Eunice Yunjeong Lee, a spatial designer, is a rising star in the field of exhibition design, particularly through her work at the Museum of Sex in New York City. Her previous project, “RADICAL PERVERTS: Ecstasy and Activism in Queer Public Space, 1975-2000,” running from October 12, 2023, to April 14, 2024, exemplified her ability to combine spatial design with cultural narratives. Curated by Alexis Heller, this exhibition explored the intersections of ecstasy and activism in queer public spaces, offering visitors an immersive journey through a pivotal era in LGBTQ+ history.

As the exhibition designer, Lee’s role was pivotal in bringing the radical spirit of the 1975-2000 queer movement to life within the museum’s walls. Her design approach aimed to craft a chronological narrative that not only guides visitors through the history of queer activism but also immerses them in the emotional and social landscapes of the time. To achieve this, she utilized urban elements that evoke the public spaces where much of this activism unfolded. These spaces were crucial sites of resistance and community-building, and Lee’s design pays homage to their significance.

An important moment in the design process was her decision to use real tiles for a wall meant to evoke the atmosphere of a public bathroom—an essential thematic element in the exhibition. Despite the higher costs and longer installation time, Lee believed that the tactile quality and visual depth of real tiles were necessary to fully convey the exhibition’s message.

In designing the exhibition, Lee was deeply aware of the messages she wanted to convey to the audience. She emphasized the importance of aligning her work with the intentions of the curator and artists, ensuring that their messages were communicated with the respect and sensitivity they deserved. Lee’s design choices were carefully made to honor the essence of the work while being mindful of the contemporary social climate. This balance is crucial in exhibitions that tackle complex and sensitive issues, and Lee’s ability to navigate these challenges speaks to her skill and thoughtfulness as a designer.

Through her design, Lee highlights her exceptional talent for creating spaces that are not only visually striking but also deeply connected to the cultural and historical contexts they represent.

She invites visitors to engage with the past in a way that is both immersive and reflective, providing a powerful platform for dialogue and understanding.

Eunice also announced that her upcoming exhibition designs will be featured in “Hajime Sorayama: Desire Machines” and “Modern Sex: 100 Years of Design and Decency,” both part of the grand opening at the Museum of Sex Miami.

Additionally, her latest works include “Looking at Andy Looking,” curated by Greg Pierce. This exhibition features a collaboration with Pittsburgh’s Andy Warhol Museum to present a selection of Warhol’s early films. Furthermore, “I Licked It, It’s Mine,” curated by Ariel Plotek and Amanda Assaf, is also currently on view at the Museum of Sex. Both exhibitions will remain open until early 2025.

In September 2024, the highly anticipated 11th Singapore International Arts Festival took place, where flutist Feng Di emerged as a standout performer. Drawing on his extensive musical training in France and the UK, Feng Di once again impressed both audiences and the music community with his refined skills and profound musicality.

Special Appearance by French Master Vincent Lucas

The festival featured a special appearance by renowned French flutist Vincent Lucas, one of the most influential figures in the French flute scene. For Feng Di, this was a meaningful reunion with the French musical traditions he had studied during his time in Paris. Feng Di’s education at the École Normale de Musique de Paris, where he honed his craft under rigorous training, laid a solid foundation for his exceptional performances.

The UK Connection and Feng Di’s Artistic Development

In addition to his French background, Feng Di is currently based in the UK, where he continues to develop his artistic career. This year’s festival was chaired by Goh Tiong Eng, who also has a background from the Royal Academy of Music in the UK, where he studied under the renowned British flutist William Bennett. The convergence of their musical paths in the UK adds a significant dimension to the festival, coinciding with Feng Di’s current activities in the UK, where he serves as a flute professor at the London Performing Academy of Music.

Captivating Performance: Trio Performance of La Campanella

During the festival, Feng Di performed alongside prominent Chinese flutists Pang Ying and Chaoyue Zhang in a trio rendition of A. Albisi’s La Campanella for 3 Flutes. The harmonious collaboration of these three artists brought out a unique depth and charm in the piece. Feng Di’s delicate tone and technical prowess enriched the performance, while his seamless integration with his fellow musicians added a new dimension to the composition.

Audience members were highly impressed with the performance, and fellow musicians praised Feng Di’s execution. The trio’s performance was a highlight of the festival, showcasing Feng Di’s status as a leading international flutist and his ability to merge Eastern and Western musical traditions.

Audience and Peer Praise

After the performance, attendees expressed their admiration for Feng Di’s emotionally compelling and technically superb playing. Festival chair Goh Tiong Eng praised Feng Di as “an artist who perfectly integrates Eastern and Western musical traditions.”

Feng Di’s collaboration with the other Chinese flutists showcased their individual musical styles in perfect harmony, making the performance one of the festival’s standout moments. Colleagues in the flute community also lauded Feng Di as “a performer with both emotional depth and exceptional technique.”

Through his remarkable performance at the Singapore International Arts Festival, Feng Di has once again affirmed his exceptional status on the international music stage. With his rich background in both French and British music education, he continues to elevate his flute performance to new heights and explore the fusion of Eastern and Western musical cultures.

As one of the most influential flutists of his time, Feng Di’s musical journey is far from over. His future performances are sure to offer audiences more enchanting and inspiring musical experiences.