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Choosing Between Short-Term and Long-Term Storage Options

The best short-term solution for your storage needs at home or office would be to rent out a storage unit for a set amount of time. It is important to know how long you will require the unit, as this will help you determine which type of unit suits your needs. There are two different classifications of storage units- long-term and short-term.

Short-Term Storage: Best for Transitions and Temporary Needs

Usually, short-term storage is for a duration ranging between a few weeks to several months. The flexibility is one of the most significant advantages of this type of storage. You can rent it quickly, and if you wish to change or cancel your rental, you may do so without any commitment.

One of the disadvantages of short-term storage units is that they are often more expensive per month than long-term storage units. Also, short-term storage may not have much available space during peak moving periods.

Long-Term Storage: Designed for Stability and Peace of Mind

The goal of long-term storage is to protect your property from being damaged due to climate change, while at the same time giving you peace of mind about knowing that your items will remain safe. Long-term storage may be for months or even years.

With climate controlled units and lower monthly rent prices, long-term rentals provide better ways to protect your valuable possessions from environmental issues, including excessive temperature fluctuations, excessive humidity, and dust.

A lot of long-term rental agreements allow for minimum adjustments, so you need to take this into consideration if you want to have as much flexibility as possible when establishing a long-term agreement.

Choosing Your Long-Term Storage Duration

If you do not anticipate needing access to your belongings often, the most cost-effective and easiest method of storage is long-term storage. On the other hand, if you are unsure about how long you may need storage for, or if you anticipate needing access to these items regularly, it would make sense to use short-term storage while you determine your longer-term needs.

Most people will initially rent short-term storage and then switch over to long-term when their circumstances become better defined. When selecting a facility to rent from, ensure they have flexible options to increase the term of your contract beyond what you signed up for originally.

Quality of Storage and Location

While duration matters, the location of your storage unit will also play a role in how well it meets your needs. Having a clean, well-secured storage unit, a transparent pricing structure, and an easily accessible facility with good customer service will be instrumental especially when your storage needs change.

The right Tacoma self-storage facility provides you the flexibility to shift from one to another and vice versa, and saves you time and money when your needs shift again.

Unit Size and Layout

Size and floor plan layouts are key elements that can easily be forgotten when considering how long you will rent a particular unit. If your space is too large, you may end up incurring unexpected costs. If it is too small, you may be frustrated when trying to access your items.

Some things to keep in mind when deciding on unit size are how your items will be stored, whether there will need to be walk-in aisles, and if it’s realistic to stack your items for the duration you are renting the unit.

Selecting the appropriate sized unit with the appropriate rental term will help you save money by being more efficient in how you use that space while reducing the number of moves you have to make later on.

Consider Future Changes

Consider the potential for change in your storage requirements in the future. Your life does not follow a specific timetable, and an initial short-term plan may become extended due to unpredicted occurrences. For example, look for facilities that provide month-to-month options for extending your contract, options for upgrading your unit as needs change, and the ability to change unit sizes or types.

This flexibility will allow you to maintain an effective storage solution that grows with you rather than putting you under pressure to make fast decisions or forcing you to relocate your stored items unnecessarily.

Endnote

Storage facilities offer two main categories of storage, short-term and long-term. Short-term storage allows users to be more flexible or adaptable, especially during times of transitions, whereas long-term storage saves money on both the use and protection of the items stored in the facility. The best type of facility for you will depend on your schedule and how often you will need access to your stored items.

Five Fashion Photographers Redefining Their Craft

Fashion photography is shifting. A new generation is dismantling old hierarchies, centring overlooked beauty and beautifully demonstrating that images can be both commercially successful and politically urgent. Our Culture recommends five photographers to watch as they redefine the craft in 2026:

      1. Szilveszter Makó

        Szilveszter Makó orchestrates photographs that feel like they’ve slipped through time. Blending Renaissance chiaroscuro, Dadaist absurdism and the tactile intimacy of handmade sets, the Hungarian-born, Milan-based photographer crafts portraits that lend everyone he shoots a dimension rarely seen in contemporary image-making.

      2. Nadine Ijewere

        Nadine Ijewere commands attention through colour and composure. Her fashion and portrait work often features women with unsmiling intensity and sculptural precision, and bodies arranged in striking geometric forms. She doesn’t ask her subjects to charm or seduce; instead, she photographs them with dignified seriousness, evoking a quietly revolutionary quality.

         

      3. Han Yang

        Han Yang weaves posthumanist philosophy and feminist theory into fashion imagery that feels like entering another dimension. Her work dismantles the boundary between body and environment, human and object, creating surreal tableaux where figures merge with nonhuman animals and organic matter. It’s fashion photography that thinks deeply about what bodies mean and could become.

      4. Rafael Pavarotti

        Rafael Pavarotti’s work breathes boldness: in color, composition and emotional intensity that pours through each image. The Brazilian photographer creates fashion imagery that doesn’t just ask for space — it claims it, addressing the industry’s long history of marginalising Black subjects through unapologetic presence.

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        A post shared by RAF (@rafaelpavarotti_)

      5. Hannah Hall

        Hannah Hall’s photography lures you in with warmth, then unsettles. Her images are soft in their colours and unique characters, yet boldly reject the male gaze and stifling rules of our societal playground. Through projects like “I never wanted to sell you a fantasy,” she explores the complexities of motherhood and queerness, and the contradictions that live beneath what we show the world.

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Fallout Shelter: How to Apply for Prime Video’s New Reality Show

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If you’ve ever wondered what it would be like to survive inside a Vault-Tec shelter, Prime Video’s upcoming Fallout Shelter series is turning your fantasy into a reality (show). As the studio opens submissions for contestants, interest is growing in how to apply for the Fallout Shelter reality show and what it takes to get selected.

Produced by Studio Lambert in collaboration with Kilter Films and Bethesda Game Studios, the upcoming 10-episode TV series will drop “a diverse group of contestants into an immersive, high-stakes world inspired by the games’ signature dark humor, retro-futurism, and post-apocalyptic survival storytelling.” So if you’re considering throwing your hat into the Vault, here’s what you need to know about how to apply for the Fallout Shelter reality show and what to expect before applying.

Fallout Shelter: How to Apply for Prime Video’s New Reality Show

While no official release date for Fallout Shelter has been announced, the studio has opened a casting call for “dwellers”, aka the contestants who will be dropped into a top-secret vault.

As per the official casting call, “The dwellers (contestants) live together in a top-secret vault, where they will compete in a series of games that tests the seven core attributes from the Fallout world. Strength, perception, endurance, charisma, intelligence, agility and luck (S.P.E.C.I.A.L). The series will not only test dwellers’ core attributes, but also their loyalty and alliances. It’s a game of power dynamics, popularity and social strategy which will ultimately result in a huge cash prize, but do you have what it takes to be the most S.P.E.C.I.A.L?.”

To apply for the Fallout Shelter reality show, you’ll need to head to the official casting call website and fill out a detailed application. You’ll be asked to describe yourself and your background, talk about your family life and relationships, explain how friends would describe you, and share any unexpected or interesting facts. Apart from this, you’ll also need to answer questions about your personality, values, and motivations, which will help casting producers get a clear sense of who you are and how you’d handle life inside a vault full of strangers.

The application also asks about how you relate to Fallout, so be honest and talk about the games you’ve played, how the TV series landed with you, and what hooks you to the Fallout universe. Lastly, you’ll be invited to join a faction, such as the Enclave, NCR, Minutemen, or the Followers of the Apocalypse, to help the casting team better understand your worldview.

While literally anyone can apply to become a part of Fallout Shelter, there are a few non-negotiable requirements all applicants must meet. Applicants must be at least 21 years old at the time of applying and have a valid passport that covers the whole filming period. Filming for Fallout Shelter is expected to run for three weeks in June 2026, although dates may change, and contestants should be ready to travel to multiple filming locations.

If selected, you’ll also need to sign non-disclosure agreements and keep your involvement confidential until the show airs, even if you are eliminated midway. The applications will remain open until February 15, 2026, and once your application is submitted, there’s nothing else to do but wait.

Good luck to everyone applying and may your S.P.E.C.I.A.L stats be in your favour!

Louis Vuitton’s New Beijing Flagship Wants You to Stay

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Luxury used to be about exclusivity. Then it became about experience. Now, apparently, it’s about not leaving at all, and for a brand built on travel, Louis Vuitton seems perfectly fine with the idea of keeping people in one place. Quick visits and impulse buys aren’t really part of the plan, but slowing you down is.

China is clearly the way to go, at least for LVMH. They’ve got the streets they care about, some stores are already running, some are plans on paper, China is shopping again, they want in, more stores, here we go, simple. Gladly, when Louis Vuitton needs a new four-story reminder that architecture shouldn’t be ignored, Jun Aoki shows up. And he’s been showing up for years, Tokyo, Shanghai, Osaka, it was all him, Beijing is the same move, just stronger.

Screenshot of Louis Vuitton's Instagram post - façade of the store
@louisvuitton via Instagram

The new Maison in Sanlitun leans on two ideas for the design. The starting point is the Taihu stone, prized for its worn, hollowed-out form. Aoki translates that logic into glass, adding a second skin that feels porous, fluid, iridescent, irregular. It filters light rather than reflecting it back, giving the façade depth and movement instead of a fixed image. It’s made to react to that light and weather, it never really looks the same twice, which is pretty much the point. Now, the second inspiration is taken from Nicolas Ghesquière, specifically from the Womenswear Spring/Summer 2016 finale. A dress in a slightly cyber-bohemian collection, enough to sneak into the head of one of the brand’s most respected insiders. Ghesquière really challenged Jun Aoki’s volumes, materials, colors, movement, and symbolism, in the best way possible.

Screenshot of Louis Vuitton's Instagram post - the inspiration from Ghesquière and his dress
@louisvuitton via Instagram

The Maison spreads over four floors, showing off everything Louis Vuitton makes, from leather goods, to perfumes, to whatever the new line happens to be. The spaces are stacked and open, with light spilling in and views from floor to floor that make you notice the building itself, as much as the bags. Beijing’s first LV café sits on top, complete with private lounges, a dining room, a rooftop bar, and 250 square metres of outdoor space, all the bits and pieces that make retail feel like a lifestyle.

Luxury retail isn’t just selling leather anymore. In Beijing, Louis Vuitton has made it all about feeling, seeing, tasting, and occasionally sitting in a private lounge of a building that’ll make you think of everything except the urge to hurry out. Emotion, sensory immersion, and personal engagement sell before a handbag, but that just comes with the full lifestyle destination.

Tucker Zimmerman Dead at 84

American singer-songwriter Tucker Zimmerman died in a house fire at his home in Belgium on Saturday morning (January 17). His wife of over 50 years, Marie-Claire Lambert, also died in the fire, according to local news reports. Zimmerman was 84 years old.

Zimmerman and Lambert’s neighbor alerted emergency services about a fire at their house in Saint-Georges-sur-Meuse, Liège, on Saturday morning. When responders arrived, the building was already engulfed in flames. A medical examiner and forensic scientist later concluded that Zimmerman and Lambert died of asphyxiation, and the fire is being treated as accidental.

Brian Tucker Zimmerman was born on February 14, 1941, and grew up in rural Northern California. He took up the violin as a child and moved to Rome to study composition in 1966. He spent two years in London, where he met frequent David Bowie collaborator Tony Visconti, who produced his first album, Ten Songs. Bowie would later declare it one of his favorite albums of all time, saying in 2003: “The guy’s way too qualified for folk, in my opinion. Degrees in theory and composition, studying under composer Henry Onderdonk, Fulbright scholarship, and he wants to be Dylan. A waste of an incendiary talent? Not in my opinion. I always found this album of stern, angry compositions enthralling.”

Zimmerman and his wife soon settled down in Belgium, becoming well-known for his gigs around Europe. In the mid-1980s, Zimmerman turned his focus to writing novels, short stories, poems, and composing film music and compositions for symphonic orchestras. In 2003, he returned to songwriting alongside his band the Nightshift Trio – which included bassist Jeff Van Gool and Zimmerman’s son Quanah on guitar – and released Walking on the Edge of the Blues.

In 2024, Zimmerman released three studio albums: one with his Tucker Zimmerman Trio, the solo LP I Wonder If I’ll Ever Come True, and Dance of Love, released by 4AD and featuring Big Thief as his backing band and producers. Dance of Love also memorably featured guest vocals from Lambert, rendering it a lovely, tender document of homemaking. Zimmerman’s final project was last July’s Music By River Words by Ear.

5 Famous Casino-Themed Artworks That Captivate the World

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Casino-themed artworks have fascinated audiences for centuries, portraying the allure, tension, and drama of gambling scenes. They capture the high stakes and human emotions of the games of chance, from cool thrill to hot despair, from the appearance of deceit to deep camaraderie. We discuss seven iconic pieces of art that have become casino masterpieces.

If you want to experience this atmosphere yourself but aren’t sure which casino to choose, check out the list with $5 minimum deposit casinos.

1. The Cardsharps by Caravaggio (circa 1594)

The Cardsharps is one of the very first and most influential casino-themed artworks. The two cheats plotting against the naive young man in this painting are nowhere to be seen. One does the cheapskate whole numbers behind his back, and the other does the signals for the move.

Сhiassaro’s use of light and shadow, or chiaroscuro, gives the scene a tremendous sense of tension heightening it. In this, it’s a masterful piece of depiction of deception and how humans are suckers for gambling. This piece has done a great job of creating timeless classics due to the richness of its storytelling.

2. The Card Players by Paul Cézanne (1890-1895)

The 5 paintings of Paul Cézanne’s The Card Players represent Provençal peasants playing cards. Similar to most gambling-themed art that emphasizes the drama, many highs and very lows, Cézanne’s players are cool and stoic, and likely treat the game as a routine pastime.

With these paintings, the simple and authentic condition of rural life is documented, along with an observant attitude toward gambling as a social phenomenon. The Card Players was sold in one of the most expensive artworks ever sold, for a staggering $250 million to the State of Qatar. Cézanne’s geometric use of colors and tones cast his genius in painting everyday.

3. Dogs Playing Poker by Cassius Marcellus Coolidge (1903)

Dogs Playing Poker is probably one of the most iconic and joking artworks ever done. This series is a series of anthropomorphized dogs that are so deeply involved in playing poker that they are painted by Cassius Marcellus Coolidge. There are the cunning cheater, the overconfident player, the excitable terrier, the unwilling pursuer, and the out-of-his-helmet high flyer.

Since then these paintings have developed into a cultural phenomenon, though they were originally intended to be advertisements for cigars. The underlying contest is of humor, with an even more sobering commentary on human behavior, about the absurdity and ultimately seriousness of gambling. Despite their fun nature, Dogs Playing Poker taps into the universality of cards and how they just make for good entertainment, even if it’s drawing a crowd.

4. At the Roulette Table in Monte Carlo by Edvard Munch (1892)

Best known perhaps for The Scream, Edvard Munch gives expressionism its warped twist in the form of At the Roulette Table in Monte- Carlo. Munch was inspired by his own experiences of gambling and recreates the anxiety, tension, and emotional élan of the roulette table players.

That is where the vibrant colors and distorted figures work to paint the psychological effect of gambling — where one minute you’re rich, and the next you’re poor. It is a deeply relatable and evocative piece because Munch’s painting paints the highs and lows of the casino-going experience. The reminder of the intoxicating, but often destructive nature of chance.

5. Salon d’Or, Homburg by William Powell Frith (1871)

Like Salon d’Or, Homburg takes viewers into the opulent interior of the Bad Homburg casino in Germany. It is a lively tableau of 19th-century society in which patrons from all walks of life are absorbed in games of chance.

Frith is amazing in detail and the elegance and decadence of the age into the detail. Every element in it tells a story — from the gamblers all dressed in riches, to the unsuspecting onlookers bursting with eager anticipation. We see how in this artwork the casino is a microcosm of society where different people live, and have different kinds of wealth, different ambitions, and levels of desperation, but they come inside and interact with each other on a common ground.

Conclusion

In these five artworks, we see how artists have presented the theme of gambling in varied fashions. Each piece presents a singular, unique perspective on the world of casinos from Caravaggio’s dramatic chiaroscuro and Cézanne’s contemplative realism through contemporary sculpture. However, casinos have also inspired many forms of art in the modern world, including movies, games, and more.

These masterpieces use humor, tension, and drama to deal with the apparently inherent complexities of human behavior, which themselves can be brought about by games of chance. The casino is forever timeless, whether these artworks are celebrated or used as a critique, they still strike the heart of this age-old theme.

Soft Resistance: Textiles and Memory The Artistic Practice of Qingran Liu

Memory rarely returns as a complete image. More often, it appears as something partial and unstable, a residue that hovers between presence and disappearance. It can feel light, translucent, almost atmospheric, like mist suspended between what is remembered and what can no longer be reached. Rather than belonging solely to the past, memory continually folds into the present, reshaping perception as it lingers.

It is within this uncertain terrain that Qingran Liu’s artistic practice takes shape. Working across textiles and moving image, Liu approaches memory not as something to be reconstructed or narrated, but as an experience activated through material, perception, and bodily proximity. Her works do not offer memory as evidence; instead, they stage memory as a condition, fragile, unstable, and perpetually in motion.

Liu’s practice consistently resists linear storytelling. Instead, it unfolds through sensory encounters shaped by duration, repetition, and natural rhythms. Textile, a medium that is simultaneously soft and rigorously structured, becomes central to this approach. Within her installations, memory is not retrieved as a fixed record but emerges through processes of distortion, interruption, and reassembly. The emotional register of her work is restrained and introspective, leaving space for hesitation rather than resolution.

Much of Liu’s work occupies the threshold between image and fabric. Fragile yarns intersect with fragmented photographic imagery, producing surfaces that seem to waver between legibility and dissolution. She works primarily with a Dubied industrial knitting machine, whose mechanical precision establishes a disciplined underlying structure. Against this rational framework, the yarn introduces vulnerability: threads shift, misalign, or partially disappear, generating visual instability that resists permanence. The image never fully settles; it remains contingent on light, distance, and the viewer’s position.

Rather than treating the machine as a neutral tool, Liu positions it as an active mediator between logic and sensation. The ordered system of industrial knitting becomes a site of tension, where deviation carries emotional weight. Textile, in this context, is neither purely structural nor purely expressive, it exists in a quiet negotiation between control and fragility, calculation and intuition.

Within contemporary textile and image-based practices, Liu’s work may initially recall artists who translate photography into fabric. Yet where such practices often emphasise layering or sculptural density, Liu moves in the opposite direction. Her works cultivate flatness, transparency, and suspension, evoking the sensation of memory as something that hovers rather than accumulates. What remains visible is never fully anchored; it appears to drift at the edge of perception.

Figure 2. The Non-returnable One: A Study of Memory Based on Photographic, Qingran Liu

In the series The Non-returnable One: A Study of Memory Based on Photographic, Liu turns to her family photo albums. These images, once anchors of familiarity, gradually become unstable through repeated viewing. As time passes, inherited family narratives bleed into her own subjective recollections, blurring the boundary between personal memory and collective construction.

Liu translates these photographs into knitted and printed textile images, deliberately disrupting their structure so that recognisable forms slowly distort. Faces remain partially visible yet never fully accessible, as if memory itself were fraying at the edges. The act of translation becomes a process of erosion, in which clarity is steadily compromised.

Yarn functions here not simply as material, but as metaphor. Liu works with monofilament, rigid, transparent, and easily broken, a material defined by contradiction. It is simultaneously present and vanishing, resilient and vulnerable. This condition closely mirrors the nature of memory: it leaves traces that shape us, yet resists total grasp. What endures is not certainty, but tension.

Figure 3, Linkage 1, Qingran Liu

In Linkage 1, Liu begins with a photograph of a family gathered around a dining table. What once suggested warmth and intimacy is gradually unsettled. Faces stretch and drift apart, while the table, a symbol of cohesion, loses its structural clarity. The image no longer affirms harmony, but exposes an underlying fragility embedded within the scene.

As viewers move around the work, perception shifts continuously. Transparency causes the image to appear suspended in space, changing with each bodily movement. Viewing becomes an active process, shaped by distance, angle, and duration. This instability often resonates with viewers’ own experiences of family memory, familiar yet indistinct, intimate yet unreachable.

Rather than locating emotional impact in a single visual detail, Liu allows ambiguity itself to carry affective force. The inability to fully decipher the image becomes its most potent quality, activating memory through uncertainty rather than recognition.

Figure 4, Funerals under Formalism, We Pretend to Cry, Qingran Liu

In her 2023 project Funerals under Formalism, We Pretend to Cry, Liu expands her inquiry from personal memory to cultural structure. The work originates from her experience of attending a family funeral, a setting marked by elaborate ritual yet an absence of emotional release. This dissonance prompted her to examine how formalised mourning practices can regulate, rather than express, grief.

Figure 5, Funerals under Formalism, We Pretend to Cry, Qingran Liu

Returning to her hometown, Liu collected personal belongings and family photographs, scanning and collaging them into textile prints. Touch becomes crucial in this process. Handling garments once worn by relatives introduces a bodily form of remembrance that compensates for emotional distance. The resulting images resemble afterimages, faded, fragmented, and uneven, as though time itself had interfered with their clarity.

The installation combines flat textiles, fragmented mannequins, and enclosing structures, forming a provisional environment of remembrance. Rather than presenting a static memorial, the work functions as a spatial condition that viewers must physically enter. Movement through the space is constrained, producing a subtle sense of pressure and restraint.

Figure 6, Funerals under Formalism, We Pretend to Cry, Qingran Liu

This environment operates less as a representation of mourning than as a simulation of its mechanisms. Viewers are positioned within a ritualised setting, yet denied emotional release. Discomfort arises not from spectacle, but from quiet suppression. The work poses an unsettling question: when grief is formalised into obligation, what happens to genuine mourning?

Unlike practices that foreground communal memory or collective identity, Liu’s work remains inward-facing. Her installations do not seek catharsis or overt social critique. Instead, they construct introspective spaces where loss, restraint, and emotional inheritance can be felt rather than explained.

Across her practice, Liu treats textile as a vessel, one capable of carrying personal memory while exposing broader emotional structures. Fabric extends the body, absorbs touch, and records time through wear, tension, and distortion. In doing so, it becomes a quiet but persistent medium of reflection.

Figure 7, Funerals under Formalism, We Pretend to Cry, Qingran Liu

Qingran Liu’s work resists closure. It sustains open perceptual fields in which viewers become participants rather than observers. Through transparency, softness, and structural tension, her installations evoke spaces where memory is neither fully present nor entirely gone.

In this sense, “soft resistance” emerges not as opposition, but as endurance. Liu does not confront forgetting through force or declaration. Instead, she works through delicacy, allowing memory to surface slowly, through material hesitation and sensory attention. What remains is not a statement, but a lingering vibration: a quiet insistence that what is fragile, blurred, or unspoken still deserves to be held.

Animal Crossing: New Horizons: How to Unlock and Play Classic Nintendo Games

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The much-awaited Animal Crossing: New Horizons 3.0.0 update has finally arrived, bringing a deluge of new content to the beloved virtual island. The new update also sees the addition of several classic Nintendo game systems like the NES, Famicom, Super NES, and Game Boy, all of which can be obtained in-game. Better yet, these consoles are fully interactive, with each one boasting a built-in retro game that you can play straight from the console itself. That said, unlocking and playing these classic Nintendo games in Animal Crossing: New Horizons requires a bit of in-game progress before they become available. So, to clear things up, here’s how to unlock and play classic Nintendo games in Animal Crossing: New Horizons.

Animal Crossing: New Horizons: How to Unlock and Play Classic Nintendo Games

To unlock and play classic Nintendo games in Animal Crossing: New Horizons, you need to progress through the game until the Resort Hotel becomes available on your pier. From there, you’ll need to decorate the hotel and perform crafting requests for visiting islands to gain access to the retro Nintendo consoles and their playable games.

When you enter the hotel for the first time, you’ll be greeted by Tom Nook, who’ll introduce you to Leilani. She will then ask for your help furnishing the guest rooms. You can decorate up to two rooms per day, and there are no rules on how fancy the designs have to be. You’ll need to complete eight rooms before you can move on to the next stage, which usually takes four to five real-time days unless you choose to time-travel.

Once you’re done renovating the guest rooms, head back to the pier and speak to Cap’n on his boat. He will ask you to craft DIY items that can be delivered to other islands to promote your hotel. Each request you complete will reward you with Hotel Tickets (which you can redeem for items in the hotel’s shop) and gradually expand the items available in the hotel shop.

You’ll need to work through quite a few of these crafting requests, and when you reach the five- and 50-item milestones, Cap’n will thank you again with more Hotel Tickets. At that point, return inside and speak with Grams, who runs the hotel shop. She will mention that the shop’s selection has expanded and that some of the rarest items her son has found are now in stock.

This will unlock the Special tab in her shop, where classic Nintendo game consoles will become available. You can buy each console for 500 Hotel Tickets, and it’ll show up in your mailbox the next day. From there, all that’s left to do is fire up a console and have fun. Nintendo games in Animal Crossing: New Horizons are fully playable and each console will run a specific classic game. Just keep in mind that you’ll need an active Nintendo Switch Online membership to play them.

For more gaming news and guides, be sure to check out our gaming page!

Watch A$AP Rocky Perform ‘Don’t Be Dumb’ Songs on ‘SNL’

A$AP Rocky was the musical guest on last night’s episode of Saturday Night Live, debuting songs from his new album Don’t Be Dumb. He opened with ‘Punk Rocky’ before delivering a medley of ‘Helicopter’ and the title track. Finn Wolfhard hosted the episode, and though his Stranger Things co-star Winona Ryder, who stars in the ‘Punk Rocky’ video, did not make an appearance, some of the other artists in the clip, including Thundercat, Danny Elfman, and Mark Harley, did show up. Watch it happen below.

During the episode, Sabrina Carpenter reprised her role as a 12-year-old boy on the Snackhomiez podcast, in a sketch that also featured Rocky. Next week, Geese will be making their musical guest debut on SNL.

How an Immigration Lawyer in Nashville Can Simplify Your Immigration Journey

Moving to a new country brings both opportunity and uncertainty. Many people arrive with dreams of building a better future, reuniting with loved ones, or starting a career in a place that offers new possibilities. For anyone seeking legal guidance, working with a trusted immigration lawyer in Nashville can make the process far more manageable. Immigration laws are complex and constantly changing, so having professional support helps individuals and families avoid mistakes that could delay or even jeopardize their plans.

A knowledgeable immigration attorney in Nashville also plays an important role in protecting a client’s rights while guiding them through each step of the legal process. From visa applications to permanent residency and citizenship, an experienced attorney helps people understand their options and choose the path that best fits their situation. This guidance can turn a stressful journey into a more confident and informed experience.

Understanding Immigration Law

Immigration law covers the rules and regulations that determine who may enter, live, work, and remain in the country. These laws govern everything from family based petitions and employment visas to asylum and naturalization. Because each case is different, there is no one size fits all solution. What works for one person may not apply to another.

An immigration lawyer studies the details of a client’s background and goals before recommending a legal strategy. This personalized approach helps ensure that applications are accurate, complete, and submitted on time.

Common Immigration Services

Immigration lawyers assist with a wide range of services. Many people seek help with family based immigration, which allows citizens and permanent residents to sponsor relatives. Employment based immigration is another common area, helping workers and employers secure the proper authorization to work legally.

Other services include student visas, investor visas, and humanitarian options such as asylum or protection for victims of crime. Each category has its own requirements and deadlines, making professional guidance especially valuable.

The Importance of Proper Documentation

One of the most challenging aspects of immigration is gathering and submitting the right documents. Applications often require proof of identity, financial stability, relationships, and employment. Missing or incorrect information can lead to delays or denials.

An immigration attorney helps clients prepare these materials carefully. By reviewing forms and supporting documents, they reduce the risk of errors and improve the chances of a successful outcome.

How an Immigration Lawyer Supports Clients

Beyond paperwork, immigration lawyers provide ongoing support and communication. They keep clients informed about the status of their case and explain what to expect next. This transparency helps reduce anxiety and builds trust.

Attorneys also act as advocates when issues arise. If a case faces challenges or requests for additional information, they respond quickly and professionally on behalf of the client.

Immigration and Family Unity

For many people, immigration is about bringing families together. Spouses, parents, and children often rely on legal petitions to reunite. These cases can be emotional and time sensitive, making it even more important to have experienced representation.

A lawyer understands how to present family relationships clearly and convincingly. This helps immigration authorities make informed decisions that support family unity whenever possible.

Employment Opportunities Through Immigration

Immigration law also opens doors for people with skills, education, or business ideas. Employment based visas allow companies to hire talented workers from around the world. Entrepreneurs and investors may also qualify for special programs.

An immigration attorney helps match a client’s qualifications with the right visa category. This ensures that opportunities are pursued legally and efficiently.

Adjusting Status and Permanent Residency

Many people start with a temporary visa and later apply for permanent residency. This process, often called adjustment of status, allows individuals to remain in the country while their green card application is reviewed.

An attorney guides clients through this transition, ensuring that all requirements are met. They also help prepare for interviews and respond to any concerns raised by immigration officials.

Path to Citizenship

Becoming a citizen is a major milestone. It offers security, voting rights, and the ability to sponsor additional family members. The naturalization process involves meeting residency requirements, passing tests, and demonstrating good moral character.

An immigration lawyer helps clients prepare for each step. This preparation increases confidence and improves the likelihood of approval.

Facing Challenges in Immigration Cases

Not all cases are straightforward. Some people face past visa issues, criminal records, or other complications. In these situations, legal expertise is especially important.

An attorney evaluates potential risks and develops strategies to address them. This may involve waivers, appeals, or alternative options that keep the case moving forward.

Looking Toward the Future

Immigration is about more than paperwork. It is about building a life, contributing to a community, and creating new opportunities. With the right legal guidance, people can focus on their goals rather than worrying about technical details.

A strong legal partnership provides peace of mind. Clients know that someone is working diligently to protect their interests and support their dreams.

Final Thoughts

The journey through immigration law can be complex, but it does not have to be overwhelming. With professional guidance, clear communication, and careful planning, individuals and families can navigate the process with confidence. An experienced immigration lawyer plays a crucial role in turning hope into reality and helping people take the next step toward a brighter future.