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S.G. Goodman Announces New Album ‘Planting by the Signs’, Shares New Single ‘Fire Sign’

S.G. Goodman has announced a new album, Planting by the Signs, which will be released on June 20 via Slough Water/Thirty Tigers. The Kentucky singer-songwriter has today previewed the follow-up to 2022’s Teeth Marks with a catchy, driving new song called ‘Fire Sign’. Check it out and find the album cover and tracklist below.

“After touring relentlessly for 2 years, ‘living like the sun don’t shine / on the same dog’s ass everyday,’ as the song puts it, I came off the road questioning my purpose and choices,” Goodman said of the new single in a press release. “People are quick to tell you that you are not working hard enough, but slow in telling you that you are working hard enough. That seems to be up to you, as well as your ‘why?’. Despite this burnout and other personal setbacks, I found the fire to keep pushing and to make what I believe is my best record yet. ‘Who’ll put the fire out?’ The only person who can put my fire out is myself.”

Commenting more broadly on the album, which features guest appearances from Bonnie “Prince” Billy and Matthew Rowan, Goodman shared: “As an ‘old story keeper’, I’ve centered myself around the idea that passing down stories and sayings connects us through generations. This notion was a driving force in the creation of this album as a whole, as I was compelled to share the concept of planting by the signs with my nieces and nephews.”

Planting by the Signs Cover Artwork:

Planting by the Signs Tracklist:

1. Satellite
2. Fire Sign
3. I Can See the Devil
4. Snapping Turtle
5. Michael Told Me
6. Solitaire
7. I’m In Love
8. Nature’s Child [feat. Bonnie “Prince” Billy]
9. Heat Lightning
10. Planting by the Signs [feat. Matthew Rowan]
11. Heaven Song

The Best Albums of March 2025

In this segment, we round up the best albums released each month. From Perfume Genius to Weatherday, here are, in alphabetical order, the 10 best albums of March 2025.


Bob Mould, Here We Go Crazy

Before going into the studio, Bob Mould‘s demo-making process typically involves preparing for the type of ornamentation that might eventually decorate a song. In the early stages of the recently released Here We Go Crazy, the former Hüsker Dü frontman’s 15th solo album and first in five years, his approach was so liberatingly straightforward that he found himself resisting the thought of any kind of unnecessary polish. At the studio, backed once again by his long-serving rhythm section of drummer Jon Wurster and bassist Jason Narducy, he had something of an “allergic reaction” to the synth options available to him; alongside longtime engineer Beau Sorenson, he landed on a refined simplicity that only further invigorates the record’s visceral urgency. Breezing through in just over half an hour – though Mould handily controls the force of the wind – the record channels turbulence and uncertainty through concise, caffeinated rock songs powered by soaring hooks, crunchy, propulsive riffs, and some of the most taut songwriting of his career. Read our inspirations interview with Bob Mould.


Circuit des Yeux, Halo on the Inside

If the best word to describe the sound of Halo on the Inside is “nocturnal,” that’s because the process behind it was quite literally that, too. Haley Fohr, the Chicago-based artist who records as Circuit des Yeux, lived alone through the making of her -io follow-up, working 9pm to 5am (make sure you read that right: pm to am) down in her basement studio. As much as it serves as an exploration of Fohr’s inner world, or that of the characters she fashions, it’s also a challenge to transform her working space: into a gothic club, a dream, an ideal destination. Here, continuing to push the boundaries of her sound means forays into minimalism and throbbing dance music, harnessing the imagination – more than darkness itself – as the animating force. Her astoundingly operatic vocals must steer their way through vocal effects, layering, and whirlwinds of noise – partially crafted with producer Andrew Broder (Bon Iver, Moor Mother, Lambchop) – as if evading oblivion. Read our track-by-track album review.


Destroyer, Dan’s Boogie

The world of Destroyer‘s Dan’s Boogie is one of sweeping beauty tumbling towards erasure. “‘There’s nothing in there/Everyone’s been burned,” Dan Bejar sings on ‘The Ignoramus of Love’. “I remix horses.” That third line, which nods to the Bill Callahan song ‘I Break Horses’ and reimagining Patti Smith’s Horses, is evidence of how other pieces of music – as well as film and literature, the boundaries being so blurred in Destroyer’s estimation – permeate Bejar’s subconscious lyrical process. You can’t always trace a direct connection between them as a listener, but you also can’t shake off the way a particular tangle of words, sounds, or images might have bled into Bejar’s madcap expression. It’s Destroyer at their most undiluted and fearless, and the results are both satisfyingly murky and illuminating. Read our inspirations interview with Destroyer.


Fust, Big Ugly

After releasing their sun-kissed, soulful debut Evil Joy in 2021, Fust – now a seven-piece featuring songwriter Aaron Dowdy, drummer Avery Sullivan, pianist Frank Meadows, guitarist John Wallace, multi-instrumentalist Justin Morris, fiddlist Libby Rodenbough, and bassist Oliver Child-Lanning – decamped to Drop of Sun to record Genevieve with producer Alex Farrar, with whom they reunited for their astounding new album, Big Ugly. Named after an unincorporated area in southern West Virginia, around which Dowdy’s family has deep roots, the record is conflicted yet aspirational: homey while grappling with the mystery of home, hopeful when hope rests between the promise of a new life and relenting in old, slow, ragged ways. As the title may suggest, it wrings beauty out of the most unexpected places, honing in the band’s knack for making small feelings appear monumental – that is, closer to their true experience. Read our Artist Spotlight interview with Fust.


Great Grandpa, Patience, Moonbeam

Great Grandpa’s music sounds so splendid, the lyrics so fantastically poetic, it’s easy to undermine their intimacy. “It’s closer when I see you, damn,” goes the hook on ‘Emma’, a highlight on their latest album Patience, Moonbeam, and they return to that damn for a cathartic explosion on the single ‘Doom’. The band’s first album in six years yearns and plays around for a sense of euphoria, and even if it sometimes falls short – of the feeling, not reeling you in – their synergy achieves a kind of unburdening that feels like a gift. “All dark things in time define their meaning,” Al Menne sings on ‘Kid’, making Pat and Carrie Goodwyn’s mournful lyrics sound tenderly affirming. “And fold sharp ends/ Into their mouths.”


Hannah Cohen, Earthstar Mountain

Hannah Cohen released her third album, Welcome Home, the year after she and her longtime partner and collaborator Sam Owens (Sam Evian) moved to the Catskills and started converting their home and barn into a recording studio and retreat. Cohen’s first album in six years, Earthstar Mountain, is a different kind of invitation to the life the pair have built, surrounded by beauty both natural and musical, once again produced by Owens and featuring peers such as Sufjan Stevens and Clairo. It’s just as lush and enchanting as anything she’s put out before, but dustier and sneakily vulnerable, too, bridging the ordinary and magical, pleasure and frustration, even as they seem to breeze through it all. “The rug could get pulled out/ The heartbreak could get loud,” she reminds herself on the closer. “Better to measure it in dog years.” Read our Artist Spotlight interview with Hannah Cohen.


Japanese Breakfast, For Melancholy Brunettes (& sad women)

Don’t let the title – itself a nod to a John Cheever short story – fool you: the deeper you listen to For Melancholy Brunettes (& sad women), the harder it is to pigeonhole it. It’s less for any kind of female archetype than it is about a certain brand of foolish masculinity it frames as both timeless and contemporary. It’s about Michelle Zauner, too, a singer-songwriter and author who, following the pop-inflected glee and success of Jubilee, her 2021 breakthrough as Japanese Breakfast – not to mention her similarly lauded memoir, Crying in H Mart – felt the need to shuffle through a cast of fictional characters variously removed and reflective of her own pensiveness. Her nuanced, moody vignettes are matched by richly baroque and luscious production courtesy of Blake Mills, who lends mountainous resonance even to the subtlest songs. Read our track-by-track album review.


Lucy Dacus, Forever Is a Feeling

Rather than expanding or polishing up her sound, Lucy Dacus’ Blake Mills-produced fourth LP charts an ongoing evolution by refining the subtleties and zoning into the minutiae of her songwriting, whose reflections of love, fame, and trust now concern some of the very people helping to bring it to life. Save for ‘Limerence’, the album’s advance singles have mostly been bouncy and mid-tempo, but there’s an enticing tug-of-war between those songs and the deep cuts that pull back. Forever is about traveling long distances and trying to transcend them, about tasting forever in the throes of change, taking the gamble on love when you’re caught between fantasy and truth. It doesn’t always sound as big as the concepts Dacus invokes – God, Fate, Chance – but it’s in the stillest moments that you know exactly what she means, leaving you in a chokehold. Read our track-by-track album review.


Perfume Genius, Glory

Set My Heart on Fire Immediately was the title of Perfume Genius’ 2020 studio album, and of course, there’s always the fear of burning out. ‘It’s a Mirror’, the confident lead single from his astounding new album Glory that marked a shift from the diffuse grooves of 2022’s Ugly Season, still bows down to the feeling of “a siren, muffled crying/ Breaking me down soft and slow.” But if there is a weariness seeping through the familiarly lush and vibrant tapestry of Glory – which reunites Mike Hadreas with producer Blake Mills, while elevating his backing band of Meg Duffy (Hand Habits), Greg Uhlmann, Tim Carr, Jim Keltner, and Pat Kelly – it’s not at the expense of catharsis, freedom, or indeed glory. The album is tender-hearted and open-ended, loosening into a level of directness that not only feels new for Hadreas, but gives even its heavier subjects a weightless air. “My entire life… it’s fine,” he sings on ‘No Front Teeth’. The affirming going to keeps hanging in the silence. Read our track-by-track album review.


Star 99, Gaman

On their sophomore LP, Gaman, Star 99 are still making punchy, exhilarating songs while pushing beyond – though not necessarily past – the twee sensibilities of their 2023 debut Bitch Unlimited, making way not just for the confrontational nature but the poetic nuances of their songwriting. As Saoirse Alesandro and Thomas Romero trade vocals, revealing the core emotions that bind their songs – insecurity, resentment, isolation, often fueled by the fire of generational trauma – you get less of a sense that these are separate people bringing songs than just two friends, in a band, facing similar strifes – and getting through them. Which is, definitionally, the art of gaman. Check out our Artist Spotlight interview with Star 99.


Weatherday, Hornet Disaster

Diving into Weatherday’s latest outing, Hornet Disaster – which stretches over an hour and 16 minutes – is a daunting task, but the Swedish experimentalist sounds more exacting, determined, and addictive than ever. Six years after Sputnik’s debut LP under the moniker, Come In, and just a few after an impressive split EP with Asian Glow, the 19-track LP’s replayability justifies its overwhelming length, while the density of its noise-pop is made legible by intense and equally uncompromising emotion. “Our heartbeats in sync/ Our only real link,” they sing about halfway through the record. After just a single listen, you can’t help but clap along, enmeshed but blissful in the shared chaos.


YHWH Nailgun, 45 Pounds

45 Pounds is as trashy as it is taut, as harsh as it is relentlessly hooky. It’s a combination that brings to mind contemporary purveyors of controlled chaos such as Gilla Band and Model/Actriz, though what’s remarkable about the New York-based experimental outfit’s corrosive, improvisational blend of punk, hardcore, and electronic music is how fully realized – and funky – it sounds on their debut full-length. Zack Borzone’s vocal chops manage to stand out amidst the discombobulating interplay between Jack Tobias’ radiant synths and Sam Pickard’s frenzied percussion, which peaks on the penultimate track ‘Blackout’. It sprints forward while keeping you on your toes.

The Rise of Quiet Luxury

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Fashion has always been a reflection of culture, and when overexposure is everywhere, quiet luxury is a response to fast fashion and loud branding. Consumers are drawn to refined minimalism, to pieces that signal quality rather than status. From economic factors and changing social values to a growing need for sustainability, the idea is simple: invest in fewer, better things.

This movement is not new. Designers have pushed subtle elegance for decades, but in 2025, it feels more relevant. We are choosing timeless pieces that last more than their seasonal hype.

What Is Quiet Luxury?

Quiet luxury is a refined aesthetic that embodies sophistication. It’s about quality over quantity, investment pieces over fast fashion. The movement has been rising in popularity due to popular TV shows like Succession. Characters like Shiv Roy are the epitome of old money: neutral palettes, coats that look perfect, and soft cashmere sweaters that cost a small fortune but don’t scream in your face.

The Key Trends Defining Quiet Luxury

  1. Tailoring – Pieces need to fit you right, even when they have a tighter or looser fit. The fit is precise but never too tight, and that exudes confidence without the need for embellishment. Imagine a beautiful suit that’s made for you: it speaks for itself in the way it moves and the way it makes you feel.
  2. High-Quality Knitwear – These are the pieces that cannot be replicated. Luxurious cashmere and Merino wool sweaters in neutral hues are wardrobe staples. The key is in the feel, because these pieces are soft, weighty, and fall perfectly.
  3. Accessories – No monograms or logos here. Instead, this aesthetic calls for structured leather bags with no obvious branding but the best quality. That doesnt mean we all need Birkins (even though that won’t hurt) – brands like Cuyana, Senreve, and Longchamp have some beautiful pieces at more attainable prices.
  4. Minimalist Footwear – Loafers, simple ballet flats, and classic leather boots are best to showcase quiet luxury. Sneakers may be comfortable, but if you want sports shoes that whisper elegance, try classic tennis shoes or loafers.
  5. Timeless Outerwear – A great coat is non-negotiable. There are many styles for you to choose from: cashmere wrap coats, wool trenches, or oversized blazers. 
  6. Flawless Basics – Everyone needs some basic pieces in their wardrobe that will work with anything and are easy to style for any occasion. A few white shirts, straight trousers, and a simple silk dress form the foundation of a quiet luxury. They’re the kind of basics that feel anything but basic.

How to Embrace Quiet Luxury On a Budget

If you want to shift your wardrobe toward quiet luxury, you need to know you won’t need to spend thousands. Instead of buying five trendy pieces that won’t be in style in a year, invest in one well-made staple that will last. Look for natural fibers like wool, silk, and cashmere, and focus on fit. Seek out high-quality secondhand pieces from apps like Vinted, The RealReal, Vestiaire Collective, and Rebag, where you can find well-crafted items at a fraction of the price.</span>

Quiet luxury isn’t just a trend, it’s a mindset. It’s about feeling good in what you wear, not because of a logo but because you know it’s just right. And in a world where fashion often moves at breakneck speed, embracing a style that stands the test of time is chic.</span>

The Rise of Indie Gaming: How Independent Developers Are Changing the Industry

Across the whole iGaming sector, games are changing. Rather than players focusing on games from major studios, there has been a surge in indie games. These studios are often small teams with limited funds, but capture the imagination of the game-playing public through innovative game features, unique stories and creative influences. So what has sparked this and how are things changing?

The Indie Game Appeal

As mentioned, indie games offer players something more original. Unlike major studios that often rely on a popular game, churning out various sequels in its wake, indie studios are more creative, offering unconventional gameplay and exploring new ideas. This next-level flexibility means that these smaller studios are free to break boundaries and explore new ideas that have yet to be seen in the gaming world. This means that players are given more diverse, and immersive worlds in which to play.

How Has it Happened?

Previously, these smaller, indie studios were not able to get a foot in the door when it came to gaming. However, the rise of indie studios and developers has been significantly aided by changes and advancements in technology. For example, there is easier access to game development tools and even digital distribution platforms. Options like Steam, Twitch and itch.io all exist, and have helped to make game development more democratic in nature. Because of accessibility to a wider range of quality, but free tools, indie developers are able to create, and market their own games more easily.

On top of that, they don’t have the same creative constraints as many of the major studios have. Unlike well-known or big-name developers, indie developers do not have to answer to publishers, which gives them greater freedom to explore and create more unconventional themes and idea. With liberty like this at the creative stage, indie developers are creating unique games that push the boundaries of what was previously seen in the gaming world.

Impacts on the Gaming World

Of course, there are major impacts on the gaming world too, and this is shaking things up, in the right way. Many of these smaller studios focus on the narrative or storytelling aspect of their games, something that’s been lost in a lot of the recent major releases. Games like Celeste and Undertale have been heavily praised for exactly these features, offering players more depth and emotionality within the game.

There are also more innovative game mechanics within some of these games. Indie producers are more likely to experiment with different gameplay mechanics to great effect. This leads to more engaging, and fresh experiences for gamers. Games like The Stanley Parable, are notable for this, using innovative game mechanic usage to drive forward player engagement.

This type of game mechanic and its progression within the gaming industry are not limited to video games. Increasingly, smaller casino game studios are making their mark for the same reason—having the flexibility and time to develop more innovative game mechanics. Now adopted by many major developers, this mechanic has become a popular feature in games across various casinos, including AW8 casino online.

It’s Not All Roses

However, there are still challenges for smaller game studios. As mentioned, they suffer from a lack of income and budget in many cases. Typically, indie studios work with limited resources, meaning some of their games can’t be fully realized. This means that often the games are not as widely distributed due to lack of marketing. Additionally, it’s still increasingly hard to stand out in a market that’s becoming saturated with new games on weekly basis. Indie developers have to contend with significant challenges when it comes to getting traction and making their game more visible.

As such, attracting players can be difficult, which then means the game doesn’t earn much. In turn, this means that another game is less likely, even if it is popular with a select few gamers.

However, with Crowdfunding options, communities and other support systems, indie developers are finding vital support for their work.

The Musician’s Guide to Making Money: Tips and Tricks

The music industry offers limitless opportunities for artists to turn their passion into a sustainable career. While talent and creativity remain at the core of success, musicians also need strategic approaches to monetize their skills. Diversifying income streams, understanding the business side of music, and leveraging digital tools can significantly impact financial stability. Adapting to the changing landscape requires continuous learning, networking, and utilizing available resources. Musicians must be proactive in seeking new revenue channels while maintaining artistic integrity. By blending creativity with business acumen, artists can build lasting and profitable careers.

Live Performances and Touring

Playing live remains one of the most reliable sources of income for musicians. From small venues to large festivals, live performances provide not only financial benefits but also opportunities to grow a fanbase. Booking consistent gigs requires networking with promoters, collaborating with other artists, and maintaining an engaging stage presence. Developing a solid reputation for live shows can lead to repeat bookings and higher performance fees. Musicians should also consider offering VIP experiences, meet-and-greet sessions, and exclusive backstage access to generate additional income. Expanding to international tours can further increase revenue potential while broadening global reach.

Merchandising and Physical Sales

Selling merchandise is a powerful way to generate income while reinforcing brand identity. Custom t-shirts, hoodies, posters, and vinyl records create an additional revenue stream while offering fans tangible connections to the music. Limited-edition items and personalized autographs can increase demand. Setting up an online store and promoting exclusive deals during live shows enhances merchandise sales. Partnering with print-on-demand services can reduce upfront costs while providing a wider range of products. Offering bundle deals, such as a signed CD with a T-shirt, can encourage higher sales volume.

Streaming Revenue and Digital Distribution

With the rise of streaming services, musicians can earn royalties through platforms such as Spotify, Apple Music, and Tidal. While individual stream payouts may seem small, a strategic approach to playlist placements and consistent releases can generate a steady income. Engaging with listeners through behind-the-scenes content, lyric videos, and interactive posts helps drive more traffic to streaming profiles. Collaborating with influencers and curators can increase visibility and boost streams. Releasing music consistently, whether through singles, EPs, or albums, keeps fans engaged and algorithms favoring the content. Analyzing streaming data allows musicians to refine marketing strategies and target the right audiences.

Sync Licensing and Music Placement

Licensing music for films, TV shows, video games, and commercials presents a lucrative opportunity. Production companies, independent filmmakers, and content creators are constantly searching for tracks that fit their projects. Joining licensing platforms and reaching out to music supervisors can open doors for placements that generate both upfront payments and long-term royalties. Creating a diverse catalog of music increases the likelihood of securing multiple placements. Understanding licensing agreements and retaining ownership rights ensures fair compensation. Establishing direct relationships with industry professionals can lead to repeat opportunities and long-term partnerships.

Leveraging Advanced AI Tools for Music Creation

Technology has transformed the way music is produced, and musicians who embrace digital tools can gain a competitive advantage. As explained by experts from Indiefy, implementing advanced AI tools allows artists to streamline workflows, generate unique sounds, and optimize mastering processes. These innovations enable musicians to create high-quality compositions efficiently, reducing production costs and maximizing creative output. AI-driven tools can assist in mixing and mastering, ensuring professional-grade results. Experimenting with AI-generated melodies and arrangements can lead to fresh, innovative compositions. Balancing human creativity with technology enhances artistic expression while increasing productivity.

Teaching and Offering Music Lessons

Many musicians supplement their income by teaching music lessons, either in person or online. Virtual platforms provide opportunities to reach students worldwide, making teaching a flexible and scalable source of revenue. Offering lessons in instruments, vocals, music production, or songwriting attracts students at various skill levels. Hosting live webinars and interactive Q&A sessions can enhance engagement. Establishing a membership-based learning platform provides consistent income through subscription fees. Collaborating with schools and music academies can expand teaching opportunities and credibility.

Crowdfunding and Fan Support

Platforms like Kickstarter, GoFundMe, and Indiegogo enable musicians to fund projects directly through fan contributions. Crowdfunding campaigns help finance album production, music videos, and tours while strengthening artist-fan relationships. Successful campaigns often offer rewards such as early access to new music, personalized messages, or exclusive merchandise. Engaging fans through behind-the-scenes content and regular updates maintains interest and trust. Offering tiered reward systems encourages higher contributions. Utilizing social media and email marketing can maximize outreach and campaign success.

Musicians who diversify income sources and embrace digital innovations can build sustainable careers in the industry. A combination of live performances, content creation, licensing, and education helps generate consistent revenue while expanding reach. By integrating business strategies into their creative process, artists can navigate the evolving landscape with confidence and financial security. Investing time in branding and audience engagement ensures long-term success. Staying adaptable and open to emerging trends positions musicians for growth. With dedication and strategic planning, artists can transform their passion into a thriving profession.

10 New Songs to Listen to Today: Wet Leg, Jenny Hval, and More

There’s so much music coming out all the time that it’s hard to keep track. On those days when the influx of new tracks is particularly overwhelming, we sift through the noise to bring you a curated list of the most interesting new releases (the best of which will be added to our Best New Songs playlist). Below, check out our track roundup for Tuesday, April 1, 2025.


Wet Leg – ‘catch these fists’

Wet Leg are back with the announcement of their sophomore album, moisturizer. The lead single ‘catch these fists’ is a dance-punk tune equal parts cheeky and beefy, and it comes with a music video the band shot in their native Isle of Wight.

Jenny Hval – ‘The artist is absent’

There’s two versions of ‘The artist is absent’, the latest preview of Jenny Hval’s upcoming album, an extended mix “89 seconds rewrite” and the original studio version. A play on Marina Abramović’s The Artist Is Present, it’s one the most infectious songs the Norwegian singer-songwriter has laid to tape.

The Hives – ‘Enough Is Enough’

The Hives have announced a new LP, The Hives Forever Forever the Hives, the follow-up to 2023’s The Death of Randy Fitzsimmons. Arriving on August 29, it’s led by the hooky and rambunctious ‘Enough Is Enough’, which is accompanied by a video from director Eik Kockum.

Florist – ‘Jellyfish’

Mournful yet warmly empowering, ‘Jellyfish’ is the final preview of Florist’s new album Jellywish ahead of its release on Friday. “‘Jellyfish’ is presented as an upbeat song with a darker undertone of frantically wondering how doomed we really are, what our lifetimes may bring, and what we can do about it,” bandleader Emily Sprague explained. “It marvels at the mysteries of our world while also mourning the destruction of so much of it by the hands of humans. ‘Jellyfish’ draws a connecting line between our very minds and the natural world, attempting to establish an important theme of this song and record which is: rethinking what is normalized so we can be more symbiotic with each other and the Earth. The song ends its musing with a reminder to the listener of our power centers, that we are deserving of happiness and love: ‘Destroy the feeling you are not enough.’ This is mirroring an earlier lyric: ‘Destroy everything on earth,’ which is an observation of how things seem to be, but shouldn’t have to be, and must be challenged.”

No Windows – ‘Easter Island’

No Windows, the folk duo of Morgan Morris and Verity Slangen, have released a gorgeous new song from their forthcoming The Great Traitor EP called ‘Easter Island’. “‘Easter Island’ may be the most collaborative song we’ve written, there was almost no separation between both of our roles in that moment,” Morris shared. “Usually, our instinct after finishing on a song’s spine is to think about arrangement, instrumentation, and production. The works. However, after finishing up ‘Easter Island’, we felt perfectly content with where it was. The song remains almost the same as when we played it in my room for the first time.”

Slangen added: “It was written at the end of the relationship that inspired so much of this EP, I have written so many breakup songs and this one shows my maturity in being able to take a gentler and more nuanced approach on the situation. As Morgan said, I cannot separate our roles in this song, I felt very unrooted while writing it, and the collaborative element signifies to me the most constant thing in my life, music and me and Morgan’s relationship.”

Pet Symmetry – ‘Big Mileage’

Pet Symmetry – the emo supergroup comprising Evan Weiss (Into It. Over It.), Marcus Nuccio (Ratboys), and Erik Czaja (Dowsing) – have announced their new album Big Symmetry – out May 2 – with a driving new single, ‘Big Mileage’. “I feel a special connection to my cars,” Weiss said. “I’ve written several songs about all of them throughout the years. Vanessa The Van was one of the best vehicles I had ever owned. It took me all around the United States and Canada for 10 years. 350K miles. Never acted up. Always reliable. Always good to the band. Always safe. Finally it came time to sell it and I was frankly heartbroken but knew it was time. This song is about letting go of the ones you love.”

Anika – ‘Oxygen’

Anika’s new album Abyss is out later this week, and today she lures us into its world with latest single ‘Oxygen’. It’s “about feeling trapped in your own body, in your own narrative, in your own society, within the norms and expected behaviours of this claustrophobic socially constructed world,” she explained. “It wants to break out of this cage, it wants to breathe, it wants to be in tune with its true self, its true feelings, sensations and desires – without restriction.”

Graham Hunt – ‘East Side Screamer’

Wisconsin-based songwriter Graham Hunt has announced his fourth LP, Timeless World Forever – due June 13 – with a riveting song called ‘East Side Screamer’.The track “is a true story about an encounter with a supernatural entity on the east side of Madison, Wisconsin,” according to Hunt.

Cameron Knowler – ‘La Paz’

Ahead of the release of his new album CRK this Friday, guitarist and archivist Cameron Knowler has put out another soothing instrumental, ‘La Paz’. “These songs paint a picture of my relationship to that place, my isolated childhood there, and how it all crumbled after my dad was suddenly incarcerated in 2008,” Knowler shared. “Those early impressions fuel my work in spite of their once-stifling darkness; the backdrop, a theatrical bordertown, always moves on with characteristic resourcefulness. Everything in that town is small, bare and historically charged which is a fitting analog to the artforms I’m most attracted to: instrumental songs, polaroids, short fiction and personal narrative. Those are all represented in this project.”

Death in Vegas – ‘Death Mask’

UK producer Richard Fearless has announced the first Death in Vegas album since 2016’s Transmission. Death Mask arrives on June 6, and the newly unveiled title track sprawls over seven minutes. “Some of the gear I use has a tendency to take on a life of its own — for example, the Effectron delay, which Arthur Russell also used. It was feeding back on itself,  and ended up sounding like a radio conversation — literally voices from within the machine,” Fearless shared. “On the Echoplex, the tape has never been changed. It’s eroded by the hands of time. When you record over the tape, things bleed in from what was there before, like people from the past.”

Best Haircuts for Women in 2025

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A great haircut has an unspoken power. It’s the difference between a day where you feel unstoppable and one where you avoid your reflection anywhere you go. A haircut can say, “I’ve got my life together,” your inbox is full, and self-care is the last thing on your mind. In 2025, the best cuts are all about striking that perfect balance where you feel like yourself but the best version of yourself. Keep reading to see if you want to finally go through with that major chop or just need a subtle refresh.

The Midi Tailored Bob

The bob has always been a statement hairstyle, and every era does it a little differently. The 2025 version is polished, precise, and versatile. Cut just at the jawline or slightly below, it feels sleek but also fun and cool. It can be styled straight with a deep side part or tousled for a French-girl aesthetic.

woman in black top

The Butterfly Cut

If you spent any time on TikTok in 2024, you already saw the butterfly cut find its way into popularity. This layered style gives movement and volume without sacrificing length and looks like it came straight out of a ’90s supermodel walkway. The layers frame the face beautifully and give you that perfect swooshy effect, but remember it is the kind of hair you will have to style daily.

A woman with a stylish haircut sits in a modern salon, showcasing her beautifully styled hair.

The Soft Pixie

Easy to style, beautiful, what’s there not to like? The pixie cut is back, but this time, the softcore aesthetic left its mark on it. Instead of sharp, edgy lines, 2025’s pixie is all about subtle texture and longer bangs that can be styled in multiple ways. It’s for the woman who wants a short cut without feeling too severe. It’s Audrey Hepburn, but with a modern, relaxed twist. It will also make your life 10 times easier, as it dries in about five minutes flat.

Close-up of a woman with bold makeup and triangle earrings against a white background.

The “Cool-Girl” Shag

The shag is still having its moment, and honestly, we’re okay with that. But Instead of choppy layers, the new shag is softer, with curtain bangs. It’s still very cool, but just structured enough to work in a professional setting. 

Trendy woman with curly hair in a leather jacket sitting on a bench outdoors.

The Ultra-Long Layers

For those who refuse to part with their long locks, 2025’s answer is long layers. This cut adds movement while keeping the length intact and will make you feel like a straight-up fairy. It works best with subtle face-framing layers that give a natural lift, as well as some soft highlights.

a black and white photo of a woman with long hair

The Blunt Collarbone Cut

Mid-length lovers, this one is for you! No, it’s not considered an awkward length anymore; it’s fun and fresh. The blunt cut hitting right at the collarbone is the low-maintenance look of the year. It works on just about every hair type, so wear it straight, add some waves for an undone finish, or curl it.

Which Cut Is Right for You?

Now, you might adore how a hairstyle looks on someone else, but it may not fit your face shape or even your hair type. Some are perfect if you like styling your hair daily, and some are just effortless enough to just wash and go. It’s all about your personal style and how much time you want to spend styling it. No matter what you choose, find a cut that makes you feel amazing, and you’ll always be on trend.

 

Skrillex Releases New Surprise Album ‘F*ck U Skrillex You Think Ur Andy Warhol But Ur Not!! <3'

Skrillex has surprise released a new album. The 34-track LP is called F*ck U Skrillex You Think Ur Andy Warhol But Ur Not!! <3, a title lifted from the purportedly real graffiti left by an anonymous prankster. It’s a playfully bombastic record that boasts an intriguing host of collaborators, including 100 gecs’ Dylan Brady, Sigur Rós’ Jónsi, Boyz Noise, Starrah, Zacari, Joker, and Varg2™. Stream it below.

In 2023, Skrillex returned with two new albums, Quest for Fire and Don’t Get Too Close. The following year, he teamed up with Four Tet, Champion, and Naisha for ‘Talk to Me’, as well as Hamdi and TAICHU for ‘Push’.

Wet Leg Announce New Album ‘moisturizer’, Share New Single ‘catch these fists’

After declaring that they were “so back” last month, Wet Leg have today announced their sophomore album: moisturizer will land July 11 via Domino. The follow-up to the UK band’s 2022 self-titled debut is led by an invigorating dance-punk tune called ‘catch these fists’. The group – founding members Rhian Teasdale and Hester Chambers, bassist Ellis Durand, drummer Henry Holmes, and guitarist/synth player Joshua Mobaraki – shot the track’s music video in their native Isle of Wight. Check it out and find the album cover and tracklist below.

The band reunited with producer Dan Carey to work on the new LP. They decamped to Southwold to write the album in March 2024, working by day and watching horror movies at night. “We were just kind of having fun and exploring,” Chambers reflected. Teasdale added: “We focussed on: Is this going to be fun to play live? It was very natural that we would write the second record together.”

moisturizer Cover Artwork:

moisturizer Tracklist:

1. CPR
2. liquidize
3. catch these fists
4. davina mccall
5. jennifer’s body
6. mangetout
7. pond song
8. pokemon
9. pillow talk
10. don’t speak
11. 11:21
12. u and me at home

Jenny Hval Shares Video for New Single ‘The artist is absent’

Jenny Hval has unveiled a new single, ‘The artist is absent’, lifted from her upcoming album Iris Silver Mist. Along with the studio version, the Norwegian singer-songwriter has also shared a ‘89 Seconds Rewrite’ extended mix, which is accompanied by a Jenny Merger Myhre-directed video. Check out the strangely groovy single below, and scroll down for Hval’s upcoming tour dates.

Iris Silver Mist is set to arrive on May 2 via 4AD. The follow-up to 2022’s Classic Objects was led by ‘to be a rose’., which we named one of the best songs of February.

Jenny Hval 2025 Tour Dates:

Apr 5 Madrid, Spain – Electrónica en Abril
May 21 London, England – Islington Assembly Hall ^
May 23 Brussels, Belgium – Le Nuits Botanique
May 27 Berlin, Germany – Silent Green (Betonhalle) ^
May 30 Amsterdam, Netherlands – Muziekgebouw
Jun May Oslo, Norway – Parkteatret *
Jun 29 Paris, France – Days Off Festival
Sep May Los Angeles, CA – Lodge Room
Sep 06 San Francisco, CA – The Independent
Sep 08 Portland, OR – Polaris
Sep 10 Vancouver, British Columbia – Biltmore Cabaret
Sep 12 Chicago, IL – Sleeping Village
Sep 15 Toronto, Ontario – Longboat Hall
Sep 17 Brooklyn, NY – Williamsburg Music Hall

^ with Thea Grant