London Fashion Week 2025 embraced the first collections from JCA | London Fashion Academy’s MA Fashion: Entrepreneurship in Design and Brand Innovation students. Taking place on Friday, 19 September, the showcase was held at the Westmount Rooftop Terrace in White City, in partnership with St James, part of the Berkeley Group.
Five future designers unveiled their brands to the fashion world, with an afternoon preview and evening show attended by press, buyers, and guests. The rooftop space, newly launched as a beach club, proved the perfect backdrop for the graduates’ bold collections.
The evening closed with a rooftop drinks reception hosted by Prof. Jimmy Choo OBE, who said: “To see these skilled designers present collections they’ve poured so much into is truly exhilarating. Watching them create such incredible and diverse work is a proud moment for myself and the academy.”
Collections included Elle Curzon’s sustainable label 3113, confronting themes of addiction and mental health, Sophie Holland’s multifunctional outerwear brand A bare c, Patricia Reis’s provocative tailoring (TRIXA), Grace Emerson’s reconstructed streetwear (Rethreaded), and Jasmyn Lopuszansky’s inclusive designs for the visually impaired (LOPUSZANSKY).
According to the history books, the first ever casino in London opened in 1828. It was located on Curzon Street in Mayfair, and despite the city changing drastically over the following 197 years, it still occupies the site to this day. This is a key point to consider when looking at the global casino scene.
Across countries like the US, Monaco, China, and Germany, some of the best casinos in the world right now were only built in the last fifty years. We’re talking about casinos like the Venetian Macao, which opened in 2007, the Bellagio Casino in Las Vegas, which opened in 1998, and the Resorts World Sentosa in Singapore, which opened in 2010. These are beautiful, luxurious casinos that radiate elegance, infused by their respective designs and decor.
But how much of that decor was actually inspired by London? As a whole, London’s architecture is some of the most eye-catching in the world. With prime spots like the Battersea Power Station and the infamous Big Ben, the city is a sight to behold, and this doesn’t stop when it comes to the casinos. Whether it’s the Crockfords Club in Mayfair, The Hippodrome in Soho, or The Ritz Club in Piccadilly, so many casino establishments in London are known for their luxurious and timeless architectural styles and decor – the same styles that have undoubtedly had an influence on global casino decor.
What is the London Look?
For casino regulars in the UK, London might not always be the prime destination, but you can discover your local casino here, says William Macmaster, mainly due to the fact that there’s a strong online presence, and that it’s a bustling metropolis with a huge choice. But one of the best things about the casinos is that, as soon as you enter, you’re greeted by a sense of calm.
Through the decor and interior design, the casinos have created an atmosphere that helps you to escape the hectic energy of the city and focus your attention on the games at hand. This is largely achieved through the use of soft lighting – including lamps on each table – plush seating, and elegant furnishings designed to provide a sense of luxury and tranquillity.
Just look at The Ritz Club. As we mentioned before, this is one of the most popular casinos in the city, and yet when you’re inside, there’s a quiet elegance that makes it feel more like a retreat. Whether it’s the opulent golden chandeliers or the deep, comfortable armchairs, every detail feels crafted to make you feel like you’re stepping into a world of timeless sophistication, and the same can be said for numerous other elite establishments.
Another aspect of London casinos to note is the conversation starters. Across the city, many casinos utilise art and decor to serve as conversation starters or focal points. From classic paintings adorning the walls to contemporary sculptures placed strategically around the casino floor, every item is carefully selected and infused into the space to add a sense of character.
This approach asks people to see the casino as more of a destination, where you’re encouraged to take your time and appreciate the aesthetics, rather than simply walk in, play a few games, and leave. In other words, they make the casino setting an experience in itself, and that’s something global casinos have taken on board.
The Influence on Global Casino Decor
Let’s start by looking at the casino in Las Vegas – perhaps the most iconic gambling city in the world. Whether it’s the Bellagio or the Venetian, each casino in this city has taken some inspiration from the grandeur of London casinos, with many also choosing to install conversation starters like paintings and sculptures.
In the Bellagio, for instance, one of the most notable decor pieces is the grand chandelier, which can be found in the lobby. This is a stunning glass art installation created by Dale Chihuly, and it works to echo the ornate lighting found in London’s high-end casinos like The Ritz Club.
With marble floors, velvet seating, and luxury carpeting also found in the gaming rooms, it’s clear that the warm, inviting atmosphere of London casinos has also influenced the designers, with an understanding that players are getting away from the hustle and bustle of the Las Vegas streets, and want to feel welcome in a place that oozes calmness and tranquillity.
When it comes to the Venetian, one of the big things the designers seemed to learn from London Casinos is that casinos should be timeless, with a blend of both classical and modern touches. With the interior highlighted by gilded accents and mosaic-tiled floors, it’s clear that the Venetian is lending a hand from casinos like the Empire Casino and the Hippodrome, both of which have blended classic architectural details with a modern gaming experience.
Conclusion
Whichever way you look at it, London casinos have undoubtedly played a big part in shaping global casino decor, with many of them being the perfect reference for designers to look at, learn from, and infuse into their own styles. That’s not to say that the other casinos don’t have their own character, because they do. But when you look closer, small details and delicate finishes prove that, in the end, all roads lead to London.
Brandon Hendrick was born in New York and studied painting at Virginia Commonwealth University before earning his MFA at Glasgow School of Art in 2021. His work has appeared throughout the United States, the UK, Turkey, France, and Bulgaria, and has been included in various publications including Epicenter NYC, Akşam, and beloved The Scotsman. Hendrick’s practice uses non-conventional surfaces to paint on – most notably cigarette packs – transmuting the disposability of the object into a physical tension that prevents the act of disposability. The cigarette pack paintings (which began in Sofia in Bulgaria) have expanded to other locations and most recently in Marnay-sur-Seine, France in a residency. The health warnings that are printed on the sides of the packs remain visible along with the textures and creases of the object itself, revealing guises of questions about value, habit, and memory that literally come into the work itself.
A Rainy Day in Sofia (2025) is painted across the surface of a flattened pack. The folds, creases, and warning label remain visible. A stretch of grey sky sits above a line of trees and a blue roof – their forms reflected on a patch of water below. The work expresses what Hendrick describes as fleeting moments and memories in his artist statement, not entirely descriptive, but suggestive enough to allow the viewer to finish the scene themselves. The cigarette box has a fragile, disposable nature yet retains an enduring landscape, and the tension between those two aspects is at the core of this image.
At the Window (2025) is painted on a box that remains intact. On the left, a square of deep blue and black suggests a night sky framed by darkened trees, while a vertical strip of ochre marks the edge of a wall or a curtain on the right. At the bottom, there is a small, pink flower resting on a ledge on the surface of the box, which can open and close. The piece sits at the threshold between both the interior and exterior, and may represent a moment gazing through the window looking out, or looking in from outside.
At the Window
Mountain Air (2025) is looser and more abstract. Pale blues and greys smear across the flattened surface, touched with cream and darker strokes, suggesting a mountain range beneath heavy skies. The forms are indistinct, and it feels more about atmosphere, than place. Again, the cigarette box structure itself and its creases, edges, and folds suggest impermanence. It feels like a memory of air, a sensation that passes quickly, fleeting and incomplete.
Mountain Air
Nogent-sur-Seine (2025) was made when Hendrick was living in France. The cigarette box is intact with the French warning label down the edge of the box. Two cooling towers rise above a field of bright green; smoke rises straight up into a luminous blue sky. The industrial form is monumental and the pigments are unexpectedly serene. The work holds a contradiction, an industrial view and pollution depicted in tones associated with calmness and beauty at the same time. Hendrick does not resolve that contradiction and allows the image to sit in both spaces.
Nogent-sur-Seine
Sunset Drive (2025) depicts a road cutting into the darkness and the headlights of a car catching the curve all beneath the sky explodes with orange, violet and blue. The work is painted on an upright surface of a pack. It feels cinematic in scope, even though it is placed within the confines of something intended to fit in a pocket. Hendrick often works off of images on his phone, which he may edit, thinking of them like film stills; fragments that create stories when placed together. Sunset Drive retains that quality, a moment captured in a single frame that suggests a narrative, but also refuses to create one.
Sunset Drive
Two Benches (2025) captures a different moment, quiet and nocturnal. A black tree rises loosely painted against a cobalt sky, with a white moon visible in the corner, and faintly glowing streetlamp rises from in between three trunks. Below are two benches lower down, their empty presence and markers of human life in such a still moment. There is a quickness to the way it is painted, with thick strokes, and yet the stillness is compelling. It is a moment of everyday life, but to situate it on the surface of a cigarette box makes it ordinary and strange simultaneously.
Two Benches
The cigarette paintings are not seamless objects. They do not hide what they are painted on. The warning labels in different languages remain visible, a reminder that these are discarded materials, tied to specific places and to the body. Hendrick talks about the sense of lightness, of viewing the world from a distance, that the series suggests. The cigarette pack itself carries associations of habit and transience, of pleasure and risk, and those qualities remain even once paint has covered most of the surface.
The work does not attempt to erase the digital either. Many of the paintings originate in phone images, which Hendrick describes as an extension of his body. The phone captures fleeting impressions, organizing them into sequences that only make sense later, after the moment has passed. Kierkegaard’s line that life can only be understood backwards but must be lived forwards is central to this process. The paintings are not immediate transcriptions of experience but reflections built after the fact, subjective constructions shaped by memory and art history.
Hendrick has been influenced by painters like Susan Rothenberg, Milton Avery, and Félix Vallotton. Like Hendrick, they were interested in representing the beauty of the everyday, often by way of simplification and atmosphere. Rothenberg’s gestural figuration, Avery’s flattened fields of color, Vallotton’s sharp edges of light and shadow, all resonate on Hendrick’s small surfaces. And the cigarette packs are akin to collage and found materials: from Kurt Schwitters’ Merz constructions to more contemporary artists who continue to explore painting almost defiantly as entirely sculptural practices.
The exhibitions Hendrick has conducted trace his mobility. He has exhibited work in places such as Glasgow, Sofia, Istanbul, Pleven, and Marnay-sur-Seine, and is about to present a solo exhibition in Ann Arbor, Michigan. Each series carries marks of where the works were literally produced, both in subject matter but also in the materials themselves. The labels warning that cigarette smoking is hazardous, whether they are in Bulgarian, French, or English, aren’t just surface references; they are evidence of the geography of the object.
The image from the studio—the photograph of Hendrick at work—reiterates and reinforces this portability of practice. The tools, brushes, paint, flattened packs, an uncomplicated–small portfolio of tools of practice. And the idea of a studio is not, and should not, be fixed in place. These works can exist anywhere. The work itself is easily carried. The scale is modest, but the ambition is much larger, the landscape compressed into surfaces never intended for permanence.
Hendrick working in the studio
Hendrick’s cigarette paintings are accentuated by this tension between fragility and endurance. The packs themselves are objects meant to be discarded, objects with associations based in consumption, objects with connections to transience. Within the paintings, however, Hendrick extends permanence into their surface, celebrating moments in hues, linking memories to scenes or figures through color and brushstroke. These artworks never reconcile the two polar tensions, so it remains and asks the audience to hold both, to acknowledge their simultaneous measurements.
In this time of non-stop images on the screen, Hendrick is insistent on the physical, the tactile, the intimacy. While the paintings feel small, they expect close looking. The small paintings do not compete with the phone, but rather collaborate on the screen, taking a quick digital impression and rendering a physical mark. The outcome is a body of work that does not feel measured, feels contemporary and grounded, playful and serious, light and emotional, similarly.
Brandon Hendrick’s pack paintings are about seeing, then, not just the pack images–its a rainy day, a sunset, a drive, a couple of benches–but about how images survive, how memory attaches to the pack, how something that is long-used, something disposable, holding permanence when the oil pigment comes through and transforms it. They articulate narrative without naming it, allowing viewers to supply their own dor on the surface, and the gesture of smoking a cigarette, the lightness of the smoke drifting, the brief act, storing what is there, finds some strange echo in these small landscapes. They linger for a moment, and then hold onto you longer than expected.
The cigarette paintings will be on display at 813 Microgallery in Ann Arbor, Michigan, in November 2025.
The Tyler Perry Netflix series Beauty in Black is back with season 2. Turns out, viewers are still eager to follow Kimmie as she makes her way through the Bellaries’ world.
With 8.7 million views this week, the drama is the third most-watched series on the platform. It’s also number one in ten countries where the streaming service is available. Does that mean we can expect more?
Beauty in Black Season 3 Release Date
At the time of writing, there’s no news about a potential Beauty in Black season 3. That said, the second part of season 2 is still on the way!
The show’s sophomore run consists of 16 episodes, with only the first eight premiering in September 2025. If the show’s previous schedule is any indication, the remaining eight will arrive on Netflix sometime in early 2026.
Beauty in Black Cast
Taylor Polidore Williams as Kimmie
Crystle Stewart as Mallory Bellarie
Ricco Ross as Horace Bellarie
Amber Reign Smith as Rain
Xavier Smalls as Angel
Julian Horton as Roy Bellarie
Steven G. Norfleet as Charles Bellarie
What Could Happen in Beauty in Black Season 3?
A gritty soap-opera drama, Beauty in Black revolves around Kimmie, an exotic dancer desperate for a way out. She applies for a scholarship at a hair school run by the powerful Bellarie family. Turns out, their public success hides infighting, secrets, and a dark side.
Before long, Kimmie becomes entangled in the Bellaries’ dangerous world. As season 2 kicks off, her marriage to the family patriarch also makes her COO of the beauty empire. Her quick rise to power causes tension within the family, who scramble to maintain control.
With her husband’s health failing, Kimmie is left to shoulder a big chunk of the responsibility. Her rivalry with Mallory, whom she basically dethroned, grows. Throw in some murders, copious amounts of sex, and major complications into the mix, and you’ve got a pretty addictive batch of episodes.
If you’ve made it to the end, you know that Kimmie basically rules the Bellaries after asserting herself in a business meeting. Whether or not she’ll be able to maintain her power remains to be seen. The back half of season 2 will likely throw additional twists her way, so it will be interesting to follow along with her journey.
“Let’s just say the power shifts are bigger, the betrayals cut deeper, and Mallory has a few tricks no one sees coming. If you think she’s already done her worst, you’re not ready,” Crystle Stewart told Tudum when asked about the upcoming episodes.
As for Beauty in Black season 3, it’s too soon to tell. What’s certain is that the Bellaries are fairly dysfunctional. We’re sure their drama could fuel the show for years to come.
Are There Other Shows Like Beauty in Black?
If you enjoy Beauty in Black, we also recommend South African series Savage Beauty, which has a similar premise.
A new Spanish series is gripping Netflix subscribers worldwide. Based on Jorge Ibargüengoitia’s novel, The Dead Girls centres on the Baladro sisters, who built a brothel empire in 1960s Mexico.
It’s the kind of story inspired by true events that seamlessly blends crime, passion, and corruption. With 3.9 million views this week, The Dead Girls is currently the second most-watched non-English series on the platform. Does that mean more episodes might be on the way?
The Dead Girls Season 2 Release Date
At the time of writing, there’s no official news about a potential The Dead Girls season 2. Moreover, the title is listed as a limited series on Netflix.
That makes a renewal unlikely. Still, you never know. If the show becomes a phenomenon in the vein of Squid Game, we’re sure the creators can find a way to expand the story.
The Dead Girls Cast
Arcelia Ramírez as Arcángela Baladro
Paulina Gaitán as Serafina Baladro
Alfonso Herrera as Simón Corona
Joaquín Cosío as Captain Hermenegildo Bedoya
Mauricio Isaac as Juana Cornejo aka “La Calavera”
What Could Happen in The Dead Girls Season 2?
While The Dead Girls is inspired by true events, the show isn’t a documentary. The story, which is set in Mexico in the ’60s, is fictionalised. Don’t worry: that doesn’t make it any less addictive.
The plot tracks the rise and fall of the Baladro sisters, Arcángela and Serafina. Together, they build a lucrative brothel empire. They coerce young women into sex work and bribe local authorities to look the other way. At first, the business flourishes.
Before long, however, as more of the women under their care begin to die, suspicion mounts. They ask Serafina’s lover to help them dispose of bodies, but his complicity is fragile. As the investigation intensifies, the sisters’ world unravels.
The show has an appealing tone. Despite the horrific subject matter, it wins over viewers thanks to dark humor, beautiful visuals, and great performances. By the end of the six episodes, the business is collapsing, and the sisters’ fate seems set in stone.
That’s another reason we doubt The Dead Girls season 2 will become a reality. The final episode wraps the story in a satisfying manner. Even so, a potential sequel could explore the consequences of the sisters’ actions and follow the fate of the survivors.
Alternatively, it could focus on Arcángela and Serafina’s dynamic in the aftermath, behind bars. You never know.
Are There Other Shows Like The Dead Girls?
If you enjoyed The Dead Girls, you might like some of the other international series that recently premiered on Netflix. The list includes Two Graves, Rivers of Fate, In the Mud, and Delirium.
Are you in the mood for a slow-burn romance? If that’s the case, anime series The Fragrant Flower Blooms with Dignity might be right up your alley.
The show, which recently debuted on Netflix, is currently charting in 26 countries. Not only that, but fans praise it for its beautiful animation and overall wholesomeness. Does that mean a second season might be on the way?
The Fragrant Flower Blooms with Dignity Season 2 Release Date
At the time of writing, there’s no news about a potential The Fragrant Flower Blooms with Dignity season 2.
That said, the show just premiered, and the first season is ongoing, with episodes arriving weekly on Netflix. As long as it performs well, there’s no reason why it shouldn’t continue past its freshman run.
A second installment could arrive sometime in late 2026.
The Fragrant Flower Blooms with Dignity Cast
Yoshinori Nakayama as Rintaro Tsumugi
Honoka Inoue as Kaoruku Waguri
Kôki Uchiyama as Saku Natsusawa
Kikunosuke Toya as Shohei Usami
Hiiro Ishibashi as Ayato Yorita
Aya Yamane as Subaru Hoshina
What Could Happen in Season 2?
The Fragrant Flower Blooms with Dignity is set in a town where two very different high schools stand side by side. On one hand, there’s Chidori High, a boys’ school with a rough reputation. On the other, there’s Kikyo Private Academy, an elite all-girls school filled with students from wealthy families. The schools have a long-standing rivalry.
The story revolves around Rintaro, a Chidori student who looks intimidating but has a gentle heart. He splits his time between school and helping out at his family’s bakery. One day, while working, he meets Kaoruko, a kind girl from Kikyo who becomes a regular customer. She treats him without fear or judgment, to his surprise.
Their friendship grows despite the tension between their schools and the pressure from everyone around. As the two get to know each other, romance may also begin to spark. At its core, this is a story about changing perceptions and finding connection when you least expect it.
That may be why so many viewers are drawn to the anime. The earnestness tends to win you over, even if you prefer your media action-packed. Rintaro and Kaoruko are hard to resist.
It’s a little too soon to speculate about what might happen in The Fragrant Flower Blooms with Dignity season 2, but it’s safe to assume it will continue to track the blossoming relationship. The anime is based on a popular manga series. You can check out the English version online.
Are There Other Shows Like The Fragrant Flower Blooms with Dignity?
If you enjoy The Fragrant Flower Blooms with Dignity, you might like some of the other anime series currently making waves on Netflix. The list includes Tougen Anki, The Summer Hikaru Died, Sakamoto Days, andDandadan.
Power and deception are at the heart of Netflix’s true crime show Beauty and the Bester, which proves that, once again, life can be stranger than fiction. The docuseries premiered on the platform in September 2025 and quickly entered the Top 10, with 2.5 million views this week.
The story of South African criminal Thabo Bester is shocking. Add in great viewership numbers, and you might be wondering whether a sequel is on the way. Here’s what we know so far.
Beauty and the Bester Season 2 Release Date
At the time of writing, there’s no news about a potential Beauty and the Bester season 2. Additionally, the title is listed as a limited series on Netflix, and it tells a fairly complete story.
We’re not ruling out a sequel altogether. The case is fascinating and might evolve in the future. For now, however, we’re pretty sure this is all we get.
Beauty and the Bester Cast
Judge Edwin Cameron
Megan Baardjies
Pearl Thusi
Meisie Mabaso
Marecia Damons
Dr. Lucy Higgins
Nkosinathi Sekeleni
What Is Beauty and the Bester About?
Beauty and the Bester dissects one of South Africa’s most sensational true crime scandals. It recently made headlines when its subject, convicted rapist and murderer Thabo Bester, attempted to block it from being released. He wasn’t successful.
The show covers Bester’s rise, crimes, and downfall. It also touches on his relationship with celebrity doctor Nandipha Magudumana.
Dubbed the “Facebook Rapist” for luring women online, Bester was sentenced to life in prison in 2012 after a string of violent crimes, including the murder of his girlfriend. A decade later, in 2022, authorities declared him dead after a fire in his prison cell seemingly claimed his life.
However, it was later revealed that the charred body wasn’t his. The discovery unraveled a shocking escape plot allegedly aided by Magudumana. Her reputation as a respected physician made her involvement even more disturbing.
Bester’s time on the run ended when he and Magudumana were arrested in Tanzania and extradited to South Africa.
The series is scattered at times, but it manages to tell the tale in gripping fashion. Through interviews, archival footage, and investigative reporting, it also exposes how far manipulation can go. There’s a fine line between devotion and destruction, and it’s easier than you may think to fall prey to charm.
Beauty and the Bester season 2 might not become a reality, but the three episodes available are thrilling on their own. If you’re into true crime, we recommend tuning in.
Are There Other Shows Like Beauty and the Bester?
If you enjoyed Beauty and the Bester, you might also like the recent Netflix docuseries Love Con Revenge, which centres on victims of romance scams.
Korean thriller Queen Mantis has a wild premise and enough twists to keep viewers coming back for more. That seems to be the consensus, as the series is currently charting in seven countries where Netflix is available.
Thanks to good word-of-mouth and weekly releases, the show has enough momentum to boost those viewership numbers further. Whether that means it will eventually return, it remains to be seen.
Queen Mantis Season 2 Release Date
At the time of writing, there is no official information available about a potential Queen Mantis season 2. Additionally, Korean series tend to be a one-and-done affair.
That said, you never know. The show is ongoing, with two episodes still scheduled to drop next week. Depending on how the story wraps up, fans may be able to figure out whether a sequel is on the horizon. Should that be the case, it could arrive sometime in late 2026.
Queen Mantis Cast
Go Hyun-jung as Jung Yi-shin
Jang Dong-yoon as Cha Soo-yeol
Jo Sung-ha as Choi Jung-ho
Lee El as Kim Na-hee
Kim Bo-ra as Lee Jung-yeon
Lee Hwang-ui as Jeong Hyeon-nam
What Could Happen in Queen Mantis Season 2?
The series revolves around Jung Yi-shin, a woman who was imprisoned more than 20 years ago for murdering five men. Her son, Cha Soo-yeol, grew up harbouring deep resentment and pain over his mother’s crimes. As a result, he went on to become a detective who tracks serial killers.
When a new killer begins committing murders that mirror Jung Yi-shin’s old crimes, Cha Soo-yeol suspects a copycat. Before long, he is forced to enlist his estranged mother’s help to solve the case.
Besides the central mystery, the series explores the psychological tension between mother and son. Also, more details about Jung Yi-shin’s past are exposed, making the narrative quite immersive.
While the story alone is fascinating, the execution doesn’t disappoint. So much so that we have no idea how the series might end. Consequently, it’s tricky to speculate about what might happen in Queen Mantis season 2.
For now, we’re glued to the screen, hoping the finale will deliver a satisfying resolution.
Mitski has shared a cover of ‘Let My Love Open the Door’ by the Who’s Pete Townshend. It appears on the just-released soundtrack for A Big Bold Beautiful Journey, starring Margot Robbie and Colin Farrell, alongside composer Joe Hisaishi’s score for the film and four Laufey tracks – three covers and one original. Take a listen below.
History is often hard to make exciting for students when teaching them. Learning is more concrete and comprehensible if videos are used because they show things and locations rather than explain them.
Historical material can be converted by teachers and students into short and understandable but exciting videos with the help of an AI video maker.
It aids the students in visualizing life in the past, from old cities to previous events. Creating such videos is easy with CapCut Desktop Video Editor. You can add text, voice, and graphics all in one software to make history come alive.
AI Video Generator for Historical Videos
AnAI video generator is a tool that transforms text, images, or ideas into engaging videos. For class history, it is able to create scenes of what occurred in the past, show influential people, or recreate historical sites.
It does this for enabling students to understand history in a real sense and through visualization. AI-created videos can symbolize wars, discoveries, or ancient civilizations, making topics that seem abstract more engaging.
With CapCut Desktop Video Edito, you can merge AI images with text, voice, and other effects in a single tool. That way, you are in a position to narrate as you display the pictures of what they appeared like, and the video becomes easy and simple to understand.
You can also add other graphics through CapCut’sphoto editor to enhance visuals from the past before including them in the video. This makes the scenes appear realistic and professional.
The software is time-saving since you are not obliged to paint or record every detail. You can easily create several videos on several subjects. Be aware that CapCut Desktop Video Editor isn’t entirely free. Some of its advanced AI capabilities, such as premium images or enhanced rendering, will cost you money.
With these materials, the past is made alive, and students can observe, listen, and learn about events as never before.
Why Teachers Should Use an AI Video Generator in History Class
Most history videos fail due to being boring or text-heavy. The students end up bored and forgetting the lesson. AI-created videos serve as a solution to this by breaking up lessons into interesting chunks simple to learn. They display the events of history, timelines, and living in the past, which provide context for learners.
These videos also enable students to know how individuals were attired, what structures they constructed, and in what manner they resided.
A teacher can quite easily make several videos within a single session of sitting using CapCut without constructing animations entirely from scratch. This takes time but does so without compromising clear and interesting lessons.
CapCut Desktop Video Editor provides AI features that simplify the task. You can include narration, text, and expert effects on it to enhance its interactive value for learning.
Teachers can easily convert written historical material into engaging video scenes at the touch of their fingers with CapCut’s AI video generator, without editing work taking hours.
By these characteristics, historical lessons are more convenient and enjoyable to learn. The students remain attentive while learning from historical events. Posting of videos in other formats is also supported by CapCut PC, and thus, they can be put on school sites or social media. CapCut also has anonline video editor which you can try for free!
Steps to Make Historical Videos in CapCut Desktop Video Editor
Step 1: Download and Install CapCut Desktop Video Editor
Begin by downloading the CapCut Desktop Video Editor only from the official CapCut website. Once downloaded, execute the installer and follow the prompts on-screen.
Sign-up could be necessary in order to make full use of all the features. Note that some of the pro features and advanced AI elements can be accessed only on a paid plan. You can then install and open CapCut PC, where you can begin making historical videos at any time on your computer.
Step 2: Create Prompt & Add Historical Context
Open the AI Video Maker and enter a clear prompt or paste a prepared script. Add details such as the event, time period, tone, and target audience. You can also ask the AI to include stock images or animations for realistic historical scenes. The more precise your input, the better the draft.
Step 3: Generate & Personalize the Lesson Video
Click Create and let the AI process your input. Within minutes, a draft video is produced with scenes, captions, and background music.
Review it, then personalize by adding narration, text overlays, or subtitles for clarity. You can also adjust colors, transitions, and effects to keep learners engaged while staying true to the lesson’s tone.
Step 4: Export & Share
When your video is ready, click Export. Choose the resolution, frame rate, and format that work best for your classroom. Share the exported video through school apps, social platforms, or learning portals. Your history lesson is now transformed into a dynamic, visual experience.
Conclusion
The AI video generator in CapCut Desktop Video Editor makes history lessons come alive and engross students. Teachers can make exciting images, introduce narration, text, and subtitles, and even make changes to scenes in minutes.
The software is handy, but it turns learning simple to understand and fun. Note that CapCut Desktop Video Editor is not fully free, and one has to pay for the advanced features of AI.
Use CapCut PC on your next history project and make visual lessons of assignments that students will never forget. Begin creating today and recreate the events of history in a simple, entertaining, and visual manner.
