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10 New Songs Out Today to Listen To: American Football, Otoboke Beaver, and More

Konstantinos Pappis
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10 New Songs Out Today to Listen To: American Football, Otoboke Beaver, and More

There’s so much music coming out all the time that it’s hard to keep track. On those days when the influx of new tracks is particularly overwhelming, we sift through the noise to bring you a curated list of the most interesting new releases (the best of which will be added to our Best New Songs playlist). Below, check out our track roundup for Wednesday, April 8, 2026.

American Football – ‘No Feeling’ [feat. Turnstile’s Brendan Yates]

American Football lean into wistful post-rock on ‘No Feeling’, their new single featuring Turnstile’s Brendan Yates. ​​”Brendan came into the studio to sing along to a ‘gang vocal’ call-and-response part I’d written for the chorus of ‘No Feeling’,” Mike Kinsella recalled. “I had imagined his voice would be one of many voices scream-singing it, and was excited for it to be a sort of Easter Egg on the album. But after tracking the original parts, he asked if he could try a higher harmony that he was hearing. As soon as he started singing it, all of our jaws dropped, and we all were looking at each other like ‘Oh shit! THAT’S the dude from Turnstile!’ His voice is so singular, and once he sang the part in *his* range, it was clear that the part now belonged to him and him alone…”

Otoboke Beaver – ‘I Don’t Need to Be in Your Strike Zone’

Japanese garage-punk band Otoboke Beaver have returned with a frantically furious new song, ”I Don’t Need to Be in Your Strike Zone’. It’s part of a new maxi single that will also include ‘Hey, Where’s the Thank You’ (out digitally on April 10) and ‘Is The New Album Out Yet’ (out digitally on April 15). They were tracked with engineer Ippei Suda at LM Studio in Osakaʼs Yotsubashi neighborhood.

Kelela – ‘idea 1’

After premiering it in New York on Monday, Kelela has returned with a new single, the aqueous, hypnotic ‘idea 1’. According to the artist, it’s about “what it feels like to exist in this climate—the weight of being expected to witness, absorb, and speak truth at a time when the world feels like it’s unraveling. That’s a particular kind of burden Black women know intimately. This song doesn’t offer answers, it just refuses to look away. Co-writing it with my best friend Janiva Ellis, hearing Oscar’s production give it shape, and then watching 91 Rules bring that tension to life visually feels like the beginning of a much larger conversation I’m ready to have.”

Pond – ‘Two Hands’

Pond have announced a new album, Terrestrials, landing June 19 on their own imprint Mangovision via Secretly Distribution. Accompanying the announcement is the dancey yet righteous new single ‘Two Hands’. Nicholas Allbrook shared: “This song is about when mining company Rio Tinto blew up Juukun Gorge in the Hammersley Range in Western Australia. They destroyed sacred rock shelters that were of the highest archaeological, cultural and spiritual significance. The rock shelters contained a cultural sequence spanning 46,000 years that had been taken care of by the local Indigenous communities. I was wondering how the commentators around this country would’ve reacted if the shoe was on the other foot and someone had demolished the Vatican or Notre Dame or St. Paul’s because it was in the way of their corporate expansion. Anyway, its a little word of encouragement that you’ve got every right to be very fucking angry about this injustice.”

Lykke Li – ‘Sick of Love’

Lykke Li has shared ‘Sick of Love’, the latest offering from her upcoming album The Afterparty. “It’s this moment of complete humiliation, and you’re trying to be strong,” she remarked. “I had a lot of fun writing these lyrics. I laughed a lot.”

Body Type – ‘And What Else?’

Artist Spotlight alumni Body Type have signed to King Gizzard & the Lizard Wizard’s p(doom) records, marking the news with the cheekily propulsive and anthemic ‘And What Else?’. “The big chorus is a cathartic cry out against feeling insecure in a relationship, those mental twists your brain makes when statements of adoration make you feel sceptical and unworthy, but simultaneously hungry for more of that sweet stuff,” Annabel Blackman said in a statement.

The Lemon Twigs – ‘2 or 3’

The Lemon Twigs have shared another earworm, ‘2 or 3’, ahead of the release of their latest album Look For Your Mind!. “We played for the first time in Buenos Aires last year and I woke up the next morning having dreamt the chorus,” Brian D’Addario said in a statement. “It’s a rare thing for me and even rarer that I end up remembering the words. I had to interpret what ‘she’s lived 2 or 3 as many lives as me’ meant. It made me think of a guy who wasn’t cultured or worldly enough for his girlfriend and had to pretend to be interested in fine art and history.”

Fightmaster – ‘All or Nothing’

Fightmaster has announced their debut full-length album, Tolerance, out June 5, and the driving lead single, ‘All Or Nothing’, is out now. “It’s such a dramatic bluff,” Fightmaster said of the track. “When I wrote it, I wanted this bravado attack. Like, here’s the fucking synth, here’s the beat. I love this one because we really went hard.

Nara’s Room – ‘Lizzie McGuire’

“I grew up thinking that my world of Lizzie McGuire, Michelle Branch, and frosted eye shadow would be that way forever, and I couldn’t wait to be an adult in that world.” Nara Avakian recalled. “But then everything changed.” The brisky, vibrant new single arrives ahead of the release of Nara’s Room’s sophomore effort, Tearless, thoughtless, on May 15.

Fink – ‘Wishing for Blue Sky’

Fink – the British folk trio led by Cornwall-born, Berlin-based songwriter Fin Greenall – have unveiled ‘Wishing for Blue Sky’, the reflective second single from the upcoming The City Is Coming to Erase It All. “This track is track one on the record and pretty much defined what we were going for,” Greenall explained. “A polaroid of the moment in life when you awake, when you want more, when you realise that getting away is the first step to the unknown future. For me, this moment was deciding in my suburban bedroom that I was going to travel – saving my tips from my after-school and weekend jobs so the moment I finished I could just get on a plane and go. I chose America and Canada and got as far as British Columbia, catching Greyhound buses around the USA and stopping off wherever the bus stopped at the end of the night.

The Final Edit: Prashanna Subedi on Splicing Together Visual Meaning in the 9:16 Era

Abbie Wilson
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The Final Edit: Prashanna Subedi on Splicing Together Visual Meaning in the 9:16 Era

We live in a video-dependent era dominated by our smartphone use. Everyone has caught on by now. According to a recent report from Consumer Affairs, Americans spend roughly 5 hours a day on their smartphones in 2026, which means we are checking our phones roughly 200 times a day. This ranges from email to social media (which is now dominated by video), and texting, with an estimated 15% of adults considered themselves dependent on their phones.

Since vertical videos are an insatiable demand for immediate engagement, the role of a skilled film and video editor has never been more critical. 

Prashanna Subedi, an internationally-recognized film editor,  is part of this ever-growing landscape, navigating the nuanced demands of documentary, narrative film, music videos and commercial content.  

Subedi’s film editing portfolio includes short form commercial campaigns with over 40 million total views, music videos with over 3 million views on YouTube, and feature film trailers on Amazon Prime. His work as lead editor for the VR documentary “A Voice from the Hut” premiered at the Academy Award–qualifying Slamdance Film Festival (2026), while his trailer editing on “The Dish and the Spoon,” starring Greta Gerwig, showcases his narrative power, which lies in simplicity of the edit.

Subedi’s approach to music video editing is part of his versatility. Take, for instance, “Soch” by Pakku Panda, a rap song boasting over 2.9 million views. Its bold, in-your-face style is a deliberate choice, according to Subedi. “‘Soch’ is a deeply personal, coming-of-age reflection with a strong sense of resistance,” he explains. “Pakku Panda has a very distinct voice and presence; the fast-paced, in-your-face editing style was intentional; it matched the rhythm, the attitude, and the honesty of the artist. The goal was to amplify his voice, not soften it.” 

Subedi emphasizes that for music videos, “sound is half the picture.” His meticulous attention to detail ensures that “every beat, pause, or shift in energy can motivate a cut or a moment in the story.” 

The objective is to find a pacing that is neither rushed nor dragging, achieved often by stepping away and returning with a fresh perspective. “At the end of the day, I try to create something I would genuinely enjoy watching,” he said. “When that happens, the views and likes usually follow.”

While music videos are instinct-driven and fast-paced, Subedi’s work on long-form projects like documentaries and feature film trailers demands a different kind of patience and structure. “With documentaries or narrative work, I spend more time understanding the director’s vision and the larger arc of the story,” he explains. “I try to think like the director—what they want the audience to feel at each moment.” 

He often watches long sections continuously to grasp the contextual pacing, acknowledging that while short-form content offers quicker feedback, long-form delivers a deeper, more lasting impact.

This distinction becomes even more pronounced when editing for social media. Subedi’s work on a DilMil app campaign, which garnered over 1 million views, with above-average watch time and retention, becoming the brand’s highest-performing campaign, highlights a strategic departure from typical trends. 

“The DilMil campaign performed really well because of its simplicity and strong viewer watch time,” he said. “Instead of following typical front-camera footage trends, we approached it more like a cinematic scene.” 

This performance-driven approach extends into Subedi’s creative direction and editing work for promotional campaigns with Slipstream Swim Machine, where he generated over 40 million collective views across platforms. Beyond reach, the campaigns delivered measurable business results, significantly improving return on ad spend (ROAS) across Meta ad campaigns. By refining pacing, clarity, and audience hooks, Subedi ensured the creatives were not only engaging but directly optimized for conversion and revenue impact.

His focus here is on retention and clarity. Subedi asked himself: “How quickly can I hook someone, and how smoothly can I keep them watching?” In a crowded digital space, doing something slightly different makes a big impact.

In today’s reel-based 9:16 era, editors are more indispensable than ever, primarily because retention is the main metric. However, Subedi offers a thoughtful caveat. “I don’t think high retention automatically means something is meaningful,” he reflects. “Some of the most impactful films I’ve seen are slower and require more effort from the audience.” 

He stresses the need for editors to balance understanding fast-scroll attention spans with not “losing sight of deeper storytelling.” The challenge lies in creating work that is not just engaging but “actually stays with people, not just superficial polished stuff that people watch today and forget tomorrow.”

Subedi’s adaptation to the evolving digital and film landscape is rooted in informed originality. He meticulously observes audience behavior and platform metrics but refuses to blindly follow trends. Instead, he dissects why something works and then crafts his own unique approach. 

“Retention and clarity matter, but originality matters just as much,” he said. To stay creatively grounded amidst the rapid pace of digital content, he intentionally dedicates time to long-form projects, ensuring his identity as an editor remains robust.

His ability to consistently deliver impactful content across diverse mediums stems from a profound well of experience. “A big part of it is the number of years I’ve put into this,” Subedi said, having edited films since seventh grade. 

“I’ve experienced what works and what doesn’t firsthand,” he explains. “Over time, I’ve learned how audiences respond, how platforms work, and what makes something last beyond just views.” It’s a synthesis of experience, meticulous attention to detail, and collaborative mentorship. 

Ultimately, Subedi’s enduring success is built on a simple yet powerful principle. 

“I focus on making something I genuinely believe in, and that consistency has helped me create work that connects with people, followed by views and big numbers,” he said.

With a body of work spanning film festivals, streaming platforms, and viral digital campaigns, Subedi continues to shape how stories are experienced across both cinematic and mobile-first formats.

For more information, visit prash.work. 

Key Features To Look for in High-Quality Digital Gaming Platforms

Sebastian Bickley
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Key Features To Look for in High-Quality Digital Gaming Platforms

A digital gaming platform can look polished at first glance, and yet still disappoint once you start using it. This may be for any number of reasons: perhaps the menus are cluttered, the search results don’t give you what you want, the site looks bad on mobile, or what looked like a strong library turns out to be badly organized. In a competitive market, these small user frustrations have more impact than any slogan on a homepage.

Quality is no longer about the volume of titles alone. A platform earns its reputation through the way it handles the simplest tasks: how easily you can find a game, how smoothly it works across devices, and whether the user is prioritized in even the most basic aspects.

A Clean Interface Does More Than Look Good

First impressions still matter, but not in the old sense of glossy design for its own sake. What people remember is whether a platform is easy and sensible to use. Clear categories, useful filters, readable labels, and a search bar that actually returns what was typed all make a bigger difference than oversized banners or constant prompts. There’s also a difference between a platform with a lot going on and one that simply lacks focus. Strong navigation helps users move quickly, whether they know exactly what they want or are just browsing. Filters should narrow options in a useful way, not send people into endless scrolling with slightly different versions of the same category. And if the route to a game feels longer than it should, even a large library can start to feel oddly limited.

That becomes more obvious on mobile. Someone opening a platform during a commute or between tasks is not going to spend long decoding a messy layout. They want large tap targets, sensible menus, and a path that feels short. Good design often goes unnoticed, which is usually a sign that it is doing its job. Someone browsing BetMGM casino games or any similar library is likely to judge the whole platform within minutes based on how quickly they can move from the homepage to something relevant.

Game Selection Matters, But So Does Balance

A huge game count can sound impressive, though it has less of a wow factor when the library feels repetitive or badly arranged. Stronger platforms tend to be well-organized: you’ll see familiar titles sitting alongside newer releases, different genres that are easy to browse, and enough variety to suit both quick sessions and longer stretches of play. Range matters, but structure matters just as much.

A balanced library also says something about how well a platform understands its audience. Some users want short, low-commitment play, while others are looking for live formats, recognizable franchises, or games with more interaction built into them.

Presentation Should Feel Current

Many platforms now borrow visual ideas from video game culture, especially in the way games are themed, structured, and introduced. Bonus rounds can seem more like mini-games, menus may share design cues with familiar franchises, and progression systems can sometimes be used to make the experience feel more active than static.

When that works, the connection will feel natural. When it doesn’t, it can look like the platform is trying too hard.

There’s also the fact that even when game libraries look impressive on paper, that variety loses its effect if the platform is slow or awkward to navigate. This is usually where quality (or the lack of it) becomes obvious. Pages should load quickly, logins should work without fuss, and transitions between sections should feel smooth on both desktop and mobile. Users may not describe these things in technical terms, but they’ll notice their absence straight away.

In addition, a lot of people now switch devices without thinking much about it. They might browse on a laptop, return later on a phone, then check account settings on a tablet. A high-quality platform should make that transition feel seamless. If, on the new device, preferences aren’t saved, payment options malfunction, or mobile pages suddenly become harder to use, user confidence in the platform will drop quickly.

But people rarely leave because of one flaw. More often than not, they leave because of a pattern of smaller irritations. It may be that the search results are too broad, or that a page takes too long to open. Perhaps the live chat replies slowly or gives a vague answer. A withdrawal takes longer than expected and there’s no one to explain why. None of those issues sounds huge in isolation, but together they create the sense that the platform is unreliable.

Trust Comes From Clear Information

Security matters, but what often shapes a reader’s impression first is being familiar with the rules and regulations to some extent. Can they understand how payments work? Are withdrawal terms explained properly? Is account verification straightforward, or buried under vague language and extra steps that only appear halfway through the process? Clear information reduces user friction and makes the platform feel more confident in what it offers.

Strong platforms make these details visible. They don’t hide key information in awkward footers or pages full of padded legal copy. Secure payments, clear account controls, fair-play standards, and responsible gaming tools should all be easy to find and easy to understand.

Support Should Feel Like Part of the Product

Customer support is often treated as an afterthought until something goes wrong. Then it becomes one of the most important parts of the platform. A fast reply matters, but a useful reply matters more. People want answers that make sense, not canned responses that push them into another queue. This is one of the clearest differences between average platforms and strong ones. When support is properly integrated into the experience, the platform comes across as well-run. But when that support is slow, distant, or hard to reach, trust will fade surprisingly quickly.

The Platforms Worth Trusting

A high-quality digital gaming platform is usually judged in seconds by the way it works once someone starts using it. Clear navigation, relevant game selection, reliable performance, visible security, and competent support still do most of the heavy lifting.

That’s also what users tend to remember. Not how well a platform markets itself, but whether it feels easy to use, current without trying too hard, and reliable enough to return to.

Xo, Kitty Season 4: Cast, Rumours & Release Date

Alexandra Pleșa
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Xo, Kitty Season 4: Cast, Rumours & Release Date

Beloved Netflix series Xo, Kitty is back, and the new episodes are already making a splash. With 12.9 million views this week, the teen rom-com is the most watched title on the platform, as well as the #1 show in 54 countries.

Season 3 sees the return of Lana Condor, reprising her role as Lara Jean, plus a whole bunch of exciting developments for Kitty herself. But is her story over, or can we expect more episodes somewhere down the line? Here’s what we know so far.

Xo, Kitty Season 4 Release Date

The third season of Xo, Kitty premiered on April 2. Netflix hasn’t renewed the series yet, but there’s still time. The platform often waits a while to assess viewership before giving the green light. With numbers so strong, we’re cautiously optimistic.

As for when new episodes might drop, it’s tough to say just yet. The gap between seasons was short this time around, so Xo, Kitty season 4 could arrive in 2027.

Xo, Kitty Cast

  • Anna Cathcart as Katherine “Kitty” Song-Covey
  • Gia Kim as Yuri Han
  • Sang Heon Lee as Min-ho Moon
  • Choi Min-yeong as Dae-heon “Dae” Kim
  • Anthony Keyvan as Quincy “Q” Shabazian
  • Peter Thurnwald as Professor Alex Finnerty Lee
  • Lana Condor as Lara Jean Song-Covey

What Could Happen in Xo, Kitty Season 4?

A spin-off of the To All the Boys I’ve Loved Before, Xo, Kitty centres on Kitty Song Covey, Lara Jean’s younger sister. She travels from the US to Seoul to attend the Korean Independent School of Seoul (KISS), which her late mother once went to.

Initially, Kitty’s goal is to reunite with her long-distance boyfriend and live out her own love story. Once she arrives, however, things spiral. Relationships unravel, secrets surface, and Kitty finds herself questioning everything she thought she knew about herself and love in general.

Season 3 catches up with Kitty as she tries to finally get it together. As expected, things don’t exactly go her way. Her self-discovery journey continues to be bumpy, and her love life eventful. By the time the finale rolls around, though, Kitty is in a good place. She’s heading back home to Portland to see her family ahead of the next chapter in her life, and she’s not alone.

While this wouldn’t be the worst way to end the series, a potential Xo, Kitty season 4 will likely pick up from there. We would love to see the happy couple spend some quality time in the US before heading back to Seoul.

Are There Other Shows Like Xo, Kitty?

If you love Xo, Kitty, we recommend catching up with the other romance series making waves on Netflix. The list includes Boyfriend on Demand, Virgin River, Bridgerton, Nobody Wants This, Finding Her Edge, Emily in Paris and Forever.

Zoh Amba Announces New Album ‘Eyes Full’, Shares New Single

Konstantinos Pappis
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Zoh Amba Announces New Album ‘Eyes Full’, Shares New Single

Zoh Amba recently announced their signing to Matador as a singer-songwriter after performing as a saxophonist in NYC’s avant-garde scene for years. Now, Amba has detailed their debut for the label, Eyes Full, arriving June 5, with the stirring lead single ‘Another Time’. Check it out below.

Eyes Full was recorded live at Asheville’s Drop of Sun Studios and features Kevin Hyland on electric guitar and Jim White on drums. “I hope these songs touch people’s hearts,” Amba said in a statement. “They’re about people who really need to be seen and heard.”

Eyes Full Cover Artwork:

Eyes Full cover

Eyes Full Tracklist:

1. OCD
2. Another Time
3. Dead End Street
4. Thousand Years
5. Southern Soil
6. Eyes Full
7. Blueberry Thorn
8. Emahoy
9. Weed Eating
10. Odd Jobs
11. Child You’ll See
12. PG Tips
13. Smile With Your Eyes

Kelela Returns With New Song ‘idea 1’

Konstantinos Pappis
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Kelela Returns With New Song ‘idea 1’

Kelela is back. Produced by Oscar Scheller, the polymath’s transfixing new single ‘idea 1’ arrives with a music video directed by 91 Rules (Erik Saltzman and Cameron Tidball-Sciullo). Check it out below.

“‘idea 1’ is about what it feels like to exist in this climate — the weight of being expected to witness, absorb, and speak truth at a time when the world feels like it’s unraveling,” Kelela explained in a press release. “That’s a particular kind of burden Black women know intimately. This song doesn’t offer answers, it just refuses to look away. Co-writing it with my best friend Janiva Ellis, hearing Oscar’s production give it shape, and then watching 91 Rules bring that tension to life visually feels like the beginning of a much larger conversation I’m ready to have.”

Kelela’s second album, Raven, arrived in 2023. It was followed by a remix collection in 2024 and a jazz reimagining of her catalog, In the Blue Light, last year.

American Football Recruit Turnstile’s Brendan Yates for New Single ‘No Feeling’

Konstantinos Pappis
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American Football Recruit Turnstile’s Brendan Yates for New Single ‘No Feeling’

American Football have teamed up with Turnstile’s Brendan Yates for ‘No Feeling’, the latest single from LP4. Following February’s ‘Bad Moons’, the foggy, wistful tune, produced by Sonny DiPerri, comes paired with a video by Unlimited Time Only’s Cady Buche and Travis Barron. Check it out below.

​​”Brendan came into the studio to sing along to a ‘gang vocal’ call-and-response part I’d written for the chorus of ‘No Feeling’,” Mike Kinsella shared. “I had imagined his voice would be one of many voices scream-singing it, and was excited for it to be a sort of Easter Egg on the album. But after tracking the original parts, he asked if he could try a higher harmony that he was hearing. As soon as he started singing it, all of our jaws dropped, and we all were looking at each other like ‘Oh shit! THAT’S the dude from Turnstile!’ His voice is so singular, and once he sang the part in *his* range, it was clear that the part now belonged to him and him alone…”

Buche and Barron added: “Our goal with music videos is to tell a story that captures what we think and feel while listening to the song. When we listened to ‘No Feeling’ for the first time, we thought a lot about mysterious places like outer space and the bottom of the ocean—they’re beautiful and they also kind of freak you out. The music also brought to mind the idea of going down with the ship or a sense of crushing inevitability. Then we thought, what if you flipped that? What if you opened on a sunken ship and that was the beginning? What if this sunken ship were a thriving habitat for ghosts who live there? What if something came along that jeopardized their beautiful afterlife?”

American Football’s LP4 comes out May 1 via Polyvinyl. Last week, Turnstile responded to a horrific incident allegedly carried out last week by former guitarist Brady Ebert, who was arrested on attempted murder charges after hitting Yates’ father with his car. “We have no language left for Brady,” the band stated.

The Predator of Seville Season 2: Cast, Rumours & Release Date

Alexandra Pleșa
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The Predator of Seville Season 2: Cast, Rumours & Release Date

The latest Netflix docuseries to capture audiences worldwide showcases once again how fiercely victims have to fight to get justice. The Predator of Seville explores how several women worked together to expose a charismatic tour guide, eventually managing to put him on trial for his crimes.

The true crime production has already spent two weeks in the global top 10. With 4.7 million views this week, it’s still the third most-watched English series on the platform. Could more episodes be on the way?

The Predator of Seville Season 2 Release Date

At the time of writing, The Predator of Seville season 2 is unlikely. Not only is the show listed as a limited series, but it’s based on true events. Unless new information about the cases comes to light, the three episodes currently streaming are all there is.

The Predator of Seville Cast

  • Gabrielle Vega
  • Lynn Vega
  • Siobhan Brier
  • Fernando Pérez
  • Sarah Carey
  • Jordan Shomer
  • Amanda Gormsen
  • Manuel Blanco Vela

What Is The Predator of Seville About?

The Predator of Seville revolves around a woman’s pursuit of justice after she is sexually assaulted by a tour guide in Spain. What begins as a single accusation gradually unfolds into something much larger. Soon, dozens of young American students come forward with similar stories.

Over the course of three episodes, the series exposes how a trusted figure within a popular student travel network used his position to manipulate, isolate, and assault women. The story isn’t just about the crimes themselves, but about the persistence of survivors. By speaking out, they connected the dots and built a case that authorities could not ignore.

Even so, it took years for them to get justice. While the tour guide’s crimes allegedly go back over a decade, only a handful of cases were ever prosecuted. In 2025, he was found guilty of assaulting three American students. He didn’t speak to the filmmakers for the Netflix documentary.

The Predator of Seville season 2 might not be in the cards for now, but the limited series does an excellent job at laying down the accusations against the tour guide and highlighting the women’s perseverance. Moreover, it’s a gripping watch.

Are There Other Shows Like The Predator of Seville?

If The Predator of Seville was up your alley, we recommend checking out some of the other true crime content streaming on Netflix. Recent additions include The TikTok Killer,  Sean Combs: The Reckoning, Missing: Dead or Alive?, and Mob War: Philadelphia vs. The Mafia.

Our 5 Favourite Springtime Fragrances for Her in 2026

Alyssa Torio
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Our 5 Favourite Springtime Fragrances for Her in 2026

Winter may have overstayed its welcome, but finally spring has finally arrived. As days are getting longer and brighter, and we catch the first few rays of warm sunlight, we’re invited to swap out our winter scents and revive and reimagine our fragrance rotation,Immerse yourself in floral scents, fuzzy peaches and green notes this spring to celebrate the beauty of the season in full bloom! If that means spritzing on a spring perfume, we’re all for it. But what spring scents are we reaching for in 2026? 

Balmain Rose de Soie Eau de Toilette 

Rose scents often carry a reputation for feeling traditional or old-fashioned, but not here. Balmain’s Rose de Soie redefines the classic rose, keeping its natural sweetness while introducing a sparkling burst of orange blossom that elevates the fragrance into a fresh and modern one. Rich, roasted onka adds warmth and depth, giving the fragrance sophistication. Silky and smooth on the skin, it lingers gently throughout the day with a soft, radiant trail. Perfect for those who love rose but crave a contemporary, wearable scent that balances sweetness, freshness, and warmth in every spritz. Definitely one of the most smile-inducing scents for the season ahead. 

Available at Boots for £120. 

Chloé Atelier Des Fleurs Vert Soleil 

If you’re struggling to find a sunny scent, this bright green scent captures the essence of the French Mediterranean coast in every spritz. It features notes of leafy, juicy traces from Mastic trees, in combination with the zesty green mandarin. The fragrance is illuminated by a skin-like musk and a dry, woody base, making it effortlessly wearable in the sunlit months to come. 

Available at Space NK for £115.  

Maison Margiela Springtime in a Park Eau de Toilette  

This sparkling fragrance radiates fruity and floral notes of pear, blackcurrant, lily of the valley, rose, and jasmine, which intertwine to create a luminous, joyful bouquet. While floral scents can sometimes feel traditional, the bright, fruity nuances infuse the fragrance with freshness and spirited character. It makes a perfect choice for those beginning to explore and curate their personal fragrance collection during a spell of blue skies and warmer temperatures. 

Available at Sephora for £127. 

Glossier You Fleur Eau de Parfum 

With notes of salt, cashmeran, apricot, ylang ylang, osmanthus, and ambroxan, this soft, floral and fresh skin-scent enhancing fragrance is an airy and luminous blend. It opens with a fresh, slightly salty brightness, blooming into fruity, floral elegance, and ultimately settling into a soft, musky-woody dry-down, typical of the Glossier skin-scent collection. 

Available at Space NK for £70.  

Lancôme Idôle Peach N’ Roses Eau de Parfum 

Peach ’N Roses is the perfect daytime fragrance: light, uplifting, and never overpowering, even if you indulge in a few extra spritzes. The scent unfolds with a delicate, chiffony quality. Bright red berries and juicy peach mingle with velvety rose, creating a fruity-floral combination that feels fresh, breezy, and effortlessly elegant. As April’s sunny optimism takes hold, we naturally gravitate toward light, joyful fragrances that signal the start of brighter days ahead, such as this one. 

Available at Boots for £96. 

Pokiesurf Casino: AU$5,000 Welcome Package and Aussie-First Banking

Sebastian Bickley
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0
Pokiesurf Casino: AU$5,000 Welcome Package and Aussie-First Banking

Pokiesurf was built for Australian players, and it shows in the details. AUD accounts, PayID as the recommended deposit method, a AU$2 minimum deposit, and a game library sourced from providers that actually operate in this market. Licensed by Curacao eGaming (8048/JAZ) and certified by TST Labs for fair play, Casino Pokiesurf runs a welcome package worth up to AU$5,000 plus 100 free spins across five deposits. The pokies catalogue covers everything from classic three-reelers to Hold and Win titles, with live dealer tables from Evolution Gaming running around the clock. A well-rounded setup for Aussie punters who want something built with them in mind.

Banking: PayID, Neosurf, and the Rest

The payment setup is one of the stronger points here. PayID and Neosurf sit at the top of the recommended list, and for good reason: both are instant on deposit, process withdrawals in minutes, and require no card details stored on the platform.

Method Min Deposit Withdrawal Speed
PayID AU$2 A few minutes
Neosurf AU$2 A few minutes
Visa / Mastercard AU$2 Standard processing
BTC, ETH, LTC AU$2 Under 48 hours
Bank Transfer AU$2 Up to 5 business days

The AU$2 minimum deposit applies across the board. Crypto sits in the middle ground, clearing within 48 hours. Bank transfers are the slowest option at up to five business days, which is standard for the method.

A x3 turnover on deposits applies as a standard anti-money laundering measure, separate from any bonus conditions. Deposit AU$100 and AU$300 in wagering activity unlocks the cashout. Weekly limits sit at AU$5,000 and monthly at AU$15,000 for standard accounts. KYC needs a government-issued photo ID and a utility bill confirming Australian address. Submitting documents early keeps payouts moving.

What’s in the Library

Pokiesurf pulls its catalogue from IGTech, Belatra, BGaming, Platipus, and other providers active in the Australian market. The focus is clearly on pokies, split across three formats that cover most of what Aussie players actually look for:

  • Classic pokies. Three-reel and five-reel titles across a range of themes, including Monster Hunt, Tiger Gems, and Hit More Gold.
  • Hold and Win pokies. Respin mechanics with locking coin values: Coin Up, Coin Volcano, and 3 China Pots among the featured titles.
  • Bonus Buy titles. Skip the base game entirely and pay directly into the feature.

Progressive jackpots round out the high-variance options. A percentage of every real-money bet feeds a cumulative pool, paid in full when the trigger hits. No partial payouts, no instalments.

All games carry TST Labs certification covering RNG integrity and published RTP rates. That’s not just a box-tick: independent testing at this level is what separates a platform worth using from one worth avoiding.

Live Dealer and Table Games

The live section draws from Lucky Streak and Evolution Gaming. Poker, baccarat, blackjack, and roulette run 24/7 with professional dealers. Game show formats like Wheel of Fortune and lottery-style titles sit alongside the standard tables for players who want something with a bit more noise. Keno and bingo are also available for players who enjoy a different pace.

The Welcome Package

Five deposits, AU$5,000 in total bonus funds, 100 free spins on the first. That’s the shape of it.

Deposit Match Max Bonus Free Spins
1st 150% AU$1,000 100 (split over 5 days)
2nd 100% AU$1,000 –
3rd 100% AU$1,000 –
4th 100% AU$1,000 –
5th 100% AU$1,000 –

Minimum deposit per stage is AU$20. Wagering is x40 across all offers, with pokies contributing 100% toward clearing the requirement. Table games contribute at a reduced rate, so pokies are the most efficient path through the wagering requirement. Bonus expiry periods are stated per offer.

No Pokiesurf bonus code required. Click the bonus icon in the cashier deposit screen and it activates. VIP members and players during specific promotional windows also get access to no deposit bonus offers. New accounts get notified when anything fresh goes live.

Mobile and Support

Pokiesurf runs as a Progressive Web App on mobile. Open the site in Safari, tap share, select “Add to Home Screen,” and the shortcut opens directly into the platform. On a 4G or 5G connection it runs cleanly. Full library, cashier, bonuses, all present.

Support is 24/7 via live chat and email. Live chat averages a two-minute connection time for routine queries. Anything involving documentation or a more complex account issue goes to support@pokiesurf.com.au. For Australians needing responsible gambling support outside the platform, Gambling Help Online runs a free 24/7 service on 1800 858 858.

FAQ

Is Pokiesurf Casino available to Australian players?

Yes. Casino Pokiesurf holds a Curacao eGaming licence (8048/JAZ), accepts AUD, and is built specifically for the Australian market. As an offshore platform, it operates in line with the Interactive Gambling Act 2001.

How does the Pokiesurf welcome bonus work?

Casino Pokiesurf spreads its welcome package across five deposits. The first carries a 150% match up to AU$1,000 plus 100 free spins. Each of the following four deposits gets a 100% match up to AU$1,000. Total potential value is AU$5,000. Wagering is x40 across all stages, with a AU$20 minimum deposit per stage.

What is the minimum deposit at Pokiesurf?

The minimum deposit at Pokiesurf is AU$2 across all supported methods, including PayID, Neosurf, Visa, Mastercard, and crypto.

How fast are Pokiesurf Casino withdrawals?

PayID and Neosurf withdrawals at Casino Pokiesurf process in minutes. Crypto takes under 48 hours. Bank transfers take up to five business days. Submitting KYC documents before the first withdrawal keeps things moving.

Does Pokiesurf have a mobile app?

Pokiesurf runs as a Progressive Web App rather than a downloadable app. Adding the site to your home screen via Safari gives full access to the library and cashier with an app-like feel.

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