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Monster Rally and Jordana Team Up on New Song ‘Own It’

Monster Rally’s first non-instrumental album is on the way. Producer Ted Feighan’s follow-up to 2022’s Botanica Dream is called Echoes of the Emerald Sands, and its collaborators include TV Girl, TOLEDO, Mei Semones, X-Cetra, Leisure, Sessa, Nella, Benét, Jordann, Munya, and the Allah-Las’ Miles Michaud. On the lush, breezy new single ‘Own It’, Feighan lends the spotlight to Jordana. Check it out below.

“The instrumental for ‘Own It’ started with the idea of taking a sunset cruise with someone that you love,” Feighan explained in a press release. “No destination in mind, nowhere to be, just that feeling of being in your own world. I’ve been a fan of Jordana’s music for years. I really love her songwriting and her voice really pulls you into her music. Her style and vocals are the perfect fit for the track and truly make the song what it is, in my opinion. Working with Jordana on this song has been a really special experience, she’s as kind and welcoming a person as she is an artist.”

Jordana added: “’Own It’ is about giving someone a second chance to prove their love to you. It’s a second chance after being hurt by this person, trying to get them to recognize what pushed you away in the first place.”

more eaze Announces New Album ‘sentence structure in the country’, Shares New Single ‘bad friend’

more eaze has announced a new album titled sentence structure in the country. It’s set for release on March 20 via Thrill Jockey, and its bleary, stunning lead single, ‘bad friend’, is out now. Check it out below.

sentence structure in the country features Wendy Eisenberg on electric guitar, piano, and vocals, as well as guitarists Henry Earnest and Jade Guterman, cellist Alice Gerlach, and drummer Ryan Sawyer. In a statement about ‘bad friend’, mari rubio said:

Like a lot of the songs on this album, this has sat with me for years and taken many different shapes. I couldn’t really leave this one alone. It just kept coming back in my head. I hadn’t played it in years, and then when I played Chicago with Alan Sparhawke, I made a last-minute decision to come back to this song as a sort of comfort, and that opened me up to reconsidering the arrangement and form. The key for unlocking it was the pedal steel: it’s kind of about playing it in a non-traditional way, strumming it more like a normal guitar rather than using traditional pedal steel moves, but the main riff of the song is built largely about idiomatic idiosyncrasies/quirks with my pedal steel and electronics setup.

To some extent, this song lyrically is about knowing you shouldn’t have romantic feelings for a friend, but it’s also about not doing a very good job hanging out with people and generally feeling like an alien. Sort of about having trouble in Texas dealing with my social circles, especially the last few years I was there.

sentence structure in the country Cover Artwork:

bad friend more eaze

sentence structure in the country Tracklist:

1. leave (again)
2. distance
3. bad friend
4. crunch the numbers
5. biters
6. the producer
7. a chorale
8. healing attempt
9. sentence structure in the country
10. move

Emerging Designers You’ll Want To Brag About Knowing Back In 2025

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2025 was the year for designers, with creative directors jumping from brand to brand and emerging, maybe even breakout, talent somehow getting a piece of the industry’s overstimulated attention, fashion got interesting again. Learn the names we’ve been obsessing over now, by 2026 your friends will pretend they discovered them first and you’ll just nod, perhaps with a touch of suffering.

Screenshot of zoegustaviannawhalen's Instagram post
@zoegustaviannawhalen via Instagram

Zoe Gustavia Anna Whalen

You might know her from glossy magazine pages, a sculptural NYFW debut, Rosalia’s open admiration, Julia Fox’s napkin dress, or Suki Waterhouse’s granny core florals. Either way, Zoe Gustavia Anna Whalen is a Brooklyn-based designer that has played visual tricks on me before. At first glance her work feels like it came straight out of a grandma’s closet, in the best way possible, maybe a Victorian grandma so stylish her old-world wardrobe lives in a museum, then you take a second look and realize it’s doing things no antique ever could.

Whalen creates preindustrial, historically informed pieces from her studio since 2022, using deadstock textiles, vintage linens, and found fabrics, turning what most would call leftovers, into collections that still manage to exist between sculpture and wearability. Everything is an atmospheric moment, think candlelit East Village performances, corsets draping like armor, and shadowed studio settings. Whalen doesn’t just make me screenshot her intimate designs, I half-considered slapping a vignette filter on them. There’s something about that freshly-old effect that sneaks up on you.

Screenshot of Zomer's Instagram post
@zomer.official via Instagram

Danial Aitouganov & Imruh Asha for Zomer

Zomer is a very young label, officially founded in 2023 by designer Danial Aitouganov and stylist Imruh Asha. Aitouganov had been stacking up résumé points at Louis Vuitton, Chloé and Burberry before feeling the urge to do something less predictable, while Asha built a reputation as a stylist and fashion director at Dazed long before they ever called a studio their own. They met in Amsterdam, flirted with the idea of a brand for entirely too long, and eventually landed in Paris with a name that conveniently means “summer”.

To be honest, Zomer isn’t a brand I was looking for, until I very much was. Under this duo the label clearly knows its way around contemporary art and culture, always playing with the big three, color, texture and silhouette, in a measured, dare I say, subtly avant-garde way, mocking anyone still thinking fashion should behave. The result is clothing that borrows childlike audacity, with just enough adult supervision to keep you from rolling your eyes.

Screenshot of hoda_kova's Instagram post
@hoda_kova via Instagram

Ellen Hodakova Larsson for Hodakova

Just when you’re sure you’ve seen what “upcycled couture” can do, Hodakova comes along and flips it on its head to humiliate your definition. The label started from a very simple philosophy in 2021 Ellen Hodakova Larsson knew too well, take discarded materials and make them into something people can gasp at again. Larsson grew up watching her mother rescuing old garments, and that resourceful instinct is now the backbone of the brand. Every piece feels like a makeover of the overlooked, where belts become skirts, antique buttons become dresses, and even spoons and guitars have their moment on the red carpet, next to avant-garde and conceptual aesthetics.

Few labels come along and make you question why you ever cared about “new.” Hodakova does it in Stockholm, digging through scraps and deadstock your favorite names would ditch, Larsson would like a word though. Sure, she scored the 2024 LVMH Prize, cash and mentorship included, but you can keep the trophy, the clothes do the convincing. Proof that a mix of fashion rejects and fresh vision can be more interesting than anything in a boutique peddling. A boutique that somehow manages to sell you brand-new pieces with an old, worn-in since-the-90s kind of charm. Might as well skip the act and support someone who actually makes clothing that’s worth noticing from the first stitch.

Screenshot of phanhuy's Instagram post
@phanhuy.official via Instagram

Steve Doan & Phan Huy for Phan Huy

Guess what love for artisanal craftsmanship and Vietnamese heritage can get you? Phan Huy. A couture house led by yet another duo, of stylist Steve Doan and… well, Phan Huy, no plot twist here. Think intricate embroidery, silk weaving, natural plant-based dyeing, hand-draping, and Vietnam’s rich textiles, the weapons of choice. Huy is a touch different from your average breakout-designer, a touch more fairytail-ish if you will, with sculptural folds that befriend asymmetry, silhouettes that make you rethink what “fitted” even means, and contemporary tailoring built on old-school technical mastery. Talk about respecting tradition.

If Jhené Aiko trusted them, I know I do. The brand was only born in 2023, but it has already warmed-up to the fashion world. SS26 really did the trick, popping up on every established-name lover’s feed, reminding us exactly what this atelier isn’t all about. I never thought I’d be excited about sparkle again, but here I am with half the couture industry, kind of fun, not going to lie. Add in sculptural silhouettes and intriguing textures, and you’ve got a new kid on the couture block teaching runway fossils a thing or two.

Somewhere between this year’s endless office-swapping and recycled aesthetics, a few designers kept their heads down and let the work carry the weight. Call them emerging, breakout, or whatever label helps you feel organized for a minute. The point is paying attention while they’re still building, not once they’re busy playing the industry’s same musical chairs everyone swore they’d never touch.

Gay Sheep Just Did Couture In NYC

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Just when I think NYC has seen it all, then comes something so ridiculous, it’s actually brilliant. Regular wool was apparently too straight for Michael Schmidt’s latest fashion show. The same went for the other Michael, sorry, Michel Stücke, the German farmer, Grindr, the key collaborator, Kelly Cutrone, the PR agent, Suss and Hanna Cousins, the knitting duo, and 36 looks of their joined forces.

It all started when a farmer near Cologne, Michel started rescuing rams that declined all offers from the female flock, yes, about one in twelve rams is gay, and in times like these, turns out even sheep need defending. In other words, if Stücke’s “Rainbow Wool” didn’t step in, those guys would have been unavailable forever, in fashion, in dating, in life in general. No one really wants an unexpected career change to… well, dinner. So when this story’s golden boy came out to his family at 24, this little saga began and somehow made its way to LA, landing in the hands of Tristan Pineiro, Grindr’s senior vice president of marketing. Naturally, he tapped PR queen Kelly Cutrone, who reconnected with Schmidt, her very first client from 1989.

Screenshot of Grindr's Instagram post of a backstage moment at the "I Wool Survive" fashion show.
@grindr via Instagram – a moment of the “I Wool Survive” show

We’ve seen Schmidt’s work on Beyoncé, Cher, Lady Gaga, Madonna, Doja Cat, Versace and Chrome Hearts, but never on sheep. That, of course, changes quickly. “It’s not just an animal rights story,” Michael told Dazed at the “I Wool Survive” show. He knew homosexuality isn’t limited to humans, animals live it too. A plain fashion show wouldn’t cut it, so he went full Grindr. Campy, sexy, and over-the-top, making sure to remind us that queer desire exists everywhere, discrimination on the other hand, should not.

With the help of mother-and-daughter knitters, Suss and Hanna Cousins, the show featured 36 models, raising a toast to Stücke and his 35 “black sheep”. The collection played in the territory of gay fantasy archetypes, think sailors, policemen, cowboys, doctors, boxers, pizza delivery guys, I even saw a knitted snake strutting down the runway at some point. But in the end, the show wasn’t about cute knitwear, it packed a far more serious message. Love and desire, human or animal, deserve respect, and if a runway full of gay wool can make that point, so be it. Fashion might’ve just leveled up.

Iwild Casino Australia Review

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The platform delivers a modern take on online gaming while maintaining clarity, transparency and an overall sense of reliability. This blend of visual creativity and functional structure is part of the reason it stands out in a competitive Australian environment where players value straightforward access to their favourite categories.

Welcome Offers

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Game Range

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To illustrate the platform’s diversity, take a look at the selection summary below. This short comparison helps highlight how broad the content range really is.

Before examining this table, it’s useful to note that numbers represent an approximate range, one that evolves as new titles launch.

Category Description
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The entire portfolio features respected providers known throughout the industry, giving players a sense of continuity with established titles while maintaining room for discovery through newer studios.

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Conclusion

Iwild Casino brings together colourful visuals, structured bonuses, an accessible banking page and a wide game portfolio, all presented through a layout shaped for Australian preferences. The platform creates a space that feels easy-going yet well organised, delivering both entertainment and reliability. Its welcome package provides strong value from the start, while ongoing promotions and loyalty rewards add a sense of continuity for regular players.

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FAQ

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The importance of playing on regulated Roulette tables

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Roulette is one of the most recognised casino games, available in both land-based venues and online platforms. Whether you’re looking to play online Roulette through a digital version or a live-streamed table, one of the most important aspects to consider is whether the game is regulated. A regulated Roulette table follows specific licensing, operational, and fairness standards designed to protect players and ensure game integrity.

Playing on regulated Roulette tables is not only about following the rules — it’s about ensuring that every spin is properly managed, every outcome is recorded, and all procedures are in line with industry requirements.

What makes a table regulated?

In the UK, a regulated Roulette table is one that operates under the oversight of the UK Gambling Commission (UKGC). The UKGC sets strict requirements for both land-based and online operators, ensuring that all Roulette games follow consistent standards.

To meet these requirements, operators must:

  • Use certified equipment, including physical wheels and digital systems
  • Provide clear and accurate payout information
  • Undergo regular audits carried out by approved testing agencies
  • Maintain secure processes for handling player funds and data
  • Ensure that dealer procedures and game operation follow approved guidelines

These regulations apply to both digital random number generator (RNG) Roulette and live dealer tables. UKGC oversight ensures that outcomes are generated in a compliant manner and that the operator is accountable for maintaining fairness and transparency across all Roulette games they provide.

Why does regulation matter?

Without regulation, there is no guarantee that the game is operating to any standard. Unlicensed or unregulated platforms may use software or equipment that hasn’t been tested, and in such cases, there’s no independent authority verifying how outcomes are generated or whether rules are being followed.

Regulation means you can trust that the wheel, ball, and betting interface are all functioning as intended, without unauthorised interference.

For digital Roulette tables, RNGs must be independently tested and certified. In live dealer games, cameras and software tools such as optical character recognition (OCR) ensure that each spin is tracked accurately, and results are recorded in real time.

Live dealer compliance

In live dealer Roulette, regulation plays a key role in ensuring that each spin is carried out fairly. Dealers are trained to follow strict procedures, and the physical Roulette wheel is maintained according to set standards.

The studio setup often includes multiple cameras, real-time tracking systems, and secure data feeds. Regulators require live casino providers to maintain logs of each spin, including where the ball lands and the time of the result. These logs are available for audits and dispute resolution when needed.

How to spot a regulated table

When selecting a Roulette table, especially online, it’s useful to look for certain signs that indicate regulation:

  • The casino itself should be licensed by a recognised authority
  • Game providers are typically listed, and these companies are usually regulated themselves
  • Terms and conditions or game rules should clearly state payout structures and house edge
  • Responsible gambling tools and policies should be accessible

If a Roulette game lacks basic transparency or the platform doesn’t display licensing information, it may not meet the standards of a regulated table.

How Mini-Games Influence Narrative Flow in Today’s Most Iconic Titles

Mini-games might seem like small distractions in today’s biggest open-world and story-driven titles, but they quietly shape how we experience their worlds. In games like Fallout: New Vegas, Yakuza 0, Red Dead Redemption II, and Schedule I, these optional challenges guide the pacing, deepen character moments, and add unexpected layers of tone and texture.

This phenomenon is not unique to games. Even in Canada, optional player bonuses and incentives show how extra rewards can nudge behaviour without changing the core experience. Mini-games may sit on the sidelines, but they have a real impact on how a story resonates.

The Narrative Purpose of Mini-Games

Mini-games may seem like small side attractions, but they play a surprisingly important role in how game stories unfold. They give players a break from heavy plot moments, allowing the world to breathe, and make characters feel more relatable and human.

When you pause the main quest to play cards in a dusty saloon or belt out karaoke in a neon-lit bar, you are not just passing time. You are settling into the rhythm of the world. These small detours shape how the main narrative lands.

Mini-games also reveal character traits in ways cutscenes cannot. A quiet fishing trip, a goofy dance challenge, or a tense gambling round can expose personality, values, or emotional cracks. They add texture, pacing, and emotional contrast, helping long stories avoid a flat feel.

Available bonuses and player incentives can even invite players to step off the main path, explore at their own pace, and connect with the story on a deeper, personal level.

Fallout: New Vegas

Fallout: New Vegas treats its casinos and side activities as more than simple distractions. They are extensions of the Mojave itself. Gambling, card games, and oddball challenges reflect the world’s constant gamble between survival and ruin.

Dropping into a blackjack table or testing your luck at a slot machine gives the story room to breathe. These moments provide small pockets of calm in a landscape that rarely feels safe. They shift the tone, letting players reset before returning to the desert’s harsh realities.

What makes these activities meaningful is how they shape the Courier’s identity. Choosing to indulge in the casinos or avoiding them entirely shows what kind of person your version of the Courier becomes. In a game built on choice, even the smallest detour communicates something important.

Yakuza 0

Yakuza 0 thrives on its wild mix of heartfelt drama and unhinged side content. One moment you are managing a cabaret club or singing karaoke, and the next you are bowling a perfect game or helping a stranger with an oddly specific problem.

These slice-of-life mini-games are not just for laughs. They expand the emotional range of the story and make Kamurocho and Sotenbori feel alive in a way few games achieve.

Watching Majima delicately run a club or seeing Kiryu lose himself in a rhythm game shows sides of these characters that the main plot does not explore. The absurdity never breaks the serious tone. Instead, it enhances it and gives players room to process heavy moments, making them more impactful.

These mini-games also reflect cultural texture. The neon-lit streets, quirky side missions, and everyday interactions immerse players in a Japan that feels lived-in and layered, enriching the narrative world in ways main quests cannot.

Red Dead Redemption II

Red Dead Redemption II uses optional activities to make the frontier feel lived-in. Whether playing poker in a dusty saloon, taking on hunting challenges, setting up a quiet game of dominoes, or joining rowdy bar games, each activity reinforces the slow, rugged rhythm of life in Arthur Morgan’s world.

These moments shape the entire experience’s pacing. The game’s deliberate, unhurried tasks echo its themes of change, loss, and the fleeting nature of time.

Players also see Arthur’s humanity. Sitting by a river with a fishing pole or joining a friendly card game lets players experience him not as an outlaw on borrowed time, but as a person seeking small pieces of peace. These quiet moments deepen emotional impact and make the story’s dramatic beats hit harder.

Schedule I

Schedule I treats optional challenges like essential gears quietly turning in the background of the main story. Every side system—whether a skill test, puzzle loop, or short narrative detour—feels deliberately connected to the central plot rather than tacked on.

These activities allow the story to breathe while still pushing it forward, creating a rhythm that feels intentional rather than scattered. Some mini-games subtly influence the plot’s direction, while others simply shift a scene’s mood or tone. In Schedule I, choosing to engage with these moments reveals new angles on the world and your character. Optional content can be just as meaningful as the main quest when it is woven thoughtfully into the narrative.

The Small Moments Shape the Big Stories

Mini-games may seem like side notes, but they are often the heartbeat of a game’s storytelling. They set the pace, reveal who characters truly are, and add texture that lingers long after the credits roll.

By encouraging exploration, experimentation, and personal choice, mini-games create layers of interactivity that deepen immersion. These small, optional experiences make the journey more memorable and provide players with moments to reflect on the world and its inhabitants.

In the end, it is these optional moments that make the journey truly unforgettable.

The Meaning Within Metal: Unique Rings and Pendants as Modern Symbols for Men

There’s a point at which an object stops being “worn” and starts being carried. Jewellery crosses that threshold more often than anything else in a man’s wardrobe. A good ring or pendant does not merely complete a look; it completes a sentence—one spoken in texture and proportion, in history and intention. In contemporary men’s fashion accessories, that sentence is increasingly written in 925 sterling silver.

In London’s shifting style landscape—part corporate, part creative—men’s jewellery has moved from occasional formality to everyday wear. Across offices and late-night bars, sterling silver men’s rings and men’s pendant necklaces deliver clarity without spectacle. Several independent studios have helped widen the vocabulary; among them, Illicium London approaches design as small-scale sculpture: objects first, accessories second. The tone is understated, aligned with contemporary menswear and the city’s preference for minimal men’s jewelry that carries meaning as well as timeless appeal.

From the gallery to the hand

Walk through any London museum and you’ll see a visual grammar: laurel and acanthus, shields and sigils, geometry balanced on restraint. Today’s mens rings UK from Illicium London often begin there—classical proportion retold for now. The best pieces read both at arm’s length and at inches: a bezel line as decisive as a skyline; a shank carved like a column drum; a surface tuned to hold light without glare.

What distinguishes this new generation of sterling silver men’s rings is not just silhouette but argument. A signet ring for men becomes a seal of intent rather than inheritance. A braided motif speaks to continuity without pastiche. A hammered band suggests resilience earned, not borrowed. The material—hallmarked sterling silver—does what the story demands: it takes a mark, gathers patina, and records the wearer’s days with the frankness of a diary.

For readers building a signature, begin where identity is most legible. See the spectrum of symbolic forms in mens sterling silver rings – pieces that feel designed yesterday and dug up tomorrow.

Why 925 Sterling Silver, and why now?

“925” denotes an alloy of 92.5% silver balanced by other metals for strength. In the UK, pieces above specific weights are commonly assay office hallmarked, giving traceability on metal standard and maker—reassuring when comparing options across the market. Practically, 925 silver rings sit in a sweet spot: brighter than steel, more workable than titanium, and honest about time. Mirror polish softens to a glow; brushed finishes keep their composure; textured relief absorbs daily knocks—useful in a city of handshakes, laptops and sudden rain.

Tone matters too. London wardrobes lean neutral—navy, charcoal, black—so silver men’s jewellery integrates cleanly with tailoring and knitwear. It collaborates with a steel watch; it respects office dress codes; it adds structure to off-duty looks without tipping into costume.

Men’s Pendants: the centre of gravity

If a ring announces, a pendant anchors. It’s the punctuation at the centre of the frame, the still point under a collar where a day’s movement rests. Contemporary men’s necklaces & pendants are conceived as modern amulets: precise, weight-balanced, and frank about their sources. Guardian figures appear without theatre; architectural medallions carry structural logic; abstract geometry remains disciplined.

The power is in suggestion, not shouting. A wing may stand for protection or aspiration; a crossbar of pure geometry can be discipline made visible; a relief borrowed from antiquity confers time’s authority without wearing history like a costume. Silver’s cool register keeps everything modern even when the reference is ancient.

To choose is to declare—quietly, and therefore more enduringly. Explore this language of modern talismans in unique mens necklaces with pendants and find a centre that aligns with your own.

How meaning of men’s jewellery meets wearability

Meaning that cannot survive a commute is sentimentality. Well-considered men’s jewelry works through ordinary frictions: a sleeve sliding past a bezel; a coat collar brushing a chain; a laptop edge meeting a cuff. Interiors are comfort-curved; weights tuned to disappear until noticed; clasps are logical. The outcome is jewellery that behaves like a well-cut suit—never the first thing you notice, always the reason everything else makes sense.

Three practical principles tend to underpin the best London men’s jewellery:

Proportion over noise.
 A ring should complete the hand’s architecture; a pendant should settle naturally at the sternum. When proportion is right, detail can be spare and still feel rich.

Symbol over slogan.
Symbolic men’s jewelry endures because it leaves room for the wearer’s own meaning. Many studios—Illicium among them—favour forms that invite interpretation rather than dictate it.

Material as memory.
 Sterling silver does not remain pristine; it seasons. That shift from mirror to glow is the point—age as patina, not decay.

The forms you’ll see (and what they imply)

While every maker’s catalogue differs, today’s fashion and accessories landscape clusters around a few archetypes relevant to men’s jewellery UK shoppers:

  • Reimagined signets. The historic seal becomes a plane for minimal geometry or fine-line engraving. Tone: control, not lineage.
  • Textured bands. Hammered or stone-cut surfaces convert wear into design—ideal for everyday men’s rings in professional settings.
  • Architectural relief. Acanthus scrolls, shield outlines, channelled ridges—motifs remembered from galleries and facades, delivered without costume drama.
  • Linked & forged forms. Interlocking or chain-echoing rings read as kinetic and contemporary, pairing well with an open-collar shirt and mens silver chain necklace.
  • Abstract geometry. Crossbars, circles, intersecting lines—ideas rather than icons.

Wearing it well (without announcing you’re wearing it)

  • One statement per axis.
    If the ring is sculptural, keep the wrist quiet. If the pendant leads, let the chain follow. Elegance is a negotiation, not a stack.
  • Match energy, not metal.
    Watch, ring and pendant don’t need identical alloys; they need a shared temperature—matte with matte, gloss with gloss, architectural with architectural.
  • Let context set the volume.
    The signet that cuts through evening light should fade politely under a boardroom cuff. The difference is not timidity; it’s control.

Fit, finish and the day after purchase

Two sizing notes apply regardless of brand. First, time of day matters: fingers expand slightly; midday checks are more reliable. Second, the dominant hand runs tighter—account for it if you’re between sizes. A correct fit resists gently at the knuckle and then settles with minimal rotation.

Finish dictates maintenance. Polished silver rings benefit from occasional cloth work; satin finishes mask micro-marks; textured surfaces look “right” from day one. A dry pouch slows tarnish; avoid chlorine and harsh cleaners. The patina you keep is as meaningful as the polish you chase.

London jewellery, distilled

The current mood in London men’s jewellery could be summed up as heritage without hectoring, precision without fuss. It’s visible in the way independent studios prototype under tailoring and knitwear, in the preference for symbol over slogan, and in the material honesty of sterling silver. Illicium London is one example of a jewellery company following this approach: museum cues translated into daily objects, designed to earn patina as they earn place in a wardrobe.

What remains, after seasonal noise, are forms that feel inevitable: a ring that makes a handshake look decisive; a pendant that quiets a room by half a decibel; silver that has learned your day and decided to keep it. Meaning, made visible. Metal, made personal.

Fractured World of Ke Qin: Fission of the Body.

Ke Qin’s media art practices have developed a stable interest in how human consciousness shapes and distorts its own reality. In her new video art project, Fission of the Body, presented as part of the Paris exhibition Walking Between Norms and Memory, this inquiry is explored through contemplative  meditation. The artwork does not just reveal the mechanisms of memory or the emergence and dissolution of life. Instead, it invites the viewer to become a co-creatordrawing the boundaries of image perception. 

The peculiarity of Ke Qin’s artistic method is that it avoids linear narrative. As her previous work, Through the Fissures of Perception, depicted the fluidity and unstable structure of memory through cinematic fragments. In the new artwork, we again encounter the plasticity of images, emerging as if from a rift in existence. In Through the Fissures of Perception, scenes shifted as in a dreamlike flow, transforming the same spatial environment into distinct visual manifestations embodying different states. This artistic technique accentuates that memories are not fixed frames, but mutable sketches, whose sequence may dissolve at any moment. The artist deliberately leaves the viewer the opportunity to reconstruct the further illusion themselves. 

The Installation view of  “Fission of the Body”, Ke Qin, 2025.

In her new work, Fission of the Body, the artist’s favorite technique reaches a new structural level. The concept of “fission” is not just a word. It is a metaphorical act of dismemberment and combination of meanings, forms, and times. Splitting becomes less a visual device and more of a phenomenological approach. Within the video art, wbehold how form changes, collapses, and is recreated, yet preserving reminiscence. Likewise, human memory fragments and assembles life experiences into illusory yet emotionally significant constructs. Applying the tree as a universal symbol of life and continuous growth, the artist conveys a metaphor: the changing shape of the tree reflects the transformation of the human psyche. 

The Installation view of  “Fission of the Body”, Ke Qin, 2025.

The video art practice Fission of the Body engages in a constructive dialogue with Ke Qin’s artistic method. The artist does not seek to depict pure illusion, but rather explores the psychological consequences of what is commonly referred to as reality. Video projections, flashes of images, and discontinuities in sequence appear as reflections of her artistic critique. The artist’s visual technique generates uncertainty, which combines both the aesthetic pleasure of observing coloured, shifting images with the intellectual tension of confronting meanings. 

Fission of the Body (still), Ke Qin, 2025, single-channel video, 2’45”.

In the context of Ke Qin’s extensive oeuvre, this artistic method reflects her attraction to intermediate states, so to speak, those liminal zones that exist between worlds, between cognition and memory, between the body and its reflection. At the same time, her media practice does not dictate definitive interpretation, but it merely indicates points of entry, inviting the viewer into a space of empathy. In this sense, her video art speaks not of a singular body or consciousness, but of a multiplicity of experiential forms. It investigates how the individual and collective unconscious, with its archetypal structures, blends with the present. 

Fission of the Body (still), Ke Qin, 2025, single-channel video, 2’45”.

Fission of the Body is not simply a video composed of visually compelling scenes  and luminous flashes. The artist employed contemporary information and communication technologies to express her conceptual vision. Ke Qin constructed a space in which dissociation became an opportunity for synthesizing form, consciousness, and experience. Here, the mastery is revealed not through formal virtuosity, but through conceptual precisionThe artist demonstrates her mastery not formally, but conceptually. She challenges viewers to rethink the fabric of visual experience. In an era when the boundaries between the illusory and the factual are increasingly blurred, Ke Qin’s art acts as a critical mirror, revealing our position in a fractured world. 

Peaer Release New Song ‘Bad News’

Peaer have released ‘Bad News’, the latest single from their forthcoming album doppelgänger, which is out January 16 via Danger Collective. The slinky, hypnotic track follows previous entries ‘Just Because’ and ‘Button’. Listen to it below.

“This song started off as three separate ideas,” Peter Katz explained in a press release. “The Pinback-esque bassline, the chord progression that became the chorus, and the outro. Thom, Jeremy and I worked together to construct this song out of those ideas and I’m really happy with how it turned out. I really wanted to include an Omar Rodriguez-Lopez style guitar solo, too. I’m really happy with how we’ve incorporated our influences on this song especially, while also feeling like it’s the ‘most Peaer’ song to date.”

“Lyrically, the song grew from the resentment I was feeling at the time towards my career as a musician,” Katz continued, “and also towards myself for further retreating into solitude (‘yeah I’m pretty sure/I’m staying in tonight…’it must be nice/to make what you like/and have everyone approve’). Overall it comes out sort of bitter, but I hope the resolve towards the end shows a turn away from that darkness and into a more self-confident future.”