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The Bad Sleep Well (1960): Akira Kurosawa’s Indictment of Corruption

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“[I]t has always seemed to me that graft, bribery, etc., at the public level, is one of the worst crimes that there is. These people hide behind the façade of some great company or corporation and consequently no one knows how dreadful they really are, what awful things they do.”

Akira Kurosawa1

“Corruption cases are not directly connected to people’s everyday lives, so they occur repeatedly and we’ve grown indifferent to them. But in this film, we want to present an individual who hasn’t grown indifferent and whose anger drives him unceasingly to punish the guilty.”

Eijiro Hisaita, co-screenwriter2

When the American Occupation of Japan began in 1945, the foreign authorities now governing the Land of the Rising Sun institutionalized a myriad of new laws with the aim of ridding the country of the nationalism and militarism blamed for its aggression during the Pacific War. This included imposing a new constitution, outlawing “problematic” media, and implementing changes to the legal system. As academic David T. Johnson writes in a 2000 issue of Asian Perspective, “Occupation officials, like many Japanese, believed that prewar prosecutors had abused their power by trampling human rights and pursuing their own political objectives. As a result, Occupation reforms aimed above all at decreasing the procuracy’s control over the police and judiciary and at increasing the procuracy’s responsiveness to democratic forces.” And so, in 1947, the Japanese codified, with the Americans’ blessing, Article 14 of the Public Prosecutors Office Law, granting the Minister of Justice authority over the Prosecutor General in “the investigation and disposition” of criminal cases.3

Less than a year after the Occupation ended in April 1952, Japan’s government passed the Law for the Subsidization of Interest and Insurance Against Losses of Oceangoing Shipbuilding. Enacted toward the end of the Korean War, this legislation was designed to benefit transportation and shipbuilding companies by allowing contractors to borrow money at below-interest rates. The law wasn’t even two years old when investigators uncovered a memo written by the president of Yamashita Steamship Company containing the names of thirty-plus bureaucrats and politicians, along with the dates he met them and his illicit goals with each rendezvous. Further detective work revealed the subsidization law had, in fact, been the result of a mass bribery that distributed more than ¥100 million between the recipients. Prosecutors arrested seventy-one businessmen and officeholders, among them Japan’s transportation minister, the deputy prime minister, and Liberal Party Secretary General Eisaku Sato.4

The scandal was destined for greater infamy when the majority of those implicated evaded justice. Of the seventy-one men seized, thirty-two were indicted, twenty-three received convictions, and only one went to prison.5 Some never even faced police interrogation. Hayato Ikeda, president of the Liberal Party’s Policy Aims Research Council and the man who in 1952 went on record proclaiming “It makes no difference to me if five or ten small businessmen are forced to commit suicide” so long as big corporations continued thriving,6 got off when his ¥2 million bribe was reclassified as a legal gift. And the police weren’t even allowed to question Sato—on account of his mentor, Prime Minister Shigeru Yoshida, implementing Article 14 to prevent his arrest.7

The Shipbuilding Scandal of 1954 was the first major scandal of Japan’s post-Occupation era. And yet, as much as it exemplified the corrupt dynamic that existed between Japan’s government and the private sector—not to mention how an Occupation-era law had been weaponized to null accountability—in many ways, it represented nothing new. In 1948, when the country was still under American rule, Prime Minister Hitoshi Ashida’s cabinet resigned—after just seven months in power—following the discovery that the finance minister had taken nearly ¥3 million “in return for special favors to the Showa Denko fertilizer company.”8 (Ashida himself likewise confessed before Japan’s House of Representatives to accepting a ¥1 million “donation.”)9 The year’s controversies ballooned further still with the Coal Mine Scandal, the proceedings of which included the indictment of a government official10 but ended with half of the defendants walking and one dying in the trial process.11

Two deaths occurred during the Shipbuilding Scandal:12 one man was found hanging in the storeroom near his residence, and another either jumped or fell from a Tokyo roof.13 Suicide became a recurring consequence in subsequent postwar wrongdoing. Between the years 1958 and 1960, for instance, Japan experienced an uptick in suicides, and while the majority stemmed from financial woes, those involving chicanery drew the most attention.14 Pondering recent events was Akira Kurosawa, the director of such internationally acclaimed classics as Rashomon (1950), Seven Samurai (1954), and—most recently—The Hidden Fortress (1958). “There was so much corruption going on [at the executive level of Japanese industry] at the time. The investigations were always dropped when some assistant manager would kill himself. That made no sense.” Unchecked power wasn’t a new subject to Kurosawa. Earlier films of his addressed topics like government persecution and companies bribing individuals, and 1952’s Ikiru even addressed the link between bureaucracy and organized crime. But he now found himself begging the question: “What would happen if somebody investigated the corruption and followed it through to the end?”15

Kurosawa was concurrently at a crucial juncture, career-wise. He’d entered the film industry in 1936 by joining Photo Chemical Laboratory,16 a production outlet that two years later participated in the merger that became the company Toho.17 And while he ceased being a permanent employee in the late ‘40s,18 the majority of his work continued to be financed at his former stomping grounds. As time went on, Toho grew flustered with the money Kurosawa’s perfectionism frequently cost them (and was likewise hearing complaints from filmmakers unhappy not to be receiving comparable budgets). All of this led to the front office persuading Kurosawa to form his own company, Kurosawa Production, to help shoulder expenses.19 Such a move surely came with pressure, spoken or not, to shoot pictures of obvious commercial value. But Kurosawa insisted that films “made only to make money did not appeal to me—one should not take advantage of an audience. Instead, I wanted to make a movie of some social significance.”20

As it turned out, he wasn’t alone in contemplating recent scandals. Around the time of his company’s formation, he read a promising script authored by his nephew, Yasuo “Mike” Inoue. A graduate of Waseda University’s Department of Political Economics, Inoue was knowledgeable about bureaucratic chicanery; however, his scenario was returned with a suggestion: “Why don’t you write a script about avenging these corrupt men?” The revised screenplay, titled Bad Men’s Prosperity, was submitted six months later, after which Kurosawa conducted a rewrite with a team of regular collaborators. He first brought on board Eijiro Hisaita, co-scenarist on his most outwardly political postwar film, 1946’s No Regrets for Our Youth, and together they penned approximately forty pages before being joined by Ryuzo Kikushima and down the road by Hideo Oguni.21 Another writer, Shinobu Hashimoto, joined later still, though he only committed to the two weeks asked of him.22 Toho agreed to provide distribution and assist with financing. However, the studio imposed a restriction: the scandal in the movie was not to be modeled on a real-life case. “If we had based it on a true story,” stated Kurosawa, “[Toho] wouldn’t have allowed us to make it.”23

This wasn’t the first time Kurosawa’s creativity had been stifled by the front office. The earlier-mentioned No Regrets for Our Youth told the story of a sheltered young woman in wartime Japan whose father loses professorship for liberalism. Given the script’s loose basis on actual academic persecution in the 1930s, Kurosawa wanted to open No Regrets with prologue text calling out Ichiro Hatoyama, Japan’s Education Minister of 1931-1934. But as Kurosawa discussed in a 1985 interview with writer Kyoko Hirano, Hatoyama’s name was struck because “the Toho company told me […] it would have been upsetting.” No Regrets excoriated a since-dismantled government—an action the Occupation authorities encouraged—but there was conflict in that Hatoyama, at the time, was the head of the powerful Liberal Party.24 Consequently, the prologue text was rewritten to pin blame, more generically, on “militarists.” Flashing forward to the late ‘50s, things seemingly hadn’t changed. Perhaps due to known ties between government and contemporaneous scandals, Kurosawa and his team were forced to devise a scenario that was plausible yet entirely fictitious for their anti-corruption movie, retitled The Bad Sleep Well.

Kurosawa presents the results in what is justly one of the most celebrated sequences in his filmography. The movie opens with a high-class yet seemingly ordinary wedding; guests emerge from the elevator and approach the registry table—suddenly, a mob of wisecracking, camera-armed reporters barge in, announcing they’re here to witness an arrest. From the foyer, they document a Public Corporation for Land Development employee being taken into custody before marching to the sidelines of the ballroom. There, they oversee and comment on the ceremony, much in the manner of a Greek chorus. Their observations disclose that guests at the wedding include senior members of not only Public Corp. but also Dairyu Construction—and that, five years earlier, the two were implicated in a kickback scandal culminating with the suicide of an assistant chief. Kurosawa introduces his vengeance theme with the wheeling out of a wedding cake—one meticulously carved to resemble the office building from which the aforementioned assistant jumped. The cake passes members of Public Corp. and is finally parked behind the company’s vice president, Iwabuchi, who is also the father of the bride.

As the plot unfolds, Public Corp. underlings are manipulated into committing suicide—thus putting a stop to pending investigations. Meanwhile, the wedding cake turns out to be the first in a series of taunts aimed at those responsible for the kickback scandal. The movie is still relatively young when Kurosawa informs us the cake and subsequent taunts were arranged by Iwabuchi’s new son-in-law Nishi (Toshiro Mifune). The plot advances further before revealing he is, in fact, the illegitimate son of the dead assistant chief and that he’s seeking to expose Public Corp. and avenge his father. As has been argued before, The Bad Sleep Well bears a passing resemblance to Shakespeare, with Nishi frequently being interpreted as a Hamlet stand-in and Iwabuchi representing Claudius. To my knowledge, Kurosawa never admitted to being influenced, at least consciously, by the Bard on this production, though it’s worth noting he considered Hamlet one of his two favorite Shakespeare plays—the other being Macbeth, which he unambiguously adapted in 1957 as Throne of Blood.25 Regardless, a Hamlet-esque story allowed him to denounce corruption through the vindictive person angle that interested him.

The Bad Sleep Well is an angry film populated by variously culpable men. In its 150 minutes, colleagues instruct colleagues to sacrifice themselves, co-conspirators turn against one another (there’s a chilling moment wherein executives plot an assassination), and even our (anti-)hero is hardly a figure of innocence. Nishi admits to having resented his father in life (for abandoning him to take a career-advancing marriage), only to commit a quasi-repeat of his progenitor’s sin: he weds Iwabuchi’s daughter Yoshiko to enter Public Corporation and gain access to the man he seeks retribution on. And in the process, he inflicts pain on one of the few good people in the story. Yoshiko, touchingly played by Kyoko Kagawa, is presented as a kind-hearted person bearing wounds (both physical and emotional) caused by others. She walks with a limp—the result of a biking accident caused by her overprotective brother (Tatsuya Mihashi) when they were kids—and her new husband hurts her with his reluctance to give her affection. In one of the most heartbreaking scenes ever filmed by Kurosawa, Nishi rushes to his wife’s aid after a fall. He scoops her up, and their faces wind up in a taut close-up as they nearly kiss—until Nishi withdraws. He then deposits her in her bedroom (they sleep separately) before closing the sliding shoji door. Kurosawa’s camera lingers on the shoji as Yoshiko’s sobs permeate the soundtrack.

In what further complicates Nishi’s quest, he not only comes to reciprocate his bride’s feelings—culminating in a powerful love scene that was axed for the movie’s U.S. release26—but also recognizes the genuine connection she shares with her father. Yoshiko enunciates disbelief that her parent, who has always doted on and cared for her, could be involved in anything so unscrupulous as murder. And in a touching Act Two sequence—wherein she cooks dinner with her father—we see why. Iwabuchi is played by Masayuki Mori (utterly unrecognizable under thick make-up—one wouldn’t know at glance this is the samurai from Rashomon), who lends humanity to the character in these scenes and creates a villain who isn’t all Black Hat. But he also delivers cold-blooded, manipulative nastiness when the script reminds us that, at the end of the day, Iwabuchi holds nothing—not even his daughter—above corporate evil. As is demonstrated in one of the most bone-chilling endings in cinema history.

Late in Act Three, Iwabuchi learns of Nishi’s hideout, drugs Yoshiko to prevent her from warning him, and dispatches a troupe of thugs to seal the protagonist’s fate. The climax occurs off-screen and is recounted by an associate of Nishi’s in front of a traumatized Yoshiko and her brother. Actor Takeshi Kato evokes remarkable intensity as the associate, screaming how his friend was drugged with alcohol and left in the path of a freight train. With that, Nishi’s mission to bring down evil came to an undignified and frankly humiliating end: his legacy will be that of a drunk who got himself killed. Iwabuchi feigns sadness to the press (the Greek chorus of reporters this time remains solemn and respectful—no wisecracks) before the vice president retreats to privacy and reveals again where his loyalty lies. His children, having discovered their father’s actions, leave him. He makes a move to follow, only to spin around mid-stride to answer a phone call from an unseen superior who has periodically contacted him. Iwabuchi hurls apologies and suggests he resign for the corporation’s sake—only to be instructed to go abroad for a short period and then come back, whereafter business will resume as normal. The vice president, who has talked often of a future government career, returns the phone to its cradle, at which point the film’s title—The Bad Sleep Well—reappears, its very literal nature reinforced by everything we’ve seen.

That the man on the opposite end of the line remains unseen and unnamed is due, once again, to restrictions. Kurosawa described his ending as “not explicit enough [that] an even worse man is [calling Iwabuchi], but in Japan if you go any further then you are bound to run into serious trouble. This came as a big surprise to me, and maybe the picture would have been better if I had been braver. […] Maybe I could have in a country like America. Japan, however, cannot be this free and this makes me sad.”27 That said, The Bad Sleep Well’s finale is a case where limitations worked to the film’s advantage: the ending is ten times more chilling because of the unanswered question as to who controls Iwabuchi. (Is it the president of Public Corporation, someone associated with another company, a government official? It’s more scary—and scarily accurate—to let the audience ask questions.) Furthermore, ambiguity in this case pushes the viewer to draw comparisons to the role corruption plays in their world. Which is precisely what Japanese filmgoers did when The Bad Sleep Well premiered in 1960.

Kurosawa once suggested that he would’ve shown “someone very high in the Japanese government,”28 and the director remarked in an interview with Cinéaste magazine that “everyone in the audience must have deduced that it must be the then Premier [Nobusuke] Kishi who is the ultimate source of corruption and who is talking at the other end of the telephone.”29 Historian David Conrad notes in his book Akira Kurosawa and Modern Japan that The Bad Sleep Well premiered not long after Kishi renewed the controversial Security Treaty with the United States.30 Ratification of the treaty permitted American military bases to remain on Japanese soil and triggered riots by people who felt Japan, despite being rid of the Occupation, was still a U.S. military outpost. Kishi responded to protests at the National Diet Building by dispatching the police, and a young woman was trampled to death amid the resultant chaos. The tragedy provoked his resignation, only for him to be replaced by Hayato Ikeda; Japan was now governed by one of the participants in the Shipbuilding Scandal.

The Bad Sleep Well wasn’t among the hits of Akira Kurosawa’s career. Despite ranking third on Kinema Junpo’s list of the year’s best films, it was—financially speaking—a picture that just came and went. Film historian Stuart Galbraith IV writes that it “earned its money back and then some, but in the end turned a smaller profit than the Kurosawa films that immediately followed.”31 What’s more, Toho—for decades—denied it the opportunity for re-release32 and hesitated to provide export to the Occident (deeming the picture too “Japanese” and the setting too modern for audiences that associated the country with period dramas).33 Eventually it appeared at the 1961 Berlin International Film Festival but failed to take home any awards and received tepid to negative reviews. W.L. Webb of The Guardian saluted fine individual qualities—namely Mori’s “magisterial performance”—but dismissed Kurosawa’s latest as one that “will hardly find a place in the history of the cinema beside its creator’s Rashomon or The Seven Samurai.”34

The mixed reception continued following distribution to American arthouses in 1962-63. Per Motion Picture Exhibitor, Kurosawa had delivered a “lengthy, talky entry” with merely “average” direction35 while Boxoffice magazine declared it “too grim and tragic for many patrons.”36 The New Republic’s Stanley Kauffmann, ordinarily a champion of Kurosawa, was especially harsh: “It is so remote in every way from the mainstream of his work that, except for the opening sequence and the presence of some of his ‘stock company,’ there is no internal reason to believe that Kurosawa did it. It could have been made by any experienced, tamely imaginative director of films or television.”37 One of the more glowing reviews came from Kevin Thomas of the Los Angeles Times, who complained that “Far too many critics are writing off the new Akira Kurosawa film […] as second-rate in comparison to his celebrated period dramas. […] This is a grave injustice, for Kurosawa perceives that the world of high finance and corporate intrigue is material for classic tragedy acted in the grand style with a hero who has imagination and courage far beyond the usual Man in the Gray Flannel Suit. […] Through style and technique Kurosawa transforms his lurid expose of corrupt government and high-level bribery into timeless and universal social criticism.”38

Kurosawa speculated years later that The Bad Sleep Well was a victim of being made too early.39 While there is room to question this—that contemporaneous viewers associated the finale with Nobusuke Kishi indicates an audience actively contemplating recent events—perhaps co-scenarist Eijiro Hisaita was right in saying Japan had grown indifferent to chicanery as a broad topic. To Kurosawa’s point, time would bring headline-grabbing incidents of greater scope, such as the Lockheed bribery scandal of 1976, the consequences of which included the arrest of a former prime minister40 and actor Mitsuyashu Maeno carrying out a suicide attack in an attempt to kill businessman Yoshio Kodama.41 The following decade witnessed the insider trading Recruit scandal that involved Japan’s Liberal Democratic Party. As for The Bad Sleep Well’s reception across the Pacific: a friend of mine once suggested (I think accurately) its impact might’ve been greater in the 1970s, in the wake of Watergate and amid other corporate thrillers like Alan J. Pakula’s The Parallax View (1974).

Regardless, the initial lukewarm reception is unfortunate, for The Bad Sleep Well is one of Kurosawa’s great films and perhaps his most internationally relevant. The movie premiered in 1960, and if the ensuing decades—marred by the above mentioned incidents as well as Iran-Contra, Gürtel, Hanbo, Epstein, etc.—have taught us anything, it’s that corruption exists worldwide, guilty parties don’t always get comeuppance, and victims aren’t guaranteed justice. Japan was no exception. In spite of Prosecutor General Shigeki Itoh’s popular maxim “We will not let the wicked sleep,” fighting corruption in the Land of the Rising Sun has been historically cumbersome thanks to Article 14 and restrictions placed on sting operations, wiretaps, and plea bargains. Investigative journalist Takashi Tachibana might’ve been responding to Itoh when he cried out, “The wicked are sleeping. Prosecutors, wake up!”42

And for Akira Kurosawa, the Japanese film studios, throughout his lifetime, remained too timid to properly confront their nation’s sins. The roadblocks he faced with No Regrets for Our Youth in the 1940s and again with The Bad Sleep Well in the ‘50s-60s remained prevalent and even left him unwilling to pursue certain projects. In a 1991 interview with Mark Schilling of The Japan Times, the director remarked that, for all his fame and prestige, he still didn’t enjoy true carte blanche. A movie about Emperor Hirohito, for instance, would likely lead to an assassination by “rightists who oppose any film about the emperor.” Kurosawa likewise commented, “It would [be] hard to make a film about modern-day Japan. There would be a lot of resistance to such a movie. If I wanted to make a film about the Recruit scandal—which would be an excellent topic, by the way—I probably couldn’t get any companies here to finance it. We are supposed to have freedom of speech in Japan, but in fact there are a lot of restrictions.”43

References

1. Richie, Donald. The Films of Akira Kurosawa (Third Edition, Expanded and Updated). Berkeley and Los Angeles: University of California Press, 1996, p. 140
2. Akira Kurosawa: It is Wonderful to Create. Directed by Yoshinari Okamoto. Kurosawa Production Co., 2002
3. Johnson, David T. “Why the Wicked Sleep: The Prosecution of Political Corruption in Postwar Japan.” Asian Perspective, Vol. 24, No. 4, 2000, p. 63
4. Ibid, pp. 64-5
5. Ibid, p. 65
6. Conrad, David. Akira Kurosawa and Modern Japan. Jefferson: McFarland & Company, 2022, pp. 137-9
7. Johnson, pp. 64-5
8. Beech, Keyes. “Graft and Corruption the Rule in Jap Politics, Scandals Reveal.” St. Louis Post-Dispatch, 30 December 1948, p. 11
9. “Tojo’s Successor Admits Cumshaw from Contractors.” The Independent, 29 November 1948, p. 3
10. “Member of Jap Diet Is Indicited.” The Flint Journal, 22 December 1948, p. 1
11. Johnson, p. 61
12. Ibid, p. 65
13. “Leader in Japan Scandal Suicides.” The Index-Journal, 13 April 1954, p. 1
14. Conrad, p. 142
15. Galbraith, Stuart, IV. The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune. New York: Faber & Faber, 2002, p. 285
16. Ibid, p. 25
17. “History.” Toho. Accessed 11 January 2026
18. Kurosawa Akira. Something Like an Autobiography. New York: Vintage Books, 1983, p. 168
19. Yoshimoto Mitsuhiro. Kurosawa: Film Studies and Japanese Cinema. Durham: Duke University Press, 2000, p. 274
20. Richie, p. 140
21. Galbraith, pp. 284
22. Hashimoto Shinobu. Translated by Lori Hitchcock Morimoto. Compound Cinematics: Akira Kurosawa and I. New York: Vertical, Inc., 2015, p. 169
23. Galbraith, pp. 284
24. Hirano Kyoko. Mr. Smith Goes to Tokyo: Japanese Cinema Under the American Occupation, 1945-1952. Washington, D.C.: Smithsonian Institution Press, 1992, pp. 187-9
25. Richie, p. 141
26. Galbraith p. 294
27. Ibid, p. 288
28. Ibid
29. Hirano Kyoko. “Making Films for All the People: An Interview with Akira Kurosawa.” Cinéaste, Vol. 14, No. 4 (1986), p. 24
30. Conrad, p. 139
31. Galbraith, p. 294
32. Hirano, “Making Films for All the People: An Interview with Akira Kurosawa,” p. 24
33. Galbraith, p. 294
34. Webb, W.L. “Berlin Film Festival.” The Guardian, 3 July 1961, p. 7
35. Motion Picture Exhibitor (December 1962 – March 1963), p. 5018
36. Boxoffice (Jan-March 1963), p. 10
37. Kauffmann, Stanley. A World on Film: Criticism and Comment. New York: Dell Publishing Co., Inc., 1966, p. 382
38. Thomas, Kevin. “High Finance Theme of New Film Tragedy.” The Los Angeles Times, 16 February 1963, p. 14
39. It is Wonderful to Create
40. Blaker, Michael. “Japan 1976: The Year of Lockheed.” Asian Survey, Vol. 17, No. 1, A Survey of Asia: Part I (January 1977), p. 83
41. “Star Dies in Kamikaze Dive on Bribes Man.” Northern Echo, 24 March 1976, p. 1
42. Johnson, p. 59
43. Schilling, Mark. Contemporary Japanese Film. Boston: Weatherhill, 1999, p. 58

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  • Some users may need time for optimal results

How it Helps: Biotics 8 is a high-performance probiotic designed specifically for men who want to get their gut health back on track. It’s packed with a smart mix of probiotics, digestive enzymes, and prebiotic fibers that work together to balance your microbiome.

One user shared, “Good strong probiotic. My digestion is better. Best formula I’ve tried.”

How to Choose the Best Digestive Enzyme Supplement

Choosing the right digestive enzyme may be confusing with the number of available options. The following are things that should be remembered:

  • Pinpoint your symptoms: Are you suffering from persistent bloating, persistent constipation, or merely the sense that you are not digesting nutrients? Choose a supplement depending on your issues.
  • Check the labels: You do not need a lot of useless fillers, but rather high-quality ingredients. Look for transparency and natural sources on the label.
  • Consider a “multi-tasker”: There are formulas that are stuffed with probiotics, prebiotics, or antioxidants with the enzymes. These combo blends can be an excellent choice if you want to support your gut.
  • Balance cost and value: A higher price doesn’t necessarily imply quality. Consider whether you need the additional bells and whistles in terms of your health objectives.

Conclusion 

So, have you found your ideal digestive enzyme supplement yet? We completely understand that you cannot always choose the right one. But our guide has demonstrated that there is no need to make it huge. We have also pointed out that all of these supplements can address your common digestive problems, aid in gut health, and even increase your immune system.

Now you have everything you need to make the right decision. Always remember to select a product according to your very particular needs, use the recommended amount, and always discuss any new supplement with your medical professional before adding it to your regimen.

FAQs 

  1. What are digestive enzymes, and why do I need them? 

Digestive enzymes break down food into nutrients, which help in digestion. They assist in relieving bloating, gas and indigestion, which ensures increased food uptake.

  1. Can digestive enzyme supplements help with bloating and gas? 

Yes, digestive enzymes enhance the digestion of food, and the amount of undigested food in the gut is reduced, thus preventing bloating, gas, and other digestive issues.

  1. How long does it take to see results from digestive enzyme supplements? 

The outcomes may vary, though the majority of users note improvements in 30-60 days in case of regular use of products.

  1. Are there any side effects from taking digestive enzyme supplements? 

Side effects are rare but can include mild stomach discomfort. If concerned, consult a healthcare provider before starting any new supplement regimen.

  1. Can I take digestive enzyme supplements with other medications or supplements? 

Generally safe, but consult a healthcare professional if you’re on medications or have existing conditions to ensure no negative interactions.

  1. How should I choose the best digestive enzyme supplement for my needs? 

Think about your digestive problems (e.g., bloating, gas). Select supplements containing quality enzymes and probiotics to support the gut and immune system safely.

References

  • Protease – Proteopedia, life in 3D:

https://proteopedia.org/wiki/index.php/Protease 

  • Digestive Enzyme Supplements for a Healthy Gut | Consumer Health Digest

https://www.consumerhealthdigest.com/nutrition/best-digestive-enzymes.html

  • Amylase – StatPearls – NCBI Bookshelf:

https://www.ncbi.nlm.nih.gov/books/NBK557738/ 

  • Biochemistry, Lipase – StatPearls – NCBI Bookshelf: https://www.ncbi.nlm.nih.gov/books/NBK537346/

Top 4 Hair Oils for Healthy & Lustrous Hair, According to Dermatologists

Struggling with dry, brittle hair, split ends, or stubborn dandruff? You’re not alone. Hair oils have been, and still continue to be, one of the most potent and reliable solutions backed by both ancient knowledge and scientific research. Studies have shown that regular application of hair oil improves the luster and texture of hair; it also prevents hair loss and strengthens hair follicles.

This is your guide to the four best hair oils that will do wonders for you. You will discover here what makes each oil different, the scientific evidence supporting its benefits, and the ways to use the oils effectively. Are you ready to unleash your hair’s hidden power? Let’s go.

Why Hair Oils Work: The Science Behind the Shine

Hair oils repair damaged cuticles, help keep the hair protein longer, and act as a shield against environmental exposure that can lead to hair damage. They are full of fatty acids, vitamin E, and antioxidants that work together to feed the hair roots, reduce hair fall, and prevent early hair aging. 

Massaging oil into the scalp helps blood flow to that area, thus promoting the growth of healthy hair. It has been shown by research that regular oiling decreases hair breakage by as much as 40% and increases hair’s ability to stretch. The secret? It is in picking the proper oil that would meet your requirements and applying it in the right way.

Our Top Picks

WOWMD Hair Oil for Scalp Health and Hair Growth

PRODUCT SPECIFICATIONS

  • Rating: 5.0/5
  • Quantity: 30 ml (1 bottle)
  • Dosage: Apply one drop per section of scalp, massage gently until absorbed, use daily or a few times a week
  • Ingredients: Castor Oil, Rosemary Oil, Jasmine Oil, Vitamin A, Niacinamide.

Overview :
WOWMD Hair Oil for Scalp Health and Hair Growth will nourish the hair and scalp and help to grow hair naturally by supplying nutrients to the hair follicles. The combination of the essential oils like Castor and Rosemary, along with necessary vital vitamins, is guaranteed to enhance hydration, shine, and overall hair condition. This product is aimed at promoting hair growth, minimizing hair breakage, and promoting the vitality of the scalp in the long run as a holistic product for fuller, healthier hair.

Pros:

  • Nourishes scalp and strengthens follicles.
  • Stimulates natural hair growth and reduces breakage.
  • Hydrates, adds shine, and enhances hair texture.
  • Free from parabens, silicones, and sulfates.

Cons:

  • Exclusively available for purchase online.
  • Requires consistent use for noticeable results.

Veganic Hair Oil

PRODUCT SPECIFICATIONS

  • Rating: 4.6/5 
  • Quantity: 60 mL 
  • Dosage: Apply to scalp, massage for 2-3 minutes, use 1-2 times a day.
  • Ingredients: Rosemary Oil, Olive Oil, Lavender Oil, Coconut Oil, Almond Oil, Avocado Oil, Castor Oil.

Overview :
Veganic Hair Oil is a natural product to enhance hair growth, make hair stronger, and prevent it from breaking. Formulated with a blend of essential oils, including Rosemary and Castor Oil, it targets dry, damaged hair and nourishes the scalp. This oil boasts of activating hair tissue and stimulating growth with its regular use, leaving hair stronger and shinier. Its soft, natural formula has been used on all types of hair.

Pros:

  • Natural, organic ingredients like Rosemary and Castor Oil.
  • Strengthens and nourishes hair, reducing breakage.
  • Suitable for all hair types.
  • Cruelty-free and safe for daily use.

Cons:

  • Some users report a watery texture, not very oily.
  • Requires consistent use for noticeable results, which may take a while.

Verb Ghost Weightless Hair Oil

PRODUCT SPECIFICATIONS

  • Rating: 4.2/5
  • Quantity: 60 ml
  • Dosage: Apply 2-3 pumps to mid-lengths and ends of damp or dry hair. Style as usual.
  • Ingredients: Moringa Oil, Orvza Sativa Bran Oil, Bambusa Vulgaris Extract, and other smoothing agents.

Overview :
Verb Ghost Weightless Hair Oil is designed to smooth frizz, add shine, and protect hair from heat damage without weighing it down. It is perfect to use on fine to medium hair types, and it provides protection against heat up to  450°F. As it is used, this oil will purport to make hair shinier by 118% and make it less frizzy by 70%. Its weightless formula makes it ideal to use in daily styling without that greasy feel.

Pros:

  • Heat protection up to 450°F.
  • Increases shine and reduces frizz significantly.
  • Lightweight, non-greasy formula perfect for fine to medium hair.
  • No parabens, sulfates, or gluten.
  • Pleasant citrus and sweet violet scent.

Cons:

  • Small bottle size for the price.
  • The pump dispenser can be tricky with oily hands.

Olaplex No.7 Bonding Oil

PRODUCT SPECIFICATIONS

  • Rating: 4.0/5
  • Quantity: 30 ml
  • Dosage: Apply 2-3 drops to damp or dry hair and style as usual.
  • Ingredients: Dimethicone, Bis-Aminopropyl Diglycol Dimaleate (Olaplex’s patented bond-building ingredient), and other conditioning agents.

Overview (70 words):
Olaplex No.7 Bonding Oil is an ultra-concentrated, weightless styling oil that is applicable to all types of hair. It offers protection up to 450°F (232°C) and assists in reducing frizz and enhancing shine and the color of hair. It only needs 2-3 drops to empower the hair and visually calm frizz, so that the hair appears soft and smooth. It is an excellent supplement to any haircare routine, and it leaves lasting effects yet does not weigh hair down.

Pros:

  • Heat protection up to 450°F.
  • Reduces frizz and flyaways for a sleek finish.
  • Boosts shine and vibrancy.
  • Strengthens and repairs hair bonds.
  • Lightweight and non-greasy formula.

Cons:

  • Expensive compared to other hair oils.
  • Small bottle for the price.

How to Choose and Use Hair Oils for Best Results

Choosing hair oils depends on your hair type and condition. For dry and thick hair, heavy oils like castor or coconut work great, while fine and oily hair benefits from light oils, according to Consumer Health Digest. Only go for cold-pressed organic oils, as they have the highest nutrient content.

Step, by, step routine:

  • Identify your hair needs and select accordingly: Growth? Rosemary or castor. Repair? Olaplex. Shine? Moringa or argan.
  • Warm 2 tablespoons of oil: rub between palms or place the container in warm water (no microwave).
  • Massage your scalp for 10 minutes: It enhances blood circulation and the product’s penetration.
  • Keep the oil for 1- 2 hrs or overnight: It helps deeper repair.
  • Wash hair with a mild sulphate-free shampoo: harsh cleansers strip oils and thus damage hair.

Common Mistakes:

  • Don’t overoil your scalp, as that will lead to product buildup and clogging of pores.
  • Always do a patch test to check for allergies before using the oil.
  • After a shower, towel-dry your hair before applying oil.

Expert Suggestion:

Prepare your own hair oil blends. For instance, use Coconut + castor for hair growth, or you can always add essential oils for additional benefits and scent.

Unlock Your Hair’s Potential

Change your hair by using growth, specific oils like WOWMD, repair, specific oils like Veganic, light, targeted styling oils like Verb Ghost, and bond, targeted oils like Olaplex. 

Make a commitment to consistent use for noticeable results: softer texture, reduced shedding, and better manageability. 

Good scalps provide good hair- use good oils and proper care, and watch it change in a matter of weeks. 

It is time to start your journey to gorgeous, confident hair!

References:

Hair Oils: Indigenous Knowledge Revisited – PMC

https://pmc.ncbi.nlm.nih.gov/articles/PMC9231528/

Best Hair Growth Oils: Trusted by Dermatologists for Healthy, Strong Hair

https://www.wowmd.com/blogs/wellness/best-hair-growth-oils

Your Guide To Aging, Thinning Hair: 5 Simple Tips

https://health.clevelandclinic.org/your-guide-to-aging-hair

Coconut, Castor, and Argan Oil for Hair in Skin of Color Patients: A Systematic Review – PubMed

https://pubmed.ncbi.nlm.nih.gov/35816075/

Best Fat Burner & Diet Supplements in 2026

Losing weight in 2026 is not only a matter of willpower, but rather a matter of living on-the-go lifestyles, metabolic declines, hormonal fluctuations, and the constant food temptations. Despite a good diet and exercise, most individuals struggle with stubborn fat, lack of energy, or feeling hungry, which sabotages their efforts to lose weight.

That is where fat burners and diet supplements come in.

When used correctly, high-quality supplements may be able to assist in metabolism and appetite, increase energy levels, and help the body burn fat more efficiently, particularly in combination with healthy habits.

In this guide, you’ll learn which fat burner supplements stand out in 2026, what ingredients actually work (and which don’t), and how to choose the right formula for your body and goals. Let’s dive into the best fat burners on the market.

Our Top Picks

  1. Flawless Bloom KetoFuse — Best Fat Burner Supplement
  2. WOWMD Oxy Burner — Best Appetite Suppressant 
  3. PhenQ — Best Natural Formula
  4. FitSpresso — Best for Metabolic Support 
  5. Fast Lean Pro — Best for Energy & Focus 

Flawless Bloom KetoFuse — Best Fat Burner Supplement Overall

About the Product

Flawless Bloom KetoFuse is a keto-friendly fat burner that helps your body get into and stay in ketosis more easily. It’s designed to boost fat burning while keeping your energy levels up and your mind clear.

Rating: 4.8/5

Key Benefits

  • Supports rapid fat burning
  • Helps maintain ketosis
  • Boosts energy without jitters
  • Reduces carb cravings

Ingredients: Raspberry Ketones, African Mango, Green Tea Extract, Apple Cider Vinegar, Grape Extract

Dosage & Usage: 2 tablets daily before meals 

Pros

  • Supports a keto lifestyle
  • Made in the USA
  • Clean, stimulant-balanced formula

Cons

  • Only available on the official website

Who is it for: Best for people following a keto or low-carb lifestyle who want faster fat loss without energy crashes.

WOWMD Oxy Burner — Best Appetite Suppressant

About the Product 

WOWMD Oxy Burner is a thermogenic weight loss supplement that makes it easy to control cravings, jumpstart your metabolism, and lose fat at a slow but steady rate. It is a great option if you are having problems with emotional eating or snacking all day long.

Rating: 4.8/5

Key Benefits

  • Suppresses appetite and cravings
  • Supports healthy metabolism
  • Helps manage calorie intake
  • Provides steady, clean energy

Ingredients: Green Tea Extract, Caffeine Anhydrous, Glucomannan, Raspberry Ketones, Yohimbe Powder

Dosage & Usage: 1 capsule in the morning with water

Pros

  • Strong appetite control support
  • Thermogenic formula
  • Gluten-free & Non-GMO

Cons

  • Requires consistency for best results

Who is it for: Best for individuals who struggle with cravings, portion control, or emotional eating and want a gentle yet effective fat-loss aid.

PhenQ — Best Natural Formula

About the Product 

PhenQ is a weight loss supplement that helps with fat burning, curbing your appetite, and boosting energy. It’s made for people looking for a balanced, natural way to support their goals without relying on harsh stimulants.

Rating: 4.6/5

Key Benefits

  • Supports fat oxidation
  • Helps reduce hunger and cravings
  • Improves mood and daily energy
  • Promotes overall metabolic health

Ingredients: Capsimax, InnoSlim, Caffeine, Nopal Fiber, L-Carnitine

Dosage & Usage: 2 capsules daily (one in the morning, one in the afternoon)

Pros

  • Well-rounded, multi-action formula
  • Suitable for both men and women
  • Vegan ingredients

Cons

  • Results depend heavily on diet consistency

Who is it for: Best for people seeking a balanced, natural supplement that supports fat loss, appetite control, and energy in one formula.

FitSpresso — Best for Metabolic Support

About the Product 

FitSpresso is all about improving metabolic health and balancing blood sugar, not just quick fat burning. It’s made to help with long-term weight management by helping your body use energy better.

Rating: 4.4/5

Key Benefits

  • Supports healthy metabolism
  • Helps regulate blood sugar levels
  • Encourages steady fat utilization
  • Gentle on the body

Ingredients: Capsicum Annum, Panax Ginseng, Silybum Marianum, Lagerstroemia Speciosa

Dosage & Usage: 2 capsules with cold water daily

Pros

  • Doctor formulated
  • Suitable for long-term use
  • Research-backed ingredients

Cons

  • Only available online

Who is it for: Best for individuals focused on sustainable weight management and metabolic balance rather than quick results.

Fast Lean Pro — Best for Energy & Focus

About the Product 

Fast Lean Pro is made with ingredients that help you burn fat while also boosting your energy and focus. This keeps you feeling active and motivated as you lose weight.

Rating: 4.4/5

Key Benefits

  • Boosts energy and mental clarity
  • Enhances fat metabolism
  • Supports workout performance

Ingredients: Niacin, Vitamin B12, Chromium, Fibersol 2

Dosage & Usage: Use the recommended number of scoops as directed.

Pros

  • Provides clean, sustained energy
  • Non-GMO & plant ingredients
  • Good for active lifestyles

Cons

  • Results may vary

Who is it for: Best for active individuals who want improved energy, focus, and fat-burning support throughout the day.

Product Comparison Table

Product Rating Best For Dosage Refund
KetoFuse 4.8/5 Fat Burning 2 tabs/day 60 Days
WOWMD Oxy Burner 4.8/5 Appetite Control 2 caps/day 60 Days
PhenQ 4.6/5 Natural Formula 2 caps/day 60 Days
FitSpresso 4.4/5 Metabolism 2 caps/day 180 Days
Fast Lean Pro 4.4/5 Energy & Focus As directed  180 Days

How Fat Burners & Diet Pills Work

Diet supplements and fat burners support weight loss by aiding in some processes within the body. Most of them do this by increasing thermogenesis, which allows you to burn more calories during the day. 

Some are aimed at suppressing appetite, which helps more easily control cravings and reduce snacking. Others facilitate fat oxidation that allows your body to use the stored fat as energy. 

Many also give you a quick boost of energy and focus, hence you can get through exercises and remain active. The most effective supplements are the ones that add all these advantages with a combination that is effective yet mild enough to avoid excess stimulation and other undesirable side effects.

Popular Ingredients for Weight Loss Supplements

Green Tea Extract

It is full of antioxidants called catechins, which serve to increase your metabolism and burn fat. It provides you with a clean energy boost, and you will not experience the terrible crash that other stimulants bring.

Caffeine

Natural sources of caffeine, like guarana or coffee beans, could make you feel more energetic, more focused, and could make your body produce more heat (called thermogenesis). This implies that you will be burning more calories, working out better, and feeling less tired, so it is easy to be always active throughout the day.

Glucomannan

This is a form of soluble fiber that swells within your stomach and thereby makes you feel full and not so hungry. It is a good one because you can control the size of your portions and you can control your cravings, which will support your healthy eating habits.

Chromium

Chromium is a mineral that maintains your body’s sugar levels and increases the effectiveness of the insulin in your body. Maintaining your glucose levels may reduce the number of cravings, avoid those midday energy lulls, and keep your metabolism steady.

L-Carnitine

Imagine L-Carnitine as a carrier. It assists in transporting fatty acids into your cells so that they can be utilized to generate energy. It is excellent to increase your metabolism, endurance, and energy levels when you are active.

Capsaicin

Capsaicin (Chili peppers) assists your body in burning extra calories by increasing your body temperature by a small percentage. It may as well aid in reducing your hunger and assist in your metabolism, and this is the reason why it is mostly featured in fat-burning supplements.

How to Choose the Right Supplement

  • Ingredient Transparency: Select supplements with visible labels and dosage that do not include obscure blends or unspecified labels.
  • Clinical Support: Look for formulas with ingredients that are scientifically supported and have real-life benefits.
  • Third-Party Testing: Third-party testing assists in assuring the quality of the products, their purity, and their safety.
  • Safety & Side Effects: Avoid products that contain too many stimulants or too high doses, as they can lead to undesired side effects.
  • Money-Back Guarantees: A solid refund policy reflects brand confidence and reduces your risk as a consumer.

Final Thoughts

So, have you made up your mind about the fat burner you want? We know — we do not always know how to make a choice, with so many that promise so much. The thing is that finding a good fat burner and diet supplement does not necessarily have to be overwhelming. As we have seen, all of the supplements in the list provide their own exclusive benefits, either enhancing fat burning, reducing appetite, metabolism, or energy.

We have also discussed the action of major ingredients and the importance of picking a formula that best suits the lifestyle. So, now you are armed to make a decision. Choose the supplement based on what you have in mind, take it as directed, practice consistency, and keep in mind that the most effective results are seen when supplements are combined with good health and realistic expectations.

FAQs

Are fat burners safe? 

Most are safe if you use them as directed, especially the ones with natural ingredients. Just make sure to check the label and talk to a healthcare professional if you’re unsure. 

How long before I see results? 

You’ll likely start noticing changes in 2–4 weeks, but it really depends on your diet and activity level. 

Can I take them with other supplements? 

Usually, yes. Just avoid combining multiple stimulant-heavy products to stay on the safe side. 

Do fat burners replace diet and exercise? 

Nope. They can give your progress a boost, but they don’t replace a healthy diet and regular exercise.

References

  1. The Effect of Green Tea Extract on Fat Oxidation at Rest and during Exercise: Evidence of Efficacy and Proposed Mechanisms https://pmc.ncbi.nlm.nih.gov/articles/PMC3649093/ 
  2. Is Guarana Safe? Health Benefits, Side Effects, and Recommended Dosage https://www.news-medical.net/health/Is-Guarana-Safe-Health-Benefits-Side-Effects-and-Recommended-Dosage.aspx 
  3. Safety and Efficacy of Glucomannan for Weight Loss in Overweight and Moderately Obese Adults – PMC https://pmc.ncbi.nlm.nih.gov/articles/PMC3892933/ 
  4. A scientific review: the role of chromium in insulin resistance – PubMed https://pubmed.ncbi.nlm.nih.gov/15208835/ 
  5. CARNITINE TRANSPORT AND FATTY ACID OXIDATION – PMC https://pmc.ncbi.nlm.nih.gov/articles/PMC4967041/ 

Dietary capsaicin and its anti-obesity potency: from mechanism to clinical implications – PMC https://pmc.ncbi.nlm.nih.gov/articles/PMC5426284/

Charli XCX Shares New Single ‘Wall of Sound’

Charli XCX has released ‘Wall of Sound’, her latest track for the Emerald Fennell-directed adaptation of Wuthering Heights. It’s not quite the experiment that was the John Cale collab ‘House’ or a pop song in the scale of ‘Chains Of Love’, but its vulnerability is striking. “Unbelievable tension,” she sings, and it will probably succeed in heightening the one in the film. Listen to it below.

Wuthering Heights arrives in theaters February 13, and the soundtrack album comes out the same day.

Why social casino games reflect modern entertainment culture

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User-generated content is transforming the gaming world by reshaping how enthusiasts engage with game. Platforms encourage individuals to share their strategies and insights, creating a collaborative environment. The impact of this shift is profound, offering diverse perspectives and collective wisdom. This dynamic shift in social casino engagement helps illustrate these changes. One example of such a platform is Big Pirate social casino, which facilitates this exchange of knowledge.

These types of games have become a significant reflection of modern entertainment culture, where user engagement and community-driven content are at the forefront. They allow everyday users to share their insights and strategies, fostering a community-driven approach to entertainment. Various platforms play a pivotal role in this movement, providing a space for users to connect and exchange knowledge seamlessly.

User Participation

Users actively engage by contributing their unique gaming strategies and tips across various social casino arenas. This vibrant community offers an array of insights that cater to both casual players and dedicated enthusiasts. The diverse range of perspectives enriches the platform, allowing users to explore different approaches and refine their own strategies.

Engagement is encouraged through features that enable users to post detailed guides, comment on others’ contributions, and interact in real-time discussions. This participatory culture enhances the quality of information shared and empowers users to influence the broader entertainment community with their expertise.

Crowdsourced Information

The value of crowdsourced information lies in its ability to compile diverse experiences and insights from multiple social casino communities. This collective wisdom is accessible to all users, democratizing access to effective gaming strategies. By drawing on the experiences of a wide range of individuals, users can better navigate the complexities of these games.

This approach enhances personal gaming experiences and fosters a sense of camaraderie among participants. Users are more inclined to share successful tactics and adapt them, contributing to a dynamic learning environment where everyone benefits from shared knowledge.

Evolving Best Practices

User-generated content reflects the ever-evolving best practices within social casino platforms. As trends shift, these guides adapt to provide up-to-date information that keeps users informed. This adaptability ensures that players are always equipped with the latest strategies and insights.

The iterative nature of these guides allows them to incorporate feedback from the community continuously, improving accuracy and relevance. This ongoing refinement process helps establish these platforms as reliable sources for current best practices.

Community Engagement

Community engagement is at the core of the success in fostering user-generated content. Interactive features facilitate lively discussions around shared content, allowing users to provide feedback and exchange ideas freely. This interaction enriches the guides and builds a strong sense of community among participants.

By encouraging open dialogue and collaboration, these platforms create an environment where users feel valued and motivated to contribute regularly. This active participation enhances the overall quality of content available, making it an indispensable resource for anyone looking to improve their gaming prowess.

Battlefield 6: REDSEC: How To Complete The Evasion Mission

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If you’ve spent any time in the Gauntlet modes in Battlefield 6: REDSEC, then you must have come across the Evasion mission. And if you’re wondering how to quickly check it off the list, you’re in the right place. Unlike other objectives that revolve around planting bombs or holding fixed positions, the Evasion mission is much simpler by design. All you and your squad need to do is locate enemy surveillance equipment scattered around the map and destroy it by any means possible. So, as long as you deal with each device as it comes online, the mission will wrap up in no time. Here’s how to complete the Evasion mission in Battlefield 6: REDSEC.

Battlefield 6: REDSEC: How To Complete The Evasion Mission

To complete the Evasion mission in Battlefield 6: REDSEC, you will need to destroy three enemy signal devices before the timer runs out. Once the mission starts, all three enemy signal devices will be marked on your HUD with red squares, and you’re free to destroy them in any order you like. The quickest (and easiest) way to complete the objective is to split your squad and take out multiple devices at once.

After all three signal devices are destroyed, the mission will be completed, and a reward crate will drop shortly after. As you can already tell, the Evasion mission in Battlefield 6: REDSEC is one of the fastest Gauntlet missions to finish, but it also increases the likelihood of running into other squads.

Taking out enemy signal devices will draw attention to your location, and other squads will often push toward you, which can quickly lead to PvP. So the best way would be to clear the area, grab the reward, and move on before it gets crowded. Good Luck!

For more gaming news and guides, be sure to check out our gaming page!

Mitski Shares Video for New Song ‘Where’s My Phone?’

Mitski has shared ‘Where’s My Phone?’, the first single from her just-announced album Nothing’s About to Happen to Me. “Where did it go/ Where’s my phone/ Where’s my phone/ Where did I leave/ Where’d I go/ Where’d I go,” she sings on the fuzzily anthemic track. New Yorker cartoonist Emily Flake, the artist behind ‘Confessions of a New Mitski Lover’, has offered her interpretation of the song, which also comes with a hectic video directed by Noel Paul. Check it out below.

Nothing’s About to Happen to Me, the follow-up to 2023’s The Land Is Inhospitable and So Are We, is out February 27 via Dead Oceans. The album was produced and engineered by Patrick Hyland, mastered by Bob Weston, and features live instrumentation by The Land touring band and ensemble arrangements. The orchestra was recorded at Sunset Sound and TTG Studios, arranged and conducted by Drew Erickson, and engineered by Michael Harris. The record “continues the musical through line” established with its predecessor, but the energy on ‘Where’s My Phone?’ alone already sets it apart.

Nothing’s About to Happen to Me Cover Artwork:

Nothing’s About to Happen to Me

Nothing’s About to Happen to Me Tracklist:

1. In a Lake
2. Where’s My Phone?
3. Cats
4. If I Leave
5. Dead Women
6. Instead of Here
7. I’ll Change for You
8. Rules
9. That White Cat
10. Charon’s Obol
11. Lightning

7 Albums Out Today to Listen To: A$AP Rocky, Julianna Barwick & Mary Lattimore, Jana Horn, and More

In this segment, we showcase the most notable albums out each week. Here are the albums out on January 16, 2026:


A$AP Rocky, Don’t Be Dumb

Don't Be Dumb cover artworkA$AP Rocky’s first album in 8 years, Don’t Be Dumb, is here. The rapper’s genre-blurring fourth studio album features guest appearances from Tyler, the Creator, Doechii, Bossman Dlow, Brent Faiyaz, Gorillaz, Jon Batiste, Slay Squad, Thundercat, Westside Gunn, will.i.am, and more. It spans 15 tracks, including the recently released ‘Punk Rocky’, which arrived with a Winona Ryder-starring music video, and ‘Helicopter’. The album’s cover art was designed by Tim Burton.


Julianna Barwick & Mary Lattimore, Tragic Magic

Tragic MagicJulianna Barwick and Mary Lattimore have toured and worked together on music in the past, but Tragic Magic is their first collaborative album. Recorded over a period of nine days in Paris, with access to the historic instrument collection at Musée de la Musique, it’s an enchanting capsule of time that was also influenced by the January 2025 Los Angeles wildfires. “We wanted to honor the past while making music that we feel is a true expression of ourselves,” Barwick explained in press materials. The album was co-produced by Trevor Spencer (Fleet Foxes, Beach House).


Jana Horn, Jana Horn

Jana Horn CoverJana Horn has released her self-titled album. She wrote the follow-up to 2023’s The Window Is The Dream during her first year of living in New York, where she moved after completing a creative writing MFA in Charlottesville. “Moving to New York after graduation had felt almost too right, like an arranged marriage,” Horn reflected. “I was pretty unhappy for a while. My life was still in Virginia, where my friends were, in Texas, where my mother was learning to live again after years of being passed from one hospital to the next… I drifted through the city in pajamas, at midday.” Slow-moving and tender, it’s full of intimately poetic revelations.


Sassy 009, Dreamer+

Dreamer+Sassy 009, the project of Oslo musician Sunniva Lindgård, has unveiled her debut album, Dreamer+. Building a dreamworld of muffled intimacy, the record features guest appearances from like-minded artists such as Blood Orange and yunè pinku. Drawing inspiration from Gorillaz and Boards of Canada as well as Nirvana and Lil Wayne, Lindgård felt herself finally “stepping into that producer role” and imagining herself writing for a live band instead of “being lost in the chaos of 200 layers.” It includes the early singles ‘Someone’, ‘Mirrors’, ‘Tell Me’, ‘Enemy’, and ‘Butterflies’.


Courtney Marie Andrews, Valentine

Valentine cover artworkCourtney Marie Andrews’ new album Valentine is a stunning, dynamic affair, which is evident as soon as it opens with ‘Pendulum Swing’. The singer-songwriter describes it as “a record in pursuit of love,” adding that love “is a lot more than I gave it credit for. It’s built over years, it’s built with trust, with changes, it becomes something new and unrecognizable, the deeper you go.” The record was co-produced
with Jerry Bernhardt and recorded almost entirely to tape. “I was in one of the darkest periods of my life, and songs were the only way I could reckon with it,” Andrews recalled. “I felt cursed, and the only mental cure felt like songwriting and painting.”


Sleaford Mods, The Demise of Planet X

Demise Of Planet X Packshot - Title 4000px for DSPsSleaford Mods have returned with their first LP in three years, The Demise of Planet X. It features contributions from Aldous Harding, former Life Without Buildings singer Sue Tompkins, reggae artist Liam Bailey, UK grime rapper Snowy, actress Gwendoline Christie, and Big Special. “The Demise of Planet X represents a life lived under immense uncertainty, shaped by mass trauma,” frontman Jason Williamson explained. “When we wrote the last album, it was about stagnation, a country that felt like a lifeless corpse. Three years later, that corpse has been split open by war, genocide, and the lingering psychological fallout of Covid whilst social media has mutated into a grotesque, twisted form of digital engineering. It feels like we’re living among the ruins. A multi-layered abomination etched into our collective psyche.”


Peaer, Doppelgänger

Peaer, Doppelgänger.Doppelgänger is New York slowcore trio Peaer’s first new album in almost seven years, following A Healthy Earth. “The songs spanned such a long time that it really feels like a different person wrote the first song versus the last song,” bandleader Peter Katz reflected. “In some ways that is what this is about: Literally changing over time, then looking back to see how different you were. These songs are about reflection and reckoning with your mental projection of yourself vs. who you literally are. The concept of a Doppelgänger immediately resonated with me for this reason.”


Other albums out today:

Xiu Xiu, Xiu Mutha Fuckin’ Xiu: Vol. 1; Oxis, Oxis 8; Madison Beer, locket; Cavetown, Running With Scissors; Cindytalk, That We Must Pass Through This Life.

Behind the Scenes on AI Filmmaking from Emmy Winners and How it’s Quietly Crossing a Line from Experiment to Industry

Generative AI at the Consumer Electronics Show didn’t arrive as a flashy tech demo or speculative promise. Instead, it showed up proving a point. A working production tool in the form of Kling AI, and evidence that it can actually deliver films.

Two recent projects powered by Kling AI, “A Very AI Yule Log” and the upcoming sci-fi short “The Seeker,” suggest that generative AI is moving past novelty and into real production territory. Knowing that The Seeker is led by Stephan Bugaj, Chief Creative Officer at Genvid and an Emmy Award winner, adds a layer of credibility that’s hard to dismiss. This isn’t an experimental side project from a first-time creator, but a deliberate test of whether AI-generated video can stand up to professional expectations and be released commercially.

A Holiday Fireplace That Became a Proof of Concept

On the surface, “A Very AI Yule Log” looks like a playful twist on a familiar holiday trope: the endlessly looping fireplace video. But beneath its cozy framing is a radical production process. Created by creative studio Secret Level in collaboration with Kling AI, the project unfolds across more than 600 surreal AI-generated scenes, each ten seconds long, adding up to nearly two hours of continuously evolving imagery. Snowmen wander into rooms. Strange figures flicker in and out of the firelight. Nothing was filmed. Nothing was animated by hand.

Jason Zada: Emmy-Winning Director, Founder & Chief Creative Officer of Secret Level

Speaking on a CES panel titled “How GenAI Is Transforming the Creative Industry,” director Jason Zada framed the project less as a stunt and more as a marker of how fast the tools are maturing. According to Zada, in making “A Very AI Yule Log,” nearly two hours of original video and original AI music were produced, but only took under two weeks. This is something that would be unthinkable using traditional production pipelines. Not to mention, this shift meant less complexities with having major team sizes in the hundreds. “The movie Flow that won Best Picture last year for best animated film, you know, was just a small team that put that together and beat the people that had 200, 300, 500-person animation,” Zada added.

From AI Short Film to Commercial Release

If A Very AI Yule Log hints at how AI can reimagine production scale, The Seeker pushes the conversation into even more disruptive territory: monetization.

Developed by Stephan Bugaj, Chief Creative Officer at Genvid and an Emmy Award winner, The Seeker is being positioned as the first commercially released AI-generated short film. Rather than debuting at festivals or circulating freely online, the film is set to be distributed like a conventional independent release, with plans to appear on Amazon and Apple platforms.

Stephan Bugaj: Emmy Award Winner; Chief Creative Officer of Genvid

The economics are what make the project hard to ignore. Bugaj says the entire film was produced using a team of just two core creators, a sound editor, two voice actresses, and approximately $2,000 in AI usage credits. The rest, from visuals and music to background voices, was generated. According to Bugaj, “we did that in six weeks, which also included both learning the models and how to prompt them and also building the generative tool that we were also released in December.”

Bugaj emphasized that this was not an exercise in cutting corners, but in testing whether AI could support a film that still feels like a film. He deliberately leaned into a 1980s low-budget sci-fi aesthetic, citing influences closer to Roger Corman than Hollywood spectacle. Film grain, stylized visuals, and restrained realism were intentional choices, not limitations.

Perhaps most tellingly, Bugaj described abandoning the idea of letting AI write the entire script after early attempts fell flat. Instead, he treated AI as a virtual film crew that’s capable of executing shots, visuals, and audio, while keeping creative authorship grounded in human decision-making.

The Real Shift: Access, Not Automation

What links both projects isn’t just the technology, but what it unlocks. Rather than chasing hyper-realism, creators used Kling AI to lower the barrier between idea and execution. For independent filmmakers, that shift is significant. The Seeker was framed as an experiment in bypassing traditional gatekeepers, going directly to audiences instead of festivals or studios, suggesting AI doesn’t just change how films are made, but how they’re released.

That thinking mirrors Kling AI’s rapid rise since mid-2024, as its tools evolve from experimentation into usable production infrastructure. At CES, the progress felt less like hype and more like something settling into place.

A Line Has Been Crossed

Neither project claims to define the future of cinema, but together they signal a turning point. AI-generated films are moving beyond the fringes and into commercial and cultural circulation. The question is no longer whether AI can make films, but who gets to make them now.