As the seasons change and temperatures drop, designer jumpers become a wardrobe staple for both style and comfort. This season, the fashion world is embracing the versatility of these luxurious knitwear pieces, offering endless ways to incorporate them into your outfits.
Whether you’re dressing up for a night out or keeping it casual for a day of errands, designer jumpers can be styled in numerous ways to elevate your look. Here are some tips on how to wear designer jumpers this season.
1. Layered Over a Shirt
One of the most classic and timeless ways to wear a designer jumper is by layering it over a collared shirt. This preppy look is perfect for both casual and semi-formal occasions. Opt for a crisp white shirt underneath a neutral or patterned jumper for a sophisticated ensemble. The collar and cuffs of the shirt should peek out from under the jumper, adding a touch of elegance to your outfit.
To modernize this look, try pairing your jumper with an oversized shirt for a more relaxed silhouette.Additionally, you can play around with various colors and textures. For instance, a chunky knit jumper over a silky blouse creates a chic contrast that’s perfect for the office or a dinner date.
2. Tucked into High-Waisted Trousers
High-waisted trousers have made a strong comeback in recent fashion trends, and pairing them with a designer jumper is a great way to highlight your waistline and create a flattering silhouette. Tucking a fitted or slightly oversized jumper into your trousers not only accentuates your waist but also adds a touch of polish to your look.
For a more casual vibe, you can half-tuck the jumper, leaving one side loose for a relaxed, effortless appearance. This look works well with both wide-legged and tailored trousers, and you can finish it off with a statement belt to add an extra layer of style.
3. Paired with a Midi Skirt
Designer jumpers and midi skirts are a match made in fashion heaven. This combination is both feminine and cozy, making it ideal for colder weather. Opt for a fitted jumper with a flowy midi skirt for a balanced silhouette, or go for a chunky knit with a pleated or A-line skirt for a playful contrast.
When styling this look, pay attention to proportions. If your jumper is oversized, consider tucking it into the skirt slightly at the front to define your waist. Add ankle boots or heels to elongate your legs, and throw on a statement necklace or scarf to complete the ensemble.
4. Draped Over the Shoulders
If you’re looking for a chic and effortless way to wear a designer jumper, try draping it over your shoulders. This preppy style has been revived by fashion influencers and can instantly elevate a simple outfit. Whether you’re wearing a blouse, t-shirt, or dress, draping a jumper over your shoulders adds a layer of sophistication and warmth.
To achieve this look, choose a jumper in a contrasting color to your outfit for added visual interest. You can tie the sleeves loosely at the front or let them hang naturally. This style works particularly well with tailored blazers, creating a polished and professional appearance.
5. Styled with Denim
Denim and designer jumpers are a casual yet stylish pairing that works for any occasion. Whether it’s your favorite pair of jeans, a denim skirt, or even denim shorts, a designer jumper can add a touch of luxury to an otherwise simple outfit. For a laid-back look, pair a slouchy jumper with skinny jeans and ankle boots.
If you want to dress up your denim, opt for a fitted jumper and high-waisted jeans, and add heels or heeled boots to the mix. For a chic double-denim look that’s ideal for a day out, you may also wear a jumper over a denim shirt.
6. Worn as a Dress
For a bold and cozy look, try wearing an oversized designer jumper as a dress. This style is perfect for the colder months and can be dressed up or down depending on the occasion. Pair your jumper dress with knee-high boots and a belt to cinch the waist for a more defined silhouette.
If you’re going for a more casual vibe, team your jumper dress with ankle boots or sneakers. For extra warmth, you can also layer with leggings or tights. Accessories like scarves, hats, and statement earrings can further enhance this look, making it perfect for everything from brunch to a night out.
7. Under a Blazer or Coat
Layering a designer jumper under a blazer or coat is a practical and stylish way to stay warm while looking polished. This combination is perfect for transitioning between different environments, such as moving from the chilly outdoors to a warm indoor setting. A lightweight, fitted jumper works best under a tailored blazer, while chunkier knits pair well with oversized coats.
For an office-ready look, opt for a neutral-toned jumper under a sharp blazer. For a more casual appearance, a brightly colored or patterned jumper under a trench coat or puffer jacket adds a fun twist to your outerwear.
Embracing the Timeless Appeal of Denim Dresses in Your Wardrobe
Designer jumpers are a versatile and essential piece for your wardrobe this season. With their ability to be styled in various ways, from casual to chic, they offer endless possibilities for creating fashionable and comfortable outfits.
Whether you prefer a preppy layered look, a cozy jumper dress, or a sophisticated pairing with tailored pieces, there’s no shortage of ways to make your designer jumper the star of your outfit. Embrace these styling tips to stay on-trend and comfortable as you navigate the cooler months in style.
When it comes to CBD products, the terms “full-spectrum” and “broad-spectrum” often pop up, leaving many people wondering about the difference. Both types of CBD oil are popular for their potential health benefits, but they have distinct characteristics.
Therefore, full-spectrum CBD oil contains all the cannabinoids found in the cannabis plant, including a small amount of THC. On the other hand, broad-spectrum CBD oil includes all cannabinoids except THC. This slight difference can influence the effects and benefits of each product, making one more suitable than the other depending on individual needs and preferences.
However, both are beneficial and can be used for various wellness needs. Understanding these options may help you choose according to your needs. Let’s learn what makes each type unique and determine which is better for you.
What Is CBD Oil?
Before exploring the difference between full-spectrum and broad-spectrum CBD oils, it’s essential to recognize the significance of CBD Oil Canada. CBD, a naturally occurring compound found in the cannabis plant, is celebrated for its potential therapeutic benefits. Unlike THC (tetrahydrocannabinol), CBD is non-intoxicating, meaning it doesn’t induce the psychoactive effects commonly associated with cannabis.
In Canada, CBD oil is predominantly derived from hemp, a specific strain of cannabis with high CBD and low THC levels. The extraction process involves isolating CBD from the plant material and cutting it with a carrier oil like hemp seed or MCT oil.
This blend forms CBD oil, which has gained popularity in Canada for its potential health benefits. It is legally available nationwide, contributing to its growing reputation as a wellness supplement.
Understanding Full Spectrum CBD Oil Effects
Full-spectrum CBD oil is derived from hemp plants that contain THC, CBD, and a wide range of other cannabinoids, terpenes, and phytochemicals. This includes trace amounts of THC (less than 0.3% in compliance with legal limits), which is believed to work synergistically with CBD in what’s known as the entourage effect.
Key Features of Full Spectrum CBD Oil:
Contains THC: Although in minimal amounts, full-spectrum CBD oil includes THC along with CBD and other cannabinoids.
Entourage Effect: The interaction between CBD, THC, and other compounds is believed to enhance the oil’s therapeutic effects.
Wide Range of Cannabinoids: Includes cannabinoids like CBG (cannabigerol), CBC (cannabichromene), and CBN (cannabinol), among others.
Potential Benefits: Due to the combined effects of cannabinoids and terpenes, users may experience enhanced relief from pain, inflammation, anxiety, and other conditions.
Understanding Broad Spectrum CBD Oil Effects
Broad-spectrum CBD oil is similar to full-spectrum CBD oil Canada in that it contains a variety of cannabinoids and terpenes, excluding THC. The THC is removed during the extraction process, making it an appealing option for those who prefer to avoid even trace amounts of THC or undergo regular drug testing.
Key Features of Broad Spectrum CBD Oil:
THC-Free: Contains no detectable THC, making it a viable choice for individuals sensitive to THC or subject to drug screenings, including in Canada.
Rich Cannabinoid Profile: Retains a diverse range of cannabinoids and terpenes, excluding THC.
Potential Entourage Effects: While lacking THC, broad-spectrum oil may offer synergistic effects from other cannabinoids.
What Should You Choose For Full Spectrum or Broad Spectrum CBD Oil?
When deciding between full-spectrum and broad-spectrum CBD oil, personal preferences, and specific needs play a crucial role:
Full-Spectrum CBD Oil
Full-spectrum CBD oil contains a variety of cannabinoids, including a small amount of THC (less than 0.3%). This type of oil may be preferred if you:
Seek Enhanced Benefits: Full-spectrum CBD is believed to offer the “entourage effect,” where the combined cannabinoids work together, potentially enhancing their benefits.
Are Comfortable with Minimal THC: If you are okay with consuming a trace amount of THC, full-spectrum might be a good choice.
Respond Well to Broad Cannabinoid Profiles: Some individuals experience better effects from products that include a wide range of cannabinoids.
Broad-Spectrum CBD Oil
Broad-spectrum CBD oil also contains multiple cannabinoids but has all THC removed. This type of oil may be preferred if you:
Want to Avoid THC Completely: If you wish to avoid THC, even in trace amounts, broad-spectrum is the way to go.
Are Concerned About Legal or Drug Testing Issues: Broad-spectrum CBD oil is suitable for those worried about potential legal issues or failing a drug test due to THC.
Prefer Synergistic Effects Without THC: You may still benefit from the synergistic effects of various cannabinoids and terpenes without the presence of THC.
Ultimately, the choice between full-spectrum and broad-spectrum CBD oil depends on your individual needs, preferences, and comfort with THC. Consider your goals, potential sensitivities, and any concerns about THC when making your decision.
Legal Considerations Of Spectrum And Broad CBD Oil
When it comes to full-spectrum and broad-spectrum CBD oils in Canada, legality and safety are paramount. Both types of CBD oil are legal if they meet the strict regulations set by the Cannabis Act, which include being produced by licensed manufacturers and containing less than 0.3% THC. This ensures that the products are non-psychoactive and safe for everyday use.
To ensure high quality, purchase CBD oils from reputable manufacturers who provide third-party lab testing results. These tests confirm the cannabinoid content and ensure the product is free from harmful contaminants like pesticides, heavy metals, and solvents.
Using CBD oils from reliable sources gives peace of mind about their safety and effectiveness. Remember, not all CBD products are the same. Researching and checking lab results and customer reviews before purchasing can make a significant difference in your experience, ensuring you’re getting a legal and safe product.
Final Thought: Difference Between Full Spectrum vs Broad Spectrum CBD Oil
In conclusion, the choice between full-spectrum and broad-spectrum CBD oil hinges on individual preferences, tolerance to THC, and desired therapeutic effects.
Full-spectrum offers the entourage effect with minimal THC, while broad-spectrum provides a THC-free option without sacrificing the potential benefits of cannabinoids and terpenes. Ultimately, consulting with an expert can help determine which CBD oil best suits your health and wellness goals.
By understanding the distinctions between these two CBD oil types, consumers can make informed decisions to enhance their well-being effectively and safely.
GIFT is a New York quintet made up of vocalist/guitarist TJ Freda, multi-instrumentalists Jessica Gurewitz and Justin Hrabovsky, drummer Gabe Camarano, and bassist Kallan Campbell. Freda assembled the band right before the pandemic, and he ended up crafting most of their debut album, 2022’s Momentary Presence, alone in his Brooklyn apartment. Now signed to venerated independent label Captured Tracks, GIFT worked more collaboratively for their next album; Hrabovsky – who previously engineered at Asheville’s while Gurewitz wrote a host of lyrics. The resulting record, Illuminator, is sweeping and restlessly dreamy; as expansive as their debut but more committed to condensing structure and feeling, injecting its classic alt-rock touchstones with electronic and modern pop sensibilities. Luckily, hooks come as easily for GIFT as mesmerizing textures and spacey arrangements. When it all blends together, it’s no wonder time flies by so fast. Yet Illuminator keeps you engaged, warping and evolving as it moves along.
We caught up with GIFT’s TJ Freda for the latest edition of our Artist Spotlight series to talk about the process behind Illuminator, signing to Captured Tracks, the theme of light, and more.
You’ve called Illuminator your “psych-rock tribute to UK rave culture in the ‘90s.” I take it that your first European tour had quite an impact on you.
Most of us had maybe been to Europe when we were younger, but this was our first time being really ingrained. We were there for a month and a half, playing shows every day and really getting to know the people around. In the US, the way the music market works is so different. Growing up, The Verve to me was ‘Bittersweet Symphony’ and nothing else. But then you go to the UK and Europe, and people are like, “No, the Verve is so much more than that.” It just was cool to see the attention given to the bands we love. We were going around Bristol, and everyone’s like, “Oh yeah, Massive Attack used to practice right over there.” It was cool hearing about our favorite bands and seeing how guitar-driven music has stayed around there. And then, thinking about the acid rave scene with Andrew Weatherall – he was a huge touchstone for us on this record with all those remixes, the Primal Scream stuff, William Orbit, all those people. Unless you’re really into music, those aren’t really things you hear in the States, whereas most of these, like, older dads were coming to our shows and chopping our ears off about Andrew Weatherall. And the kids were going to drum and bass shows when we were there.
I’m curious how that went from something you thought was cool to a question of how you could bring it into the world GIFT.
We started DJing a lot in New York. There’s an influx of this “indie sleaze revival,” which I don’t even know if that’s really a wave that’s happening, but that’s what the press loves to talk about in New York right now. Everyone’s a DJ in New York. We kind of got swept into it, but that’s not really our scene as much. We’re just doing our own thing here, but we did start DJing because our friends were asking us. It was cool because I’ve always been extremely into electronic music; it’s been a huge part of my life since I was a kid. It was always guitar music and electronic music for me. I used to make a lot of electronic music when I was younger, but they were so separate. On the last record, Momentary Presence, it got a little closer because we were using synths and maybe some drum machines, but this one really fused together the electronic elements that I bring in, where we’re using – you see all the synths behind me. I have a bunch of these sequencers that we’re using. I think we all just gravitated towards that style, wanting to explore different things.
We’ve never really wanted to be pinned down by a genre for GIFT. When we did our debut album, we realized we could do whatever we wanted because nothing would seem too out of the ordinary. We don’t want to be pinned into, like, shoegaze-y or something like that. We actually don’t like the term shoegaze to describe us that much. I love shoegaze bands, but I feel like we’re probably the worst example of a shoegaze band in terms of what proper shoegaze is. We just have a lot of sounds going on, I guess.
Did signing to Captured Tracks shift the conversation at all in terms of what you wanted the band to represent? What effect did it have?
It had a huge effect. When we met them, I remember telling them, “I’m sure if you look through your demos right now, you’ll find my 15-year-old music project in there somewhere.” [laughs] I’ve loved the label forever, and I’ve loved so many bands on there, DIIV and Beach Fossils when they were on there for a couple of singles, Wild Nothing, Juan Wauters. I grew up in Boston, and when all this was happening, New York was the neighboring city I was looking at being like, “Whoa, this is happening. This is really cool.” And Captured Tracks was definitely at the center of a moment in New York, which is a really hard thing to have – a big moment in New York – because it seems like there’s so much going on. But they were having a huge moment with the DIY scene, and I remember visiting and seeing that stuff and being really excited by it.
When I moved here, that moment had definitely passed. Captured Tracks was still killing it, but all the DIY venues were gone. When we finalized the signing, I was really excited because I felt like Captured Tracks hadn’t had a New York band in a long time, and they were so New York-centric. At one point, probably every band on their roster that was doing really well was in New York, they were all playing together and touring together. And I think we’re actually the only active young New York band on the label right now. There’s Juan Wauters, but he’s been on there for a while. The Lemon Twigs too, they’re from Long Island. But we were stoked because we’re in New York, this is a New York label, and it feels like we’re kind of carrying the torch in a way. It gave us a bunch of fire to make the album really good. We were going to make it good, but it gave us this confidence, being on this independent New York record label where you get the chance to make a record – multiple records.
Since making Momentary Presence, you’ve created a dedicated space for your bandmates. Going into Illuminator, what did you discover about your dynamic as a group as a result of that shift?
When I started GIFT, it was inherently my project, and Momentary Presence was very much me. When it came time to record Illuminator, everyone seemed a lot more invested and really wanted to be a part of it. The previous album was during COVID and it was a little hard and I didn’t want to wait for anyone, so I took the reins. But this time, I was getting really inspired by the way I individually collaborated with everyone. We weren’t going to our practice space and messing with the songs all together. I was poking people in very specific ways where I knew their strengths would be.
For example, Justin, who plays synth and guitar, is a master engineer and knows so much more about outboard gear than I do. So we worked a lot on production together, he was there every step of the way during the mixing and mastering process. Jessica is really keen on lyrics, and she’s great. She helped me decipher things and we wrote a lot of the lyrics together on this one. Gabe was helping with drums – I play drums, but I’m not the best drummer, and he just elevated it rhythmically. And Kallan was helping a lot with song structure. I don’t even know if there was a time, besides when we were recording drums, when we were all together working on this because it felt like I could get so much more focused when everyone was coming into the studio and doing what they do best. I definitely surrendered a bit of control, which was good for me because I ended up having a lot more fun than just stressing myself out the whole time. The songs flew by so much quicker just because I had another person to be like, “Is that good?”
When you bring a song as inward-looking as ‘Water in My Lungs’ to the table, how do you feel like it transforms in a communal or live context?
We’ve only played ‘Water in My Lungs’ live once, so we haven’t really had a chance to do it more. But we’re definitely going to be playing it in Europe, and I’m curious to see how it translates because it sounds really good live, the way we’ve been practicing it. I’ve definitely listened to it, like, walking around the city, and started getting really emotional because it brings me back to a time that wasn’t amazing. I don’t feel like I get super emotional live because there’s so much going on, and it doesn’t hit as hard. I think it’s a lot easier for me to be moved by recorded music than live music. Live music is more of a general feeling, where I’m not really listening to lyrics as much. There’s so much going on – I’m looking at the drummer, looking at the bass player. But I’m interested to see how people react to it. I think it’s going to be more of an energy thing. Usually, our live sets are big and loud, and that’s a moment that brings you back down for a second, so I’m curious to see if people will ride with us back down.
I have such a hard time remembering lyrics live, which is my one downfall. I’ll never miss a note on guitar, but lyrically, I’m two steps ahead of what I’m singing every single time, trying so hard to remember the words because my brain just does not remember lyrics. I kind of go into this mode of, I’m there just singing lyrics but not really feeling them, so I’m interested to see how it translates.
How about turning a demo into a recorded track? How do you go about retaining that feeling?
When I’m writing music, it’s about capturing a feeling, and sometimes it’s really hard to get back to that feeling. If you pick it up a month later, your chemical makeup in your body and brain has changed, and you’re just a different person. I usually try so hard when I have that feeling while recording a demo to finish as much as I can in that moment because I know it’s going to be hard to get back into it.
This time around, my friend Ricky, who mixes our records, gave me all this gear because he was like, “If you want to try to keep demo-recorded material in the final mix, you need to get a better preamp.” I did a super upgrade of my studio, so a lot of the takes – like, ‘Glow’, is pretty much all the original guitar parts, I don’t think I changed anything from the second I sat down to record that song. ‘Water in My Lungs’ is similar too – I don’t even know if the guitar part changed at all. You can try so hard to rework that magic, but there’s just something in the timbre or the energy you’re playing at that moment that’s so hard to go back to.
It’s interesting that so much of ‘Glow’ was there from the start. To me, it’s the most transcendent moment on the album, especially the way it flows in the tracklist.
Yeah, that was a crazy one to work on. I tried to fight it for so long with the flow, because it’s the one song on the record that meanders and kind of does its own thing. I really wanted it to have a chorus and a regular song structure, but one day I was like, “Why am I trying to fight this? It should just be what it needs to be.” And I’m stoked I did that because the album needs those weird, freak-out moments that just go off.
A lot of the album is about the fear of losing hold or slipping away, but there’s also a thrill attached to that feeling, and ‘Glow’ is a moment where you really lean into it. Was that ambiguity something you wanted to lay down musically – that fear being both terrifying and desirable, in a way?
Yeah. Structurally, we wanted to have rigid song structures with more choruses, and then the times where it deviates from that feel so much more impactful, like ‘Glow’, which is about letting yourself in the transcendental world of existentialism – just letting go. We were trying to contain ourselves a bit but also break out in certain moments. On the last record, every song was like seven minutes long with fifteen choruses, it was these insane odysseys the whole time. This time, we wanted to condense everything into more digestible bites and have each song move along quicker. We wanted to get out of the trance mindset and focus more on choruses and melody. But we can never not have those moments.
There’s a sense of optimism in a song like ‘Light Runner’, where you sing about being “mesmerized by the light.” The word “light” seems to hold different meanings throughout the album. Can you talk about what that multiplicity represents for you?
I feel like most of the songs deal with light or the abstract idea of light. I was having these sort of visual daydreams about chaos in terms of light streaks and realizing that, like, we blinked and a year went by. It’s a scary feeling. When you start a band, you blink and it’s all different. People are coming in and out of your life. There was a massive breakup that happened for me along the recording of this record, which was crazy – the person you knew becomes someone you don’t even know anything about. I feel like the two main themes for us were light and water, but light is either about speed or light as illumination, in terms of an aura or a vibe. We were really inspired by the way light interacts with life: it’s the fastest thing in the world, it’s the sun, it can be really psychedelic when it’s warped. It’s funny because ‘Light Runner’ feels, not like an outlier lyrically, but it’s definitely more of a pop song in terms of its feel-good nature. The rest of the album, I think if people really dig into the lyrics – which isn’t something I always do when I listen to music – there’s definitely some darkness that’s happening. A lot of the songs merge this optimism with this darkness.
It’s also interestingly tied to the album cover, which you’re credited for conceptualizing. What was the thinking behind it?
I knew I didn’t want it to be just one person. I knew it was going to be two people because so much of this album is about the intermingling of people, whether it’s platonic relationships, romantic relationships, or anything coming in and out of lives. It’s about the butterfly effect of, if this one thing didn’t happen, would these people have ever crossed paths? And when they cross paths, it’s like a chain reaction to something else. A big emphasis visually was on movement and motion. We loved the idea that it could be two people dancing or two people intermingling in a way, warping together. But the water aspect also plays into it; in many ways, it represents two people sinking to the bottom of a body of water, warped together and glowing
Given the themes of anxiety and transcendence on the album, I’m curious if you could share something that grounds you or keeps you present. It doesn’t have to be musical.
I feel like Momentary Presence was all about the meditation of life and actual meditation. And then Illuminator was about saying “fuck you” to trying to feel grounded and letting go. But since then, we’ve been touring so much and everything has been so crazy that I haven’t been doing a great job at grounding myself. But one thing that always helps is just – going on a walk is a lot more powerful than people think; actually moving and changing environments. But honestly, I think I’m still in my “fuck it” phase and just leaning into everything. I haven’t felt as anxious because it’s an experiment in surrendering control and fear of the future. We’re about to go on this crazy tour, and I’m excited to lean in even more. But there is one album that I absolutely love and that will no matter what calm me down. It’s by S.E. Rogie, a palm wine guitarist from Sierra Leone, and it’s called Dead Men Don’t Smoke Marijuana. That’s probably my most listened-to record every year.
This interview has been edited and condensed for clarity and length.
Why Bonnie have unveiled a new single, ‘Three Big Moons’, which appears on their forthcoming LP Wish on the Bone. Following previous entries ‘Dotted Line’, ‘Fake Out’, and ‘Rhyme or Reason’, the track is “about how isolation can be equal parts comforting and lonely,” according to the band’s Blair Howerton. Check out a video for it below.
“I love Sylvan Esso and was excited to hear the song through their ears,” the Postal Service’s Jimmy Tamborello said in a statement. “It came out so good, big and tweaky and fun!”
Sylvan Esso added: “’The District Sleeps Alone Tonight’ was a formative song for both of us, Nick remembers hearing the promo copy spooling out of his car speakers while he delivered pizza – Amelia remembers hearing it in the back of someone’s van during her freshman lunch hour. Both of us thought the song touched something new then – and to be asked to reinterpret it now is an honour.”
Mallrat has released a new song called ‘Ray of Light’. The track was produced by Styalz Fuego and mixed by Oli Jacobs. Check it out below.
“I often feel pulled in certain directions by invisible forces,” Mallrat explained in a statement. “I secretly suspect that it’s the work of heavenly angels, and sometimes I feel like an alien for these inexplicable knowings. When I imagine this situation through the eyes of somebody who doesn’t know wide eyed wonder, I think… These thoughts are at worst grounds to be admitted to the psych ward, and at best an embarrassing cocktail of narcissism and delusion. Wait, I’m Not Crazy! I’m Locked In And Can Talk To Angels!!”
Soul Asylum have announced their 13th album, Slowly But Shirley. Recorded live with producer Steve Jordan, the LP will be out on September 27. Check out its lead single, ‘Freak Accident’, below.
“It’s built from experience and pain and shame,” Dave Pirner said of the track in a press release. “The joke’s always on me, let’s just put it that way. Everyone makes mistakes.”
The record’s title and cover pay homage to the pioneering drag racer Shirley “Cha Cha” Muldowney. “When I was a kid, I loved drag racing,”Pirner explained. “And she was the first woman of drag race. It meant a lot to me that she was willing to stand up against all these men in racing. My manager called her up, and she gave us her blessing, which means a whole lot to me because she was a childhood hero.”
Floating Points has released a new single, ‘Ocotillo’, taken from his upcoming full-length Cascade. Following lead cut ‘Key103’, the song features harp from Miriam Adefris, while Sam Shepherd plays a clavichord inherited from his great aunt. It arrives with an “alive painting” by Tokyo-based artist Akiko Nakayama, which you can check out below.
If you’re anything like me, you always look for the next big thing in the casino gaming world. And let me tell you, 2024 is shaping up to be a banner year for the industry, especially right here in the UK. We’ve got a fresh batch of game developers ready to take the online casino scene by storm. So, grab your favourite beverage, settle in, and dive into the best new entrants in UK casino games development that you should keep your eyes on!
Casino Games Developers VS. Online Casino Providers
Casino game developers are the creative forces behind the games available in online casinos. They specialize in designing and programming the games that players enjoy.
Key Responsibilities:
Creating engaging and unique game concepts.
Writing code for the games, ensuring they operate smoothly on various platforms.
Crafting the visual and auditory elements of the games to enhance player experience.
Ensuring games are fair through rigorous testing and obtaining certifications from independent bodies.
Regularly updating games to fix bugs and introduce new features.
We will share a list of 5 casino game developers to follow later in this guide.
Online casino providers, also known as operators, are the platforms where players go to play the games developed by the game developers.
Key Responsibilities:
Operating the website or app where the games are hosted.
Obtaining licenses and ensuring compliance with legal and regulatory requirements.
Providing support to players for any issues related to gameplay, payments, and account management.
Attracting new players through bonuses, promotions, and loyalty programs.
Managing financial transactions, including deposits, withdrawals, and anti-fraud measures.
5 UK Casino Games Developers of 2024 Worth Watching
Isn’t it amazing how the online casino world just keeps getting more thrilling? It’s like a never-ending party with big names like Apricot (formerly Microgaming), Pragmatic Play, Netent, Betsoft, and Playtech always upping the ante. These guys are the rock stars of gaming, dazzling us with their super cool tech, games that suck you right in, and graphics so pretty they could hang in an art gallery.
Let’s start with Apricot —they’re the OGs of this scene. They’ve been cooking up some seriously epic games for ages. Ever heard of Mega Moolah or Immortal Romance? Yeah, those hits came from their kitchen. They’re all about making things smooth for players and bringing eye-popping graphics to the table.
Then there’s Pragmatic Play, the new kid on the block who’s already turning heads. Their games are like a box of chocolates—full of surprises, gorgeous visuals, and stories that keep you coming back for more. Whether you’re gun-slinging in Gates of Olympus or diving into a candy dream in Sweet Bonanza, they’ve got something for everyone.
Oh, and we can’t forget about Netent! If you’re looking for games with that special something—killer themes, tunes that stick in your head, and buttery-smooth gameplay—then you’re in the right place. Starburst, Gonzo’s Quest, Dead or Alive—these games are the stuff of legend!
Betsoft? They’re the Spielberg of casino games. Seriously, their stuff is like a Hollywood blockbuster with all those 3D graphics and storylines that grab you. Whether you’re getting your sugar rush in Sugar Pop 2: Double Dipped or feeling the heat in Chilli Heat, Betsoft games are a visual treat that you don’t want to miss.
Last but not least, Playtech is the big boss of variety. They’ve got everything from old-school classics to the latest slots, all top-notch quality. Age of the Gods, Gladiator, Quantum Roulette—these games are like a VIP pass to entertainment town, blending the best of the old school with the shiny new.
Latest trends in the UK casino games market
The UK’s casino game scene is always buzzing with something new. It’s like a never-ending festival of fun, and players like us always look for the next big thrill. Lately, some super cool trends have reshaped the game, and giants like Apricot are right in the thick of it.
So, what’s hot right now? Well, everyone’s glued to their phones these days, right? That’s why mobile-friendly casino games are all the rage. We want our slots and table games to travel with us, from the morning commute to a lazy Sunday in bed. And guess what? Game developers are listening! They’re crafting games that look and play great on tiny screens without skimping on the fun factor.
And then there’s the live dealer craze. It’s like having Vegas in your living room! More and more of us crave that real-deal vibe, with actual human dealers dishing out cards and spinning roulette wheels. It’s all about getting that authentic, interactive buzz—and the tech behind it is seriously impressive.
But wait, there’s more! We’re also seeing some wild new gameplay features popping up. Think reels that tumble down like waterfalls, symbols that grow and fill up the screen, and bonus rounds that take you on mini-adventures. These twists and turns keep us returning for more, eager to see what kind of fun the next click might bring.
With all this demand for mobile gaming, live action, and fresh gameplay, the big game providers are under pressure to stay ahead of the game. And let me tell you, they’re stepping up! Apricot, Pragmatic Play, Netent, Betsoft, and Playtech are all tweaking their strategies to ensure they’re serving up the hottest games on the market.
Wrapping up
So, there you have it – a sneak peek at the UK’s hottest new casino game developers for 2024. Whether you’re a fan of retro reels, narrative adventures, social spins, sensory escapades, or high-flying action, something new and exciting is waiting for you. Remember to gamble responsibly, but most importantly, have fun exploring these groundbreaking games. Who knows? You might just find your new favourite developer among these rising stars.
Yaeji has returned with a new single, ‘booboo’, her first single of 2024. The NYC-via-Seoul singer-producer debuted the track during her Boiler Room set at Brooklyn Mirage. Check it out below.
Speaking about the track, Yaeji said: “i think with anything — a little breathing room, a little break — distance makes the heart grow fonder. with the overpowering attention that came from ‘raingurl’, i took a break from clubbing, dance music, and the underground scene, but in that time away from it all, it’s allowed me to gain new perspective and a deeper appreciation for it. this year is the 10-year mark for many of the parties my friends and i used to go to, so ‘booboo’ coming out now feels like full circle moment. and with my closest friends — who i’ve witnessed grow as DJs and start their own labels, throwing parties & having fun, all while creating a radical and safe space, it’s been so fun being their cheerleader and now rejoining them in the club, front right!”
Yaeji’s debut LP, With a Hammer, came out last year.
