What a week for fans of deadpan delivery, gorgeous costumes, and morbid vibes! After a torturous wait, the second season of Netflix hit Wednesday is finally streaming, with four episodes sure to get your blood pumping.
The show has started to trend even before it premiered, and the first season made a comeback in the streamer’s Top 10 charts. Season 2 will likely occupy the top spot very soon.
But what about season 3? Are there any whispers on the horizon? Here’s what we know so far.
Wednesday Season 3 Release Date
Not to worry, Wednesday has been renewed for additional episodes. While the entire Addams clan will be back, no information as to when is available at the time of writing.
Season 2 of the series was split into two parts. The first four episodes are now streaming, and Part 2 will arrive on September 3. Your 2025 semester at Nevermore isn’t over just yet.
Netflix announced that Wednesday season 3 is happening ahead of the season 2 premiere, noting that “bad things come in threes.” Fun!
However, fans will likely have to settle in for a longer-than-usual hiatus. Season 1 premiered in 2022, with the second dropping three years later, in 2025. At best, we estimate that the third outing won’t be here until 2027 at the earliest.
Wednesday Cast
Jenna Ortega as Wednesday Addams
Victor Dorobantu as Thing
Emma Myers as Enid Sinclair
Joy Sunday as Bianca Barclay
Catherine Zeta-Jones as Morticia Addams
Luis Guzmán as Gomez Addams
Isaac Ordonez as Pugsley Addams
Steve Buscemi as Barry Dort
What Could Happen in Wednesday Season 3?
Wednesday revolves around the titular character, Wednesday Addams, the brilliantly morbid daughter of the Addams family. She joins Nevermore, a peculiar academy for outcasts, vampires, werewolves, and other creatures.
Once there, Wednesday becomes entangled in a series of murders plaguing the local town. Soon, she finds herself at the centre of a supernatural mystery.
In season 2, the heroine returns to the Gothic halls of the school after spending her summer tracking a serial killer. However, her newfound celebrity status brings unwelcome complications. A new principal revives old traditions, a mysterious stalker lurks in the shadows, and she’s plagued dangerous psychic visions.
As to what might happen in Wednesday season 3, it’s a little soon to speculate. Season 2 Part 1 ends with a cliffhanger. The remaining four episodes, which arrive in September, might shed light on what the future might bring.
One thing’s for sure: the family’s rich history will continue to be explored in future installments. “We will be seeing more Addams Family members and learning more family secrets in Season 3!” co-creator and showrunner Alfred Gough said.
We’re rotting with anticipation.
Are There Other Shows Like Wednesday?
If you’re into Wednesday’s haunting mix of spooks and humour, there’s some similar content on Netflix you can explore as you wait for more episodes.
We recommend checking out Chilling Adventures of Sabrina, Locke & Key, Stranger Things, A Series of Unfortunate Events, and The Umbrella Academy.
Willing to venture outside of Netflix? Check out Penny Dreadful, The Magicians, Buffy the Vampire Slayer, What We Do in the Shadows, and Legacies.
Deftones have shared an explosive new single, ‘milk of the madonna’. It’s the second single off the band’s 10th studio album, private music, which is slated for release on August 22. It follows ‘my mind is a mountain’. Take a listen below.
Yesterday, Dacus revealed that she has updated the (rather divisive) artwork for Forever Is a Feeling to honor her original idea for the cover, showing the Will St. John painting photographed in medium format by Jon Henry. Dacus is currently on tour, where she’ll be officiating weddings for concertgoers.
In this segment, we showcase the most notable albums out each week. Here are the albums out on August 8, 2025:
Ethel Cain, Willoughby Tucker, I’ll Always Love You
Ethel Cain‘s new album is billed as the prequel to her 2022 breakthrough Preacher’s Daughter, a debut album that served as the beginning of a trilogy following three generations of women. If Willoughby Tucker “closes the chapter” on Anhedönia’s alter ego, as she has claimed, it’s an unwaveringly tender and astounding portrait, caught between nostalgia and dreams of violence, tangled yet steadfast in its romantic beliefs. And while she has framed the ambient-leaning Perverts as a standalone project, it also acts as a musical bridge to the new album, which balances her atmospheric and narrative world-building. Cain can’t help but draw a line from love straight to death, but not without submerging herself in it. Read the full review.
Ada Lea’s new album, when i paint my masterpiece, emerged from a period of burnout, during which the singer-songwriter took a break from music to focus on painting, poetry, and teaching. She found ways to practice her love of songwriting that weren’t reliant on music industry expectations, leading to a collection of unburdened, intimate, and free-associative songs, several of which are up there with her best. It was previewed by the singles ‘midnight magic’, ‘something in the wind’, and ‘baby blue frigidaire mini fridge’.
Amaarae is back with Black Star, a recklessly hedonistic and radiant follow-up to 2023’s Fountain Baby. On the early single ‘Girlie-Pop!’, the Ghanaian American artist sings about leaning genres into pop, a principle she applies to a variety of dance styles ranging from baile funk to Eurodance, ampiano to techno. The record boasts guest spots from PinkPantheress, Naomi Campbell, Charlie Wilson, Bree Runway, and Starkillers.
Gordi’s third album, Like Plasticine, has arrived. “Today, as I finally set this album free, I am reminded of its beginning,” Sophie Payten reflected in a press release. “Deep in the middle of the pandemic I began writing the songs that would make up Like Plasticine, wondering what the purpose of music was at all. I tried to stop thinking and just feel. When I look back on that time now, sitting in Phoenix Central Park surrounded by things I could make music with, I see ‘Like Plasticine’ arriving as though it was a fire hydrant erupting. Everything we try to contain comes out one way or another. So when you listen to this record, un-contain yourself, stop thinking, and just feel.”
Humour’s debut album is as fiercely heartfelt as it is surrealist, full of dreamlike hooks and tender revelations. “I don’t think the album needs or should be interpreted as being about Greece or learning the language or anything to do with that,” frontman Andreas Christodoulidis explained in our Artist Spotlight interview. “I liked the idea of learning Greek meaning exploring the past, exploring memories and nostalgia and fragments of memory and identity. For me, it’s not so much about the language particularly, but coming back to the past and the building blocks of yourself.”
While Magic of the Sale feels like a significant upgrade from Teethe’s self-titled debut, the band didn’t mess with their approach too much. They worked in separate rooms spread between Dallas and Austin, uploading demos and musical bits in a shared folder, before vocalist Boone Patrello edited it all together over four painstaking months. Co-vocalist Madeline Dowd, who painted the cover of their first album, also painted the new one’s cover art. As lushly atmospheric as it is melodic, the record features contributions from Hovvdy’s Charlie Martin, Xandy Chelmis of Wednesday/MJ Lenderman, Logan Hornyak of Melaina Kol, and Emily Elkin cello.
Danger in Fives, the third album by Wombo, is eerie, jagged, and entrancing. The Louisville band introduced more digital texture and drum machines this time around, aiming to “get away from a results mindset, where it’s about producing things for a certain expectation instead of doing it all for the joy of exploring,” per guitarist Cameron Lowe. They also explored different writing techniques, balancing wackiness with genuine emotion. Vocalist/bassist Sydney Chadwick added, “I don’t want to be in a band that’s confined to one form of writing. Where’s the fun and the creativity and the exploration in that? You have to push yourself and try something new.”
In writing the second For Those I Love album, Dublin producer and songwriter David Balfe ran the risk of re-traumatizing. As lyrically dense and heartrending as his award-winning debut, Carving the Stone focuses on working-class life, gathering observations and thoughts he had while walking around his home city. “I was just trying to work away on myself,” he said of the album’s title, which referenced a turn of phrase he often used when asked how the album was going. “There were the practicalities of the long recovery from the years that preceded the inspiration for the first album. I felt like I was just trying to
work away on myself while having an idea of what I was trying to uncover.”
The Black Keys, No Rain, No Flowers; No Joy, Bugland; Phil Elverum & Arrington de Dionyso, GIANT OPENING MOUTH ON THE GROUND; Machine Gun Kelly, Lost Americana; Anamanaguchi, Anyway; No Joy, Bugland; Gunna, The Last Wun; Roc Marciano & DJ Premier, The Coldest Profession; OSEES, Abomination Revealed at Last; J.I.D., God Does Like Ugly; Field Medic, Surrender Instead; Big Freedia, Pressing Onward; Sinsaenum, In Devastation; Mechatok, Wide Awake; blood pact scout, to live slowly, without fear of its consequences.
As much as it hurts to admit, we’re in an era where cinema struggles more than before. And it’s because we’re in the age of endless streaming. Also, many moviegoers don’t find going to the theaters worth their time and money anymore. They would rather pay for a subscription or find free platforms to watch movies and shows in the comfort of their home. Likewise, Tubi is a favorite of many viewers. However, this platform is not always stable and available in every region. If you’re stuck staring at a loading screen, it might be time to explore our list of Tubi alternatives.
This article provides detailed information about streaming alternatives, available mirror sites, and Reddit news.
Five Recommended Tubi Alternatives
OSN+
OSN+ is a premium streaming platform. While it’s not a free website, the deals are very affordable. The standard plan with ads starts at only $3.49 a month, and the standard plan without ads is $7.99 per month. Specifically, the platform allows users to experience every detail with stunning 4K content. Also, it has a kid-friendly section that offers safe and entertaining movies and shows.
Stan
Stan provides a high-quality streaming service. From $12 to $22 per month, you can access the latest and exclusive films and TV series without interruptions. Similarly, viewers can watch the biggest sports programs anytime and anywhere. You can also choose to stream between HD and 4K to match your preference.
123Chill
123Chill is for fans of free streaming. This online website offers unlimited movies without the need for subscriptions. Likewise, it contains a large library of content in high definition. 123Chill even has a dedicated section for films that have high IMDb ratings.
Flixrave
Flixrave has tons of movies and TV shows in high definition at no cost. It also has content across all genres. Particularly, users can find comedies, dramas, romances, thrillers, and many more. If you’re looking to watch timeless classics and latest blockbusters, Flixrave is a good addition to your Tubi alternatives.
Flixfare
Flixfare is a free website that provides the ultimate cinema experience at your fingertips. This one is also a popular destination for streaming TV series and quality films. At the same time, its content is available in high quality and on different devices.
Available Mirror Sites for Tubi
The domain (https://gdpr.tubi.tv/) for Tubi is currently working just fine. However, its availability may vary depending on your area. Similarly, there are no available proxy sites for it.
Reddit News About Tubi
On Reddit’s r/Letterboxd and r/unpopularopinion threads, many users share their positive feedback on Tubi. Some say it’s one of the best streaming platforms. Others also claim that it’s better than Netflix. While opinions vary in some cases, the comments are mostly positive.
Final Notes
The main site of Tubi is working perfectly. But if you’re one of those users whose region is blocked, then exploring Tubi alternatives is a must. Although there are free websites on the list, it’s best to stick with subscription-based platforms. In this way, you can ensure your safety and avoid legal issues that come with most free sites.
Tesla vehicles are popular for their cutting-edge technology. However, its best upside also becomes its worst downside. Yes, owning a Tesla gives you advanced functionalities and powerful electric performance. However, these premium features are also the reason behind the higher insurance costs for Tesla. If you are planning to buy an electric car from the famous brand or if you already own one, knowing the insurance prices is a big help.
This article provides a detailed overview of the average costs of insurance and the factors that influence them.
Average Insurance Cost by Tesla Model
Based on Value Penguin, the following are the average insurance prices for a Tesla per month:
Model Y: $255 a month
Model 3: $282 a month
Model X: $356 a month
Model S: $413 a month
Likewise, Bankrate says the following are the average minimum coverage insurance prices for a Tesla per year:
Model Y: $833a year
Model 3: $795 a year
Model X: $841 a year
Model S: $805 a year
Similarly, Bankrate lists the following prices as the average full coverage insurance prices for a Tesla per year:
Model Y: $3,836 a year
Model 3: $3,537 a year
Model X: $5,591 a year
Model S: $5,553 a year
Why is Tesla Insurance Expensive?
On average, Tesla vehicles are more expensive to insure than most conventional cars. Specifically, the higher insurance prices are due to high repair costs. Since the electric vehicles by Elon Musk are high-tech, they require a significant amount to fix and maintain. Also, only Tesla-approved repair shops are allowed to service them. This often leads to higher costs for the owners because of the intricate training and equipment necessary for repairs. In fact, models from the American company cost a lot more to insure than other electric vehicles from competing brands.
Does Tesla Offer its Own Insurance Program?
Yes, Tesla does have an in-house insurance program. And at some point, its prices are more affordable than those of third-party insurance providers. Similarly, it’s competitive for good drivers as it uses telematics. The company bases your insurance premium on your monthly Safety Score. The higher your safety score is, the lower your insurance rate drops. Also, Tesla’s insurance products are only available in the following 12 states:
Arizona
California
Colorado
Illinois
Maryland
Minnesota
Nevada
Ohio
Oregon
Texas
Utah
Virginia
What This All Means For You
This guide makes you understand that insurance for a Tesla isn’t cheap. You need to consider several factors to limit your insurance expenses. Similarly, there are plenty of options to choose from.
Final Tips
Before buying any insurance, it’s best to ask around, find bundled insurance deals, and maintain a clean driving record.
Cass McCombs has released a new single, ‘I Never Dream About Trains’, lifted from his upcoming album Interior Live Oak. Following previous tracks ‘Priestess’ and ‘Peace’, the song languishes in poetic ambiguity even as it appears lyrically and musically straightforward. Give it a listen below.
Interior Live Oak, the follow-up to 2022’s Heartmind, is due for release on August 15 via Domino.
Florist‘s Emily A. Sprague has announced a new ambient album, Cloud Time, which is set for release on October 10. The album’s luminous opening track, ‘Tokyo 1’, is out now. Check it out below.
Sprague recorded Cloud Time while touring Japan last year, drawing inspiration from the Japanese environmental music philosophy kankyō ongaku. “When I began preparing for the tour, I couldn’t shake a sense that the invitation to Japan was more about opening myself up to this new place instead of bringing something into it tightly under my control,” Sprague shared. “Improvisation has always been such a pillar in my music practice, and I really wanted to meet the country, spaces, and people through that process.”
“The process of loving wherever I am, being present and focusing on a clear channel of communication for mind and emotion, rooted so deeply in respect for the space, those within it, and myself, ended up being profoundly healing,” she added. “My vision and hope is that this album can be released as a gift back to anyone who either was or wasn’t there. A cloud time of life passing by.”
Willoughby Tucker, I’ll Always Love You is billed as the prequel to Ethel Cain’s 2022 breakthrough Preacher’s Daughter, a debut album that served as the beginning of a trilogy following three generations of women. Even before it was released, when Hayden Anhedönia was promoting the Inbred EP, she seemed eager to complete and roll it out, overflowing with ambition. Perverts, the 90-minute ambient EP she dropped earlier this year, was such a sonic departure you had to wonder if Ethel Cain’s success had dimmed her interest in advancing the trilogy. If Willoughby Tucker “closes the chapter” on Anhedönia’s alter ego, as she has claimed, it’s an unwaveringly tender and astounding portrait, caught between nostalgia and dreams of violence, tangled yet steadfast in its romantic beliefs. And while she has framed Perverts as a standalone project, it also acts as a musical bridge to the new album, which balances her atmospheric and narrative world-building. Cain can’t help but draw a line from love straight to death, but not without submerging herself in it.
1. Janie
The story begins in 1986, in the throes of a high school breakup. With little more than wispy guitar and weighty bass, Ethel Cain locks us into a knotty dynamic, teasing a compelling twist: “I know she’s your girl now/ But she was my girl first,” she sings, throwing the listener off guard before revealing that girl is her sister. Hayden Anhedönia sings with an eerie quiver and wide-eyed yearning, often in the same breath, amplifying teenage insecurity. “I can see the end in the beginning of everything/ And in it, you don’t want me.” Fans of Preacher’s Daughter know the end, but of course they want more.
2. Willoughby’s Theme
A delicate piano theme is swallowed up by a cloud of ominous synths and electric guitar, the spectre of violence. As if his name is unutterable yet stirs up a storm that persists even in the quietest mornings. We know that Ethel Cain’s universe was initially conceptualized with visuals, but such instrumentals are evocative on their own.
3. Fuck Me Eyes
A character portrait disguised as a pop song is Ethel Cain’s bread and butter, though for as accessible as it sounds, the text here ensures it’s no more sellable than everything around it. (Unless you’re profiting off vibes, not radio play.) The strobing ’80s synths situate us in the right decade, replete with booming drums that betray several spins of Hysteria. The “Miss Holiday Inn” in question (“They all wanna take her out/ But no one ever wants to take her home”) is not the object of desire, nor a mirror for our protagonist, so much as a point of reference for her insecure, self-punishing internal world: “I’ll never blame her/ I kinda hate her/ I’ll never be that kind of angel/ I’ll never be kind enough to me.” The song’s glorified nostalgia, more than just a form of empathy, is that little bit of tenderness for the one stuck down on Earth, aching just as much to feel good.
4. Nettles
‘Nettlles’ may have been the first song Anhedönia wrote in the Alabama house where she finished Preacher’s Daughter, but it’s illuminated by a vision of the future, the fantasies Cain can’t shake. In the context of the album, it is a strikingly liminal introduction to the relationship between her and Tucker; she describes an injury he sustained from an industrial accident, suspending their story between a violently paced upbringing and an imagined, paradisal marriage. Yet its bluegrass arrangement, complete with banjo, fiddle, and pedal steel, is such a stark contrast to the surrounding shimmer and noise that it’s immediately cemented as both the sweetest and realest expression of their love, inextricable as it may be from suffering. Cain’s voice has never sounded as gorgeous, soaring high, as when she sings “This was all for you,” so the image stays firm as the album veers into its second half.
5. Willoughby’s Theme
This instrumental is more in the Grouper zone, with breathy vocals misting over burbles of guitar. Though the track builds in intensity, its most beautiful minutes arrive after the storm dissolves, when the piano starts trickling down, obscured yet starry-eyed.
6. Dust Bowl
“Ethel Cain lived and died loving and praying to be loved back,” Anhedönia told The Guardian. “The entire Preacher’s trilogy is centred around love. Love lost, love gained, love perverted, love stolen.” Maybe even in that order – after ‘Nettles’, ‘Dust Bowl’ is “love gained.” It’s sublime and trance-like, reminiscing on the pretty boy who took her to slasher flicks at the drive-in and kept his gaze locked on her, even with “all of Alabama laid out in front of your eyes.” The slow-burning track erupts at the end of the line, “Cooking our brains smoking that shit your daddy smoked in Vietnam,” triggering the familial trauma of her own story. Who knows what Cain wouldn’t have been if they hadn’t left this hell for her; still, the beauty in it is undeniable.
7. A Knock at the Door
‘A Knock at the Door’ feels like a secret tucked in the middle of the album, something you’d have to scratch to find. We hear the acoustic guitar up close, squeaking with each slide on the fretboard, and Cain’s voice is nearly unrecognizable in its intimacy. “Everything I’ve loved/ I’ve loved it straight to death/ So I’m still scared of that knock on the door,” she sings, as if unaware it is wide open for everyone to see. Maybe he is, too, if more afraid to show it, but they both would recognize each other in an instant.
8. Radio Towers
The third instrumental on the album flickers, like that hospital light, as if into another realm, or a leftover from Perverts. But it bleeds right into ‘Tempest’, offering some necessary breathing room before two epics.
9. Tempest
Cain repeats the phrase “I will always love you” just three times on the record; she wails the word “forever” on the penultimate track for three and a half minutes. Attached to it is not eternal love but pounding shame. “Don’t ask me why I hate myself/ As I’m circling the drain,” she sings earlier, and she doesn’t let you dissect her swirling anxiety and loneliness without experiencing it at gut level. As instrumental layers pile up, including vocals and lap steel by Vyva Melinkolya’s Angel Diaz, we can hear the thoughts possibly passing through her mind as her lover knocks on the door, or after she’s already opened it. She’s convinced she can’t be cured. But she’ll let regret seep deep into her body, until waiting for death seems preferable to forcing it.
10. Waco, Texas
Cain tests the listener’s patience by stretching the closing track towards 15 minutes, but with all the weight it holds – or attempts to shed off – it feels justified. ‘Waco, Texas’ contains some of her most unflinchingly poetic lyrics, and while it presents the story’s conclusion in the form of Tucker’s departure, it keeps going beyond the point of narrative progression. Unlike every other power ballad on Willoughby Tucker, I’ll Always Love You, it feels like a huge sigh of relief, somehow, not quite an explosion. “Love is not enough in this world/ But I still believe in Nebraska dreamin’,” she sings, tying things back to ‘A House in Nebraska’. Never enough to match our belief in it, maybe; yet still everything.
Creative expression gives young people an outlet to process emotions that might feel too big to handle. Art, music, and writing are well-established tools for building emotional strength, so calling them hobbies almost sounds dismissive.
Here’s a closer look at how creative practices promote calmness and build resilience. If you’ve ever wondered why picking up a paintbrush or jotting lyrics feels so grounding, keep reading.
The Science Behind Creative Outlets and Emotional Regulation
Engaging in creative expression has measurable effects on the brain. It actively changes how the body handles stress.
Activates areas of the brain tied to pleasure and reward
Lowers cortisol, the hormone linked to stress
Encourages a state of flow, reducing overthinking
Creative activities help process emotions without needing words. For young people, this nonverbal release feels safer than direct confrontation with their feelings.
Neuroscientists suggest making something with your hands, such as drawing or sculpting, connects thought to action, giving an immediate sense of control when life feels chaotic.
Art therapy programs back this up with results like fewer anxiety symptoms and stronger coping skills for participants.
Using creativity as an emotional tool means young people don’t suppress what they feel, and instead they work through it naturally. This builds confidence in managing future emotional challenges head-on.
How Music Soothes the Overwhelmed Mind
Music is a universal language that directly impacts emotions. It turns down the dial on overstimulated senses and gives young people a healthy way to process stress.
Benefits of engaging with music include:
Slowing heart rate through calming rhythms
Releasing dopamine, creating feelings of happiness
Providing structure, which eases anxiety
As discussed in the Autism Parenting Magazine guide to meltdowns, a musical instrument can effectively calm by focusing attention and promoting rhythmic movement. Playing or even listening becomes an anchor during emotionally overwhelming moments.
Young people often connect deeply with lyrics or melodies that mirror their experiences. This creates validation and a reminder tthat hey aren’t alone in their struggles.
Group settings like bands or choirs also encourage social bonds while fostering emotional release through shared sound. Weaving music into everyday routines means they gain both comfort and confidence when navigating high-stress periods effectively.
Visual Arts as a Tool for Processing Feelings
Creating visual art provides a physical way to release emotions. It turns domineering feelings into something tangible, offering clarity when thoughts feel jumbled.
Benefits of using visual arts include:
Translating complex emotions into color and form
Reducing stress through repetitive, soothing movements like sketching or painting
Improving focus by shifting attention from internal turmoil to creative action
Art lets young people express what they may struggle to say with words. Abstract drawings or collages become a safe space where their inner world can take shape without judgment.
Using textures, like clay, paint, or even simple crayons, helps them ground themselves in the present moment. This tactile experience reinforces calm during heightened emotional states.
Art journals combine self-expression with reflection by pairing imagery and writing. This dual approach encourages both creativity and personal insight while establishing long-term emotional resilience.
Writing Your Way Through Stressful Moments
Writing offers a private, judgment-free space to process overwhelming emotions. Whether it’s journaling or poetry, putting feelings into words can provide relief and clarity.
Benefits of writing include:
Organizing chaotic thoughts into manageable ideas
Offering emotional distance by framing problems in text
Encouraging reflection and deeper understanding of personal experiences
For young people who feel hesitant to talk openly about their struggles, writing becomes an outlet they control completely. A blank page welcomes honesty without fear of criticism. And while we might be living in the age of automated writing tech, this really isn’t a substitute for the real thing in the context of keeping young people calm.
Creative formats like short stories or song lyrics allow emotions to surface indirectly, which feels less intense than addressing them head-on. Freewriting exercises, where the focus is on writing continuously without self-editing, help release built-up tension quickly.
Over time, written records show growth and resilience as challenges are faced and worked through with thoughtful self-expression.
The Last Word
The simple truth is that creative expression equips young people with powerful tools to handle life’s emotional challenges.
Whether through music, art, or writing, these outlets make them more resilient and fuel their self-awareness.
Encouraging youngster to explore their creativity is a way of helping them manage stress, which in turn equips them with the tools they need to take on the wider world more confidently.