In this segment, we showcase the most notable albums out each week. Here are the albums out on October 23, 2026.
Fine, Jazz dreams
“Once whatever was between the lines/ Somehow paints the picture out loud,” Fine sings on ‘Much to say’, a highlight from her new album Jazz dreams. That’s one way of keying into the Copenhagen artist’s liminal songwriting, which remains as beguiling as it was on her solo debut, Rocky Top Ballads, if a little more flexible. In bending the album’s arrangements to the logic – though not any particular tropes – of its titular elements, she draws a mercurial portrait of desire out of the hollow ends of days, the emptiness of words, the endless stream of reference points. Read the full review.
Caroline Rose, Gentling the Horse at the Walt Whitman Mall
Caroline Rose has released a new album, Gentling the Horse at the Walt Whitman Mall. Produced by John Congleton, the follow-up to 2023’s The Art of Forgetting and the 2025 Bandcamp exclusive year of the slug marks their first first fully independent release on their new label, SUCK Records. It includes the previously released singles ‘Valery (please don’t be mad at me)’, ‘Hello Again, Jim’, ‘Calm’, and ‘Yip Yip Yow’. “I relate to characters who are a little strange, who are outsiders, who seem to fuck up a lot or find themselves in awkward situation,” Rose said in press materials. “Most of these stories are just pulled directly from scenes in my own life, so the character is basically always some version of myself.”
Grumpy have unveiled their sophomore album, Unfindable Ring, via Bayonet. Following a couple of EPs, it marks the Heaven Schmitt-led band’s first full-length since 2020’s Loser. Describing their process in a new interview with Our Culture (following our 2024 Artist Spotlight), Schmitt said, “With my band, my general philosophy is just to pick people whose tastes I really admire, and whose talent I’m attracted to, who are good people who I really love. And then, just let them fly. I generally like to just write a song and bring it to them, and they kind of have the instructions to inject themselves in whatever way they see fit. Especially with this past album, that’s when our sound really became a band because we were all together for every second of making this album.”
“What do you feel like you’ve won?” Fenne Lily’s father asked the singer-songwriter in the wake of a breakup, which occurred shortly after she moved from England to New York. It inspired the title of her resonant new LP, Win Win, which follows 2023’s Big Picture and digs deeper into heartbreak’s destabilizing aftermath. Recorded during late-night sessions with collaborators from both places, it leans into Lily’s conversational intimacy in an effort to soften, however achingly, the sensation of lost time and empty space.
Sour Widows have followed up their 2024 debut, Revival of a Friend, with a new album called Sigil. Turbulent yet prayerful, the new album finds Maia Sinaiko and Susanna Thomson teaming up with producer and Jay Som mastermind Melina Duterte, recording in downtown Los Angeles. Out now via Julia’s War Recordings, the record was previewed by the singles ‘Lucky Star’, ‘Blood in the Grass’, ‘Choke Chain’, and ‘Lullaby’.
Claud’s third studio album, Me and the Music, has arrived via Dead Oceans. Another album out today that was produced with John Congleton, the hooky, playfully exuberant effort follows 2023’s Supermodels. “I was just sick of taking everything so seriously – Supermodels was such a serious record, and I just sulked in feelings for so long,” Claud explained. “Such terrible things have happened in this country the last few years, but I’ve only grown closer to the people around me because of that. The world has shown me that the worst can happen, but it might just bring you closer to your community. There’s a difference between being sincere with life and taking life too seriously.”
Clara Mann has a strikingly intimate album out today titled Wishbone. Following last year’s Rift, the South London-based singer-songwriter’s second album was produced by 4AD resident Fabian Prynn, building tracks from Mann’s demos and voice notes across a handful of long days at Norfolk’s Bam Bam Studios. “I was so not used to hearing my music expanded like this,” Mann remarked, recalling the first time she heard Prynn’s drums. “The purest expression of a lot of this music, as I had experienced it, had always been me alone in a big hall.”
Sen Morimoto has dropped a new LP, Time Is On Your Side, via their own Sooper Records. The follow-up to 2023’s Diagnosis centers on the intimacy of Morimoto’s songwriting, embracing a more textural approach than 2023’s maximalist Diagnosis. “I’m not fighting time anymore,” Morimoto said in press materials. “I treat it as an ingredient. Some of these songs only need a pinch – a couple of improvised takes. Others sat for years, like wine in a barrel, until they became equal parts of my past and future. My hope is that it could inspire the freedom to slow down.”
John Legend, Muse; Anderson .Paak and Cordae, Heavy Is the Crown; Shabazz Palaces, It’s a Style Sport; William Basinski, Passing the Cup of Sorrows; Melissa Weikart, Contact; Josh Johnson, Animative; Tony Iommy, From the Dark; brakence, marroW; Michael Kiwanuka, FUDGE; Bernie Taupin, The Sea Has No Mercy; Axis: Sova, Flowerage; Lamplight, Lick the Spoon Let It Soften; Lennon Stella, Sleeping Lion; Penelope Road, Maybe in Time; total tommy, Trapezoid; Like Roses, After It Ends; Ugly, The South Facade; Wolves in the Throne Room, Estuary; Gus Dapperton, 4 Dear Life; The Olivia Tremor Control, The Same Place; Didacte, and to shine.
On the cover art of the new Grumpy album, Unfindable Ring, frontperson Heaven Schmitt kneels over a collection of tchotckes – a stray button, some jewelry, and several tiny animal figurines. The objects are spread out over a glowing yellow floor, as if lava is cooling underneath them. Schmitt’s fingers emerge from a pair of fingerless gloves, glowing orange as they press against the neon floor.
Unfindable Ring is Grumpy’s first full album since 2020’s Loser, when Grumpy was Schmitt’s solo project. On Unfindable Ring, you can now hear the contributions of the five new band members: Anya Good, Ellie Long (Kid Lake), Austin Arnold, Diego Clare (D.A. Crimson), and Lane Rogers. Together, they’ve crafted an LP that reminds me of Julien Baker’s most gutting lyrics and Alex G’s most distorted production. The six of them have captured a new emergent synth-folk sound, as loyal to the country scene in Nashville where Schmitt studied songwriting at Belmont University as it is to the grittiness of New York City, where the bandmates reside now.
Comprised of mostly trans musicians, and several of Schmitt’s ex-partners, Grumpy captures the magic of both the eternal and the temporary on their sophomore LP. I called Schmitt a few weeks before the release of Unfindable Ring, where he spoke to me one free afternoon from the road amidst his tour with Zach Bryan.
You started as a solo project, and you’ve grown in recent years to have a larger band. How has that changed the songwriting process? What have your bandmates taught you as you’ve grown as a project?
Heaven Schmitt: You know, I always wanted it to be a band, and in a way, it always was. But it wasn’t until I found the right people that our identity shifted to a band, a collaboration between six people. With my band, my general philosophy is just to pick people whose tastes I really admire, and whose talent I’m attracted to, who are good people who I really love. And then, just let them fly. I generally like to just write a song and bring it to them, and they kind of have the instructions to inject themselves in whatever way they see fit. Especially with this past album, that’s when our sound really became a band because we were all together for every second of making this album. All of us produced it, and recorded it together.
In other interviews, you’ve talked about being a band of mostly trans people. Your lyrics reference this, especially in ‘OBL’. Tell me more about how being trans influences your art.
HS: We talk a lot about this in the band, but there’s gotta be something about being trans that makes you a master of sound. Like, I hate to say that about myself, but… there are so many trans artists that I think there must be some brain connection with being trans and making music. Ellie said there is apparently a huge percentage of trans people who have synesthesia. But I also think our creativity has to do with the way that being trans makes you a more experimental person. I think you get used to doing things outside of what one might consider the norm. Because you have to go against so much to become who you are. You have to be so creative with your life that I think it makes you a more creative person artistically. For me, at least, it gives me a sense of, like, okay, I can actually do whatever I want, and I’m going to be good to my community and make myself happy.
Since I listened, I’ve been pondering the concept of things that are unfindable. I’m wondering if you have a take to share on what someone should do if they’re haunted by the unfindable?
HS: I was certainly plagued by this idea of, you know, the unfindable. And the song ‘Unfindable Ring’, I wrote for my girlfriend Ellie. In the beginning, I kind of pursued her for a long time, and she was very wary of having anything serious. I think she has some fear of commitment, you know? She has this question of like, “What if one day I feel trapped?” And she pointed out a pattern in me early on, which is that I’m such a grand gestures person, and I was really, like, sweeping her off her feet. But she kind of reflected something that no one had said before, which was like, “Hey, this is so grand and you are so attentive and perfect that it almost doesn’t feel deserved, and it’s hard to receive. I almost question if it’s even about me.” And I had never really questioned that, but after she said that, I was like, “Wait, I think I do have this desire to be so perfect for any partner or any person I’m seeing.” So the song ‘Unfindable Ring’ is about being a grand gestures guy. It’s about thinking that one day I will do the grand gesture that earns me unconditional love. But actually, [relationships] are not really about those things. So my advice for somebody searching for something that doesn’t exist, is forgive yourself and allow yourself to be imperfect. I think one of the hardest things about relationships is being witnessed. It can be so tough to be so known. So knowing that you and your entirety is worthy of love is helpful.
I’m wondering which song on this album was the most unfindable? What’s the one that took you the longest to write and presented the biggest challenge for you to finally feel like it was finished?
HS: Several songs come to mind that didn’t make the album, because we haven’t solved them yet. There’s one that I hope will make the next album, because I love the song, but I’m completely stumped by it. On this record, the one that was the hardest to get right? That’s tough. I feel like if I said this to my band, they’d be like, “Are you kidding me? This one song was so hard.”
Heaven stood and poked their head out the door, asking his girlfriend and bandmate, Ellie Long, to chime in. From a couch in the adjacent room, she waved and offered her opinion.
Ellie Long: I think we were particularly worried about getting ‘Queens’ right.
HS: Oh, I’m gonna talk about that. Yeah, good answer.
Heaven turned back into the room where he was taking my call, and explained a little further about the final track, ‘Queen’, which is the closer and over six minutes long.
HS: I think we had the most anxiety about [‘Queens’] because it’s such an important song to us. It’s a big, emotional song and it’s something that felt like it really existed in the present. So, you know, when recording any intimate song like that, it’s hard to know if I’ll get it just right. It was the one song we did in a proper studio. My whole band was sitting in the control room. I could see them through a window watching. It’s just me and a guitar and we got it in one take. I could see them at the end being like, “Don’t blow it.” We were very particular about what we added to that, and the reason we went to like a proper nice studio is because we wanted a real grand piano. We did it at a space called Living Rooms. It was truly down to the wire; it was the last thing we recorded for the album.
The lyric that I contemplated the most is from ‘Queens’, when you repeat, “Everybody thinks we’re in love, but we’re only practicing kissing.” The reason it has such a grip on me is because it seems to say two things at once. It feels hopeful, like the beginning of a journey with lots of potential. But it also sounds tragic and hollow, like something that is stuck and can’t grow. I took this to mean that the album has an ambiguous ending. As the writer, can you share more about this double meaning and ambiguity?
HS: That lyric is a huge part of the album, it’s like the entire message of the story to me. This song is one I wrote for Anya, who has just been my greatest artistic collaborator. And we dated… well, we tried dating for, like, one or two years. It was off and on, and it just didn’t work. Yet I think we’ve had such an insanely powerful connection, that’s just otherworldly. There’s something spooky and magical and unconscious about how we communicate. For so long, we thought that that meant we were supposed to be romantic partners. When we finally, finally broke up for real, it just was so clear that we’re supposed to be working on something greater together. She’s with me on the thing I want, maybe even more than love, which is to make this music and to make it huge. We have this special way of collaborating, and of course we were attracted to each other throughout that bond. But you know, the kissing was just practicing kissing. Our mission together is something big and important. Our creativity is our connection to the divine and our freedom from capitalism.
The 13 track album features several lyrics that explore this concept—love that shapeshifts yet endures. In the penultimate track, ‘Twenty Five’, Schmitt tenderly sings, “You can always come home to me, Patch you up when you need to be/ I love watching you as you’re changing.” On another track, ‘Last of Your Kind’, they declare that promised redemption always comes back. On Unfindable Ring, we’re all somewhere in between fleeting and forever.
In Mentor, Ohio, drivers share busy local streets and major routes, and even a routine trip can end in an unexpected collision. After a crash, injuries without obvious outward signs can be especially difficult to explain during an insurance claim. Pain, stiffness, weakness, or restricted motion can disrupt work and everyday tasks even when X-rays show no fracture. This aspect creates a challenge for injured people whose physical limitations are real but harder to prove with standard testing. Insurers can question the severity of these conditions or argue that discomfort should have resolved quickly, placing greater importance on a clear medical history and a well-supported timeline.
Seeking care soon after symptoms arise can establish how the condition developed and how it affects normal activities. A car accident lawyer in Mentor, Ohio, can also review medical evidence, crash records, employment losses, and insurer arguments when evaluating a claim’s value. Understanding how these claims get assessed can help injured people protect their legal rights.
Why Insurance Reviews Create Problems
Insurance adjusters often look for immediate complaints, early treatment, and objective medical findings. A delayed report does not prove that a collision caused no injury, but it gives an insurer an argument against causation. Treatment gaps raise another concern because the insurer can claim symptoms improved or resulted from another condition.
People injured in Mentor and nearby Ohio communities often need clear guidance after a crash. A car accident lawyer can review medical records, treatment timing, wage losses, and crash evidence together. That review helps connect physical symptoms to the collision instead of leaving each fact isolated during claim discussions.
An insurer can also undervalue injuries because soft tissue conditions lack a simple price tag. The claim can include medical expenses, lost income, reduced ability to work, pain, and limitations on daily activities. Documentation provides a factual basis for those losses.
Why These Injuries Are Missed
A crash forces the body to move suddenly, even when the vehicle shows limited damage. Seat belts, airbags, and headrests reduce severe trauma, but they do not prevent every strain or sprain. Whiplash is one common example. It occurs when the neck moves rapidly backward and forward, affecting muscles, ligaments, nerves, and spinal joints.
Pain does not always appear at the scene of the crash. Adrenaline can temporarily reduce awareness of discomfort, while inflammation develops later. A driver who feels able to leave the scene can still experience stiffness, headaches, or reduced neck movement that evening or the next morning.
Visible injuries receive immediate attention because they are easier to confirm. Soft tissue damage often requires a physical examination, symptom history, and follow-up care. Standard imaging can also miss certain ligament, muscle, or tendon injuries.
Evidence That Supports A Soft Tissue Claim
Medical records provide the foundation. A patient should describe every symptom accurately, including pain location, movement limits, sleep problems, numbness, weakness, and headaches. Providers need a complete account of the crash and any earlier conditions.
Treatment records should show diagnoses, referrals, therapy, medication, restrictions, and progress. Follow-up visits matter because soft tissue injuries often require continued care. Missed appointments and unexplained treatment gaps make the timeline harder to establish.
A symptom journal can record pain levels, activities that trigger discomfort, sleep disruption, and missed responsibilities. Wage records, employer notes, and calendars can document work restrictions or lost hours. Photographs of vehicle damage, crash reports, witness details, and traffic-camera information can support the collision history.
Why Consistent Treatment Matters
A treatment plan provides a documented course of care. Physical therapy records can show reduced range of motion, muscle weakness, pain during specific movements, and progress over time. A provider’s restrictions also explain why an injured person cannot perform certain job duties or household tasks.
People should follow medical instructions and tell providers when treatment does not improve symptoms. Stopping care without explanation creates uncertainty, especially if pain continues. Medical decisions should follow professional advice rather than insurer pressure or concern about appearing injured.
A preexisting condition does not automatically erase a claim. The collision can worsen an earlier neck, back, or shoulder problem. Medical records must separate the prior condition from the new change in symptoms, function, or treatment needs.
What Injured People Should Do After A Crash
Prompt medical attention helps identify injuries and creates an early record. The injured person should avoid guessing about recovery time or minimizing symptoms at the scene. A complete report is more beneficial than a brief statement that everything feels fine.
Social media posts can also affect an injury claim. Photos or comments suggesting normal activity can conflict with medical records, even if the activity later caused pain. Keeping communications factual and limiting public discussion helps maintain consistent evidence.
An injured person should preserve bills, receipts, employment records, medical instructions, and correspondence from insurers. Before giving a recorded statement or signing a release, legal review can clarify what rights the document affects.
Conclusion
Soft tissue injuries deserve careful evaluation because their effects often appear gradually and remain difficult to measure. A prompt examination, consistent treatment, detailed symptom records, and proof of financial losses create a clearer account of the harm. Anyone experiencing pain, stiffness, headaches, or restricted movement after a crash should schedule medical care and preserve related records. A qualified Ohio attorney can then assess the evidence before the injured person accepts an insurance settlement.
Charli XCX has joined the cast of Martin Scorsese’s next film, What Happens at Night. The director, of course, represented Film in the cover art of the pop singer’s latest album Music, Fashion, Film, sitting alongside John Cale and Marc Jacobs.
Variety reports that Charli will make a cameo in What Happens at Night, which stars Leonardo DiCaprio and Jennifer Lawrence as a married couple who travel to a small European town to adopt a baby (so, not Stockholm?). The film is a co-production between Apple and StudioCanal, and does not yet have a release date. Mads Mikkelsen, Patricia Clarkson, and Jared Harris also appear in it.
Raye has won the 2026 Mercury Prize. Her second album, This Music May Contain Hope, beat out records by Dave, Dove Ellis, Florence + The Machine, Jade, Knats, Kojey Radical, Nia Archives, Olivia Dean, Paul McCartney, Suede, and various artists for the War Child compilation HELP(2).
“Albums are so important, and not to be bitter – because I feel like I’m mostly at peace with my past – but to come from a place where it’s all about singles and chasing the next thing, I just feel so grateful to be recognised,” Raye said in her acceptance speech in Newcastle upon Tyne, UK. “Hope is a very cheesy word, especially for us British people, we don’t do that deep stuff like that, but hope is something we all need. So I hope that message comes across to anyone who needs it.”
Raye was also among the performers during the ceremony, delivering a rendition of ‘I Hate the Way I Look Today’. Check out her performance below.
The liver processes nutrients, produces bile, stores energy, and removes waste from the bloodstream. Diet influences how well these functions happen, especially when meals regularly include excess sugar, saturated fat, or highly processed foods. A balanced eating pattern supplies fiber, antioxidants, and unsaturated fats that support healthy liver function. The best choices are practical, affordable foods that fit regular meals, beginning with produce, whole grains, and seafood.
Why Food Matters for Liver Health
A diet built around whole foods helps the liver manage fat, glucose, and waste products. Fiber supports digestion and helps regulate blood sugar, while unsaturated fats replace those that contribute to excess calorie intake. Maintaining a healthy weight also reduces the strain linked with fatty liver disease.
For a practical guide to what foods are good for liver health, focus on foods that provide fiber, antioxidants, and healthy fats. Apples and berries provide plant compounds and fiber, while leafy greens and cruciferous vegetables add nutrients with few calories. Salmon and sardines supply omega-3 fatty acids, and coffee supports healthy liver enzyme levels when consumed without excessive sugar.
Fiber-Rich Fruits and Vegetables
Apples provide pectin, a soluble fiber that supports regular digestion and helps the body manage cholesterol. Berries contain anthocyanins, plant compounds that help protect cells from oxidative stress. Fresh, frozen, or unsweetened berries work well in oatmeal, yogurt, or salads.
Beets contain betalains, which support the body’s antioxidant defenses. Citrus fruits provide vitamin C and add flavor without relying on heavy sauces or added sugar. A whole orange provides more fiber than juice, making it a better everyday choice.
Cruciferous vegetables include broccoli, cauliflower, cabbage, and Brussels sprouts. These vegetables provide fiber and sulfur-containing compounds that support the liver’s natural processing systems. Roasting, steaming, or sautéing them with olive oil keeps preparation simple.
Leafy greens should also be a part of an everyday diet. Spinach, kale, and collard greens supply folate, fiber, and several vitamins. Adding greens to eggs, soups, grain bowls, or sandwiches increases vegetable intake without requiring a major meal change.
Healthy Fats and Protein Sources
Avocados provide monounsaturated fat and fiber, which support a balanced eating pattern. Olive oil works well for cooking or salad dressing, especially when it replaces butter or shortening. Flaxseed and walnuts add plant-based omega-3 fats, although portion size still matters because all fats contain calories.
Fatty fish, including salmon, sardines, and mackerel, provide omega-3 fatty acids. These fats support heart health and help you maintain a lower-saturated-fat diet. Two fish meals each week fit common dietary guidance, while baked or grilled preparations avoid the extra fat from frying.
Beans, lentils, and chickpeas provide plant protein and substantial fiber. They also make meals more filling, which can support weight management. Replacing some processed meat with beans or lentils reduces saturated fat and adds nutrients that support digestive health.
Drinks and Foods to Limit
Coffee supports liver-supportive diets for adults who tolerate caffeine. Research links regular coffee intake with healthier liver enzyme patterns, but sweetened coffee drinks can add substantial sugar. Plain coffee or coffee with a small amount of milk keeps the drink simpler.
Water should replace sugary sodas, sweet tea, and frequent fruit drinks. Excess added sugar increases calorie intake and can promote fat storage in the liver. Alcohol also requires caution because the liver breaks it down, and regular heavy intake can cause liver injury.
Highly processed foods often contain excess sodium, refined carbohydrates, saturated fat, or added sugar. Examples include fried fast food, processed meats, packaged pastries, and large portions of chips. Eating them less often leaves more room for vegetables, legumes, whole grains, and fish.
Building a Liver-Friendly Plate
A simple plate can include half vegetables, one quarter beans, fish, poultry, or another lean protein, and one quarter whole grains. Brown rice, oats, barley, and whole-wheat bread provide more fiber than their refined versions. Olive oil, avocado, or nuts can add unsaturated fat in measured portions.
Small changes work better than extreme cleanses. One can add berries to their breakfast, replace a sugary drink with water, or serve vegetables with lunch. Anyone with liver disease should discuss alcohol, supplements, and major diet changes with a qualified healthcare professional.
Conclusion
A healthier liver diet centers on vegetables, fruit, beans, whole grains, fish, coffee without excess sugar, and unsaturated fats. These foods supply fiber, antioxidants, and fats that support healthy metabolism while limiting foods linked with excess calories and saturated fat. The next step is simple: plan one balanced meal today, then repeat that pattern across the week. A clinician should guide any diet change after abnormal liver tests or a diagnosis.
Whether you are in a situationship or in a friends with benefits relationship, it’s cool because it’s not a casual relationship. You are trying something different, and in some cases, it might work very well. But it always depends on the person, the challenges that arise, and also how you are going to manage everything. At the end of the day, knowing how to tackle the process and figuring out what’s ideal for you is what matters the most. It’s definitely worth it, even if there will be a multitude of challenges down the line.
What Is A Situationship?
It’s basically a sexual or romantic connection that doesn’t lack a definition. Some consider it to be more of a friendship than a relationship, but there is no decision from the partners about it. Yes, there is a spark there, but nothing is truly specific and defined for the time being. There’s a relationship-like behavior without the label, unspoken expectations, but also a lack of direction and no real communication. It just exists, but without defining exactly what that situation is and where it might actually go.
Friends With Benefits
This one is better defined, because FWB means you are friends that also have fun and there’s no romantic commitment. The definition is clear here, as you have an explicit agreement and expectations are set right off the bat. Plus, there is a foundation of friendship for everything here, yet there are no romantic expectations or anything of that nature. The problem with FWB dating is that it can be tricky since one of the two partners could develop feelings, which does turn things a little bit.
What Are The Main Differences?
For some people, situationships and a friends with benefits situation is going to sound the same. But the reality is that these are very different from one another. What you want to do is to understand differences and define everything properly. With that being said, understanding the challenges and figuring out what you want to focus on, it’s going to help a lot.
Stability is an issue for a situationship, because you can’t really define that and figure out what it is. When it comes to the FWB thing, you know exactly what it is and it’s stable until someone falls in love.
Emotional investment is possible in a situationship, but prohibited in a friends with benefits situation. The latter is built solely on intimacy and friendship, not any emotion.
Clarity is also a defining factor. For example, in the friends with benefits thing, you do have clarity and you know exactly what that is and what you are expecting from it. But then you have the situationship where you don’t know what that is, where it goes and how you can approach it.
Power and fairness is another defining thing here. A well-run FWB will be balanced most of the time and there won’t be a ton of changes. With the situationship, you have a lot of imbalance because you don’t always know where that relationship goes and what you have to do next. That can be tricky and also a tad scary at times.
Do They Overlap?
Yes, sometimes they overlap because there are similar traits. Neither one falls under the relationship label, and both can include affection and intimacy. Both can slide into emotional complications, and they can shift into something else over time. In some cases you will have a situationship turn into a friends with benefits situation, so yes, there’s definitely some type of overlap that can appear, depending on the situation at hand.
Now, situationships can be uncomfortable for some people because you don’t really know where that goes and what you need to do next. With a friends with benefits label, you know exactly where that goes and what you want. Clarity can be a defining factor, but at the end of the day, it comes down to the couple to figure out where to go next.
What you need is to take your time, understand the situation and identify the future of that relationship. Done right, that can help make things better, and in the long term that can be incredible. Assess your needs and expectations, and then be clear about the future, as that can help push the situationship or friends with benefits experience to the next level.
When WandaVision first dropped in 2021, it signaled a promising start to Marvel’s new TV era. Thanks to a moving storyline and creative format, it quickly won over critics and fans alike.
A bunch of other series followed, with mixed results. Even so, 2024’s Agatha All Along was another standout.
Now, VisionQuest aims to conclude the trilogy. The Disney+ series brings back a few characters you might have forgotten about and introduces new ones. Does that mean it may go on beyond season 1? Here’s what we know so far.
VisionQuest Season 2 Release Date
At the time of writing, there’s no official news about a potential VisionQuest season 2.
While the show has been advertised as “the third and final installment of the WandaVision universe,” you never know. The Marvel Cinematic Universe (MCU) continues to grow, and the creator isn’t ruling out further installments.
“Trying to figure out how to say this… You could very much see these characters again, if you want,” showrunner Terry Matalas said.
Whether that means seeing them in future projects or a follow-up season, we have no idea.
VisionQuest Cast
Paul Bettany as Vision
James Spader as Ultron
Ruaridh Mollica as Tommy Maximoff/Thomas Shepherd
Todd Stashwick as Paladin
Lauren Morais as Lisa Molinari
Orla Brady as F.R.I.D.A.Y.
Henry Lewis as D.U.M.-E.
Diane Morgan as the Handler
What Is VisionQuest About?
VisionQuest revolves around a rebuilt version of Vision we met at the end of WandaVision. He is struggling to understand who he is and what it means to be human.
Hiding in Edinburgh, he leads a quiet life while consulting the artificial intelligences embedded in his programming. These include F.R.I.D.A.Y., E.D.I.T.H., and J.A.R.V.I.S., but also the dangerous Ultron, whom he keeps imprisoned inside his mind.
When a bounty is placed on his head, Vision is forced to flee alongside Thomas Shepherd, a young man who may be the reincarnation of his son Tommy Maximoff. Before long, a new threat emerges from the world of artificial intelligence, and Vision has to figure out whether Ultron can be trusted.
As the critical consensus on Rotten Tomatoes reads, the show “investigates the humanity beneath the robot,” which makes it quite compelling. While VisionQuest season 2 seems like a long shot, only four episodes are out so far. You can catch the remaining four weekly on Disney+ until November 10.
Are There Other Shows Like VisionQuest?
If you enjoy VisionQuest, you’re probably all caught up on the MCU. Why not check out some of the other shows trending on Disney+?
Austin’s Being Dead have signed to Polyvinyl Records, marking the announcement with two new songs. ‘Man or Myth’ and ‘Aquarium’ both come paired with music videos directed by the band’s own Falcon Bitch. Watch and listen below.
“We don’t mean to put too much pressure on Polyvinyl, but if we’re not inducted into the Rock & Roll Hall of Fame within the next two years, we’re throwing in the towel,” the group said in a press release. “That said, we have full confidence that together, we will take over the world.”
‘Man or Myth’ pays homage to the freestyle canoeing legend Marc Ornstein, who is featured in the song’s music video. ‘Aquarium’, my favorite of the two, “explores the taboo nature of falling in love in the workplace, which is especially scandalous if the workplace is an aquarium and your coworker is a dolphin.”
Being Dead’s sophomore album, EELS, came out in 2024.
Helena Deland has announced an new album, Eternity Shrugs, which is due for release on January 22 via Chivi Chivi. The follow-up to 2023’s Goodnight Summerland is led by the spectral new single ‘Tip of My Tongue’, which arrives on the heels of last month’s ‘How Do You Like Me Now’. Check it out below, and scroll down for the album cover and tracklist.
“I’m thinking of a long-awaited, momentous run-in, the kind that has kept a part of the mind alert,” Deland shared in a statement. “Maybe you need to privately navigate how up-to-date on the other person’s life you’ve remained since the last time you spoke, or maybe you know a former version of them so well that the present-day one feels entirely, surprisingly familiar. The song was arranged with that feeling of familiarity in mind, like something that has been on the tip of my tongue for a long time.”
Eternity Shrugs Cover Artwork:
Eternity Shrugs Tracklist:
1. How Do You Like Me Now
2. My Wedding Cake
3. Whole Life
4. Room
5. Tip of My Tongue
6. Great Dreams
7. Where I Stand
8. Unconditional
9. Shazam!
10. Careful
11. Here on the Page