idea that we could make a recording of the song as a Christmas single. In all my time, I’ve never made a Christmas single and it seemed so appropriate. We recorded it in my basement with all three of us coming up with ideas. It was mixed by Marie and then mastered by Warren Defever at Third Man Mastering in Detroit.
We are also releasing two very special limited editions of 10 clear vinyl discs and 30 clear plastic flexi discs made on a 1960s lathe by two artists, Nick and Dom, whom I met in Nottingham at Backlit Gallery where my Three Screams 1977-1997-2017 film is showing. They have a label called Pearl Home Records and have cut tracks onto flexible material usually used for making dolls house windows. I have then made special covers for each disc. These will available via Third Man London in time for the holidays. Sign up to this newsletter to be the first to know when they are available. The rest of you can listen on Spotify or the whoo-hoos of your choice.
Thank You Thank You, aka Philadelphia-based musician and songwriter Tyler Bussey, has two new instrumental songs out today via Ruination. Listen to ‘After You Gave Me This’ and ‘There’s No Telling’ below.
Stretching over 10 minutes, ‘After You Gave Me This’ features Bussey on classical guitar, electric guitar, bass, piano, and OP-1; Jason Calhoun on synth and electronics; Kevin Copeland on pedal steel; Chris Jusell on violin; Lucas Knapp on bass synth; Christopher McDonald on Rhodes; Eliza Niemi on cello; Chaz Prymek on dobro and harmonium; Alyssa Resh on vibraphone and bowed vibraphone; and Andrew Stevens on drums. Heather Jones, who records as ther, is credited with capturing rain.
Bussey plays piano, bowed banjo, and sub bass on ‘There’s No Telling’, the single’s minimalist coda, with June Bender contributing violin.
Prima Queen – the duo of Louise Macphail and Kristin McFaddenannounce – have announced their debut full-length, The Prize. It’s set to arrive on April 25 via Submarine Cat Records. Today, they’ve shared a new single called ‘Ugly’, which you can hear below.
“‘Ugly’ is about trying to maintain a festival romance in the real world,” the band explained in a statement. “It was written after the ending of a situationship with an uneven power dynamic and after being let down repeatedly, coming to the painful acceptance that it will never be what you hoped for.”
“We’re beyond excited to finally be releasing an album out into the world!” they added. “We’ve been working on it for such a long time and it feels like a real statement of our growth, both separately and together. It’s been our little secret for a while now and we can’t wait for it to be yours!”
Bleachers’ self-titled fourth studio album arrived in March via their new label home, Dirty Hit. More recently, the group issued A Stranger Desired, a reimagined version of their debut album, A Strange Desire, to celebrate its tenth anniversary.
“‘Just Be Friends’ feels like a really grown up continuation of themes/moods from my first two albums,” SASAMI explained in a statement. “I returned to some of the stream of consciousness, emotional lyrical writing style of my first album and kept riding the country wave that was in the fabric of Squeeze but with a bit more modern country influence. I love how country songs often tell a story. Longing, lingering, loneliness and lust. When I play this one live, I always dedicate it to anyone ‘sad and horny’ in the crowd… if that means anything.”
Blood on the Silver Screen is due out March 7 via Domino.
The Bridge_Work project showcase at Chicago’s Hyde Park Art Center brought together a dynamic collection of works from artists across diverse backgrounds and generations, celebrating contemporary creative practices while exploring intersections between the human body, environment, technology, and tradition. Among the standout pieces was Air Flows Between Us by artist Xingyu Huang, an immersive, participatory installation that explores themes of anxiety, interaction, sound, and traditional medicine. Through a sensory-focused experience, Huang invites viewers to connect with intricate emotional and psychological layers.
Embodied Anxiety and Tangible Experiences
In Air Flows Between Us, Xingyu Huang addresses the somatization of anxiety, where psychological distress—fear, tension, or unease—manifests in physical symptoms like dizziness, palpitations, and headaches. Inspired by interviews with individuals living with anxiety disorders, Huang translates these internal sensations—mental noise, accelerated heartbeat, trembling fingers, and fluctuating emotions—into distinct rhythms and sensory cues within the installation space. This externalization of anxiety creates a shared experience that brings an often-invisible struggle into a more relatable, empathetic realm.
Xingyu Huang- Air flows between us
A Space of Sensory Resonance
The installation immerses viewers in a space filled with sound and scent, forming an almost gravitational pull that guides powdered blue pigment—a mix of medicinal and dye forms of the woad plant—to fall in a pattern synchronized with bio-rhythm data. The powder slowly accumulates and dissipates, echoing the buildup and release of tension. This layering of sound and scent encourages viewers to step into a space where unspoken emotions can be felt in a visceral way, bridging gaps in human understanding.
Medicinal powder accumulated on the floor
Reframing Emotional Communication
In her artist statement, Huang discusses her intent to use sensory experiences to explore the complexities of human connection. Her work reconstructs emotional and physiological states, allowing viewers to engage with shared yet intensely personal experiences. Her background in architecture shapes her focus on spatial awareness and sensory environments, considering how physical space affects consciousness and emotional processing. Elements such as traditional medicine, botanical matter, ambiguous sounds, erratic movements, and enclosed spaces contribute to her nuanced investigation of the relationship between body, space, and emotion.
Artist Xingyu Huang in conversation with curator Yoonshin Park
The Silent Language of Anxiety
Following the exhibition, Xingyu Huang joined curator Yoonshin Park in a conversation titled “Sensing the Unspeakable: Soundscapes of Communication,” co-presented by Working Title and the Hyde Park Art Center in the Muller Meeting Room. This artist talk offered insights into Huang’s exploration of emotion, space, sound, and the complexities of communicating what words often cannot express.
Huang discussed the conceptual and technical challenges she faced while developing Air Flows Between Us, where sensory thresholds are explored through a blend of sound, medicinal herbs, and organic materials. She explained how the abrupt sounds produced by the installation’s mechanical elements contrast with the gently falling powder, symbolizing the tension within anxiety—reflecting both inner turmoil and outer calm. This interplay between violent and serene elements captures the often-overlooked duality of mental health struggles.
Art as a Bridge Across Sensory and Emotional Boundaries
The Bridge_Work exhibition demonstrates the power of art to transcend cultural and generational boundaries, creating a platform for shared experiences. Xingyu Huang’s Air Flows Between Us is notable for its innovative integration of sound, scent, and spatial interaction, transforming anxiety into a form that resonates both physically and emotionally. By breaking down traditional viewing modalities and constructing a sensory-driven environment, Huang prompts audiences to explore the intricate connections between body, emotion, and environment.
Through this dialogue, viewers not only experienced the subtle interplay between physical and emotional realms in Huang’s work but also gained insight into the challenges contemporary artists face when depicting complex psychological landscapes. As Yoonshin Park remarked, Huang’s work illustrates that art can serve as a conduit for emotional communication, transcending linguistic barriers and fostering deeper self-understanding and empathy.
Artist Xingyu Huang in conversation with curator Yoonshin Park
In this retrospective review, Air Flows Between Us stands out as a powerful yet sensitive approach to conveying universal themes of anxiety, empathy, and human connection, bridging sensory boundaries to create moments of profound introspection and understanding.
Japanese singer-songwriter, composer, and multi-instrumentalist Ichiko Aoba has a new album on the way: Luminescent Creatures will be released on February 28 via her imprint hermine. Its lead single, ‘Luciférine’, is out today. Along with the news, Aoba has announced a 2025 world tour. Listen to ‘Luciférine’ below, and scroll down for the album cover, tracklist, and the list of dates.
Aoba’s previous album was 2020’s Windswept Adan, which was conceived as the soundtrack to an imaginary film about a girl who journeys from her home to the fantastical Adan Island. “Luminescent Creatures was born from Windswept Adan,” Aoba explained in a statement. “It began when I started wondering what happened after the protagonist of Windswept Adan disappeared along with the music of the island’s inhabitants. What would be left?”
Luminescent CreaturesCover Artwork:
Luminescent CreaturesTracklist:
1. COLORATURA
2. 24° 3′ 26.98″ N, 123° 47′ 7.5″ E
3. mazamun
4. tower
5. aurora
6. FLAG
7. Cochlea
8. Luciférine
9. prisomnia
10. SONAR
11. 惑星の泪 (Wakusei no Namida)
Ichiko Aoba 2025 Tour Dates:
Mon Feb 24 – Hong Kong, CN – Xi Qu Centre, Grand Theatre [with Musicians from HK Phil]
Wed Feb 26 – Seoul, KR – Sky Arts Hall
Wed March 6 – Taipei, TW – Zhongshan Hall
Mon March 10 – Barcelona, ES – Parallel 62
Tue March 11 – Valencia, ES – Teatro Rambleta
Thu March 13 – Milan, IT – Auditorium San Fedele
Sat March 15 – Zurich, CH – Mascotte
Tue March 18 – Hamburg, DE – Laiszhalle
Wed March 19 – Berlin, DE – Urania (Humboldtsaal)
Fri March 21 – Utrecht, NL – TivoliVredenburg (Grote Zaal)
Sun March 23 – Groningen, NL – Oosterpoort
Tue March 25 – Antwerp, BE – De Roma
Thu March 27 – Paris, FR – La Trianon
Mon March 31 – London, UK – Barbican [with 12 Ensemble]
Wed April 2 – Manchester, UK – Albert Hall
Fri April 4 – Gateshead, UK – The Glasshouse
Sat April 5 – Glasgow, UK – City Halls
Thu April 17 – Honolulu, HI – Hawaii Theatre
Sat April 19 – Vancouver, BC – Chan Centre
Sun April 20 – Portland, OR – Revolution Hall
Mon April 21 – Seattle, WA – The Moore
Wed April 23 – Oakland, CA – Fox Oakland
Sat April 26 – Los Angeles, CA – The Wiltern [with Wordless Music Quintet]
Sun April 27 – Los Angeles, CA – The Wiltern [with Wordless Music Quintet]
Tue April 29 – Scottsdale, AZ – Scottsdale Center
Thu May 1 – Denver, CO – Paramount Theatre
Fri May 2 – St. Paul, MN – Fitzgerald Theatre
Tue May 6 – Chicago, IL – Thalia Hall
Wed May 7 – Chicago, IL – Thalia Hall
Thu May 8 – Detroit, MI – Masonic Cathedral Theatre
Sat May 10 – Cleveland, OH – Agora Theatre
Mon May 12 – Boston, MA – Berklee Performance Center
Wed May 14 – New York, NY – Kings Theatre [with Wordless Music Quintet]
Sat May 17 – Philadelphia, PA – Miller Theatre
Sun May 18 – Washington, DC – Warner Theatre
Thu May 22 – Mexico City, MX – Teatro Metropolitan
St. Vincent has shared ‘El Mero Cero’, the latest single from Todos Nacen Gritando, her Spanish-language reworking of All Born Screaming. Annie Clark has also announced new tour dates for 2025, including shows with Olivia Rodrigo and Nick Cave & the Bad Seeds. Listen to the new version of ‘Big Time Nothing’ and check out St. Vincent’s tour itinerary below.
Todos Nacen Gritando arrives this Friday, November 15.
St. Vincent 2024/2025 Tour Dates:
Nov 16 – Mexico City, Mexico – Corona Capital
Nov 22 – Jakarta, Indonesia – Joyland
Nov 25 – Melbourne, Australia – Palais Theatre
Nov 26 – Ballarat, Australia – Her Majesty’s Theatre
Nov 27 – Melbourne, Australia – Forum
Nov 28 – Melbourne, Australia – Crown Aviary
Nov 30 – Hong Kong, China – Clockenflap
Jan 4 – Tokyo, Japan – Rockin’On Festival
Jan 6 – Seoul, South Korea – YES 24 Live Hall
Jan 8 – Manila, Philippines – The Filinvest Tent
Jan 11 – Los Angeles, CA – AlterEgo
Mar 26 – Curitiba, Brazil – Estadio Couto Pereira (w/ Olivia Rodrigo)
Mar 29 – Bogotá, Colombia – Estéreo Picnic
Apr 2 – Mexico City, Mexico – Estadio GNP Seguros (w/ Olivia Rodrigo)
Apr 4 – Monterrey, Mexico – Pa’l Norte
Apr 6 – Dallas, TX – The Factory in Deep Ellum
Apr 7 – Austin, TX – Moody Amphitheater
Apr 8 – Houston, TX – White Oak Music Hall
Apr 10 – New Orleans, LA – Orpheum Theater
Apr 11 – Atlanta, GA – Tabernacle
Apr 12 – Charlottesville, VA – Ting Pavilion
Apr 13 – Pittsburgh, PA – Stage AE
Apr 15 – Boston, MA – Agganis Arena (w/ Nick Cave)
Apr 17 – Brooklyn, NY – Barclays Center (w/ Nick Cave)
Apr 18 – New Haven, CT – College Street Music Hall