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Up on the Roof by Nour Wazzi

Nour Wazzi’s Up on the Roof is a brilliant short film that has had brilliant success during its film festival run, a couple years ago. The film has a phenomenal cast including Maisie Williams from the highly-loved Game of Thrones.

Credits

Director: Nour Wazzi
Director of Photography: Eben Bolter
Producers: Tom Harberd, Nour Wazzi
Executive Producers: Sami Moughrabie, Nelson Benavides, Maisie Williams
Writer: Anthony Attah
Editor: Vee Pinot
Composer: David M Saunders
Sound Design: Lee Walpole

 

eggshell by Case Jernigan

Case Jernigan, a filmmaker out of Brooklyn, New York, has released a new superb short film eggshell.

Writing about this piece Jernigan stated: “My work is about compartmentalization, about being an artist or dreamer amid the rigid formal tenets of churches and schools. I make imagery from anxious childhood moments. Feeling scared at night, covers pulled overhead. Trapped between powerful authority figures and propelled down an accepted path of behavior and belief. I make artwork about bullies, hero worship, religious fervor, and yearning”

Yuksek Reveals New Single ‘Into The Light’

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Yuksek, a well-respected name in the sphere of electronic music, has released a new single Into The Light featuring Isaac Delusion. According to Yuksek, the song is a nod to the legendary disco icon Sylvester. The single will feature on Yuksek’s forthcoming album which is due to be released on the 28th of February.

Tour Dates

15 Feb – Metropolis, London UK
18 Feb – Folie Douce, Avoriaz FR
18 Feb – Coup de cœur, Morzine FR
19 Feb – Pré d’oscar, Samoens FR
19 Feb – Les Glaciers, Samoens FR
20 Feb – Moo, Chamonix FR
20 Feb – Folie Douce, Chamonix FR
21 Feb – Chalet des praz, La Clusaz FR
21 Feb – Le Grenier, La Clusaz FR
29 Feb – Garçon Sauvage – Le Sucre, Lyon FR
6 Mar – Sacré, Paris FR
21 Mar – Nouvelles scène, Niort FR
28 Mar – Port Pavilion, San Diego US
2 Apr – The Dance, New York US
3 Apr – Newspeak, Montreal CA
4 Apr – Sundown, Washington US
10 Apr – TAP, Poitiers FR
11 Apr – Panorama, Morlaix FR
15 May – Bikini, Toulouse FR
29 May – Art Rock, Saint Brieux FR
30 May – Jardin du Michel, Toul FR
27 Jun – Europavox, Clermont-Ferrand FR

Interview: Øystein Aspelund

Øystein Aspelund, a photographer out of Norway, joined us for a short interview to talk about his series Aftermath, and what is next for him.

Hi, how are you?

Thanks, I am fine, got a nice start on 2020.

So, how did the Aftermath come together? What was the idea behind it?

It came to life working intuitive, more or less by looking through unpublished material in my archive. I was searching for an interesting visual style experimenting with saturation, and discovered this duotone style that I felt worked quite well with the motives. I looked for something appealing, and at the same time also a bit uncommon, and unfamiliar. It is very rewarding to work with colors, as they trigger peoples emotions very fast. I think you can read the final result in many ways, and I like the fact that it also bear resemblance to real life situations, like the color from large forest fires.

With 2019 ended, how well do you reflect on the year?

2019 was a very interesting and intense year, a lot of things happened. I hope 2020 will be least as good, and I hope too boost my photographic career up some levels, maybe do a real proper collaboration/exhibition if a good gallery is interested. Lets see!

2020 will bring a new decade, what do you expect to achieve in the next ten years as a photographer?

The dream would surely be to have a lasting successful career.

Our final question, what is your definition of culture?

That is a big question. There are so many ways to see and explain that word. But for me right now, culture is first and most as an essential part of human life and existence.

Interview: Talia Hussain

Talia Hussain, the founder of the fashion label Ramnation, joined us for an interview to talk about sustainable fashion. Ramnation prides itself on using locally sourced materials; in fact, Ramnation’s entire supply chain is based in the United Kingdom.

Hi, how are you?

Generally, I’m excited that ecological issues have suddenly rocketed up in the public’s awareness. On issues like climate, plastic, biodiversity and, obviously, sustainability in fashion, people are much more aware that we need to change what we’re doing.

So, how did you get into fashion, where did it all start?

I’ve always been interested in fashion, but it’s not my background and I came from outside the industry. I had experience in advertising and got really frustrated with the huge distance between the beautiful fantasy portrayed by the fashion industry and the ugly reality that underpinned it. I wanted to know what it would be like to create a product that didn’t disguise itself and had a true story to tell.

What was the first step in making Ramnation a company?

I can’t remember, there were so many different things required to make anything happen. One of the most memorable was finding one of those old industrial blue books of knitwear suppliers and calling around to try to find a supplier. Two out of every three numbers I called was out of service, those companies had closed. The jobs, the decades of history, knowledge and experience – all gone.

Did you know from the start that Ramnation was about sustainable fashion, or was it something that came later?

It was baked in from the beginning. I started thinking about low impact and biodegradable materials and built up the product from that starting point.

In terms of finding the right suppliers of materials, was it a challenge?

Yes. I was really lucky to find a small mill that was pioneering the use of coloured and breed-specific fleeces. Other components were much more difficult. In the end, I hand printed my own labels because I couldn’t find any that didn’t contain polyester. Only in the last year or so have label manufacturers started offering eco-ranges of their products.

Do you feel the current mainstream shift into more sustainable fashion has helped Ramnation grow in the recent period?

I’ve definitely noticed more interest in the brand over the past year, though I wouldn’t agree that there has been a ‘mainstream shift’ to sustainability. Turning that ship is going to take a long time, and we’re just a little dinghy headed the opposite direction.

You rightly take pride that your products are entirely made in England, do you feel this has helped you against your competitors who may take shortcuts to get their products out there?

I’d love to say yes, unfortunately most of the industry is driven by cost and manufacturing in the UK is expensive. A buyer at a famous central London department store told me that I needed to rethink my materials and move manufacturing to China in order to get my price point down. I would love to see retailers taking more interest in storytelling about materials and manufacturing.

What is your view on fast fashion, and do you feel there will be a day when it will go away?

Like fast food, I think there will always be a market for cheap clothes. At the same time, I think there’s huge opportunity for more interesting products and a more sophisticated fashion culture to develop. As people have become more knowledgeable about the provenance of their food and drink, we’ve seen new  restaurants serving those customers though McDonald’s is still here. Over time, we’ll see a similar shift in fashion – what customers value will evolve and brands will have to change to stay relevant.

My final question, how would you define the current climate the fashion industry is in?

A difficult question, but my best attempt is to say it’s become spiritually hollow. Most people think of fashion as expressive, creative and fun. But, the industry itself has become financialised, operationalised and corporate – the opposite of the values it brands itself with. There’s a huge lack of respect for creativity. A recent survey by the Business of Fashion found only 6% of fashion executives saw creativity as an opportunity. Fashion graduates are expected to work in unpaid internships for months or years. The people who physically create the garments live in poverty. Collections are churned out in days, copying and outright design theft are rampant. I hope that this unhappy dynamic can be changed. Money isn’t real, you know.

Sound Selection 083: Liam Gallagher Returns with ‘Acoustic Sessions’

Skuff Micksun & TyC Psychic Vampires

Skuff Micksun and TyC joined collectively to bring us a majestic single named Psychic Vampires; a song focused on the theme of toxic love. Psychic Vampires features a pallet of unfamiliar and strange-like sounds that pull you in with their sole energy. This one is for the playlists.

Daniel Allan Stubborn feat. Jake Neumar

Bringing a wave of Pop, we have Stubborn by Daniel Allan featuring Jake Neumar. In this chart-ready single, the two artists deliver a magnificent production with a catchy melody and euphonious vocals that will stay with you for weeks.

Liam Gallagher Acoustic Sessions

Liam Gallagher, the legendary singer out of Manchester, has revealed a surprise EP named Acoustic Sessions which features Once. In the newly released music video of the infectious song Once, we see the King of Manchester, Eric Cantona and Liam Gallagher himself. If you’re looking for something excellent in your playlists, Once is the perfect song for you.

Albums Out Today: Kesha, Destroyer, Lil Wayne, Torres

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In this segment, we showcase the most notable albums out each week. Here are the albums out on January 31st, 2020:

Image result for kesha high road"Kesha, High Road: Kesha is back with her fourth studio album, High Road, out now via RCA Records and Kemosabe. It follows 2017’s acclaimed Rainbow, which saw her addressing her experience with sexual harassment and the ongoing lawsuit against her producer, Dr. Luke. Kesha explained that this album is different, in that she found herself reconnecting “to the unrestrained joy and wildness that’s always been a part of me—and in this process I have had the most fun I’ve ever had making a record.” Musically, High Road marks a return to Kesha’s pop roots after a period of experimenting with country and rock, and was co-written by Kesha alongside her mother Pebe Sebert, Wrabel, Justin Tranter, Tayla Parx, Nate Ruess, and Dan Reynolds.

Image result for destroyer have we met"Destroyer, Have We Met: Indie rock band Destroyer have released their twelfth studio album, titled Have We Met. The follow-up to 2017’s Ken is out now via Merge Records and Dead Oceans. Initially conceived of as a “Y2K album” with influences from the likes of Björk and Massive Attack, the band decided instead to return to the kind of stream of consciousness writing that was present on 2011’s Kaputt. The band also collaborated with producer John Collins as well as guitarist Nicolas Bragg, marking a shift from Destroyer’s more band-oriented efforts. Bejar has cited minimalist 1980s hip hop, Korean horror movie soundtracks, the five-hour director’s cut of Until the End of the World, and Leonard Cohen’s final albums as key inspirations for the album.

Image result for lil wayne funeral"Lil Wayne, Funeral: Lil Wayne has returned with the follow-up to 2018’s Tha Carter V. Announced last week, Wayne had not revealed much about the album and had stayed relatively quiet on social media, posting only a teaser featuring the album title written in an Old English-inspired font against a white background, as well as a snippet of music where he repeated the words “Welcome to the funeral, closed casket as usual.” The album features production from The LoopHoles, Rio, Academics, MonstaBeatz, London on Da Track, and is said to sound “a little more like today’s music.” Wayne explains: “What that means for me… is adding hooks. I forget about hooks. I forget ’em. Somebody gotta come in the booth and stop me from rapping, like, ‘This is where you stop it and add a hook.’”

Image result for torres silver tongue cover"Torres, Silver Tongue: Torres, aka Mackenzie Scott, has put out her fourth studio album and first for Merge Records, Silver Tongue. Previously, Torres had released Three Features on 4AD, but the singer revealed on Twitter that the label “decided to drop me from a three-album deal for not being commercially successful enough.” In an interview with SPIN, she described the new album as “if The Phantom of the Opera had a pedal steel” and “Enya meets Phil Collins’ Tarzan soundtrack.”

Other albums out today: Ben Watt, Storm Damage; Louis Tomlinson, Walls; Meghan Trainor, Treat Myself; Drive-By Truckers, The Unraveling.

Premiere: Solomon Grey ‘Interstate 695’

Solomon Grey are considered to be one of the most exciting duos in the world of music, previously having scored the TV series Back to Life and having released their superb album Human Music, back in 2018.

Returning to use with more majestic music Solomon Grey present their newest piece Interstate 695, a piece which is vocal-led, featuring big analogue synths and striking orchestral elements. Interstate 695 comes before the release of their forthcoming EP Music For Picture: Vol. I (Parallels), which is due to be released on the 27th of March. The EP is first of a series which are scheduled to be released in 2020, all exploring various themes. The upcoming releases were written for and inspired by moving images, talking about them Solomon Grey stated:

“We played with the idea of watching films of our childhood. Inspired by our youth and looking at it from where we are now. What did that innocence mean to us now, and how would we score it.”

Interstate 695 marks a new pinpoint in the career of Solomon Grey, which will hopefully push them to, even more, merited success. Our Culture is proud to be able to share with you for the first time.

Automatic To Tour The Europe and the U.K.

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Automatic, an LA post-punk trio, has announced new dates for the United Kingdom and Europe as part of their forthcoming tour. Since September, when their album Signal was released the band toured the U.S, soundtracked Hedi Slimane’s Paris Fashion Week show for Céline and started for legendary post-punk band Bauhaus’ reunion shows at the Hollywood Palladium.

Tour Dates

1st February – Aalborg, Northern Winter Beat Festival
4th February – Cologne, Bumann & Sohn
5th February – Geneva, Kalvingrad
6th February – Baden, One Of A Million Festival
7th February – Leuven, Het Depot
8th February – The Hague, Grauzone Festival
9th February – Amsterdam, Paradiso
11th February – Brighton, Hope & Ruin
12th February – Manchester, YES
13th February – Glasgow, Flying Duck
14th February – Leeds, Belgrave Music Hall
15th February – London, Peckham Audio
17th February – Hamburg, Hafenklang
19th February – Stockholm, Hus 7
20th February – Malmo, Plan B
21st February – Berlin, ACUD
22nd February – Offenbach, Hafenfestival
23rd February – Munich, Import/Export

Candy Clay by Jeremiah Shaw

Jeremiah Shaw has become a beloved figure for his eye-pleasing yet straightforward compositions. While not complicated, specifically for this project, Shaw experimented with hand-drawn textures, displacement maps, composition and colour. This personal series fits in flawlessly with the oeuvre of Shaw.

You can find more work by Jeremiah Shaw here.