Home Blog Page 1939

Interview: Sankar Sridhar

Sankar Sridhar is an award-winning photographer whose works have been published in numerous publications including CNN International, Royal Geographical Society’s Geographical, and Action Asia — to name a few. Sridhar has released various series over the years, many of which explore different cultures around the world.

Sridhar joined us for an interview to talk about how he got into photography, his influences, and his advice for new photographers.

So, how did you get into photography, how did your journey start?

That would be in 1996 (though I didn’t know it then), when I borrowed a Hotshot camera from my elder brother and went on a 15-day trek into the Himalayas. The images by themselves were not outstanding, but the experience got me hooked to long solo travels and the process of photography. My love for the mountains led me to complete mountaineering courses and during a climbing expedition in 1999, I crossed paths with nomads. Despite pursuing mountaineering, I couldn’t forget the hardscrabble lives, the lives these nomads lived, while also understanding how quickly change was overtaking them. That’s where I found direction in photography, beginning with documenting the lives and lifestyles of nomadic communities within the environment.

How would you describe your style of photography and what makes it unique to you?

I’m a slow photographer, because I spent more than a decade shooting transparencies. Just as important, I was taught early on to not just understand but worship light, and respect the people that I shot. I can’t really judge the uniqueness of my images, but I have been told my images are evocative and insightful. That is largely because I spend days or even weeks with those I shoot, and shoot people and communities I want to learn more about.

The Lives of Others
The Lives of Others by Sankar Sridhar

Are there any influences that relate closely to your photography?

The works and the approach to photographs by the likes of doyens such as Raghubir Singh, Sebastiao Salgado and David Alan Harvey I have remained smitten with for a long time now. I also spend hours looking at paintings by masters like J.M.W Turner and John Constantine.

Whether these influences seep into my shooting I can’t say for sure, but I’d be happy if they did!

If you could give advice to new photographers, what would it be?

At a time when we are overwhelmed by images on social media, it’s important not to follow “trends” and lose sight of developing a style of your own. Do your best to ensure your camera spends more time on your shoulder than in your bag, and spend time looking at the works of photographers and artists you admire. That goes a long way in helping you understand what elements – expression, setting, light, subject – makes the images so appealing. And last, know your camera well. There’s a lot that goes on in the head when it comes to shooting, and all that matters much more than just pointing and shooting.

Finally, what are you working on at the moment?

I’m currently working on coming to terms with being stuck at home – 100 days and counting. Once things come back to normal, I’ll be plan on continuing and hopefully wrapping up my personal projects on documenting the Aahir community in Gujarat and then heading to West Bengal, where I was born and raised to begin a project on the man-elephant conflict in the region.


Find superb work by Sankar Sridhar on his website.

Pink Flamingo Rhythm Revue Releases ‘Diamond Man’

0

Pink Flamingo Rhythm Revue is a solo project from Eric “Doc” Mendelsohn. With a funky sound and a comical-like vibe, he has made quite the appearance in the scene having collaborated with names such as Jean Tonique and Babert.

Just yesterday, the exciting Pink Flamingo Rhythm Revue released his single Diamond Man,  a refreshing track for the current times. With this song, Pink Flamingo Rhythm Revue brings out exquisite energy that will have you dancing within seconds.

Nana Adjoa Presents ‘No Room’

0

Nana Adjoa, an Amsterdam-born singer-songwriter, has today released her latest ear-pleasing single No Room. The song comes after the release of her mellifluous song Throw Stones.

Adjoa became more prominently known after the releases of her song No Sleep and Honestly, which both took off in 2018 as part of her Down At The Root, part one and part two releases. No Sleep and Honestly, collectively have reached over three million streams via Spotify alone.

Talking about No Room Adjoa said: “I wrote No Room about the feeling of having a conversation with someone which gets stuck in habitual small talk. Trying to control the moment, but leaving no room to discover the moment, each other or something new and unexpected.”

Artist Spotlight: Ohmme

Ohmme, the Chicago-based duo comprised of Macie Stewart and Sima Cunningham, have made a name for themselves for making experimental rock music that challenges the boundaries even that term entails. In addition to being active in Chicago’s improvized jazz scene, they’ve collaborated with Wilco’s Jeff Tweedy, performed with Vic Mensa in high school, and even contributed vocals on Chance the Rapper’s Coloring Book. The band’s second LP, Fantasize Your Ghost, serves as a microcosm of their diverse musical palette, while also offering their most immediate collection of songs yet. From start to finish, Stewart and Cunningham showcase their unique dynamism as a duo: opener ‘Fantasize Your Ghosts’ summons the magnetic energy of a live show while boasting one of the album’s most captivating psych-rock hooks, while the propulsive ‘Selling Candy’ cascades into a chaotic whirlwind of guitars that sends the track soaring. The steady rhythm and angular guitar work on ‘Ghost’ are straight off the Sleater-Kinney playbook, while tracks like ‘Spell it Out’ and ‘Twitch’ introduce string arrangements to evoke a more composed but equally entrancing atmosphere. Each of the album’s three final tracks – the contemplative ‘Some Kind of Calm’, the noisy ‘Surgeon Moon’, and the pop-inspired ‘After All’ – might make you question whether you’re still listening to the same album, but it feels so natural and intuitive that it’s impossible not to let yourself get lost in the journey.

We caught up with Ohmme’s Macie Stewart for this edition of our Artist Spotlight series, where we showcase up-and-coming artists and give them a chance to talk a bit about their music.

How did you form Ohmme?

Ohmme began as an idea for a singular project. Sima and I had been orbiting around each other for a while, and felt excited about combining our songwriting and desire for experimentation with the electric guitar. We had been singing backup vocals with each other for a few years and felt like there was already a connection between the two of us, so the next logical step was to create something with just the two of us.

What have you learned from playing with each other?

Collaboration is a beautiful thing. We’ve learned a lot – we come from similar backgrounds, but our methods were vastly different and often challenge each other in new and exciting ways. I’ve learned a lot about fearlessness from playing with Sima, and learn so much about songwriting from her every day we play together. It’s so creatively stimulating to see how we grow towards and away from each other simultaneously while we move forward as a band.

You’ve both been active in Chicago’s improvised jazz scene – how has that influenced your music?

The improvised jazz scene in Chicago has a long and beautiful history, notably to groups like the AACM which have drawn so many people to the city over the years. There are some amazing venues here like Constelllation and The Hungry Brain and ESS which allow this music to thrive – and are what brought us to the realization that this music exists and is such an incredible art form. I don’t think I can say enough to how the scene has influenced our music; it has empowered us to create and compose in ways that feel intuitive to ourselves and not to anyone else but ourselves. Some of the people in this scene have been our biggest champions, and to them we are forever grateful for supporting us early on and still today.

How has your approach to songwriting changed since your debut album, Parts?

Fantasize Your Ghost feels more direct than Parts. It came at a time where we were in constant motion, and the only consistent thing in life was each other and our own brains. Life often felt like a movie or out of body experience- watching ourselves move and not knowing exactly where we were going, but knowing that we would end up somewhere. I think letting ourselves give in to this sort of powerlessness and aimlessness actually ended up giving us a lot of power to make choices and decisions that we would not have otherwise made. 

What are some of the ideas that went into the making of Fantasize Your Ghost?

Lyrically, a main theme of this record is the idea of change. Not only accepting it, but actively making it happen when you need it and encouraging yourself to follow that path. As far as recording goes – we were fascinated by the idea of space and how that plays into a recording. We decided to record the record in a barn to capture the sounds around us: bugs, birds, faint wind, because all of that contributes to how the listener takes it all in. To me a record feels like a marker in time – it captures the place you were in emotionally and physically. Going into recording and knowing that whatever happens at the end of 3 weeks is “the thing” is both terrifying and exhilarating, but absolutely necessary as our parameter for creativity. There’s always wiggle room around it, but the sentiment rings true.

Is there anything you’re looking forward to in the next few months?

Camping, and spending lots of time outside. Biking. Reading.

Future Islands Return with New Song and Video ‘For Sure’

Future Islands are back with a new single titled ‘For Sure’, accompanied by a post-apocalyptic visual directed by Sam Mason. It’s the indie rock band’s first new material since their 2018 Adult Swim single ‘Calliope’ and features Jenn Wasner of Wye Oak on backing vocals. Check it out below.

The last album Future Islands released was 2017’s The Far Field, after which many of the band’s members went on to pursue solo projects. As NME notes, the band previewed seven new tracks during a show at the Pearl Street Nightclub in Northampton, Massachusetts in September of last year. The songs were called ‘The Painter’, ‘Hit The Coast’, ‘Born In A War’, ‘Thrill’, ‘B.Ham’, ‘Plastic Beach’, and ‘Moonlight’, according to a fan who was there.

Red Hot Chili Peppers, Alt-J, Angel Olsen, and More to Perform at NOS Alive 2021

NOS Alive has announced the first list of names to play at the Lisbon festival’s 2021 edition, including Red Hot Chili Peppers, Alt-J, Moses Sumney, Angel Olsen, and more. Fontaines D.C., Caribou, Two Door Cinema Club, and others are also set to perform. Check out the full list of names announced so far below.

Like many other summer festivals, NOS Alive was cancelled due to the COVID-19 pandemic, but is set to return next year July 7-10 at Lisbon’s Passeio Marítimo de Algés. Today (July 8) marks what would have been the first day of the festival, to be headlined by Taylor Swift, The Strokes, Billie Eilish and Kendrick Lamar.

“This will be the first July without NOS Alive,” the festival’s organisers said in a statement at the time of postponement. “It is with a heavy heart that we announce that NOS Alive 2020 is postponed until July 2021.”

Tickets are currently on sale here. Those who hold tickets for the 2020 event can exchange them for new tickets or a voucher of the same value. Refunds can also be requested starting July 25.

Wednesday, July 7:

Advertisement

Black Pumas
Fontaines D.C.

Thursday, July 8:

Alt-J
Nothing But Thieves
Red Hot Chili Peppers
Seasick Steve

Friday, July 9:

Angel Olsen
Hobo Johnson and The Lovemakers
Moses Sumney
Sea Girls

Saturday, July 10:

Alec Benjamin
Caribou
Parcels
Two Door Cinema Club

Hip-Hop Collective Jacquard Looms Share Nocturnal New Single ‘Bite’

Following the success of ‘MOTH’, hip-hop collective Jacquard Looms have shared a new single titled ‘BITE’, alongside an atmospheric music video self-directed by the group. Recorded under the nocturnal skies of London, the track combines an ethereal, ominous instrumental alongside hard-hitting flows from all three members, whose chemistry is reminiscent of acts like BROCKHAMPTON and 404 Guild.

“On ‘Bite’, they reach into the darkest part of the night for inspiration and come out the other side with a track that expresses the fitful thoughts of the restless,” a press release explains. Though as dreamy as ‘MOTH’, the new single evokes a notably darker atmosphere, while also featuring a Spanish hook atop a fittingly disorienting beat.

Check out the new song and video below.

Sharon Van Etten, Bill Callahan, and More to Play Benefit Livestream Concert for Indigenous Amazonians Affected by COVID-19

Sharon Van Etten and Bill Callahan are among the artists to perform at the second edition of Folk Medicine, a livestream concert benefiting Amazon Basin residents affected by the coronavirus pandemic. Check out the full lineup below.

The livestream is set to take place on Facebook Live and Zoom on Friday July 17 at 1am BST. The concert will be available to stream for free, but fans are encouraged to donate by buying a Zoom ticket, which can be purchased here. All proceeds from ticket sales will go directly to Folk Medicine, “an umbrella fundraising initiative that supports direct pandemic relief throughout the Amazon” by “raising funds to be distributed to aid efforts underway throughout the Amazon Basin.”

In a statement, Folk Medicine wrote: “The situation throughout the Amazon Basin is dire as indigenous peoples, already facing centuries of systemic oppression, suffer from illness, lack of food, medical supplies and income due to the COVID-19 pandemic.” They added: “Medical infrastructure has completely collapsed in many regions and jungle communities are left largely to fend for themselves. Without access to direct aid, people are already dying at alarming rates. We must act now.”

The organizers have set an initial fundraising goal of $150,000, which will help “support indigenous Amazonians who need money for food, medications, oxygen, and economic relief now and in the coming months.”

The first livestreamed concert, which took place in June, raised $32,000 with 10 thousand viewers between Zoom and Facebook Live and included performances from Bonnie “Prince” Billy, Devendra Banhart, Avey Tare, Mariee Sioux and more.

View this post on Instagram

The situation throughout the Amazon Basin is dire as indigenous peoples, already facing centuries of systemic oppression, suffer from illness, lack of food, medical supplies and income due to the CO V ID-19 pandemic. Medical infrastructure has completely collapsed in many regions and jungle communities are left largely to fend for themselves. Without access to direct aid, people are already dying at alarming rates. We must act now. FOLK MEDICINE is an umbrella fundraising initiative that supports direct pandemic relief throughout the Amazon.On June 10th, our first live-stream concert raised 32 thousand dollars on the first night with 10 thousand viewers between Zoom and Facebook Live. Our initial goal of 150 thousand dollars will support indigenous Amazonians who need money for food, medications, oxygen, and economic relief now and in the coming months. Folk Medicine is currently distributing aid to 35 existing campaigns! Tickets on sale at link in bio with 100% of proceeds distributed to direct aid efforts. Many of us have been touched by the blessings of Amazonian wisdom traditions, or at the very least, recognize the importance of active reciprocity for the guardians of this vital organ of our planet – the Amazon Rain Forest. The artists have generously offered their talent and platforms to raise awareness and funds to offer immediate assistance with 100% of donations financing direct aid. Painting by @elenastonaker #activereciprocity

A post shared by FOLK MEDICINE (@folkmedicinelive) on

 

Former Kasabian Singer Tom Meighan Pleads Guilty to Domestic Assault, Band Issues Statement

Earlier this week, it was announced that former Kasabian singer Tom Meighan had left the Leicester band due to “personal issues”. Now, Meighan has pled guilty to assaulting his former fiancée, Vikki Ager.

As the BBC reports, Meighan appeared at Leicester Magistrates Court yesterday (July 7) to face charges of domestic assault. The singer admitted to assaulting Vikki Ager on the night of April 9, leaving her with with bruises on her knees, elbow, ankle as well as “a reddening around her neck”. The assault was reported by a child who witnessed the incident and called the emergency services to say a “domestic incident was taking place”. Officers who responded to the scene noted that Meighan “smelt heavily of intoxicants” and was “uncooperative and aggressive”.

After pleading guilty, Meighan was sentenced to 18 months of probation and 200 hours of unpaid work, in addition to having to complete five days of rehabilitation and paying £175 in legal fees.

Michelle Healey, Meighan’s attorney, told the court that the singer felt “deep remorse” and “personal humiliation”. Commenting on Meighan’s departure from the band, she noted: “To lose the opportunity to perform with the band he loves and people he loves is a huge personal loss.”

Following the court hearing, the band posted a statement on Twitter addressing the charges: “Now that the legal proceedings have been concluded, we can comment on the departure of Tom Meighan from the band,” they wrote. “No one in the band wanted this to happen. We have all worked so hard for the past twenty three years and had big plans for our future together. We’re completely heartbroken.”

They added: “But we were left with no choice but to ask Tom to leave the band. There is absolutely no way we can condone his assault conviction. Domestic violence and abuse of any kind is totally unacceptable. As soon as we found out about the charges made against Tom, we as a band made the decision that we could no longer work with him. Unfortunately we had to hold back this information until he was found guilty in court.”

Meighan then posted a statement on his personal Twitter account thanking his fans for all the “love and support” and letting them know he is “in a really good place” and will be “seeing you all very soon.”

Shortly after, Kasabian responded to Meighan’s post (via NME): “We were led to believe that Tom would hold his hands up in his statement and tell everyone what he’d done but he chose not to, misleading a lot of fans.”

“Ultimately, as much as Tom has hurt us all, we’re not the victim in all of this. Domestic violence is something that can never be excused.”

If you or someone you know has been affected by domestic abuse, we encourage you to reach out:

Freephone National Domestic Abuse Helpline –  0808 2000 247

You can also donate to Refuge here.

Martin Scorsese to Direct Documentary on New York Dolls’ David Johansen

Showtime Documentary Films announced yesterday (July 7) that Martin Scorsese will be directing a new feature on New York Dolls frontman David Johansen.

The film, co-directed by David Tedeschi, will take an intimate look at Johansen’s life and career, from his upbringing in Staten Island and his time in NYC’s East Village neighborhood as a teenager, to fronting the legendary glam rock band New York Dolls. The doc will also explore Johansen’s post-Dolls years, including the lounge music he made under the moniker Buster Poindexter in the 80s and his blues output with the Harry Smiths in the 90s. The film will also include clips from Johansen’s performances at New York’s Café Carlyle earlier this year.

“I’ve known David Johansen for decades, and his music has been a touchstone ever since I listened to the Dolls when I was making Mean Streets,” Scorsese said in a statement. “Then and now, David’s music captures the energy and excitement of New York City. I often see him perform, and over the years I’ve gotten to know the depth of his musical inspirations. After seeing his show last year at the Café Carlyle, I knew I had to film it because it was so extraordinary to see the evolution of his life and his musical talent in such an intimate setting. For me, the show captured the true emotional potential of a live musical experience.”

Scorsese is no stranger to music documentaries; he explored the ’70s rock scene in the HBO series Vinyl as well as The Band’s career in 1978’s The Last Waltz. More recently, he directed Rolling Thunder Revue: A Bob Dylan Story, which was released by Netflix.