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Porridge Radio and Lala Lala Join Forces on New Track ‘Good For You’

Porridge Radio’s Dana Margolin and Chicago-based singer-songwriter Lillie West aka Lala Lala have joined forces on a new collaborative track called ‘Good For You’. Check it out below.

“‘Good For You’ landed on me one morning early on in lockdown when I was eating breakfast,” Margolin explained in a statement. “I really love Lillie’s music, and we were vaguely in touch through the internet, so when Lillie got in touch asking if I wanted to make a song together, and then a few days later I’d written this song, it felt really right to collaborate on it.”

She added: “I really loved what Lillie added from the start, and it really organically and easily came together from there. Sam [who drums in Porridge Radio] added parts and produced the song, and it was a really easy and fun process because of the way they both responded to it.”

‘Good For You’ marks the first taste of new music from Porridge Radio since the release of the band’s sophomore album Every Bad back in March, which we named one of the best albums of the year so far. Lala Lala’s last album was 2018’s The Lamb.

JAY-Z’s Made in America 2020 Canceled Due to Coronavirus

JAY-Z’s Made in America Festival, which takes place in Philadelphia every year, has been cancelled due to the COVID-19 pandemic. The event was set to take place September 5-6 at the Benjamin Franklin Parkway. In a statement, festival organizers Roc Nation confirmed that the festival will return in 2021 on Labor Day weekend. Tickets for the 2020 festival will be valid in 2021.

“2020 is a year like no other. We are in a pivotal time in this nation’s history. Collectively, we are fighting parallel pandemics, COVID-19, systematic racism and police brutality,” the statement reads. “Now is the time to protect the health of our artists, fans, partners and community as well as focus on our support for organisations and individuals fighting for social justice and equality in our country. Therefore, the Made In America festival will be rescheduled for Labor Day Weekend 2021.”

Check out the full statement below.

Recently, Jay-Z was featured as a co-writer on Beyoncé’s Juneteenth single, ‘Black Parade’, which also included contributions from previous collaborators Derek Dixie, Caso and Kaydence.

 

 

Radiohead, Coldplay, the Rolling Stones, and Over 1,400 More Artists Sign Open Letter in Support of #LetTheMusicPlay

Radiohead, Coldplay, and the Rolling Stones are among the 1,500 artists who have signed an open letter to the government in support of the #LetTheMusicPlay campaign in an effort to prevent “catastrophic damage” to the music industry in the wake of the coronavirus pandemic. Dua Lipa, Liam Gallagher, The Cure, Nick Cave, Paul McCartney, PJ Harvey, Ed Sheeran, and more also signed the letter, which warns of the devastating effects of COVID-19 on venues and artists.

Addressed to Oliver Dowden, the Secretary of State for Digital, Culture, Media and Sport, the letter reads: “Like every part of the entertainment industry, live music has been proud to play our part in the national effort to reduce the spread of Coronavirus and keep people safe. But, with no end to social distancing in sight or financial support from government yet agreed, the future for concerts and festivals and the hundreds of thousands of people who work in them looks bleak.”

It adds: “This sector doesn’t want to ask for government help. The promoters, festival organisers, and other employers want to be self-sufficient, as they were before lockdown. But, until these businesses can operate again, which is likely to be 2021 at the earliest, government support will be crucial to prevent mass insolvencies, and the end of this great world-leading industry.”

The letter also highlights that the live music industry supports 210,000 jobs across the country, and that venues, concerts, festivals and production companies contributed £4.5bn to the economy in 2019.

“For the good of the economy, the careers of emerging British artists, and the UK’s global music standing, we must ensure that a live music industry remains when the pandemic has finally passed,” it concludes.

In an accompanying statement, Liam Gallagher added: “Amazing gigs don’t happen without an amazing team behind the stage, but they’ll all be out of jobs unless we can get back out there doing what we love.”

Dua Lipa said that she is “proud” to have worked her way up the music industry, but noted that “the possibility for other emerging British artists to take the same path is in danger if the industry doesn’t receive much needed government support.”

Radiohead’s Ed O’ Brien expressed a similar sentiment, writing: “Radiohead played about 100 shows throughout the UK in small venues the length and breadth of this country. This was where we started to learn our craft. We continued to tour this country and by 1997 we were headlining the Pyramid Stage at Glastonbury Festival. The live industry in this country is the lifeblood to for the music industry in this country.”

Emily Eavis, co-organiser of the Glastonbury festival, added: “If the government doesn’t step up and support the British arts, we really could lose vital aspects of our culture forever.”

A spokeswoman for the Department for Digital, Culture, Media and Sport responded by saying that the government is “already providing unprecedented financial assistance which many music organisations and artists have taken advantage of.”

In a statement on Twitter, Dowden added: “I understand the deep anxiety of those working in music & the desire to see fixed dates for reopening. I am pushing hard for these dates & to give you a clear roadmap back. These involve v difficult decisions about the future of social distancing, which we know has saved lives.”

Starting today (July 2), artists and venues have also started posting photographs and films of their last gig or event using the hashtag #LetTheMusicPlay on social media. Fans are also encouraged to show support for the campaign by posting about the last show they attended.

Artists including Lionel Richie, Cher, Mogwai and more have already showed their support on social media. Read some of their tweets below.

Premiere: Kendl ‘Turn’

Proudly premiering on Our Culture, we have Turn by Kendl. This song marks the latest release by Kendl, and one of his songs from his upcoming EP Dreamlike.

Turn is a genre-bending track that experiments with different elements throughout its progression. Leading the track, we hear a tense-like synth, reminding us of melancholy and turbulence. While, on the other end, from the beginning, the dusty sounding textures from Kendl’s own field recordings bring us back to more of a warmer time, making us feel nostalgic in a way. As a piece, the song has beautiful dynamics between the elements it explores, bringing us a genuinely euphonious journey throughout. 

 

“The idea behind Turn is to take you back and forth from light and dark moods and resolve in peaceful stillness.”

 

Kendl is the solo musical project of multidisciplinary artist and composer, Jesse Kendal. He debuted in 2017 with his song For Her, which now has over 1 million streams on Spotify alone. Kendl has also released numerous other tracks and EPs including a superb five-track EP Colours which includes songs such as Holding On and Tide. As an artist, Kendl doesn’t stick with one sound; he blends and constantly shifts to create an eclectic sound for the listener.

If there is anything to look forward in the near future then it must be Kendl’s forthcoming EP Dreamlike. Turn has risen our excitement for it, and we hope it will deliver.

Turn is now streamable via Spotify and other digital platforms.

Ty Dolla $ign Enlists Kanye West, FKA twigs, Skrillex, and serpentwithfeet on New Track ‘Ego Death’

Ty Dolla $ign has shared a new song called ‘Ego Death’ featuring Kanye West, FKA twigs, and serpentwithfeet. Produced by Skrillex, the new track also includes additional production from BoogzDaBeast for BoardMemberz. Check it out below.

Ty$ said in a press release: “‘Ego Death’ is a very special record. It’s always an honor working with my brother ’Ye. He’s a genius and we make incredible records every single time we link up. Skrillex and twigs came in and blessed us with the magic that only they can put on the record. I played it once at a house party and everyone went crazy. A clip leaked online and shit but that’s all good. I just had to find the right time to put it out, so I’m excited that it’s finally THAT TIME!”

The rapper also discussed his new album, which he said is “done” and “coming very soon.” He added: “Shout to my fans for being patient while I made sure it was perfect, it’s worth the wait…. It’s my best work yet. I can’t wait for y’all to hear it!”

Ty Dolla $ign and Kanye West have collaborated multiple times in the past, including on ‘Real Friends’ and ‘Everything We Need’. He also teamed up with serpentwithfeet on last year’s ‘Receipts’ and joined forces with Skrillex on ‘Midnight Hour’, ‘two nights part ii’, ‘Malokera’, and ‘So Am I’.

Artist Spotlight: Japan, Man

She might be writing music under the moniker Japan, Man, but Laeticia Acra is, in fact, a 15-year-old girl hailing from Beirut. If the name leaves an impression, though, wait till you hear her music — anchoring in a sophisticated but playful blend of funk, soul, and bedroom pop, Acra’s songwriting evokes a kind of poignancy that’s way beyond her years. On ‘I Like To Wait’, from her debut EP The Bad Days, she starts by pondering the impermanence of life (“Are you afraid to die, that there’s no afterlife?”) before showcasing her dark yet quirky sense of humour with a markedly adolescent one-liner: “I’ve got some breaking news, I am so confused.” The opening title track is laced with woozy synths and a spare beat that sounds almost soothing, which is ironic for a track in which she declares that “the bad days are here”, as if in an effort to escape to that “eternal fantasy” that she sings about. With a unique sound that combines the mellow intimacy of a Clairo song with the infectious, laid-back qualities of Men I Trust, The Bad Days is a promising debut EP from a young artist who sure has a lot more to offer.

We caught up with Laeticia Acra of Japan, Man for this edition of our Artist Spotlight series, where we showcase up-and-coming artists and give them a chance to talk a bit about their music.

How did you come up with the name Japan, Man?

To be honest, choosing a name was really difficult since a bunch of the ones I liked were taken. “Tiger Lily” was my first choice but, unfortunately that was already adopted by a band. I decided on going with “Japan, Man” since I wanted a name that really stuck with you. When you find out “Japan, Man” is actually an adolescent girl from Beirut, you remember it! I was also really eager to include a comma in there as a little nod to “Tyler, The Creator.”

What inspired you to start making music?

When I was twelve years old, I got into writing poetry. I eventually branched out in to songwriting, and made a lot of progress, very fast. I’ve always had a love for music, and the idea of making music appealed to me greatly. My family is very musically inclined, so the support was definitely present. My uncle, who is the brain behind the production of my songs, also helped me greatly with the launch of the whole project.

What are some of your influences? 

I will always look up to Radiohead’s music, and Thom Yorke’s eyeopening lyrics. I am also deeply inspired by the Flaming Lips and, Wayne Coyne’s way of viewing the world with a child-like wonder. Beabadoobee, and Kings of Convenience also influence the energy i’d like to radiate through the aura of my music.

What’s your songwriting process like?

So the songwriting process is quite simple. Most of the time it will start with my having an idea frolicking around my head, building lyrics off of that idea, and subsequently matching the mood i’m going for with simple guitar chords.

What are some of the ideas that went into the making of ‘I Like To Wait’? 

‘I Like To Wait’ has lyrics anchored in the idea that good things take so much time to truly blossom. Nothing good comes easily, and you have to learn to trust the process of waiting. It’s critical to stay hopeful. It also touches on how tons of us tend to forget to live in the moment. We are always waiting for the next best thing, when in reality we need to enjoy our moments as they take place, if not we can only enjoy them as memories.

How has the response to the EP been?

Considering the fact that this is my first EP, I am very overwhelmed and excited with the response I’ve received. I’m truly proud of how much my uncle and I have accomplished in such a short amount of time.

What’s next?

It’s hard to tell what’s coming next. I’m definitely going to keep writing since it’s a great passion of mine. I’m going to keep putting out mellow tunes for people to melt into, and lyrics for people to relate to! That is the plan at least!

Brian and Roger Eno Release New Track ‘Manganese’

Brian and Roger Eno have shared a new track called ‘Manganese’. It’s part of the augmented edition of their latest album Mixing Colours, which will feature seven new pieces of music. Check out the new song below.

Mixing Colours Expanded is set for release on July 17. The vinyl edition, titled Luminous, will arrive on August 14, with a 2-CD version following in October. A special edition featuring a sun yellow vinyl will be available exclusively at selected music retailers in an effort to support independent stores during the coronavirus pandemic.

Mixing Colours, released backed in March, marked the first album the brothers released together under their own names, though they previously collaborated on 1983’s Apollo: Atmospheres and Soundtracks and More Music for Films. 

Sad13 Announces New Album, Shares ‘Ghost (of a Good Time)’

Sad13, aka Speedy Ortiz’s Sadie Dupuis, has announced a new album called Haunted Painting. It’s set for release on September 25th via her own label Wax Nine, a Carpark Records imprint. Following early single ‘WTD’, the songwriter also shared a new track from the album titled ‘Ghost (of a Good Time)’, alongside an Elle Schneider-directed visual. Check it out below, along with the album’s tracklist and artwork, designed by Sadie’s mother Diane Dupuis.

“I worked on Haunted Painting throughout 2019, writing, arranging and recording from home, then finishing the songs in studios around the country in between Speedy’s fly-in dates,” Dupuis wrote in a statement. “It’s maximalist, and more true to me and my tastes than any record I’ve done.

Inspired by a recent basement show in Brooklyn that began after midnight, Dupuis described the upbeat new single as a “party song about not going out.”

Haunted Painting marks Dupuis’ second record under the Sad13 moniker, following 2016’s Slugger. In 2018, Speedy Ortiz put out their latest LP, Twerp Verse.

Haunted Painting Artwork:

Haunted Painting Tracklist:
1. Into the Catacombs
2. WTD?
3. Hysterical
4. Ghost (of a Good Time)
5. Oops…!
6. Good Grief
7. Ruby Wand
8. With Baby
9. The Crow
10. Take Care
11. Market Hotel

Mustafa and James Blake Team Up on New Song ‘Come Along’: Watch

Toronto singer, songwriter, and poet Mustafa has shared new single called ‘Come Along’, featuring production from James Blake. The artist debuted the single with a  Nabil-directed video of a live performance featuring Blake on piano and vocals, which you can check out below.

“Perpetually grateful for James who helped free me of my own emotional burdens when I was young, to now helping me free these stories of those who’ve passed too young,” Mustafa said in a statement about the track, which reflects on issues of gun violence. “Today marks two years without Smoke Dawg. I pray the people you lost come back to you in the form that heals you best, if not a memory, a dream, if not a dream, in their siblings eyes, if not that, then in the way you carry yourself.”

“If she runs her fingers through my past / She may lose the softness in her hands / Maybe I can still make it come back,” Mustafa sings on the track.

Blake and Mustafa previously collaborated on the singer’s debut single, ‘Stay Alive’, which was released back in March.

Disclosure Release Video for New Song Featuring slowthai and Aminé

Disclosure have shared a new single from their upcoming LP ENERGY, their first new album in five years. Titled ‘My High’, the track features slowthai and Aminé and comes with a visual directed by French filmmaker and Danny Brown collaborator Simon Cahn. Check it out below.

“We always wanted to work with rappers, we just didn’t know any and we had no means of contacting them… There aren’t a lot of rappers in Reigate,” the Lawrence brothers said in a press release. “Writing ‘My High’ with Aminé was a lot a fun, he’s hilarious and may as well be a comedian. He writes so quickly and it’s amazing to watch. He brought so much energy to this already very energetic tune that when we got home to London in January, there was only one guy capable of matching it… slowthai.”

The follow-up to Disclosure’s 2015 sophomore album Caracal is set for release on August 28 via Capitol Records and will feature contributions from Common, Kelis, Mick Jenkins, and Syd of The Internet. Earlier this year, the electronic group put out an EP called Ecstasy and released the title track for the new album.