Home Blog Page 15

Bon Jovi Collaborate With Bruce Springsteen on ‘Hollow Man’, Share New Song

Bon Jovi have announced Forever (Legendary Edition), a collaborative edition of last year’s Forever. Set for release on October 24, it features Jelly Roll, Avril Lavigne, Robbie Williams, Lainey Wilson, Ryan Tedder, the War & Treaty, Def Leppard’s Joe Elliott, and more. Today, they’ve released the Bruce Springsteen collab ‘Hollow Man’, as well as a new Bon Jovi track with no guest feature called ‘Red, White and Jersey’. Take a listen below.

“This album is more than just a collection of collaborations, it is an album borne out of necessity,” Bon Jovi said in a ;press release. “My vocal cord surgery and subsequent rehab was a well-documented journey that played out while releasing Forever in June 2024. I was singing well enough in the studio for the recording, but the vocal demands and rigors of touring were still out of reach for me. Without the ability to tour or promote an album we were all very proud of, I decided to call on some friends to help me in my time of need. All are great singers, artists, and also just great people. The result is an album with a new viewpoint and new spirit — a collaboration album that proves we all get by in this world with a little help from our friends. I feel tremendous joy and gratitude releasing this album and I think it shows in the music. I can say with certainty that there is always something bigger than ME, and that’s WE.”

The Betting Calculator Toolkit: Tools That Keep Your Wager Smart and Simple

Betting calculators have become indispensable companions for punters who want to enjoy their wagers while keeping the numbers clear and manageable. They remove the guesswork, provide clarity on potential returns, and help players stay disciplined with their stakes. Whether you are having a flutter on the weekend football, the horses, or something more niche, understanding how to use the right calculator can turn betting from a stressful puzzle into an organised, enjoyable experience.

Dedicated portals review gambling sites and their online casino bonuses in detail. Players benefit from these websites, as unbiased guides provide clarity on how promotions work and how to make smarter choices when browsing the crowded market. That same principle of simplifying complex offers is what betting calculators deliver to sports fans, particularly on a big matchday where decisions need to be quick, fair, and fun.

The Accumulator Calculator

The accumulator or acca is a favourite among football fans because it offers the promise of a huge payout from a small stake. An acca combines multiple selections into a single bet, and each selection must win for the bet to be successful. Even if you’ve got Manchester United to win a hard-fought match against their rivals and all your other selections come through, one wrong result will sink the entire bet. The high risk comes with high reward.

An acca calculator simplifies this process by automatically working out your potential returns. You simply input the odds for each of your selections and the amount you want to stake. The calculator then does the rest instantly, showing you what you stand to win. This is particularly useful on a busy Saturday afternoon when you’ve got selections from multiple leagues and need to quickly see the potential profit before kick-off. It’s a fast, efficient way to check if your combination is worth the risk.

The Each-Way Calculator

An each-way bet is popular in horse racing, but it’s also a great option in football, especially for markets like first goalscorer. A win bet and a place bet are basically two sides of the same coin in an each-way bet. In a win-place bet, you’re betting on your choice to come in first, whereas in a place-and-finish bet, you’re betting on your choice to finish within a certain range, such as the top three.

Your possible returns in various scenarios can be better understood with the help of an each-way calculator. The odds, amount, and place terms will be supplied by the bookmaker. You will need to provide these details. The calculator will then show you what you’ll win if your selection finishes first and what you’ll get back if it only places. This tool is essential for managing your expectations and understanding your potential profit and loss on a more nuanced level.

Scenario Win Bet Return Place Bet Return Total Return
Your player scores first Full win return Full place return Win + Place
Your player scores second or third £0 Full place return Place only
Your player doesn’t score £0 £0 £0

Understanding the Vig

The commission that bookmakers take on bets is called vig or vigorish. Regardless of the game’s result, it’s how they earn a living. A vig calculator helps you see the margin the bookmaker is taking and whether the odds are fair. A low vig means better value for you.

Here’s how to calculate it yourself.

  1. Convert the odds into their implied probability
  2. Sum the implied probabilities for all possible outcomes
  3. The amount that the sum exceeds 100% is the vig.

For example, if Arsenal are playing Liverpool and the odds are 2.0 for Arsenal to win and 4.0 for Liverpool to win with a 3.5 draw, you can see how much the bookie is charging you. The vig calculator makes this simple and helps you to find the most favourable odds across different bookmakers.

Team/Outcome Odds Implied Probability
Arsenal Win 2.0 50.0%
Draw 3.5 28.6%
Liverpool Win 4.0 25.0%

The total implied probability is 50% + 28.6% + 25% = 103.6%. The vig is 3.6%.

The Cash-Out Calculator

Cash out is a feature offered by many bookmakers that allows you to settle your bet before the event has finished. A cash-out calculator helps you decide whether to take the offer or let the bet ride. You enter your original stake, the current odds and the original odds. The calculator will then show you the true value of the bookmaker’s offer.

This tool is invaluable for high-stakes bets or when a match isn’t going as planned. You might see your team leading, but a last-minute injury or a red card makes you nervous. A cash-out calculator lets you see if the offer is a good deal, allowing you to lock in a profit or cut your losses without any emotional impulse. It gives you a clear, objective view of the situation and helps you make a strategic decision when emotions are running high. Together, these tools are the key to a smarter approach to betting.

The enduring legacy of 80s game show aesthetics

There is a specific, electric feeling that radiates from 1980s game shows. It’s a potent cocktail of optimistic synth music, buzzing neon lights, and the raw, unscripted excitement of contestants winning big. For a generation, this wasn’t just television; it was a cultural event. But beyond simple nostalgia, the design language of this era—bold, geometric, and unapologetically vibrant—has proven to be remarkably resilient. It has seeped into modern fashion, music, and digital design, proving that the appeal of its high-energy futurism was never just a fleeting trend.

A symphony of neon, chrome, and geometry

The visual identity of the 80s game show was a masterclass in maximalism. It rejected subtlety in favor of a sensory spectacle designed to feel like the future. Stage designs were built from a distinct palette of materials and shapes: gleaming chrome railings, glossy floors reflecting a rainbow of lights, and giant, sculptural set pieces. Everything was framed in glowing neon tubes, outlining logos, contestant pods, and prize displays in electric pinks, blues, and yellows. This visual energy was matched by the games themselves, which were often large, physical contraptions. The tactile appeal of these experiences was undeniable; the flashing lights and satisfying sounds of a physical Plinko game board, for example, created a multisensory thrill that modern digital design still strives to replicate. This wasn’t just a background for the action; the set itself was a character, buzzing with possibility and the promise of fortune.

The key visual components included:

  • Bold Geometric Shapes: Triangles, grids, and concentric circles were everywhere, from the patterns on the walls to the shapes of the games themselves.
  • Chunky, Stylized Typography: Fonts were often thick, sometimes with a metallic sheen or a drop shadow, designed to pop off the screen with confidence.
  • High-Contrast Color Palettes: Deep blacks and blues were used as a canvas for explosions of vibrant, saturated color, creating a dramatic and futuristic look.

The sound of winning: Synth fanfares and digital dreams

Just as crucial as the visuals was the sound design. The 80s game show soundtrack was a digital symphony, composed almost entirely on synthesizers. The theme songs were upbeat, catchy anthems full of driving basslines and sparkling synth melodies that instantly set a tone of excitement. But the soundscape went deeper than just the music.

Every action had a corresponding digital sound effect, creating an immersive and responsive environment. The lonely whir of a spinning wheel, the harsh buzz of a wrong answer, the triumphant, cascading fanfare of a jackpot—these sounds are etched into our collective memory. This sonic palette laid the groundwork for what we now see in video games and user interface design, where auditory feedback is crucial to the user experience. It’s also the direct ancestor of music genres like Synthwave and Vaporwave, which don’t just borrow from these sounds but revere them, building entire emotional landscapes from the electronic optimism of the era.

From kitsch to cultural touchstone: the lasting influence

What was once dismissed as kitsch is now a celebrated aesthetic, a wellspring of inspiration for contemporary creators across various fields. The 80s game show aesthetic managed to perfectly capture a moment of technological optimism and uninhibited fun, and its influence is more pervasive than ever.

80s game show element Modern cultural manifestation
Neon Grids & Laser Effects Music videos by artists like The Weeknd and Dua Lipa; the visual language of the Synthwave genre.
Geometric Patterns & Color Blocking High-fashion collections and modern streetwear, which often feature bold, graphic designs and vibrant color combinations.
Synth Music & Digital Sound FX The soundtracks of shows like Stranger Things and the rise of retro-inspired indie video games.
Bold, Confident Typography Graphic design and branding that aims to evoke a sense of nostalgia, fun, and accessibility.

Ultimately, the enduring legacy of the 80s game show aesthetic lies in its pure, unadulterated celebration of entertainment. It reminds us that design can be joyful, loud, and delightfully excessive. It represents a time when the future felt bright and full of possibility, a feeling that still resonates today. In a world of minimalist design and muted color palettes, the bold, electric dream of the 80s game show offers a welcome explosion of color and sound, proving that good fun never truly goes out of style.

Our Culture’s Most Anticipated Books of Fall 2025 (Part 1)

This year, summer took a while to let go of. After a long winter, I yearned for hot, sweaty days, walking around with sunglasses on and stopping by the public pool. But the other day in DC, a cloudy day signaled what was to come — crisp breezes, falling leaves. Winter’s a long way away; for now, it’s time to open the windows and enjoy the cool down. Here’s 30 books to enjoy along with it!

Happiness and Love, Zoe Dubno (Sept 2)

An artsy novel that takes place during one insufferable dinner party, Happiness and Love examines the materialism, identity, and self-importance that emerge from New York City creative life.

Christina the Astonishing, Marianne Leone (Sept 2)

Like a Bostonian My Beautiful Friend, the 1960s coming-of-age debut novel from The Sopranos star Marianne Leone follows a poor daughter of Italian immigrants whose Catholic school education is more restrictive than she’d prefer.

Muscle Man, Jordan Castro (September 9)

Jordan Castro’s new novel centers Howard, an adjunct professor at an irritating college, sacked with a day of meetings where he’d rather be in the gym. With fluctuating apathy and deep caring about his colleagues, philosophy, and exercise, Harold survives the tedium of academia, only to realize his jitters don’t stop once he finally starts to move his body. 

Swallows, Natsuo Kirino (Sept 9)

Riki is a twenty-nine-year old temp worker whose hospital job isn’t satisfying. Motoi and Yuko are a power couple who are desperate for a child to complete their perfect life, but are unable to get pregnant. With Riki’s idea to undergo surrogacy, Natsuo Kirino explores the potency and morality of carrying a life that might not be yours in the end. 

Breaking Awake: A Reporter’s Search for a New Life, and a New World, Through Drugs, P.E. Moskowitz (Sept 9)

From the author of two previous books and the Mental Hellth newsletter, P.E. Moskowitz’ new book starts from a near-death experience where they recuperated with the help of drugs. In the vein of Emily Witt’s Health and Safety, Breaking Awake is a tour through drug-addled Americana, both trendy and illicit, condemned and glamorized.

All Consuming: Why We Eat the Way We Eat Now, Ruby Tandoh (Sept 9)

For anyone who’s noticed the hyperfixation our culture has recently had around the eating, presentation, and commodification of food, culinary writer Ruby Tandoh’s All Consuming goes from TikTok chefs to Great British Bake Offs to find out why our fuel has such a hold over our entertainment.

The New Age of Sexism: How AI and Emerging Technologies Are Reinventing Misogyny, Laura Bates (Sept 16)

Anyone who has spent time on the internet knows that misogyny is baked into the platform. In her newest book, Laura Bates explores how emerging technologies are deepening sexism, made worse by artificial intelligence, sex robots, and increasing polarization. 

Good and Evil and Other Stories, Samanta Schweblin (Sept 16)

The Argentinian author’s new collection has six stories on the edge of the diabolical. An old lady is granted a place to stay, only to be followed by her gun-wielding son; a boy’s speech impediment leads to a father’s feeling of inadequacy; a sea-drenched woman shows up at a salon for her biweekly pampering years after she haunted a young girl’s summer vacation where her sister mysteriously drowned. Spooky and propulsive and perfect for readers of Bora Chung or Mariana Enríquez.

Calls May Be Recorded, Katharina Volckmer (Sept 16)

For fans of Lexi Freiman and Tova Reich, Katharina Volkmer’s quippy and brash new novel centers Jimmie, a call center employee whose prowess at his job is underscored by the lipstick he wears everyday, stolen from his mother. Deeply funny, brazen, and then shockingly tender.

If Anyone Builds It, Everyone Dies: Why Superhuman AI Would Kill Us All, Eliezer Yudkowsky & Nate Soares (Sept 16)

For fans of Max Tegmark, Eliezer Yudkowsky and Nate Soares go deep on artificial intelligence in this treatise on the defining threat of our time. Both a warning and a manual, they detail how AI has the ability to surpass its human inventors — if it’s not already too late. 

The Devil’s Castle: Nazi Eugenics, Euthanasia, and How Psychiatry’s Troubled History Reverberates Today, Susanne Paola Antonetta (Sept 23)

Susanne Paola Antonetta’s radically personal exploration of Nazi eugenics infuses the author’s own experience in psychiatric wards into a thorough journey of how best to care for the mentally ill. Using writers and mental patients Dorothea Buck and Paul Schreber as guiding stars, Antonetta searches for answers during a dark and still unfurling time.

Best Woman, Rose Dommu (Sept 23)

Twitter icon (and my favorite …And Just Like That live tweeter) Rose Dommu’s debut novel follows Julia Rosenberg, a trans woman accepted by her family enough to become the ‘best woman’ at her brother’s Floridian wedding. But when her adolescent crush is revealed to be the maid of honor, soon to walk down the aisle with Julia, she might need to tell some white lies to make her seem a little more alluring.  

Amateurs!: How We Built Internet Culture and Why it Matters, Joanna Walsh (Sept 23)

From the author of Girl Online, a new manifesto building on the hyperdeveloped internet society of the twenty-first century. Amateurs builds on Time magazine’s 2006 assertion that ‘you’ are the person of the year — the stragglers and marginalized communities that ultimately build the internet’s biggest trends and rhythms. 

Goliath’s Curse: The History and Future of Societal Collapse, Luke Kemp (Sept 23)

The Cambridge scholar’s far-reaching first book incorporates 440 societal lifespans to understand why, how, and where societies fail. With nuclear warfare on the brink and a climate catastrophe not far behind, there’s much to learn from the world’s past failures.

Underspin, E.Y. Zhao (Sept 23)

Andre Agassi’s Open meets Jennifer Egan’s A Visit From the Goon Squad in this wildly exciting, whipsmart and beautiful novel of a tragic table tennis star, told by those who were closest to him. Mobile, adventurous, and deeply imaginative, it’s a stunner of a debut. 

Herculine, Grace Byron (Oct 7)

The debut novel from critic and writer Grace Byron, Herculine imagines an all-trans utopian commune whose good fortune may or may not come from selling their souls to demons. Funny, brash, and unafraid to wade deep into trans politics, this debut is entertainingly chaotic. 

Mothers, Brenda Lozano (Oct 7)

Another international motherhood plot! The essayist and novelist Brenda Lozano returns with Mothers, a dueling tale of a comfortably wealthy woman blessed with a large family and the working-class woman who is presented with an adoption opportunity that’s too good to pass up.

The High Heaven, Joshua Wheeler (Oct 7)

Inspired by the true story of a UFO cult based near White Sands, New Mexico, Joshua Wheeler’s debut novel follows Izzy through her whole life, starting from when she was orphaned as a child on the night of the 1967 Apollo mission. Paying homage to Southern gothics and Westerns, The High Heaven explores the Space Age in a wickedly stunning narrative. 

DILF: Did I Leave Feminism?, Jude Ellison S. Doyle (Oct 14)

Before the summer of 2020, Jude Doyle had a prolific career writing for women’s magazines, winning awards, vocally on the side of a burgeoning and much-needed moment. Then he came out as trans, saying, in fact, he had never been a woman at all. Did I Leave Feminism? is Doyle’s insightful and entertaining manifesto reckoning with this period of his life — and how the fight for feminism isn’t a one-size-fits all issue.

Sea Now, Eva Meijer (Oct 14)

It happened — the world flooded. In this new novel by Eva Meijer, the residents of the Netherlands find shelter internationally, and The Hague dips underneath the water. With the apocalypse upon them, three women refuse to submit and venture to look for remnants of a society that may be lost.

Happy Bad, Delaney Nolan (Oct 14)

Billed as Hernan Diaz meets Ottessa Moshfegh, Delaney Nolan’s debut roadtrip/catastrophe novel centers medicated patients at Twin Bridge, placated by a dose of BeZen, a calming drug that works on just about everybody. But when a heat wave triggers a blackout, the patients and staff must travel to a new facility, the road to which is dotted with police brutality, climate refugees, and the consequences of the staff’s own lives.

Bog Queen, Anna North (Oct 14)

From the author of Outlawed and The Life and Death of Sophie Stark comes an imaginative new novel about an anthropologist whose discovery of a completely preserved body dated to the Iron Age calls into question her memory, past, and expertise.

Joyride, Susan Orlean (Oct 14)

From the prolific New Yorker writer comes a memoir about the golden age of magazine journalism, packed with her previous features (like a Sunday spent climbing Mount Fuji), but also golden writing and career advice from someone who rose to the top. 

Big Kiss, Bye-Bye, Claire-Louise Bennett (Oct 21)

Claire-Louise Bennett’s Checkout-19 was one of the most stunning and hypnotic books I’ve ever read, so the novelist’s return is high on my reading list. Her trademark elliptical and mesmerizing prose describes a woman trapped by her memories, asking herself what it means to truly connect to another person.

Crawl, Max Delsohn (Oct 21)

Praised by George Saunders, this debut collection of stories sounds niche — 2010s transmasculine life in Seattle — but reaches farther into themes of sex, romance, gender expression and identity. 

Look Out: The Delight and Danger of Taking the Long Way, Edward McPherson (Oct 21)

From a writer whose previous books featured Buster Keaton, the future, and the atomic bomb, Edward McPherson turns his attention to a top-down view. Despite its privileged position, the bird’s eye view has been present throughout history, from Civil War times to our now ubiquitous drone warfare tactics. 

Self Care, Russell Smith (Oct 21)

The Canadian writer returns with a familiar tale of Millennial ennui — Gloria is a writer for The Hype Report, where her column “Self Care” makes her a Carrie Bradshaw hopeful. When she meets Daryn coming back from an anti-immigration rally, she offers to interview him under the guise of an article, but their newfound sexual relationship starts to reveal more about herself than her column ever could.

The Ten Year Affair, Erin Sommers (Oct 21)

From the author of Stay Up with Hugo Best, the Publisher’s Marketplace reporter returns with “the best book about adultery since Madame Bovary” (Tony Tulathimutte). For fans of Seduction Theory or Big Swiss, two married couples meet and then split into parallel realities to test the depths of their desire. 

I Deliver Parcels in Beijing, Hu Anyan (Oct 28)

Already a hit in China, Hu Anyan’s I Deliver Parcels in Beijing was born out of online essays the night shift worker posted during the COVID pandemic. Quippy and delivering some much needed humanity to the specter of delivery work, Anyan reinvents the narrative of the marketplace. 

Retribution: Donald Trump and the Campaign That Changed America, Jonathan Karl (Oct 28)

Jonathan Karl, one of my favorite political writers, returns with Retribution, tracking the journey of the formerly down-and-out President Trump to the unthinkable position of the highest power in office. Journalistically solid and meticulous, Karl’s reporting always provides a much-needed explanation to the chaos of 21st century politics.

Black Jacket: Story, Gameplay & Launch Window

0

Black Jacket has been officially announced by Developer Mi’pu’mi Games and publisher Skystone Games. This new video game collaboration introduces a fresh roguelite deckbuilder, blending classic rules of blackjack and a dark, hellish twist. It also takes inspiration from Balatro — another popular card game with unique mechanics on Steam.

According to PCGamesN, the developer wanted to create a blackjack-inspired card game that feels familiar but entirely new.

“If you really enjoy blackjack, I think this will really resonate with you,” said Skystone Games president David Brevik via PCGamesN.  

The result — a card game where every match means the difference between freedom and damnation.

Gambling for Your Soul

Black Jacket is set in hell. In the game, players take on the role of a lost soul trapped in the afterlife. To escape, they must win against other restless spirit in games of Blackjack. Each opponent is also a trapped soul trying to break free. Players can see their hands and how they play, but never their faces. The challenge is to outplay them every game by learning their playstyles and backstories. Every win corresponds to a soul coin necessary to bribe the ferryman for a passage out of hell.

Blackjack with a New Twist

Based on a report from GameRant, Black Jacket plays like classic Blackjack at its core. Still, the goal is to get as close to 21 as possible.

However, the Xbox Hub says this is no ordinary blackjack, as it puts inventive mechanics and special powers into the mix. More clearly, cards can bend the rules during the game. Players can even force opponents to take bad risks or swap hands with theirs. Peeking at the cards in the deck to plan is also possible. These mechanics help players beat the odds.

Similarly, cards come with suits that set the strategy tone. In particular, Spades allows players to manipulate their opponents’ decks and force their hands. As the game goes on, gamers can use modifiers, curses, and card combos to gain an advantage. Ultimately, this deckbuilder requires smart and strategic play in every match.

Release Window and Availability

As per PCGamesN, Black Jacket will launch in 2026 on Steam. Although there is no exact release date yet, fans can already wishlist the game now to get the latest news and updates instantly. At the same time, console releases have not been confirmed. While Mi’pu’mi and Skystone continue to develop the video game, players can expect a playable demo soon.

8 Road Safety Tips for Touring Artists

Do you know how many people die in road traffic accidents every year? 1.9 million. And considering that touring musicians spend far more hours behind the wheel than the average driver… You do the math.

We’re not trying to scare you, it’s just that the reality is, well, pretty scary. And it’s good to know the facts – it’s the only way you can be prepared.

The good news is, there are plenty of things you can do before your tour to either avoid or at least be better prepared for roadside emergencies. Gear damage and theft are real concerns as well, of course, so we’ll cover that aspect as well.

The Touring Artist’s Road-Safety Checklist

1. Driver rotation & sleep scheduling

Let’s start with the basics because they matter the most: do not drive when you’re exhausted. We repeat: do not drive when you’re exhausted! Whenever possible, have fresh eyes at the wheel.

Lay out your driving schedule so no one stays behind a steering wheel for more than, say, four hours at a stretch. You should also have mandated breaks: stop every 2 hours for 15 minutes, minimum. If wakefulness becomes a challenge, hold off and have a short nap.

2. Van maintenance before every departure

You don’t want your van to break down in the middle of nowhere, so maintenance is a must. Do this every time. Just quick checks of tire pressure, fluid levels, lights, wipers, and double-check the lug nuts.

A loose wheel on the highway can be potentially life-ending, so take this advice very seriously. Also, get a mechanical inspection before the tour.

3. Safe gear loading

Your gear can become projectiles. So secure heavy and sharp items low in the van and use internal straps or netting.

Even small items shift in a crash. If you allow gear movement, it might go airborne—in your face.

4. Winter routing

Plan for black ice, slick roads, sudden weather shifts. Avoid steep, icy roads or sparsely serviced highways whenever possible. If a detour adds 30 minutes but stays on well-maintained roads, take it.

Modern mapping tools are good, but cross-check with weather and DOT alerts.

5. Insurance basics

Liability insurance is the bare minimum. You also need cover for instruments, medical expenses, and accidents.

If someone’s handling your gear or you’re depending on a promoter’s transport, verify their coverage. Your instruments count as cargo.

6. Emergency-kit essentials

Here’s what we recommend you always have with you: jumper cables, reflective triangles, a strong flashlight with spare batteries, first-aid kit, blankets or warm clothing, flares or LED beacons, and a phone charger that fits your vehicle.

Make sure to also keep the whole set easily accessible. That roadside mishap won’t wait while you rummage in the back.

7. Venue-side parking strategy

Pull in wide, park where you can back out easily; moved gear or sudden departures shouldn’t mean tight reversals.

Also, keep your rig loaded defensively, not hung-up next to a curb or tight loading dock.

8. Sober-driving policy

Drivers must stay sober; not just legally but mentally alert. Hangovers count too.

Avoid wine-down rituals before long drives. Rotate drivers such that if one had a late night, someone fresh handles the drive. That’s responsibility.

After a Collision: Quick Actions That Matter

If the worst happens, you’ll need clarity and composure. First, check for injuries. Call 911 or local emergency services. Document the scene: photos of damage, skid marks, arms of collision, positions of vehicles. Get witness names and contact info.

Treat economic and non-economic damages seriously. Economic includes medical bills, van or gear repair, lost income from cancelled shows. Non-economic includes pain and suffering. Have medical documentation immediately. Even a minor neck strain can balloon into something serious later, so paper trail matters.

If you’re touring through Columbia, Missouri, you’d search for personal injury support there. Also, contact local authorities promptly and let them know you’re part of a touring act. If you can’t continue driving safely, call roadside service (AAA or local equivalent). Get gear secured, if you can, before towing or transport.

Scalable Tour-Safety Plan at a Glance

Pre-tour:

  • Mechanical check
  • Insurance, emergency-kit ready
  • Route mapped, weather vetted

On the road:

  • Rotate drivers; enforce breaks
  • Monitor speed and traffic
  • Enforce sober policy

Daily setup:

  • Load gear smart
  • Park thoughtfully

If you’re in a crash:

  • Prioritize safety and medical help
  • Document thoroughly
  • Get “personal injury support”
  • Handle insurance

And please remember, a mere 10 km/h speed reduction cuts fatal accidents by about 37%, and injury accidents by about 24%. So drive slowly and responsibly!

Hybrid Futures: The Sculptural Vision of Youwei Luo

Born in China and raised in a multicultural environment, including formative years in  Morocco, Youwei Luo eventually settled in London, where his artistic practice continues to  expand in scope and ambition. His early fascination with form and silhouette developed  into a commitment to visual experimentation, initially through drawing and image-making,  and later through sculpture and computational arts. This trajectory reflects a persistent  search for abstraction and freedom, where traditional materials and digital technologies  intersect to open new avenues of expression.  

Youwei’s practice centres on the fragile boundaries between the artificial and the organic,  exploring how bodies, systems, and materials mutate in response to one another. Drawing  on post-human and post-anthropocentric theory, his work questions what it means to exist  in a world of perpetual flux, where distinctions between life and machine, nature and  culture, are increasingly unstable. Employing computational processes, 3D printing, and  organic matter, he produces hybrid objects and installations that resist easy categorisation.  These works often carry an uncanny quality, inviting viewers into a space where familiarity  and estrangement coexist, and where symbolic resonances emerge in fragmented layers.  Central to his approach is an engagement with materiality and metamorphosis, through  which Youwei explores the possibilities of growth, resilience, and transformation in uncertain futures.

Grid, Grain, Growth (2024)

Grid, Grain, Growth (2024)   Screen-based Installation   Microphone, Computer, Monitor screen, Javascript code, Sand  

Grid, Grain, Growth translates the friction of sand and ambient sound into restless digital  vectors, creating patterns that shift between harmony and turbulence. Watching them, I  thought of dunes disturbed by wind or waves breaking apart mid-flow, both fragile and  alive. 

The work does not rely on spectacle. It emphasises interdependence, with sound  generating form and form in turn reanimating material. This feels like a quiet challenge to  the hierarchy that often privileges the digital over the physical. Here, sand and image  coexist as equals, inseparable from one another.  

At its core, the piece meditates on growth, not as a steady, triumphant trajectory but as  something fragile and contingent. The vectors sprout, scatter, and collapse, echoing the  instability through which resilience emerges. The interplay between matter and signal  makes the work compelling, showing transformation as something born from friction,  precarious yet persistently alive.  

neOrigin (2025)  

neOrigin (2025)  
Sculpture  
3D print PLA, Animal bones, Metal fixture

With neOrigin, Youwei imagines a creature born from an alternate evolutionary path, where  the categories of organic and technological have collapsed into one another. Constructed  from 3D-printed vertebrae and repurposed animal bones that he collected while walking  along the Thames, the hybrid skeleton is at once familiar and alien. There is something  quietly unsettling about it, as though this species evolved in the shadows of our own  history. Its metallic fixtures and fractured skull suggest a body caught in perpetual  metamorphosis, unsettled within an unstable ecological order.  

The work challenges conventional taxonomies, positioning itself in the liminal space  between the grotesque and the sublime. Its skeletal form recalls museum specimens and  evolutionary diagrams, while its fabrication points toward a post-anthropocentric future in  which life emerges from the fusion of matter and machine. In this sense, neOrigin functions as both a speculative proposition and a sculpture, asking what beings might  evolve once biology and technology are no longer separate. I found myself lingering over  the details of the bones, intrigued by how something so fragile can feel simultaneously  raw, historical, and futuristic.  

Tension permeates its presence. The creature’s fractured body evokes extinction’s ruin  while simultaneously suggesting resilience and adaptation. References to Noah’s Ark and  Darwinian theory underline this ambiguity, blending preservation and transformation in a  single figure. The result is uncanny yet compelling, and I felt drawn into the paradox it  embodies, which is a reminder that life may always have been more hybrid and entangled  than our neat categories allow. 

The Crucible of Magdeburg (2025)  

The Crucible of Magdeburg (2025)  
Sculpture  
3D print PLA, Animal bones, Arduino, Water pumps, Metal fixtures

In The Crucible of Magdeburg, Youwei extends his exploration of speculative lifeforms,  imagining an evolutionary arc in which organisms and machines are no longer separate  but entangled. The hybrid carcass, evoking the washed-up remains of a vast marine  creature, appears both organic and engineered, threaded with tubing, wires, and skeletal  fragments. Rather than presenting death as final, the sculpture insists on circulation and  exchange: fluids move through the system, saturating its parts in a cycle that suggests  reproduction as a porous, ongoing process. 

What distinguishes this work is its refusal of Darwinian linearity. Instead of inheritance  through genes alone, Youwei proposes symbiosis, collaboration, and fluid entanglement as  the forces driving change. Influences from Lynn Margulis’s theory of symbiogenesis and  Donna Haraway’s companion species thinking are evident, reframing evolution as dialogue  rather than competition. This approach destabilises anthropocentric categories, opening  up the possibility of life as continual negotiation between matter, code, memory, and decay.  

The imagery is haunting yet poetic. The carcass recalls industrial damage to marine  ecosystems while also hinting at emergent futures where technology and biology grow  together. It occupies a threshold between ruin and regeneration, between the dead and the  not-yet-formed. There is a quiet grandeur in this entanglement: the grotesque remnants of  a whale-like form become a site of speculative resilience, a crucible in which new modes  of existence might take shape.  

In this work, Youwei transforms decomposition into a language of possibility. The Crucible  of Magdeburg suggests that evolution is neither linear nor strictly biological, but a process  of mutual becoming, where life continually rewrites itself through frictions, failures, and  hybrid alliances.  

Taken together, the series offers a vision of a world both unstable and generative, where  boundaries between nature and culture, machine and organism, the living and the dead  dissolve. These works invite reflection on a post-anthropocentric perspective, in which the  grotesque potential of hybrid forms becomes not a threat, but a provocation, encouraging  reconsideration of resilience, adaptation, and the possible futures of life itself.

Halsey Announces ‘Badlands’ 10th Anniversary Tour

Halsey’s debut album, Badlands, was a Tumblr-core classic, which makes it hard to believe it was released 10 years ago today. In celebration, the singer-songwriter has announced an international Back to the Badlands Tour, which will take her across North America, Europe, and Australia beginning October 14. Tickets go on sale to the general public next Friday (September 5) at 10:00 am local time. Check out the list of dates below.

On social media, Halsey wrote: “A Badlands club tour. Tiny venues. GA floors. 10 years later. I’ve been waiting a decade to re-live it all over again with you.”

Tomorrow, Halsey will also release Badlands: Anthology, a reissue of the album featuring previously unreleased demos, a 2015 concert recording, and other rarities. She only just wrapped up her For My Last Trick tour.

Halsey 2025-2026 Tour Dates:

Oct 14 — Los Angeles, CA – Hollywood Forever
Oct 22 — Mexico City, MX – Pabellon Oeste
Oct 24 — Dallas, TX – South Side Ballroom
Oct 26 — Atlanta, GA – Coca-Cola Roxy
Oct 29 — Philadelphia, PA – The Fillmore Philadelphia
Nov 2 — Boston, MA – MGM Music Hall At Fenway
Nov 4 — Washington, DC – The Anthem
Nov 6 — Minneapolis, MN – Armory
Nov 8 — Chicago, IL – Byline Bank Aragon Ballroom
Nov 12 — Denver, CO – Fillmore Auditorium
Jan 9 — Toronto, ON – History
Jan 13 — New York, NY – Hammerstein Ballroom
Jan 17 — Detroit, MI – The Fillmore Detroit
Jan 22 — Amsterdam, NI – Afas Live
Jan 23 — Berlin, DE – Velodrome
Jan 24 — Dusseldorf, DE – Mitsubishi Electric Halle
Jan 26 — Paris, FR – L’olympia
Jan 29 — Manchester, UK – the Hall, Avviva Studios
Feb 3 — London UK – 02 Academy Brixton
Feb 13 — Sydney, AU – the Hordern Pavilion
Feb 17 — Sydney, AU – Riverstage
Feb 19 — Melbourne, AU – Festival Hall

 

View this post on Instagram

 

A post shared by halsey (@iamhalsey)

The Best Albums of August 2025

In this segment, we round up the best albums released each month. From Amaarae to Water From Your Eyes, here are, in alphabetical order, the best albums of August 2025.


Ada Lea, when i paint my masterpiece

when i paint my masterpieceFollowing 2021’s kaleidoscopic one hand on the steering wheel the other sewing a garden, relentless touring forced Ada Lea to restructure her life and priorities as a musician, which is not to say she stopped writing songs – in fact, she wrote over 200 over a period of three years, 16 of which made it onto the new album, and most of which originated in the Songwriting Method, a community-based group she kept up that required submitting songs with a deadline. On songs like ‘it isn’t enough’, you can almost hear her rushing to get a song down before midnight, singing, “Today I lost/ Today is gone/ Today I really fought.” Far from impatient or forced, however, when i paint my masterpiece sounds unhurried and precious, glad not to have slipped into past tense. Read our inspirations interview with Ada Lea.


Amaarae, Black Star

Black Star cover artwork“I’m a material bitch,” Amaarae declares on ‘100DRUM’, “but I know the worth of a mind.” On ‘B2B’, she repeats the word “heart” more times than probably any body part mentioned on her new album. And yes, it’s called Black Star and Naomi Campbell appears on one song, but its best track is probably the PinkPantheress duet, which says a lot about its yearning emotionality. Black Star is as exuberant, reckless, and lavish as the Ghanaian American visionary’s major label debut, Fountain Baby, but it’s also mindful and sensitive as it expands on her globalist, Afrodiasporic vision of club music. The more time she spends in the club, the softer – yet no less inventive – her music becomes. You can get off a dozen different drugs, she knows, but no high can match that of a love that outlasts the rush.


The Beths, Straight Line Was a Lie

The Beths album coverLinear progression is generally a myth, yet one often projected onto artists, who must continually level up their sound without straying from their original vision. The Beths have indeed tightened, coloured, and expanded their approach since their 2018 breakout Future Me Hates Me, and while they’re not quite making a statement about their own trajectory with Straight Line Was a Lie, the titular realization extends to the way they handle both lyrics and instrumentation: careening between the immediacy, anxiety, and tenderness of their previous albums, but leaving space for different shades of weariness and anhedonia, a void that doesn’t dull so much as activate a new side of New Zealand quartet’s sound. “Let me be weak/ With a sad tear drying on my cheek,” Liz Stokes sings on ‘Best Laid Plans’, closing out an album all about gathering the strength to let it roll down. Read the full review.


Case Oats, Last Missouri Exit

last missouri exitCase Oats recorded their debut album, Last Missouri Exit,  after months of playing its songs on the road, which is evident in their buoyant, easygoing confidence. It’s named after a sign on the freeway to Chicago from Casey Gomez Walker’s hometown that, one day, signalled the end of childhood for her. So Last Missouri Exit is a record of early adulthood, but a uniquely incisive and generous one at that, harbouring tenderness for the roughest parts of ourselves that surface in those transitional moments. Seeing it in her friends and bandmates first, Gomez Walker sings with the warmth of knowing the rest of the world will relate. Read our Artist Spotlight interview with Case Oats.


Cass McCombs, Interior Live Oak

Interior Live Oak“I never lie in my songs,” Cass McCombs repeats on ‘I Never Dream About Trains’, a highlight from Interior Live Oak, his 11th album, which means he has certainly released over a hundred. Lest you take his words at face value, the odd specificity of the ensuing lyrics should elicit some skepticism (“I never dream about holding you tight/ On the sand in Pescadero”). What he sings on the previous song, though, is much closer to the truth: “I mean everything I say, or something quite like it.” The meaning of Interior Live Oak, a 12-song double album that follows 2022’s excellent but much more concise Heartmind, remains elusive, but McCombs manages to weave it all together, singing through a cast of unreliable narrators that only cement his own musical consistency and earnestness. They are dancers and cynics, real and imagined, brutally honest and spiritually truth-bearing. If they all, at times, seem buried in sleep, that’s because dreams, they say, have no lies to hide. Read the full review.


Debby Friday, The Starrr of the Queen of Life

debby friday the starrDebby Friday likes to craft music that seeps into the subconscious while being intensely physical. “Are you aware of my body? Do you like the way I dance?” she sings on ‘Arcadia’, from her recently released album The Starr of the Queen of Life, immediately following it with: “Could you cut to the core of my matter?” For the Nigerian-Canadian artist, the dancefloor not just a vessel for escapism but a sacred place, teeming with symbolic and actual possibilities, in the vein of FKA twigs’ latest album EUSEXUA. On the dizzying, starry-eyed follow-up to her Polaris Prize-winning debut, GOOD LUCK, Friday steps into the spotlight as a means of interrogating its very performativity, delivering sweaty dance cuts before urging you to see things in a different light. Read our inspirations interview with Debby Friday.


Dijon, Baby

Dijon BabyWhen Dijon sings that he’s on fire, you believe him. But it’s different from any other artist trying to sell the idea that lasting love has the power to obliterate all your insecurities. It’s chaotic, Dijon Duenas affirms, making swooning, infectious, dazzling R&B music that can sound on the verge of a breakdown even – or especially – at its most ecstatic. With help from Andrew Sarlo, Henry Kwapis, and Michael Gordon, the Los Angeles-based musician and producer has no issue fragmenting his most immediate hooks or rendering his voice unrecognizable when he’s most breathlessly trying to express himself. Whatever inspiration it owes to the past, Baby suggests you can no longer make beautiful, revelatory pop music without sounding at least a bit precarious or unwieldy.


Ethel Cain, Willoughby Tucker, I’ll Always Love You

Ethel CainEthel Cain‘s latest album is billed as the prequel to her 2022 breakthrough Preacher’s Daughter, a debut album that served as the beginning of a trilogy following three generations of women. If Willoughby Tucker “closes the chapter” on Anhedönia’s alter ego, as she has claimed, it’s an unwaveringly tender and astounding portrait, caught between nostalgia and dreams of violence, tangled yet steadfast in its romantic beliefs. And while she has framed the ambient-leaning Perverts as a standalone project, it also acts as a musical bridge to the new album, which balances her atmospheric and narrative world-building. Cain can’t help but draw a line from love straight to death, but not without submerging herself in it. Read the full review.


Gordi, Like Plasticine

Like Plasticine Sophie Payten keeps an endless note on her phone where she jots down lines or words as they come to her. During the eighteen months that she couldn’t bear to write songs, while working as doctor through the pandemic (having just quit to focus on music), those ideas were reasonably scattered. But when she sat in Phoenix Central Park in an early attempt to start piecing together Like Plasticine, it was clear she had absorbed enough accumulating emotion – grief felt and observed, love gained and lost – to mould it into shape. Like both her writing and recording process, the songs on the album aren’t as linear as 2020’s Our Two Skin, but they are revelatory in its softness and malleability, asserting that we are as open to transformation in life as we are in death. Read our inspirations interview with Gordi.


Humour, Learning Greek

Humour Learning GreekThe title of Humour‘s debut album is taken from a line from discarded songabout Andrea Christodoulidis’ decision to start learning the language as a second generation Greek, and though he spends most of the album screaming in an American accent that bears out the characters he’s inhabiting, you can hear him speaking it a bit in conversation with his father on the eponymous track, where they read Andreas Embirikos’ poem On Philhellenes Street. “This searing heat is necessary to produce such light,” he writes of the overwhelming weather in Athens, not unlike how Humour’s alluring, dreamlike hooks and tender revelations radiate through their blistering post-hardcore. Christodoulidis amalgamates personal, familial, and mythological stories much in the same way the group bridges styles, resulting in a record that is as fiercely heartfelt as it is surrealist, and, well, humorously absurd. Read our Artist Spotlight interview with Humour.


No Joy, Bugland

BuglandWith a title like Bugland, it feels lazy to call No Joy’s new album playful. It’s really the way Jasamine White-Gluz’s work registers as a playground that’s so thrilling: a place that triggers fuzzy memories, a fantastical portal, a wild abstraction with no equivalent in the real world. Beyond their shared musical interests and boundless genre-hopping – having the most fun in the islands of nu metal, shoegaze, and pop music – it’s where her approach intersects with Fire-Toolz’s Angel Marcloid, who co-produced the Motherhood follow-up not just with wide-eyed maximalism but true enthusiasm. It’s a wonder to hear them play and burst into a swirl of emotions mostly antithetical to the project’s name, to linger and rush out of them – maybe cutting the word in half does it more justice – fully.


Superchunk, Songs in the Key of Yikes

Songs in the Key of Yikes album coverEffortless – that word has been used to describe Superchunk’s steady delivery of punchy hooks and anthemic choruses for over three decades. But even going by instinct requires not just the wherewithal but the inspiration to follow through with the original idea. ‘Care Less’, a highlight from the indie veterans’ new album Songs in the Key of Yikes, is all about trying to. “Whatever you do don’t waste your life/ Searching for a song,” Mac McCaughan quips, a line that, like many things about the record at first glance, can seem fatalistic. But McCaughan and his bandmates’ workmanlike dedication remains indisputable. Instead, he suggests, let the songs come to you. Try to make magic out of words and sounds, but if you find yourself digging or thinking too hard, let a single question – the one that gives the record’s opener its title – be your axis: ‘Is It Making You Feel Something?’ Read our inspirations interview with Superchunk.


Teethe, Magic of the Sale

Magic of the SaleFor their mesmerizing second album, Magic of the Sale, Teethe’s recording process, split between their current home bases across Dallas and Austin, stayed virtually unchanged: tracking demos and uploading them to a shared folder. This time, though, the group of trusted contributors that helped bring to life their tender-hearted melancholy and warm existentialism widened: Charlie Martin of Hovvdy, performing additional piano; Wednesday/MJ Lenderman’s Xandy Chelmis on pedal steel, producer Logan Hornyak of Melaina Kol, and Emily Elkin on cello. “Hear your words like photos felt in sound,” a muffled voice sings on ‘Iron Wine’, stirring a wave of distortion. “Holding what our eyes can’t make up now.” Magic of the Sale sounds like slowing down the blink of an eye, where the smallest, most precious emotions seep into view. Read our Artist Spotlight interview with Teethe.


Water From Your Eyes, It’s a Beautiful Place

It's A Beautiful PlaceIn an interview promoting his new album Guitar, which was released on the same day as Water From Your Eyes’ It’s a Beautiful Place, Mac DeMarco – the archetypal indie rock prankster, a label also applied to the NYC duo of Rachel Brown and Nate Amos – talked about “the Robin Williams effect.” He explained, “Robin Williams is all fun and games, and then you watch Good Will Hunting and you’re like—fuck. It’s good.” Funnily enough, Amos joked that Williams is “a silent member of Water From Your Eyes” in press materials because a poster from the Mork & Mindy era hangs in his bedroom, where he still makes all the music for WFYE, which now sounds bigger than ever. But the Robin Williams effect is also not a bad way of describing It’s a Beautiful Place, which is characteristically silly, freaky, and clunky – because what’s more awkward than making sci-fi indie rock about cosmic existentialism – until its vast emotional range hits you. Read the full review.

BENEE Announce New Album, Shares New Single ‘Cinnamon’

BENEE has announced her sophomore album, Ur An Angel I’m Just Particles, which is set for release on November 7 via Republic Records. It’s led by the vibrant, infectious new single ‘Cinnamon’, which comes paired with a Keith Herron-directed video. Check it out below.

“I’ve been working on this for about three years now, and I’m so happy to finally be releasing my second album!” BENEE shared in a statement. “I worked so hard on this and had a really clear story for the album. Over time, it really started to make sense, and I’m so proud of it—it means the world to me!”

She continued: “I wrote ‘Cinnamon’ with my friend Ryan Raines, who is an incredible producer. We made it about a year ago, and I have loved the song from the start. I’m so stoked to be sharing it with the world, it means a lot to me. I wrote it about moving to LA and feeling a little bit lost in the chaos, like everything was falling apart. It felt like nothing was working. The chorus is quite ethereal and a nice let go for me. I thought, ‘Well even if everything around me has turned to shit, I’m going to stay sweet, still be kind, and attract the right kind of people.’ I got my friend Sora to play the cello in the bridge, which I LOVE. I cry sometimes when I listen to that part. And it’s such a fun song to perform live!”

Ur An Angel I’m Just Particles Cover Artwork:

Ur An Angel I’m Just Particles Artwork