Austin, Texas-based quartet Good Looks have released a new single, ‘Self-destructor’. It’s lifted from their upcoming album Lived Here for a While, which was led by ‘If It’s Gone’. Check out director John TerEick‘s video for the new track below.
Lived Here for a While is set for release on June 7 via Keeled Scales.
Martha Skye Murphy has signed with AD 93, marking the announcement with a new single called ‘Need’. Murphy and Ethan P. Flynn co-produced the track, which was mixed by Marta Salongi and mastered by Heba Kadry. In its Billy Howard Price-directed video, Murphy plays several characters she says represent “the most feral parts of my being.” Check it out below.
Last year, Murphy released the song ‘Dogs’. It followed Distance on Ground, her 2022 collaborative EP with Maxwell Sterling, as well as the 2021 the triptych Concrete.
King Hannah have unveiled a new single, ‘Dave Says’, taken from their upcoming LP Big Swimmer. It follows the previously released title track, featuring Sharon Van Etten. Check out its music video, directed by the band’s own Craig Whittle, below.
“’Davey Says’ is our ode to 90s, American indie garage rock,” vocalist Hannah Merrick said in a statement. “We wanted this to be a raucous, fuzzy, light-hearted moment in the album, but to still have that feeling of ‘youcandoanything-ness’. The opening line ‘Meet me before the party, I don’t want to walk in alone’ is our attempt at that classic American 90’s imagery, of coming-of-age nostalgia and romance, of late warm summer nights when the future is draped in front of you.”
Big Swimmer comes out May 31 via City Slang. Revisit our Artist Spotlight interview with King Hannah.
Cloud Nothings make songs to get you through the day, but they often also just capture a day – even a moment – in the life of the person behind them. “I never run for anyone else/ It’s just a thing I do for myself,” Dylan Baldi sings on ‘Running Through the Campus’, a highlight from the band’s new album Final Summer, and sometimes, you get the sense that music is a similarly solitary, self-sustaining thing. “I love having something that I’ve made by the end of the day, even if it’s just one song,” Baldi said in press materials. “It’s like proof that my day happened.” In their final, collected form, the new songs are also proof that, 15 years into their career, Cloud Nothings remain one of the most reliably rewarding indie rock bands around, one whose consistency is a testament to their creative drive rather than a sign of stagnancy. The ideas keep coming just like the days do, and Baldi knows how to churn them out into big, endlessly hooky rock songs.
Though they never stray far from the initial point of inspiration, Baldi still twists these songs in interesting ways. Rather than a kind of literal, anthemic tune, ‘Running Through the Campus’ offers a glimpse into the loneliness of that late-night activity, leaving space for plenty of intrusive thoughts before landing on a triumphant note: “Can you believe how far I have come/ Another plane than where I come from.” Instead of carrying the dark emptiness he sings about, Baldi’s gleaming, blown-out guitars seem to bleed into the early morning, nicely leading into the bright burst of energy that is ‘The Golden Halo’. Even when whatever events fuel a song are kept hidden, Baldi skips directly to the message and spins it out over and over until it imprints itself on your brain, as on the thrilling ‘I’d Get Along’. “Why do you blow out every little light and live in the dark?” he wonders on ‘Silence’, a song that reminds us how easy it is to despair in a dying world, and his response – the goal he lays out as early as on the opening track – is to fill his own world with colour.
So even if his reflections sound hushed on a song like ‘On the Chain’, he makes sure the instruments surge exactly as they should. Following 2021’s The Shadow I Remember, which found Cloud Nothings reuniting with Steve Albini, the producer behind their acclaimed 2012 LP Attack on Memory, Final Summer was recorded with Jeff Zeigler, mixed by illuminati hotties’ Sarah Tudzin, and mastered by Jack Callahan; Baldi has said he wanted every step of the process to make the record sound bigger, and you can hear it. Even at its most tuneful, the production is thick and noisy, like you’d expect tight pop songs written by someone in the midst of a doom metal obsession to sound (at least on ‘I’d Get Along’). The songs are self-contained instead of veering towards destruction as they would on earlier Cloud Nothings records, but Baldi is great at beefing up different points in a song so they exude the same intensity as the main hook. The results are sneakily dynamic: ‘Daggers of Light’ screeches and burns off at the edges, and when ‘Mouse Policy’ reaches its meditative outro, the rhythm section is still wiry and fraught, soaking in the song’s questions rather than faking a resolution.
As dour as the lyrics can get, the songs on Final Summer always cling to a sense of hope that also charges the music forward. The takeaways are simple and can be gleaned just from the songs bookending the record – “I need to be happy with what I’ve got for me,” Baldi reminds himself on the title track, while ‘Common Mistake’ is more didactic: “This is your life/ It’s a common mistake/ You’ll be alright/ Just give more than you take.” At times, you wish the record gave you a little more to chew on; in mirroring the feeling of days blurring into each other, it doesn’t do much to carve a bigger story or tie the songs together. But Cloud Nothings’ resistance to narrative, more than just refreshing in today’s indie rock landscape, is also energizing: you make songs and say the mantra not because you’ve been on some healing journey, but simply because it helps you believe it, or you’re standing alongside someone who needs to hear it; not because you pretend to know what’s on the other side, but because it keeps us going.
In the ever-evolving landscape of the casino industry, one aspect that often goes unnoticed but plays a crucial role in guest satisfaction is transportation services. From the moment guests arrive at a casino resort, how they get there and how they move around can significantly impact their overall experience. Over the years, transportation services within the realm of casinos have evolved from basic shuttle buses to encompass a wide range of options, including luxury vehicles, helicopters, and even private jets. This article delves into the fascinating journey of transportation services within the casino industry, tracing its evolution and exploring its impact on guest experiences.
In the early days of casino resorts, transportation services were often limited to shuttle buses running regular routes between hotels and nearby attractions. While functional, these services lacked the luxury and personalization that guests have come to expect in modern times. Guests were left with few options for travel beyond the basic shuttle service, missing out on the bespoke experiences and elevated standards of comfort that are now commonplace in the industry.
As competition among casinos intensified, spurred by the burgeoning gambling scene in locations like Kuwait كازينو الكويت, many resorts began to recognize the importance of offering luxury transportation options to attract high rollers and VIP guests. Limousine services quickly became commonplace, providing guests with a touch of elegance and sophistication from the moment they arrived at the opulent casino entrances. These sleek vehicles, chauffeured by professional drivers, not only provided a convenient mode of transportation but also set the stage for an unforgettable experience, allowing guests to indulge in the lavish ambiance of the casino from the moment they stepped out of their luxurious ride.
For guests seeking the ultimate in luxury and convenience, some casinos began offering helicopter and private jet services. These exclusive transportation options allowed guests to bypass traffic and arrive at their destination in style, often with breathtaking views of the surrounding landscape.
With the rise of technology, casinos have embraced ride-sharing services and on-demand transportation apps to enhance guest experiences. Guests can now easily hail a ride using their smartphones, ensuring quick and efficient transportation to and from the casino. This seamless integration of modern technology further streamlines the guest experience, offering unparalleled convenience at the tap of a screen.
To cater to the diverse needs of their guests, many casinos now offer personalized transportation packages. Whether guests prefer a romantic horse-drawn carriage ride or a thrilling Ferrari tour of the city, casinos strive to create unforgettable transportation experiences tailored to individual preferences.
The evolution of transportation services has undoubtedly revolutionized the guest experience at casinos, providing a seamless journey from the moment guests set foot on the premises. With the advent of luxurious transportation options such as limousines, guests are treated to a level of convenience and comfort that enhances their overall enjoyment. This transformation is particularly significant in regions like Kuwait and Saudi Arabia, where the burgeoning casino industry is intertwined with cultural influences and opulent design aesthetics.
As explored in the article “Impact of Saudi Culture on Online Casino Themes“, the fusion of traditional Saudi elements with modern casino architecture underscores the importance of providing guests with a seamless and immersive experience from the moment they arrive. From the sleek lines of the limousines to the grand entrances of the casinos themselves, every aspect of the transportation journey contributes to the overall ambiance and allure of the casino experience. As a result, guests can focus on the excitement of their visit without worrying about transportation logistics, allowing them to fully immerse themselves in the thrill of the games and the luxurious surroundings.
Looking ahead, casinos are expected to continue investing in sustainable transportation solutions and leveraging technological advancements to further enhance guest experiences. From electric shuttles to autonomous vehicles, the future of transportation in the casino industry promises to be both eco-friendly and innovative.
Several leading casinos have already embraced innovative transportation services to differentiate themselves from the competition. From MGM Resorts’ fleet of electric shuttles to Wynn Las Vegas‘ partnership with Uber for seamless ride-sharing, these examples showcase the diverse approaches taken by casinos to elevate transportation experiences for their guests.
While luxury transportation services can undoubtedly enhance guest experiences, casinos must strike a balance between luxury and affordability. Finding the right equilibrium ensures that transportation services remain accessible to all guests, regardless of budget constraints, while still delivering a level of opulence befitting the extravagant atmosphere of the casino experience. This delicate balance allows casinos to cater to a diverse range of clientele, ensuring that every guest can enjoy seamless transportation without compromising on comfort or extravagance.
Age restrictions vary; typically, transportation services are available to all guests, regardless of age, but access to certain amenities may be limited for underage individuals.
Casinos prioritize safety, implementing enhanced cleaning protocols, regular sanitization, and adherence to local health guidelines for transportation services, especially in response to events like the COVID-19 pandemic.
Casinos make efforts to accommodate guests with disabilities, offering wheelchair-accessible vehicles, assistance for boarding and disembarking, and arrangements for service animals. Guests with specific needs should contact the casino in advance.
Some casinos offer loyalty programs for transportation services, providing perks like fare discounts, upgrades, or points redeemable for amenities. Guests should inquire about available benefits when booking.
George Kassar, a seasoned player in the dynamic realm of online gaming, brings a wealth of insights and expertise to ArabCasinoHEX. With a passion for gambling games and a knack for navigating the world of online casinos, George’s articles and reviews are a trusted resource for players worldwide. His in-depth analyses cover everything from game selection to payment methods, providing invaluable guidance to enthusiasts seeking to elevate their gaming experiences. With a commitment to thorough research and timely updates, George empowers his audience to make informed decisions and enjoy the thrill of online gambling to the fullest.
Jack Antonoff’s Bleachers stopped by Jimmy Kimmel Live last night (April 16) to perform ‘Tiny Moves’ from their new self-titled album. Antonoff also sat down for an interview with Kimmel to talk about playing Coachella, his production work, dealing with men, and more. Watch it below.
Bleachers arrived last month via Dirty Hit. The band previously brought ‘Alma Mater’ to The Late Show and ‘Modern Girl’ to Fallon.
Bill MacKay has released a new track, ‘Keeping in Time’. It’s taken from the Chicago artist’s upcoming album Locust Land, following previous cuts ‘When I Was Here’ and ‘Glow Drift’. Listen to it below.
“‘Keeping In Time’ was one of those songs that came like a gift, unhurried, unlabored,” MacKay explained in a statement. “The mystery of adoration. Seeing someone for a second sometimes, but there being a flash of recognition that indicates a world of possibilities between you. This song is about that longing to connect whether to a person, place, or vision. It could be to anyone or any part of life that draws you in. Love as not a possession, but a mystery that rings true.”
Locust Land is out May 24 on Drag City.
Fine – the solo project of Fine Glindvad Jensen – has announced her debut album, Rocky Top Ballads. It arrives on June 7 via Escho. Check out the new single ‘Days Incomplete’ below.
“I have a piece of tape on my keyboard that has – when you do something, something happens – written on it,” Fine said in a statement. “‘Days Incomplete’ is about being lost but feeling as if you are close to something magical. Navigating through uncertainty, finding solace in moments of imagination, reminding myself that you don’t have know, you just have to do.”
“The whole album is about the moments when you see a crack in something,” Fine added, “where you briefly see another side of yourself or of someone you’ve known forever.”
Last year, Fine co-wrote three songs for the K-pop group NewJeans along with Erika de Casier and Smerz. She also has a project with Sonne called Coined, and her voice was sampled on Two Shell’s 2022 track ‘Home’.
Rocky Top Ballads Cover Artwork:
Rocky Top Ballads Tracklist:
1. Coasting
2. Losing Tennessee
3. Remember the Heart
4. Big Muzzy
5. Whys
6. Days Incomplete
7. A/B
8. Smile?
9. Adore you
10. A Star
Bingo, specifically UK bingo, often conjures images of quiet halls filled with people of a certain age marking numbers on their cards. However, its popularity is universal. This light-hearted and fun pastime has attracted worldwide fans, including a wide array of British celebrities who are quite public about their passion for the game.
A beloved figure on the British entertainment scene, Denise Van Outen is distinguishable for her love of bingo. The former Big Breakfast presenter is often found hosting charity bingo events. Denise’s infectious enthusiasm for the game is a testament to how enjoyable and social bingo can be.
It’s not an unknown fact that before Hollywood, Russell Crowe had a career as a bingo caller in his native New Zealand. Although admittedly he was fired for making the games too humorous with his unique number calls, his association with the game certainly adds to bingo’s star-studded resume.
British pop star Robbie Williams is another celebrity well known for his love of bingo. He often infuses the game into his charity events – winning a game of bingo at a Robbie Williams event is an experience fans dream of. It’s the combination of excitement of the game and the charming presence of the pop icon that makes these occasions memorable.
Even the fashion industry isn’t immune to the allure of bingo. British Supermodel Kate Moss has been known to host glamorous bingo parties at her home, inciting a trend among young Britons to enjoy a game traditionally perceived as an elder’s pastime. With star-studded bingo events becoming the new “it” social scene, we can’t help but admire how bingo has seamlessly integrated itself into the modern zeitgeist.
Even rocks stars need to unwind. Mick Jagger, the legendary Rolling Stones frontman, finds his satisfaction in playing bingo. It seems there is no big gimmick for this rock superstar – just an enjoyment of the thrill and anticipation that comes through a good game of bingo.
Bingo has truly transcended generations and continues to stay relevant in today’s rapidly changing entertainment landscape. For many, it’s the simplicity and the social aspect of the game that make it truly captivating. It’s not often that a game could bring together people from all walks of life, including some of British’s most famous faces.
Far from being just an elder’s pastime, bingo has found its way into the hearts of young and old alike. So the next time you find yourself in a game of bingo, just remember – you’re following in the footsteps of some of Britain’s finest.
Ahead of the release of their new album Name Your Sorrow on Friday, Pillow Queens have offered up one more single called ‘Heavy Pour’. It follows ‘Suffer’, ‘Gone’, and ‘Like a Lesson’. Check out director Kate Dolan’s video for it below.
“It feels like a bit of a bizarre journey or a fever dream,” lead guitarist and vocalist Cathy McGuinness shared in a statement. “The guitar becomes more palatable in the middle eight, totally contradicting the previous section of discordant chaos. It then falls into a glorious half time with ‘oohs’ to support the instruments, giving a feeling of clarity and resolve before snapping back to the chorus.”
Lead vocalist, guitarist, and bassist Pamela Connelly added: “A lot of the lines in this song could convey the typical sweetness of a love song, but it has brief moments of outside perspectives that cast doubt over the conviction represented. The song tries to show the ‘heavy pour’ as a compulsion that while having moments of joy, ultimately heightens personal insecurities.”
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