There’s so much music coming out all the time that it’s hard to keep track. On those days when the influx of new tracks is particularly overwhelming, we sift through the noise to bring you a curated list of the most interesting new releases (the best of which will be added to our Best New Songs playlist). Below, check out our track roundup for Tuesday, March 3, 2026.
Loraine James – ‘In a Rut’
Loraine James has announced a new album, Detached From the Rest of You, which features Alan Sparhawk, Tirzah, Anysia Kym, Miho Hatori, and more. Today’s announcement comes with the release of the reflective, understated new single ‘In a Rut’, a collaboration with vocalist Sydney Spann. The producer described the follow-up to 2023’s Gentle Confrontation as her “IDM pop star album,” adding: “I’m using my voice a lot more, and putting it higher in the mix than I usually would. I guess I’m growing some confidence.”
Basement – ‘WIRED’ and ‘Broken by Design’
Basement are back with news of their first LP since 2018’s Beside Myself. The emo band is releasing WIRED on May 8 via Run for Cover, and the ferocious title track is out today alongside the more downcast ‘Broken by Design’. “‘WIRED’ is about how sometimes it feels that we are set up to feel and behave in certain ways beyond our control,” frontman Andrew Fisher said in a statement. “That no matter how hard you try to hide it, eventually it will come out — either by choice or by force. This song was almost lost — a few of us were into it, but it sort of lost traction for a bit. Then one day it cropped back up and we put it at the forefront of our minds and it ended up being one of my favorite songs to perform and record.
“‘Broken by Design’ is about giving something your absolute best and realizing it’s destined to fail,” he added. “Getting to the other side of the situation, looking back and deciding to do everything differently and feeling grateful for the opportunity to grow. We’ve all done a lot of work on getting better at talking to each other as friends and as band mates. Sometimes that’s an easy distinction — or rather, not a distinction at all. Other times, the lines are blurred and we lose track of who we are and why we do this. When I’m singing, ‘let’s go back to the start’ I mean to when we did this purely for fun. For an excuse to see each other, to travel, to be creative, to express ourselves through music. We all feel so lucky to be in a position to still get to do this and this album and this song in particular, is us trying to go back to how it should be.”
Aldous Harding – ‘One Stop’
Aldous Harding has announced her fifth studio album, Train on the Island, sharing the mesmerizing lead single ‘One Stop’. Out May 8, itwas co-produced by longtime collaborator John Parishat Rockfield Studios in Monmouth, Wales.
Greg Mendez – ‘I Wanna Feel Pretty’
The title of Greg Mendez’s new album is Beauty Land, its lead single is called ‘I Wanna Feel Pretty’, and it’s one of his loveliest songs to date. About its accompanying Rhys Scarabosio-directed video, the Philly singer-songwriter said: “I spent most of my childhood in the suburbs, surrounded by the American Dream. Grand and lonely, strip malls and housing developments. Cathedrals of consumerism and reconstituted culture. The stores weren’t built for the towns, the towns were built for the stores. No one really belongs. The dream is close enough to smell but as soon as you reach out, your hand passes right through – a hologram of a promise. I hoped this video would feel like that.”
Alexis Taylor – ‘I Can Feel Your Love’
The latest single from Hot Chip co-leader’s upcoming album was produced by the Avalanches, with additional production from Oli Bayston and Étienne de Crécy. “Sometimes, you can feel another’s love — you can sense it,” Alexis Taylor said of the blissful Paris in the Spring cut. “It can be powerful even if not expressed in words. Sometimes, love can be like being in awe of something, or someone — and this is my take on devotional music. It’s about that dialogue with the impossible, the out of reach, the thing or person that is beyond you; a spiritual connection. The music that the Avalanches sent — which was made up of gospel samples — really reached me, so it figured that my lyrics touch upon these themes. It also had this disco vibe that was really uplifting. It’s a euphoric-sounding song, I think. Additional tracking of the song’s brand new chorus idea, which I had on the streets of Paris, was done with the wonderful Étienne de Crécy at his studio.”
Peter Gabriel – ‘What Lies Ahead’
Peter Gabriel has shared another track from his in-progress album o/i, which, like its predecessor i/o, he’s rolling out one song at a time. The searching, celestial ‘What Lies Ahead’ comes with two mixes, Tchad Blake’s Dark-Side Mix and Mark ‘Spike’ Stent’s Bright-Side Mix. “It’s a song about inventors and invention,” Gabriel explained. “My dad was an electrical engineer, inventor, and I saw him go through the frustrations of not only trying to realize an idea, which has to normally go through so many iterations, but then to sell it, both to the people who’ve got the money and then to the outside world. So, I’ve always been curious about the creative process and how that applies to inventors.”
Prince Daddy & the Hyena – ‘Big-Box Store Heart’
Prince Daddy & The Hyena have announced a new album, Hotwire Trip Switch, due April 17. Produced by Joe Reinhart, it’s billed as “singles” record where “the tunes hit fast and loud,” and the lead cut ‘Big-Box Store Heart’ certainly does. It comes paired with a video directed by Brian Terranova and Jake Sulzer.
Friko – ‘Choo Choo’
Friko have dropped ‘Choo Choo’, a fired-up new single from their Something Worth Waiting For. “I’ve always had a thing with the magic of trains, and when I was writing that song I started singing ‘choo choo’ and it made me laugh,” vocalist/guitarist Niko Kapetan recalled. “It always feels good to play live, with all the slowdowns and speed-ups, but it’s also a very emotional homage to the band and how they feel like home to me.”
Bonnie “Prince” Billy – ‘Life is Scary Horses’
Ahead of the release of his new album We Are Together Again on Friday, Bonnie “Prince” Billy has unveiled the beautifully existential final single ‘Life is Scary Horses’. It’s described as a “spiritual cover” of the Sally Timms/Jon Langford composition ‘Horses’, and it’s accompanied by a video directed by filmmaker Braden King. “A primary reason to cover a song comes from the unanswered questions the song poses in our individual or collective psyches,” he explained, “and I have mulled ‘Horses’-generated questions over and over and over again in all sorts of circumstances until finally I thought I could bring those questions to life in a new composition, a new recording, of what can technically and essentially be called a new song.”
The Scythe – ‘Mutt That Bih’
Denzel Curry’s new crew the Scythe, featuring Bktherula, TiaCorine, Key Nyata, and FERG, has severed up another single from their debut LP Strictly 4 The Scythe. ‘Mutt That Bih’ is a fun collaboration with Key Nyata and with 1900Rugrat.
Charlotte Cornfield – ‘Lost Leader’
Charlotte Cornfield has previewed her new album, Hurts Like Hell, with a gorgeous new single, ‘Lost Leader’. The singer-songwriter commented: “This is a hard song. But I also think it’s a little bit funny. Tragicomic maybe? It’s about a tormented frontman character whose personal demons and poor behaviour are getting the best of him. The story is told in second person but there are two perspectives represented here: the struggling artist and the disappointed fan. Christian Lee Hutson sings the part of the ‘lost leader,’ and though he only has a few lines he delivers the hell out of them.”
SPRINTS – ‘Trickle Down’
“Has anyone tried to explain trickle down economics to you in a bar?” So begins SPRINTS’ scathing new single, which “is about watching systems fail in slow motion, housing crisis, rising costs, culture wars, climate collapse, and being told to stay patient,” according to the band. “It’s the frustration of a generation stuck in ‘wait mode’ while everything burns.”

On the cover of his new album The Mirror, 



hemlocke springs’ going…going…GONE! EP, not only showcased her knack for larger-than-life, 80s-inspired, maddeningly catchy art-pop, but also led to her opening for the likes of Conan Gray, Ashnikko, and Chappell Roan, the latter of whom
On a purely textural level, it’s easy to dismiss
Lord Jah-Monte Ogbon paces himself all the way through As of Now, his 17-track debut LP for Lex Records. That doesn’t always mean taking things slow: there’s definitely an unsteadiness to the album’s flow, punctuated with the nerve to splice together beats seemingly destined for separate tracks, over which the Charlotte rapper has no trouble triangulating his humour, swagger, and pure skill. You could even argue the beat-switching reflects some of the emotional shiftiness he admits to on the record, one where the skits and adlibs are as vital to the storytelling as his truth-spilling, heartbreaking soliloquies. But Jah-Monte never trips over the music as its layers and characters pile up; he keeps steering the wheel, anchoring it in the present as the only place he can assess both his past and future.
For Mandy, Indiana, inspiration could come from anywhere, and their ears are as attuned to the sounds in their environment – whether close to (or in the literal walls of their) home or entirely foreign – as the ways they can be imagined into their piercing, uncanny body of work. And the body is precisely the animating force on URGH, their first album for Sacred Bones, which partly took shape during “an intense residency at an eerie studio house” near Leeds, but mostly, and painstakingly, over long distances. Buzzing, thrashing, and sloshing through unpindownable spaces that can only be defined by the coordinates of their own band name, the album similarly inspires countless reactions but can only really be captured by its own title.
Following 2022’s Hyaline and 2023’s Spike Field,
As beautifully pastoral as 2023’s
Nothing
Listening to the follow-up to 2023’s The Window on repeat, an empty chair was always in my periphery, and I would sometimes find myself staring at it while letting the songs do the talking: projecting, sure, but mostly getting lost in their sprawling journey, closing my eyes to appreciate their textures – homed in with producer Chris Walla – and spinning my head in pure joy. I was grateful for their lonely revelations but eager to put it on in the car, on a long drive surrounded by loved ones. If you have listened to a
Recorded at Chicago’s Electrical Audio,









