Bay Are band Torrey have shared ‘Bounce’, the latest offering from their self-titled sophomore album, which arrives March 8 on Slumberland Records. It follows lead single ‘No Matter How’. Check it out below.
“Even people who seem like they’ve got it all together have doubts and insecurities — ‘Bounce’ is about that conflict,” the band explained in a statement. “It’s a call and response between joys and fears, highs and lows, wrapped in walls of sound and static.”
Last year, Samuel T. Herring lent his voice to one the most memorable hooks on billy woods and Kenny Segal’s masterful Maps. “I can’t take you with me, but I be on your phone,” the Future Islands frontman – also a rapper who made his own joint LP with Segal, Back at the House, in 2019 – on ‘FaceTime’, capturing of the essence of a song about the pervasive loneliness and strange comfort of life on the road. There’s a kind of disassociation the mind enacts in order to reconcile the two, which is mirrored in Segal’s woozy, hypnotic production. Much of Future Islands’ latest record, People Who Aren’t There Anymore, their first since 2020’s As Long As You Are, digs into a similar headspace – having to stay strong for people who are far away, keeping it together in a world that’s falling apart, saving face – but the band’s taut, forceful brand of synth-pop is made for desperately clinging to the ideal, not the reality of sinking away. “Life is imperfect bodies/ And perfect sounds,” Herring sings on ‘Peach’.
With their increasingly refined sound, Future Islands tend to bury the imperfections, but not the yearning, until it’s clear they’re fuelling each other. The record revolves around the disintegration of a romance that’s not presented in any linear fashion, but Herring’s framing feels deliberate as soon as he introduces us to its early peak on the opener, ‘King of Sweden’. He’s long given up on “the certainty of love,” he admits on ‘The Fight’, a song whose emotion runs parallel to ‘FaceTime’: “Can I do it alone? dNow I’m back in my cell/ Back with myself/ Waiting on the phone.” But rather than drift back or accept defeat, he resolves to keep striving, even as the cracks in the relationship begin to show. On the more upbeat ‘The Thief’, he confesses, “I know I was gone/ But I was here all along/ Hidden in the things you keep,” while ‘Deep in the Night’ and ‘Say Goodbye’ radiate devotion. But it’s only so long you can repeat the same cycle before realizing you’re stuck in limbo and losing yourself in the process; People Who Aren’t There Anymore doesn’t just refer to those who, for whatever reason, leave, but the version of yourself who already has.
While it doesn’t directly chronicle the love that’s fading, the album is energized by the push-and-pull of hope and despair that are always in its orbit. Racing to the steady groove of ‘Peach’, which came out all the way back in 2021, Herring reaches for acceptance in an unforgiving world, one he’s quick to blame on the next track, ‘The Sickness’. By that point, though, he’s already faced the harsh truth on ‘Corner of My Eye’, a mid-album ballad set on the darkest nights when you realize “It all can leave you, in the blink of an eye.” You can’t pretend “nothing’s wrong” and “everything’s a mystery” when it’s staring you right in the face. “It’s perfect, so it’s done,” Herring sings. By which he means, it was, and it’s time to move on.
Though packed with anthemic singles that easily sit alongside their best, People Who Aren’t There Anymore feels more substantial for giving room to these moments of poignant clarity. Herring is an incredibly unique and emotive vocalist who can provide nuance just by winding his poetry around a song, but the richness and immediacy of the songwriting here speaks for itself; you get the sense that he’s processing grief in real-time, even if the songs took different forms over the years, and will continue to do so. “If you listen to other Future Islands songs, it’s me singing about a long past, or maybe a not-so-close past, but it’s like a reflection,” he said in a recent interview. “These were songs written in really emotional times, so there’s still some reckoning and understanding to be gained.” The album rewards you for staying with it, not least because the emotions never feel quite the same – and only then can you recognize the ones worth holding on to.
The well-established watch brand Raymond Weil announced their inaugural millesime collection, which pays homage to horological heritage and traditions while celebrating refined design simplicity.
The millesime collection showcases a complex and carefully orchestrated watchmaking process and comprises two horological variations: 2925 and 2930. Both models are housed in a slim stainless-steel case, measuring 39.5mm in diameter — making it perfect for those who like to stay in the middle lane when it comes to size.
The millesime 2930 features a small seconds display at 6 o’clock which is enhanced with subtle details. Just recently, this new millesime automatic small seconds timepiece has won the Grand Prix de l’Horlogeriel’Horlogerie de Genève (GPHG) 2023 Challenge Watch Prize.
The Power of the Dog (2021), directed by Jane Campion, is a movie based on the 1967 novel The Power of the Dog by Thomas Savage. By blood, Phil and George Burbank are wealthy ranchers in Montana in 1925. When George marries Rose with her son and moves in with them on the ranch, everything takes a turn. The Power of the Dog (2021) ends with an unexpected plot twist that will captivate audiences.
In addition to the excellent performance, direction, and atmospheric portrayal of the American West, this film also presents themes of family dynamics, masculinity, and repressed emotions. In this movie, Benedict Cumberbatch received several award nominations for his role as Phil Burbank, which has been highly praised by critics.
Peter Gordon: [reading from the Psalms] “Deliver my soul from the sword. My darling from the power of the dog.”
Peter Gordon: When my father passed, I wanted nothing more than my mother’s happiness. For what kind of man would I be if I did not help my mother? If I did not save her?
Phil Burbank: Bronco Henry told me that a man was made by patience in the odds against him.
Rose Gordon: We’re not unreachable.
Rose Gordon: I had to kind of live in this really painful, insecure, terrible place, and feel terrible about myself the whole time, so that’s not the most fun. But I do it for Jane!
Phil Burbank: You have to understand why these damaged people are causing damage to others and themselves. Whether that’s world leaders on the stage — strong men in politics who have risen again in recent times — or whether that’s something in your own life or culture.
Bronco Henry: “That Saddle Belonged To Bronco Henry, The Greatest Horseman I Ever Knew.”
Phil Burbank: “Just Know A Man’s Feeling For Another Can Go Very Deep. It Happened With Me And Bronco, Shocked The Life Out Of Me I Can Tell You.”
Phil Burbank : Yeah… he was. He was more than that. Once, he saved my life. We were way off up in the hills shooting elk, and the weather turned mean. Bronco kept me alive by… lying body against body in a bedroll. Fell off to sleep that way.
Peter Gordon : You want me, Mr. Burbank? Phil Burbank : Well, I don’t see any Mr. Burbank here. I’m Phil.
The filmThe Tragedy of Macbeth (2021) is an adaptation of the famous play by William Shakespeare. Set in medieval Scotland, the story follows Macbeth, who encounters three witches who predict his upsurge to power. His thirst for power consumed Macbeth as he committed merciless and immoral acts following every prophecy made by the witches.
Directed by Joel Coen, the film offers a fresh perspective on one of Shakespeare’s most notable tragedies while exploring themes of ambition, power, and the consequences of unchecked desires. Also, its visually striking black-and-white cinematography and stylized approach to the source material made everything more authentic, together with the performance of the stars Denzel Washington as Macbeth and Frances McDormand as Lady Macbeth. Here are some of the most memorable quotes from The Tragedy of Macbeth.
Macbeth: Tomorrow, and tomorrow, and tomorrow, creeps in this petty pace from day to day to the last syllable of recorded time. And all our yesterdays have lighted fools the way to dusty death. Out, out, brief candle. Life is but a walking shadow… a poor player that struts and frets his hour upon the stage and then is heard no more. It is a tale told by an idiot… full of sound and fury, signifying nothing.
Macbeth: Hear it not, Duncan, for it is a knell that summons thee to Heaven or to Hell.
Macbeth: O, full of scorpions is my mind, dear wife. Thou knowest that Banquo, and his Fleance, lives. And in his royalty of nature reigns that which would be feared. ‘Tis much he dares. And, to that dauntless temper of his mind, he hath the wisdom to guide his valor to act in safety. There’s none but he whose being I do fear.
Macbeth: Out, out, brief candle. Life is but a walking shadow… a poor player that struts and frets his hour upon the stage and then is heard no more. It is a tale told by an idiot full of sound and fury, signifying nothing.
The Witches: Fair Is Foul, And Foul Is Fair.
Macbeth: Come What May. Time And The Hour Runs Through The Roughest Day.
Banquo: Or Have We Eaten The Insane Root That Takes The Reason Prisoner?
Macbeth: False Face Must Hide What The False Heart Doth Know.
Belfast (2021) is a movie based on Kenneth Branagh’s own experience. The whole film revolves around the point of view of a nine-year-old boy, Buddy, and his working-class Belfast family, who were attacked by a group of Protestant loyalists at their homes as well as the businesses of Catholics on Buddy’s street. At a very young age, Buddy experienced and saw the reality of sectarian conflict, and his family was caught in the middle.
The film won the People’s Choice Award at the 2021 Toronto International Film Festival. Kenneth Branagh considers this his “most personal film.” This movie received positive reviews from critics because of the excellent direction, cinematography, screenplay, and, of course, the cast’s performances. Here are some of our favourite quotes from Belfast.
Auntie Violet: The Irish were born for leavin’, otherwise the rest of the world’d have no pubs.
Granny: Go. Go now. Don’t look back. I love you, son.
Pop: You’re Buddy from Belfast 15, where everybody knows you and your pop looks out for you and your mummy looks out for you, your daddy looks out for you, your granny looks out for you, your brother looks out for you, and the whole family looks out for you. And wherever you go and whatever you become, that’ll always be the truth. And that thought will keep you safe. It’ll keep you happy… Will you remember that for me?”
Pa: Be good
Ma: Your granny says you can never have too much God, you might need him before too long.
Minister: So do not say in grief that you are sorry he is gone, but rather, say in thankfulness you are grateful he was here.
Pop: If They Can’t Understand You, They’re Not Listening.
Billy Clanton: The problem with people like you is that you think you’re better than everyone.
Pa: The problem with people like you is that you know you’re not.
Pa: It’s a mad world.
Frankie West: Well get used to it, we all live there now.
The biographical drama film Being the Ricardo’s (2021) focuses on Lucille Ball’s relationship with Desi Arnaz as they face personal and professional struggles that threaten their careers, their relationship, and their groundbreaking television show, “I Love Lucy.” This movie reveals the complexities of the couple’s relationship, the pressure of maintaining their successful TV show, and the scrutiny they face due to political and personal issues.
The film Being the Ricardos (2021) was written and directed by Aaron Sorkin and stars Nicole Kidman, Javier Bardem, Jake Lacy, J.K. Simmons, Nina Arianda, Tony Hale, and Alia Shawkat. It was released in December of 2021. With its “spitfire dialogue” added to it, as well as the perfect deep character study performance, this film is fascinating and fun to watch.
Lucille Ball: You know, I did this show so Desi and I could be together. I had no idea it was going to be a hit.
William Frawley: The less you talk, the more things you hear.
Lucille Ball: Got to give me credit. When I lie, I give it up pretty quick.”
Lucille Ball [to Vivian]: Look, we’ve made 37 episodes. You do 37 of anything, one of them’s gonna be your 37th best.
Lucille Ball: I’m hazing you a little. It’s just my way of saying I have no confidence in you at all.
Lucille Ball: My entire relationship with Communism is, 20 years ago, I checked a box.
Lucille Ball: I’m not a Communist, I’ve never been a Communist, but technically, yeah, I am.
Lucille Ball: I am the biggest asset in the portfolio of the Columbia Broadcasting System. The biggest asset in the portfolio of Philip Morris Tobacco, Westinghouse. I get paid a fortune to do exactly what I love doing. I work side by side with my husband, who’s genuinely impressed by me. And all I have to do to keep it is kill every week for thirty-six weeks in a row. And then do it again the next year.
King Richard (2021) focuses on the early lives of famous tennis players Venus and Serena Williams. The story concentrates on the family of Richard Williams which consists of his wife, Oracene “Brandy” Price, and his two lovely daughters, Venus and Serene Williams, who, at a young age, have the potential and talent to become great tennis players. Throughout the film, Richard trains and motivates his daughters to excel and improve their games and skills while keeping a humble attitude. As the story goes on, Richard finds a coach, Paul Cohen, to teach and coach Venus and Serena to improve their skills, all for free.
This movie will motivate, empower, and leave you with a lot to feel and think about as this film captivates you with a true story that is different from the usual sports movie as it showcases the real-life challenges and hardships the protagonist faces, just as it does in real life. Here are some of the most memorable quotes from King Richard.
Richard Williams: The most strongest, the most powerful, the most dangerous creature on this whole earth is a woman who knows how to think. Ain’t nothing she can’t do.
Richard Williams: No matter how them peoples treated her, no matter how disrespected, she stayed calm, she kept her heart clean. She was humble.
Richard Williams: We’re more than a team; we’re a family.
Venus Williams: I think I have the game to beat anyone. I just have to play it.
Richard Williams : One day, they going to be bragging about the time they met the two of you.”
Richard Williams : But you, you gonna be the best there ever was. You gonna be the greatest of all time.
Oracene ‘Brandy’ Williams [to Richard]: Unlike you, I don’t need the world to tell me I’m great.
Will Hodges: Let us take it from here.
Paul Cohen: Every American player who’s ever done anything got good following this path.”
Rick Macci: I think you might just have the next Michael Jordan on your hands.
Brandy Price: Wouldn’t be no dream if it wasn’t for me. I carried them inside me and on my back. And I carried you, too.
Richard Williams: Now, I haven’t been no great daddy but I’ve never done nothing but try to protect you.
Pet Shop Boys have announced a new album: Nonetheless is due out April 26. The follow-up to 2020’s Hotspot – and the duo’s first album since returning to Parlophone, their label home from 1985 to 2012 – was recorded with producer James Ford. It’s led by the single ‘Loneliness’, which arrives with a video from director Alasdair McLellan. Check it out and find the LP’s details below.
“We wanted this album to be a celebration of the unique and diverse emotions that make us human,” Pet Shop Boys’ Neil Tennant and Chris Lowe said in a statement. “From the more dance-orientated tracks to the raw poignancy of the introspective ballads, with their beautiful string arrangements, each track tells a story and contributes to the overall narrative of the album.”
“It was great to work with James Ford, who we think has brought new elements to our music,” they added. “James has dared to make us a bit more minimal at times and the final result is a record we’re very proud of.”
Nonetheless Cover Artwork:
Nonetheless Tracklist:
1. Loneliness
2. Feel
3. Why Am I Dancing?
4. New London Boy
5. Dancing Star
6. A New Bohemia
7. The Schlager Hit Parade
8. The Secret of Happiness
9. Bullet for Narcissus
10. Love Is the Law
Florence + the Machine has shared a cover of ‘White Cliffs Of Dover’, the first preview of the Jack Antonoff-produced soundtrack to the new Apple TV+ series The New Look. Walter Kent and Nat Burton wrote the song, which was popularized by the British singer Vera Lynn in 1942. Listen to Florence Welch’s rendition below.
In addition to Welch, The New Look soundtrack features Lana Del Rey, the 1975, beabadoobee, Nick Cave, Perfume Genius, and more offering their take on popular early to mid-twentieth-century songs. Created by Todd A. Kessler, the upcoming historical drama, which stars Ben Mendelsohn as Christian Dior and Juliette Binoche as Coco Chanel, arrives on Apple TV+ on February 14.