Indigo De Souza has announced a new album, Precipice, which arrives on July 25 via Loma Vista. The singer-songwriter worked on the follow-up to 2023’s All of This Will End with Elliott Kozel, who’s worked with the likes of SZA, Yves Tumor, and FINNEAS. Check out a video for the lead single ‘Heartthrob’ below, and scroll down for the album cover and tracklist.
A press release talks about De Souza “leaping forward” in a spiritual sense: “taking control of difficult memories and charged emotions via pop bombast and diaristic clarity, and finding a stronger self.” But ‘Heartthrob’, which is shoegazey and soaring, suggests a kind of sonic leap, too. “I wrote ‘Heartthrob’ as a way to help process something that is often hard to talk about—the harmful ways I’ve been taken advantage of in my physical memory,” De Souza explained. “‘Heartthrob’ is about harnessing anger, and turning it into something powerful and embodied. It’s about taking back my body and my experience. It’s a big fuck you to the abusers of the world. A sarcastic, angry cry for all bodies that have ever been touched in harmful ways.”
“Life feels like always being on the edge of something without knowing what that something is,” De Souza added. “Music gives me ways to harness that feeling. Ways to push forward in new directions.”
1. Be My Love
2. Crying Over Nothing
3. Crush
4. Not Afraid
5. Be Like The Water
6. Heartthrob
7. Dinner
8. Clean It Up
9. Heartbreaker
10. Pass It By
11. Precipice
Debby Friday has announced her next album: The Starrr of the Queen of Life is out August 1 on Sub Pop and in Canada via Royal Mountain Records. The anthemically immediate, hedonistic ‘All I Wanna Do Is Party’ leads the follow-up to the Nigerian-Canadian artist’s debut album GOOD LUCK. The track is accompanied by a video co-directed with frequent collaborator Kevan Funk. Check it out and find the album cover and tracklist below.
“I want to be a starrr, I can’t hide that desire,” Debby Friday said in a statement. “But what I don’t want is to live someone else’s dream or to follow a pre-set path.” She worked on the new LP with Australian producer Darcy Baylis (Wicca Phase Springs Eternal), Graham Walsh (METZ, Holy F*ck), Tayhana (Rosalia, N.A.A.F.I.), and HiTech. “This album is about the idea of reaching towards something,” she added. “It’s about seeing the signs and following that impulse, always with the potential of either flying into the sun or falling back to earth.”
Commenting on the new song’s accompanying visual, Friday shared: “The video is really about discipline and craft. It’s about the transformations that happen when you devote yourself to a process over time. The starrr is a metaphor for all these thoughts I have around fame, success, failure, love, power, god, death, life, everything. My starrr is in me, and your starrr is in you, and it’s just a matter of surrendering to it.”
1. 1/17
2. All I Wanna Do Is Party
3. In The Club feat. HiTech
4. Lipsync
5. Alberta
6. Higher
7. ppp (Interlude)
8. Arcadia
9. Leave.
10. Bet On Me
11. Darker The Better
When you think of New Zealand, a wealth of different images may appear in your mind. It might be the sight of the iconic All Blacks performing the Haka before a game of rugby, or maybe a beautiful landscape of crystal-clear lakes and stunning mountains. For some, it could even be the image of two hobbits on a journey to save Middle-earth. What many people aren’t aware of, however, is New Zealand’s growing presence on the global tech scene, with several of the world’s most exciting tech startups and companies calling it home. Within this, it has also emerged that it is in fact the gaming industry that is leading the way, helping to shape the future of New Zealand’s growing tech market. So, what exactly has been simmering in this exciting Pacific nation?
An emerging tech hub
New Zealand’s tech sector has experienced impressive growth over the last twenty years, with the number of companies working within the sector nearly doubling and the annual revenues of its 200 biggest companies reaching a massive $17.95 billion. Much of this growth has come from high-tech manufacturing and ICT services; however, other sectors such as biotech, fintech, and gaming are now starting to make a real impact on the industry as it looks ahead. Notable members of this emerging tech hub include cloud-based accounting company Xero, who now employ over four thousand people and offers their services on an international scale, as well as innovative startup Halter, which is helping to bring agriculture methods to a new level with their virtual fencing and digital pasture management methods. Wherever you look in New Zealand, it appears as though talented and driven teams are finding opportunities for technological upheaval, bringing new ideas to the table and, importantly, creating products and services that people want.
Gaming industry driving growth
The gaming sector is one such area that has seen significant activity, quickly growing into one of the country’s fastest-growing creative industries. In fact, 2024 saw gaming revenues up a huge 26% on the previous year, reaching $548 million and highlighting the upward trajectory the industry appears to be following. This is made all the more impressive considering New Zealand’s turbulent economic position over the past year, which has seen the country dip into recession.
One of the key reasons behind the sector’s success lies in the multi-faceted nature of its output, with high-quality products emerging from every direction of the gaming sphere. Kiwi video games have been the main driver thanks to the success of recent releases from established developers like PikPok and Grinding Gear Games. And as the iconic Weta Workshop looks to release its Tales of the Shire game later this year, industry insiders are confident that video games will continue to provide a vital engine to the sector.
Elsewhere, New Zealand has experienced somewhat of an explosion in the popularity of online casino games in recent years, creating a new channel for investment and innovation. While Kiwis can already access many minimum deposit casinos at Casino.org, upcoming changes to New Zealand’s gambling laws will likely open up this sector even more, providing the chance for emerging startups to find their place in the market and allowing iGaming to provide a boost to the overall gaming sector.
The third area of gaming that has found impressive, and to some, maybe unexpected growth, is in traditional board and table games. This has been primarily influenced by the resounding success of Legendary Story Studios’ trading card game Flesh and Blood. Such a hit in fact that the developer was crowned the fastest growing business in New Zealand by Deloitte in 2022. Finding success in what is an increasingly niche market like board games truly highlights New Zealand’s unique ability to nurture gaming talent.
Why New Zealand
So, what is it about this small country in the South Pacific that makes it such a fertile breeding ground for emerging gaming companies?
Government support
Recognising the country’s impressive ability to punch above its weights in the gaming sector, in 2019 the government followed through with its promise to commit $10 million towards the establishment of the Centre for Digital Excellence (CODE) in Dunedin – a purpose-built hub ‘designed to support a sustainable and equitable expansion of New Zealand’s video game development industry.’ With such strong government support, emerging companies will feel confident that their industry is a priority and a key cog in government plans for economic growth.
A talented workforce
Without a worthwhile product to sell, it is impossible to find success in the gaming industry. Fortunately for New Zealand, it appears as though they have a high density of talent in their small gaming workforce. With little over 1,000 people working in gaming in the country (for context, US developer Activision Blizzard counts 13,000 on their books), the ability to produce such high-quality releases like Path of Exiles 2 highlights a unique ability to tap into what players actually want to play.
Global market focus
As a small nation, New Zealand’s tech industries operate with a global mindset from the get-go, aware that meaningful growth will ultimately come from exporting to larger markets. This means that companies think big, focusing on global trends and preferences while fostering international partnerships early on. This mindset is reflected in the country’s games industry, where thinking beyond borders is a necessary strategic decision.
As New Zealand’s tech market continues to develop, its importance to the country’s economy is becoming increasingly evident. Driven by sectors such as gaming, which are providing the blueprint for other areas to similarly expand and grow, New Zealand could soon see its tech companies become its largest and most valuable export. While there remain challenges ahead for these emerging sectors, most notably tackling the ongoing issue of skills shortages in key areas and competing with developing industries elsewhere, it is hoped that vital talent will continue to emerge.
Thailand has always had a unique relationship with chance. Whether it’s the lottery numbers hidden in a dream or a whispered sports tip passed along at a street market, gambling—formal or otherwise—sits quietly but powerfully within Thai culture. It’s not just about the thrill of the win. It’s about tradition, belief, and a little bit of magic.
Now, with smartphones replacing bet slips and live odds showing up where incense once burned, platforms like ยูฟ่าเบท are becoming unlikely but fitting temples of luck. These digital spaces aren’t just tools—they’re cultural mirrors. They reflect how modern Thai gamblers engage with identity, history, and technology all at once.
A Longstanding Dance with Luck
To understand the present, it helps to look back. Gambling in Thailand dates back centuries, woven into festivals, folklore, and everyday life. Before apps and logins, locals placed bets on Muay Thai matches, cockfights, and informal card games. The Thai government even ran its own lottery system as early as the 1800s—part entertainment, part revenue generator.
But even before the numbers were printed on a ticket, they were drawn from dreams. Many Thais believe in interpreting dreams, signs, and omens as messages from the spiritual realm. A snake in a dream could mean a lucky number is coming. A certain date on the calendar might feel cosmically significant. Gambling, in this context, isn’t seen as a vice—it’s a form of communion with fate.
The Spiritual Layer Most Outsiders Miss
Western narratives around gambling often strip it down to logic and luck—odds, math, maybe addiction. But in Thailand, there’s an entirely different layer. Many bettors light incense before a lottery draw. Others visit temples and ask monks for lucky numbers. Some even make offerings to ancient spirits or deities believed to bring fortune.
This blend of spirituality and chance hasn’t disappeared with the arrival of online betting. In fact, it’s evolving. Thai gamblers still look for signs. But now they might enter those numbers into a digital sportsbook or casino platform instead of a physical ticket. They might watch a live football match on their phone, whispering a quick prayer before placing an in-game bet. Ritual meets real-time tech.
Platforms Like UFABET Aren’t Just Convenient—They’re Familiar
Let’s talk about why Thai players are turning to digital platforms like ยูฟ่าเบท. On the surface, it’s about access. These platforms offer easy sign-up, live updates, secure payments, and a menu of games that range from baccarat to Premier League betting.
But there’s more to it than convenience.
Thai users aren’t just playing to win—they’re playing to belong. Online platforms have become social spaces. Group chats buzz with tips and lucky streaks. Communities form around certain games or strategies. There’s even a language to it—slang, emojis, and phrases that are uniquely Thai. It’s a cultural identity that’s gone digital.
And these platforms don’t ignore that. Many are designed with Thai language support, popular local games, and payment systems that align with how people already use mobile money in their daily lives. It’s not just gambling; it’s gambling in Thai style.
Superstition Still Shapes the Digital Experience
Even in digital spaces, tradition persists. Some users only log in on “lucky days” based on their zodiac sign. Others swear by specific colors or screen names that have brought them good fortune. Some even pick betting times based on auspicious hours recommended by fortune tellers.
Online gambling platforms—knowingly or not—have become a new ritual ground. And users bring all their cultural habits with them. One bettor might avoid certain numbers that are considered unlucky. Another might always bet after meditating. Technology hasn’t erased these habits; it’s adapted to them.
Betting as a Form of Cultural Rebellion
It’s important to acknowledge the legal gray area. Gambling is heavily restricted in Thailand, with the exception of the national lottery and betting on horse races. But underground betting and online platforms are booming. Why?
Because gambling also acts as a quiet form of rebellion.
For many, placing a bet is more than just a game—it’s a way to push back against a system that doesn’t always feel fair. It’s a way to take control, even if just for a moment. And digital platforms offer a discreet, safe space to do it. No smoky back rooms. No risky handoffs. Just a login, a mobile screen, and a moment of personal agency.
Thai Games, Global Style
It’s fascinating to see which games Thai users gravitate toward. Sports betting is massive, especially football. But casino games like baccarat and hi-lo (a traditional dice game known as “Sic Bo”) also have deep roots in local culture. These games mimic real-life versions often played during festivals or family gatherings.
So when someone in Bangkok logs into a digital casino to play baccarat, they’re not just mimicking a James Bond movie—they’re reliving family nights, street corner challenges, or temple fair fun. And the fact that these platforms offer localized versions of such games? That’s not just smart marketing—it’s cultural fluency.
Mobile-First, Culture-Forward
One key reason why online gambling fits so well into Thai culture: mobile-first behavior. Thailand has one of the highest mobile internet usage rates in Southeast Asia. People are used to doing everything from paying bills to ordering street food through their phones.
So naturally, betting followed suit.
Platforms that perform well on mobile—both in function and feel—are more than just popular. They’re practical. And the ones that embrace local customs, payment methods, and visual styles? They feel like they were built for Thai users, not just available to them.
Why This Isn’t Just a Trend
What we’re seeing in Thailand isn’t a fad. It’s a cultural shift. It’s not about tech replacing tradition—it’s about tech supporting it in new formats. And that’s why it matters.
Thai gamblers aren’t giving up their values. They’re carrying them online. They’re blending belief and behavior in a way that makes perfect sense for a society that’s long embraced both spirituality and innovation.
And that makes online gambling platforms more than a pastime. It makes them part of the national story.
Final Thoughts: What the “Temple” Really Means
Calling a platform like UFABET the “new temple of luck” isn’t about exaggeration. It’s about recognizing that these platforms aren’t just functional—they’re sacred in their own way. They offer ritual, community, tradition, and a sense of connection to something larger than the game.
For Thai players, a bet isn’t just a wager. It’s a wish, a belief, a personal symbol of hope. And now, thanks to modern tools, they can place that wish anytime, anywhere—without losing the cultural heartbeat behind it.
So the next time someone logs on, they’re not just gambling. They’re continuing a legacy.
When two or more people jointly own a property, one of the owners might force the sale of the property by implementing a partition action or a lawsuit.
According to statistics, of the about 1.8millionpropertytransactions, an average of 82,000 transactions per year, 6.1% are forced transactions.
If you’re also a co-owner of a property and there’s a forced sale coming up, then here is everything you need to know.
What is a Forced Sale?
A forced sale, also known as a partition lawsuit, is a legal procedure in which any co-owner of a jointly owned property can order a court-ordered sale.
The sale takes place under court supervision and ends in the division of the property or through the sale proceeds. However, filing a lawsuit should only be considered as a last resort.
Before going to court, remember that you can also force the sale through persuasion and even the threat of a lawsuit. Here are some tips to keep in mind:
See yourself from the other co-owner’s perspective and try to figure out what they want and why.
See how the other co-owners might be harmed if you take matters to court.
Explain how a voluntary sale could prevent the unnecessary time and money associated with litigation.
Try to devise a specific course of action, such as a buyout, voluntary sale, or even keeping the property.
Disagreements in Co-ownership of Properties
Two or more people might want to co-own a property for many reasons, such as making it an appealing investment opportunity, a joint tenancy with a family member, or a vacation timeshare with a loved one.
However, when joint owners can compromise on dividing the assets and splitting the profits, there are litigation teams that are specially trained to handle court-ordered forced sales.
Another thing to remember is that any decision related to the property requires agreement from all the co-owners. This is why, when there are disagreements, mitigating them can become a challenge.
There are different reasons why co-owners might disagree on a jointly-owned property:
One co-owner might need funds for personal use, which might prompt them to sell the property.
One of the co-owners might decide to move somewhere else or start a family on a bigger property.
There can be sudden conflicts over property management, such as disagreements on repairs and maintenance.
If the property proves to be an investment, then co-owners can have different ideas, such as whether to keep or sell the property.
Partition Action on Inherited Property
As a co-owner, you must know your rights to an inherited property. Partition actions can arise in the context of probate when there’s a dispute regarding the joint ownership of a property that has been passed down from an ancestor.
Maybe multiple beneficiaries have inherited the property together through an estate or trust fund distribution.
However, if beneficiaries don’t want to jointly own the property or they can’t agree on how to divide up their interest, then a partition action can be brought and forced.
For example, when someone leaves a will mentioning the property to multiple beneficiaries, the ones who wish to terminate their obligation to the property can seek a partition lawsuit.
If you’re from California, get in touch with a reliable real estate attorney California. They will have all the knowledge about local laws and regulations, ensuring a favorable verdict.
Requirements for a Partition Action
The most basic requirement for a partition action is that you have to be the co-owner of the property. If your name doesn’t appear on the property title, you can’t file a lawsuit.
When it comes to probate, a will or a trust might designate the property to pass over to more than one estate beneficiary.
However, until the executor or trustee transfers the title to the beneficiaries, the latter will not be allowed to bring in any partition action.
For example, if the executor or trustee delays selling or transferring the property because they are living in it without paying any rent, you can claim to remove or surcharge the executor or trustee for fiduciary or financial misconduct.
How to Win a Partition Action?
You first have to pressure the other party by convincing them of a voluntary sale or by obtaining a court order for sale.
However, if you wish to stop the sale, you can win through a buyout or by asking the other owners to halt the partition action.
If any resolution fails, the party wanting the property sale will probably win the partition action.
Conclusion
As a co-owner, you need to know your rights and duties regarding a jointly-owned property. So, don’t wait anymore and get in touch with a reputable attorney today.
In this quietly arresting photographic series, Ciel Wang turns her lens toward the most intimate of subjects: the aging bodies of her grandparents, rendered with a tenderness that transcends mere documentation. What emerges is a meditation on time’s passage, where wrinkled skin and sunspots become landscapes of memory, and where the fading of the body stands in poignant contrast to the persistence of love. The work operates on multiple levels, as personal archive, as aesthetic reclamation, and as a challenge to conventional representations of aging, while its delicate interplay of texture, object, and floral motif invites viewers to reconsider their own relationship to senescence and familial bonds.
Ciel Wang is a fine art photographer and visual artist from China, currently living in the UK. Her artistic practice is rooted in exploring the subtle emotional dialogues between people and their environments. Her work often captures transient, contemplative moments, weaving together natural elements and personal narratives to evoke layered emotional responses. This sensibility infuses The Mark of Jasmine, where delicate details from the textures of skin to the presence of familiar objects and flowers become carriers of memory, tenderness, and enduring connection.
The photographs of the grandparents’ skin are particularly striking in their refusal to aestheticize decay, yet their simultaneous revelation of unexpected beauty. The close-ups of age spots, scars, and bruises, which imperfections that the subjects themselves might view with discomfort, that are transformed into something resembling abstract expressionist compositions. Here, the spots sprawl like inkblots, their irregular edges echoing the petals of jasmine blossoms. This visual rhyme between human markings and floral forms suggests a quiet but radical proposition: that aging, often framed in Western culture as a process of decline, might instead be seen as a kind of natural patterning, as much a part of life’s design as the blooming of flowers. The images recall Karl Blossfeldt’s seminal plant studies, in which organic structures were revealed as intricate, almost architectural forms. Yet where Blossfeldt sought universal geometries in nature, this series finds them in the human body, asserting that time’s markings are not flaws but evidence of a life lived.
The motif of jasmine complicates this reading further, layering personal narrative onto the visual allegory. The artist recounts how her grandmother would place fresh blossoms by her pillow, an act of quiet love that becomes, in the context of the photographs, a metaphor for the transmission of memory itself. In one particularly resonant image, a cluster of jasmine rests in the hollow of a wrinkled palm, the contrast between fragile petals and veined skin underscoring the tension between transience and endurance. In one particularly resonant photograph, a jasmine flower is quietly pinned behind the grandma’s ear, its white petals responding to the flower-like spot on one cheek; in another, wrinkled hands are delivering two beautiful blossoms. We are invited to imagine the texture of that skin, the weight of those flowers, the warmth of that hand—and by extension, the decades of care that they have provided.
This tactile quality extends to the inclusion of childhood toys preserved in the grandparents’ home. Photographed as still lifes amidst domestic surroundings, these objects take on a forgotten talismanic quality, their stubborn materiality standing in stark. These objects transcend their original purpose to become physical manifestations of enduring love, living testaments to an unbroken bond. Their unchanging presence in the household mirrors the constancy of familial affection, even as the grandchild who once played with them has grown. The artist captures these toys not as nostalgic artifacts, but as cherished participants in an ongoing relationship, their material permanence standing in poignant contrast to the natural changes of aging bodies elsewhere in the series.
Technically, the photographs achieve this emotional resonance through careful attention to light and composition. The skin studies, often shot with raking side light, emphasize every crease and shadow, transforming biological detail into something approaching landscape. The shallow depth of field in the images of jasmine and toys creates a softness at the edges, a visual metaphor for the way memory blurs and shifts over time. The series never loses sight of its human core, the images are unflinching in their intimacy, yet never exploitative; they acknowledge the vulnerability of their subjects while asserting their dignity.
What ultimately emerges from this body of work is neither a lament nor a celebration of aging, but something more nuanced—an acknowledgment of its complexity, its sorrows and its unexpected gifts. The markings of age are at once a record of loss and a testament to endurance, just as the flowers are both fleeting and recurring. By training her lens on these intersections, Ciel does not simply document her grandparents’ aging, they reframe it, offering a vision in which time’s passage is not erased but reinterpreted, its traces rendered as natural and as beautiful as blossoms on a branch.
This is photography as an act of love, but also as an act of resistance—against a culture that fears aging, against the erasure of memory, against the idea that time leaves only damage in its wake. The images do not shy away from the realities of the body’s decline, yet they insist, quietly but firmly, that within that decline there remains pattern, meaning, and even grace. In doing so, they invite us to reconsider not just how we see our elders, but how we might one day see ourselves.
Barbra Streisand has brought an all-star lineup of singers on the same album. Paul McCartney, Bob Dylan, James Taylor, Mariah Carey, Ariana Grande, Sting, Hozier, Sam Smith, Seal, Josh Groban, Tim McGraw, and Laufey will all appear on her new duets album, The Secret Of Life: Partners, Volume Two, arriving on June 27. Listen to the first single, a take on ‘The First Time Ever I Saw Your Face’ featuring Hozier, below.
“I’ve always loved singing duets with gifted artists,” Streisand said in a press release. “They inspire me in unique and different ways…and make our time in the studio a joy! My new album, The Secret Of Life: Partners, Volume Two, gave me the chance to work and play with some of my old friends, label mates, and new artists too. I admire all of them… and I hope that you’ll enjoy listening to our collaborations as much as I enjoyed recording with all of my wonderful partners.”
Hozier commented: “Barbra Streisand is one of the most enduring and iconic vocalists of our time, and somebody who defined an era with the sheer force of her voice, her talent, charisma and vision. To be asked to join her on a duet was a huge honour and came as a wonderful and welcome surprise. Ewan MacColl’s ‘The First Time Ever I Saw Your Face’, made famous by the stunning Roberta Flack recording, has always mystified me. It is, to me, one of the most beautiful love songs ever written. Like so many, I was deeply saddened to hear of her recent passing. Along with the honour I have to sing on this record with Barbra, I hope this duet offers something of a gesture to Roberta Flack’s incredible legacy.”
The new record is a sequel to Streisand’s 2014’s duets collection Partners, which featured Stevie Wonder, Michael Bublé, Billy Joel, John Legend, and more.
The Secret Of Life: Partners, Volume Two Cover Artwork:
The Secret Of Life: Partners, Volume Two Tracklist:
1. The First Time Ever I Saw Your Face with Hozier
2.My Valentine with Paul McCartney
3. To Lose You Again with Sam Smith
4. The Very Thought of You with Bob Dylan
5. Letter to My 13 Year Old Self with Laufey
6. One Heart, One Voice with Mariah Carey & Ariana Grande
7. I Love Us with Tim McGraw
8. Secret o’ Life with James Taylor
9. Fragile with Sting
10. Where Do I Go from You? with Josh Groban
11. Love Will Survive with Seal
Pets are more than just furry friends who learn tricks and snuggle with us after a long day at work. In 2025, pets are members of the family deserving of the same approach to wellness that humans expect.
That means today’s pet owners are investing in anything from health supplements to pet-focused clothing instead of the usual bags of kibbles.
And pets are experiencing more than just routine visits to the vet’s office as owners work to create tailored health plans that help their companions thrive.
Keep reading to discover some of the latest wellness trends in 2025!
The Impact of Supplements
Pet supplements have emerged as a key component of today’s wellness plans. Supplements can support brain and joint health, helping pets feel more alert and active than they would from eating just a standard bowl of food.
Some of the best supplements can suppress inflammation, preventing arthritis in your dogs joints. Ingredients like turmeric, black pepper, and hemp protein help formulate these joint care supplements.
And, best of all, you can sprinkle them over your pet’s food, making it easy to fool even the pickiest eaters into taking a bite.
Some supplements can help calm pets who may feel anxious due to loud noises from storms or fireworks. And others are infused with omega-3s to support shiny coats and better cognitive function in dogs.
Pet owners can select supplements that improve digestion or ones loaded with vitamins and minerals that promote overall wellness. When pet owners observe the positive changes in their pets, they might just be inspired to enhance their own approach to personal wellness, too.
How Pets Are Influencing Fashion and Music
Pet wellness is also finding its way into the fashion and entertainment industries. Yes, that’s right – you can build a coordinated wardrobe of clothing for both you and your pet. Athletic brands are selling matching gear for owners and their furry companions, so you can look more stylish on your next walk around the block.
But it’s not just about designs and colors. These same brands are prioritizing sustainable materials to help entice pet owners who want to support eco-friendly practices. This added layer of awareness on the part of fashion designers can help pet owners create a personal brand that reflects their priorities.
The music scene has also become intentional about targeting pets. Humans can benefit from listening to calming, ambient music when they’re feeling stressed.
So why not offer the same type of music to pets prone to feeling anxious? If your pet grows anxious when a storm rolls into town or you’re taking a road trip, you can find playlists geared toward soothing their mind. Plus, the music can help ease your stress levels, too!
Building a Better Wellness Plan
As a dutiful pet owner, it’s easy to get caught up in spoiling your pets with the best products and services to create the healthiest life possible for them. But when you step back for a moment, it’s easier to see how these wellness trends can benefit your own life, too. Pursuing a higher level of pet wellness has informed revisions we can make to our wellness routines – and businesses have taken notice.
For instance, you can find wellness kits tailored to both pets and their owners and have them delivered to your doorstep. These customizable boxes may include supplements for both pets and parents, plus some fashionable gear to help you look your best for a playdate at the park.
In 2025, it’s clear that pet care and human self-care have become intertwined, and it’s a benefit for everyone. When pet owners take control of their nutrition and mobility and seek solutions for stress management, they’ll be more present for their pets.
The Pet Wellness Revolution
The pet wellness revolution shows no signs of slowing down in 2025. And with the increased connection between pet and human wellness, the potential to reap the benefits of better self-care is strong.
Dietary supplements, fashion trends, and pet-focused music are helping pet owners provide better lives for their furry friends. And, in the process, pet owners are embracing the opportunity to improve their own lives, as well. Pet wellness has become the inspiration for human wellness, and fortunately, that’s a positive development with staying power.
Kae Tempest has announced his fifth studio album, Self Titled, which is slated for release on July 4 via Island Records. Following previous single ‘Statue in the Square’, the new track ‘Know Yourself’ is a captivating back-and-forth with Tempest’s younger self. Check out the music video for it below.
“I love this song,” the rapper said. “It samples a lyric I wrote years ago, where my younger self is talking to their younger self. A dialogue between selves across time, in real time. Or maybe I could put that simpler – When I was young I sought help from my older self. I came into my head, I told me know yourself.”
Tempest co-produced the new LP with Fraser T Smith (Adele, Stormzy, Dave). The record also features guest appearances from Pet Shop Boys’ Neil Tennant, Young Fathers, Connie Constance, and Tawiah.
Self Titled Tracklist:
1. I Stand On The Line
2. Statue In The Square
3. Know Yourself
4. Sunshine On Catford
5. Bless The Bold Future
6. Everything All Together
7. Prayers To Whisper
8. Diagnoses
9. Hyperdistillation
10. Forever
11. Breathe
12. Till Morning
There’s so much music coming out all the time that it’s hard to keep track. On those days when the influx of new tracks is particularly overwhelming, we sift through the noise to bring you a curated list of the most interesting new releases (the best of which will be added to our Best New Songs playlist). Below, check out our track roundup for Tuesday, April 29, 2025.
Stereolab – ‘Melodie Is a Wound’
Stereolab have previewed their first album in 15 years with another single, ‘Melodie Is a Wound’, which is a little more understated, yet also more sprawling, than lead cut ‘Aerial Troubles’. It’s also accompanied not by a music video but a cryptic crossword puzzle compiled by Alan Connor, the crossword editor for The Guardian, which is fun.
Jenny Hval – ‘Lay Down’
“I was hoping I was a child but perhaps I am a guide/ Writing to set you free, a guardian of the in-between,” Jenny Hval sings on ‘Lay Down’, the tenderly alluring opener of her new album Iris Silver Mist, which is out Friday. “We enter the album through lying down in our own grave, under the earth, just like the root, which is the part of the iris that has a scent,” Hval explained. “It would be the very best time and place to listen to music, wouldn’t it? The fetus can smell and taste their mother’s food as well as hear voices outside the mother’s body in the final months of a pregnancy. Can a ghost in the coffin still hear the birds singing above?”
These New Puritans – ‘A Season in Hell’
These New Puritans, who recently got a shout-out from Charli XCX at Coachella, have a buzzing new single out called ‘A Season in Hell’. They got Alexander Skarsgård for the music video, which is directed by Harley Weir. “The song features two pipe organs, two sopranos, and two hundred drums,” the band’s Jack Barnett shared. “When I was writing it, images of vast, inhuman machinery kept coming into my head – enormous chains, pulleys, grinding gears, molten iron. Huge machines driving into the centre of the earth. And every now and then, a little human amongst it all, barely visible. Then I saw Piranesi’s etchings of “imaginary prisons” from the 1700s, and that’s exactly what had been in my head. If we could resurrect him, maybe we could have persuaded him to do the album artwork.”
Car Seat Headrest – ‘The Catastrophe (Good Luck With That, Man)’
What if Car Seat Headrest sounded a bit more like Bleachers? ‘The Catastrophe (Good Luck With That, Man)’ has the answer, and it’s a fun one. It serves as the final preview from CSH’s new album The Scholars, which arrives Friday.
MSPAINT – ‘Angel’
Synth-punk outfit MSPAINT has never shied away from its pop influences, but ‘Angel’, the first preview of their new EP No Separation, still feels like quite a shift. “It’s definitely different from the way I would usually write for the band,” singer Deedee said. “It’s something you can sing along to, but it’s also something that maybe you’re saying to yourself that feels good — some positive thinking. I felt like we succeeded at bringing poppier elements into our space and making them our own instead of trying to bring what we do into a pop space.”
PUP – ‘Olive Garden’
Ahead of the release of their new album Who Will Look After The Dogs? this Friday, PUP have dropped one more single, ‘Olive Garden’ which is noisy and a little goofy. “This is a very stupid, but also wonderful song,” Stefan Babcock said in a statement. “The band get all the credit for turning it into something really special. Zack (who plays drums) heard my cute little acoustic guitar demo and decided we should try and make it as heavy as possible, which is objectively a very annoying thing to suggest. But you know what, I’m glad I kept my stupid mouth shut, because it works. There’s a real magic in the way these sweet vocal melodies are bludgeoned by a wall of disgusting, grinding, detuned guitars. The whole song is kinda upsetting and uncomfortable but also catchy and fun. And I don’t care what anyone says, ‘Olive Garden’ rhymes with ‘Grandma in a coffin’ — listen to this crap and tell me I’m wrong.”
Chris Farren – ‘Cause of Death’
Chris Farren is back with a new single, which features Lexi McCoy-Caso and G Leonardo of Suzie True on backing vocals. “‘Cause Of Death’ is about that morbid curiosity we all have (..right??) anytime there’s news of a death but the cause is left ambiguous,” Farren explained. “It’s a weird, kind of gross, voyeuristic tendency that I’m embarrassed about, but can’t seem to shake. Writing this song was an attempt to work through those thoughts and ideas. And it worked and I’m cured.”
Sea Lemon – ‘Give In’
Sea Lemon has released another hauntingly dreamy song from her debut LP, Diving for a Prize. “Growing up, I never knew the term of ‘intrusive thoughts’ but often had them, and as I got older, my particularly remaining intrusive thought is around wanting to go inside of abandoned houses even if I know it’s a horrible idea,” Natalie Lew explained. “‘Give In’ is about giving into the intrusive thoughts, and the relief and the consequences that happen after. The song was written in an afternoon in my producer’s studio, and was probably the fastest song from initially writing to execution.”
Opal Mag – ‘I Don’t Like You, But I Love You’
Opal Mag has released a new single, ‘I Don’t Like You, But I Love You’, which brims with uncertainty. “This slow-burning track explores the emotional tug-of-war between love and frustration,” the British singer-songwriter explained. “It’s about the internal struggle of being in love with someone, yet disliking their actions and self-sabotaging. ‘I Don’t Like You, But I Love You’ is about the push and pull of wanting to stay in a relationship but losing yourself in the process.”
Lido Pimienta – ‘Aún Te Quiero’
Lido Pimienta has shared ‘Aún Te Quiero’, the latest single from her fully orchestral new album La Belleza. The particularly imposing new song was co-produced by Pimienta and composer Owen Pallett. “Aún Te Quiero’ translates to ‘I Still Love You’,” Pimienta explained. “I sing to the Lido of the past—to the people I once thought would be in my life forever. Friends, lovers, family. But falling-outs happen. We hurt each other. And yet, I’m a softie at heart—I still love all of them, even my enemies. There is so much I deal with as a mother and as a wife, there is so much about myself that I don’t recognize or connect with anymore, it happens to most of us caregivers, when we carry the weight of the home. We can’t always be there for everyone, and sometimes they can’t be there for us either, but the message remains, I still love us, beyond our expiry date.”
Maxo – ‘Human ?’
Southern California rapper Maxo has announced his fourth studio album, Mars Is Electric, arriving on June 20, with the woozy, sleek ‘Human ?’. “This is the first time that I really didn’t care, I didn’t approach things so seriously,” he said of the vision behind the LP.
Lael Neale – ‘Wild Waters’
On Friday, Lael Neale is releasing her new album Altogether Stranger, and today, she’s sharing one more single, the inviting ‘Wild Waters’, whose music video offers a glimpse into the 34-minute film accompanying the LP. “The video for ‘Wild Waters’ was a collaboration with choreographer & dancer Sandi (Denton),” Neale shared. “I had this vision of dancers playing the part of interdimensional beings performing a dance that would open a portal, calling my character through. In perfect synchronicity, when I approached Sandi with the idea, she had already been building a two-person dance that fit seamlessly. I love working with Sandi for this reason.”
Westside Cowboy – ‘Shells’
Manchester quartet Westside Cowboy have unleashed ‘Shells’, a stirring new single produced by Lewis Whiting of English Teacher. “‘Shells’ is broadly about acceptance,” the band commented. “Whether it is the acknowledgment of what you have, or the acknowledgment that change is inevitable. The song is loosely based on a film, in which the character masters this. We have yet to reach this point though.” They added, “I suppose it’s a little more earnest, and it starts slow, but it kicks in soon enough.”
BADBADNOTGOOD & V.C.R. – ‘Found a Light (Beale Street)’
BADBADNOTGOOD have teamed up with Veronica Camille Ratliff, the Memphis musician who records as V.C.R., for a luscious seven-minute track called ‘Found a Light (Beale Street)’. “This is more than a song to me,” she remarked. “It’s a milestone. I’ve been cooking this kind of sound for years — from late nights writing at my desk in South Memphis to composing orchestral works at USC. This collaboration with BADBADNOTGOOD is a dream come true — and a thank-you letter to my hometown, my people, and the communities that raised me. ‘Found A Light (Beale Street)’ isn’t just a single. It’s a love letter to the sounds of the South and the sacred art of collective resilience. It calls back to a time when Black communities turned Beale Street into a sanctuary — a place to find freedom, purpose, and light amidst the harshest of shadows. This song is a taste of everything I’ve been marinating over the past few years — academically, emotionally, and spiritually. It’s a reflection of where I come from and what I’ve been building. And it’s only the beginning.”
Water Machine – ‘River’
Water Machine have announced their debut full-length, God Park – out June 20 – and shared ‘River’, its wonky, instantly catchy lead single. “‘River’ is about your neighbor, hypothetically, stealing your boat,” the band said. “We wrote the bassline, and the rest came quickly. The harmonies were so fun to record, and we got Hando’s partner to sing the high notes as Hando and Flore are altos.”
Humour – ‘Plagiarist’
Humour have announced their debut album, Learning Greek, arriving August 8. They’ve also shared its lead single ‘Plagiarist’, which is jagged yet cathartic. Vocalist Andreas Christoloudis said: “‘Plagiarist’ is about being a lyricist and having run out of ideas and inspiration. In the song, the character is under pressure to put words to music written by the band, and realises that he can’t even steal lines from his favourite books because he has already used them all. He fears being discovered as a fraud and being punished for it with death.”
beaming – ‘colors’ [feat. Kississippi]
beaming have shared a new single from their self-titled debut EP, out June 13 on Rose Garden. The dancey, appropriately vibrant ‘colors’ features backing vocals from Kississippi’s Zoe Reynolds. “It’s about making a change in your life, stepping back, and finding what really makes you happy,” Derek Ted explained. “‘Colors’ started when Braden recorded a keyboard sample at a Goodwill while visiting his family on the East Coast. We pitched it up, dropped in a beat, and the song started writing itself. It’s about making a change in your life, stepping back, and finding what really makes you happy. We wanted it to feel intense and driving—kind of shouty—but still have emotional depth under the surface.”
