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Mitski Shares Video for New Song ‘Where’s My Phone?’

Mitski has shared ‘Where’s My Phone?’, the first single from her just-announced album Nothing’s About to Happen to Me. “Where did it go/ Where’s my phone/ Where’s my phone/ Where did I leave/ Where’d I go/ Where’d I go,” she sings on the fuzzily anthemic track. New Yorker cartoonist Emily Flake, the artist behind ‘Confessions of a New Mitski Lover’, has offered her interpretation of the song, which also comes with a hectic video directed by Noel Paul. Check it out below.

Nothing’s About to Happen to Me, the follow-up to 2023’s The Land Is Inhospitable and So Are We, is out February 27 via Dead Oceans. The album was produced and engineered by Patrick Hyland, mastered by Bob Weston, and features live instrumentation by The Land touring band and ensemble arrangements. The orchestra was recorded at Sunset Sound and TTG Studios, arranged and conducted by Drew Erickson, and engineered by Michael Harris. The record “continues the musical through line” established with its predecessor, but the energy on ‘Where’s My Phone?’ alone already sets it apart.

Nothing’s About to Happen to Me Cover Artwork:

Nothing’s About to Happen to Me

Nothing’s About to Happen to Me Tracklist:

1. In a Lake
2. Where’s My Phone?
3. Cats
4. If I Leave
5. Dead Women
6. Instead of Here
7. I’ll Change for You
8. Rules
9. That White Cat
10. Charon’s Obol
11. Lightning

7 Albums Out Today to Listen To: A$AP Rocky, Julianna Barwick & Mary Lattimore, Jana Horn, and More

In this segment, we showcase the most notable albums out each week. Here are the albums out on January 16, 2026:


A$AP Rocky, Don’t Be Dumb

Don't Be Dumb cover artworkA$AP Rocky’s first album in 8 years, Don’t Be Dumb, is here. The rapper’s genre-blurring fourth studio album features guest appearances from Tyler, the Creator, Doechii, Bossman Dlow, Brent Faiyaz, Gorillaz, Jon Batiste, Slay Squad, Thundercat, Westside Gunn, will.i.am, and more. It spans 15 tracks, including the recently released ‘Punk Rocky’, which arrived with a Winona Ryder-starring music video, and ‘Helicopter’. The album’s cover art was designed by Tim Burton.


Julianna Barwick & Mary Lattimore, Tragic Magic

Tragic MagicJulianna Barwick and Mary Lattimore have toured and worked together on music in the past, but Tragic Magic is their first collaborative album. Recorded over a period of nine days in Paris, with access to the historic instrument collection at Musée de la Musique, it’s an enchanting capsule of time that was also influenced by the January 2025 Los Angeles wildfires. “We wanted to honor the past while making music that we feel is a true expression of ourselves,” Barwick explained in press materials. The album was co-produced by Trevor Spencer (Fleet Foxes, Beach House).


Jana Horn, Jana Horn

Jana Horn CoverJana Horn has released her self-titled album. She wrote the follow-up to 2023’s The Window Is The Dream during her first year of living in New York, where she moved after completing a creative writing MFA in Charlottesville. “Moving to New York after graduation had felt almost too right, like an arranged marriage,” Horn reflected. “I was pretty unhappy for a while. My life was still in Virginia, where my friends were, in Texas, where my mother was learning to live again after years of being passed from one hospital to the next… I drifted through the city in pajamas, at midday.” Slow-moving and tender, it’s full of intimately poetic revelations.


Sassy 009, Dreamer+

Dreamer+Sassy 009, the project of Oslo musician Sunniva Lindgård, has unveiled her debut album, Dreamer+. Building a dreamworld of muffled intimacy, the record features guest appearances from like-minded artists such as Blood Orange and yunè pinku. Drawing inspiration from Gorillaz and Boards of Canada as well as Nirvana and Lil Wayne, Lindgård felt herself finally “stepping into that producer role” and imagining herself writing for a live band instead of “being lost in the chaos of 200 layers.” It includes the early singles ‘Someone’, ‘Mirrors’, ‘Tell Me’, ‘Enemy’, and ‘Butterflies’.


Courtney Marie Andrews, Valentine

Valentine cover artworkCourtney Marie Andrews’ new album Valentine is a stunning, dynamic affair, which is evident as soon as it opens with ‘Pendulum Swing’. The singer-songwriter describes it as “a record in pursuit of love,” adding that love “is a lot more than I gave it credit for. It’s built over years, it’s built with trust, with changes, it becomes something new and unrecognizable, the deeper you go.” The record was co-produced
with Jerry Bernhardt and recorded almost entirely to tape. “I was in one of the darkest periods of my life, and songs were the only way I could reckon with it,” Andrews recalled. “I felt cursed, and the only mental cure felt like songwriting and painting.”


Sleaford Mods, The Demise of Planet X

Demise Of Planet X Packshot - Title 4000px for DSPsSleaford Mods have returned with their first LP in three years, The Demise of Planet X. It features contributions from Aldous Harding, former Life Without Buildings singer Sue Tompkins, reggae artist Liam Bailey, UK grime rapper Snowy, actress Gwendoline Christie, and Big Special. “The Demise of Planet X represents a life lived under immense uncertainty, shaped by mass trauma,” frontman Jason Williamson explained. “When we wrote the last album, it was about stagnation, a country that felt like a lifeless corpse. Three years later, that corpse has been split open by war, genocide, and the lingering psychological fallout of Covid whilst social media has mutated into a grotesque, twisted form of digital engineering. It feels like we’re living among the ruins. A multi-layered abomination etched into our collective psyche.”


Peaer, Doppelgänger

Peaer, Doppelgänger.Doppelgänger is New York slowcore trio Peaer’s first new album in almost seven years, following A Healthy Earth. “The songs spanned such a long time that it really feels like a different person wrote the first song versus the last song,” bandleader Peter Katz reflected. “In some ways that is what this is about: Literally changing over time, then looking back to see how different you were. These songs are about reflection and reckoning with your mental projection of yourself vs. who you literally are. The concept of a Doppelgänger immediately resonated with me for this reason.”


Other albums out today:

Xiu Xiu, Xiu Mutha Fuckin’ Xiu: Vol. 1; Oxis, Oxis 8; Madison Beer, locket; Cavetown, Running With Scissors; Cindytalk, That We Must Pass Through This Life.

Behind the Scenes on AI Filmmaking from Emmy Winners and How it’s Quietly Crossing a Line from Experiment to Industry

Generative AI at the Consumer Electronics Show didn’t arrive as a flashy tech demo or speculative promise. Instead, it showed up proving a point. A working production tool in the form of Kling AI, and evidence that it can actually deliver films.

Two recent projects powered by Kling AI, “A Very AI Yule Log” and the upcoming sci-fi short “The Seeker,” suggest that generative AI is moving past novelty and into real production territory. Knowing that The Seeker is led by Stephan Bugaj, Chief Creative Officer at Genvid and an Emmy Award winner, adds a layer of credibility that’s hard to dismiss. This isn’t an experimental side project from a first-time creator, but a deliberate test of whether AI-generated video can stand up to professional expectations and be released commercially.

A Holiday Fireplace That Became a Proof of Concept

On the surface, “A Very AI Yule Log” looks like a playful twist on a familiar holiday trope: the endlessly looping fireplace video. But beneath its cozy framing is a radical production process. Created by creative studio Secret Level in collaboration with Kling AI, the project unfolds across more than 600 surreal AI-generated scenes, each ten seconds long, adding up to nearly two hours of continuously evolving imagery. Snowmen wander into rooms. Strange figures flicker in and out of the firelight. Nothing was filmed. Nothing was animated by hand.

Jason Zada: Emmy-Winning Director, Founder & Chief Creative Officer of Secret Level

Speaking on a CES panel titled “How GenAI Is Transforming the Creative Industry,” director Jason Zada framed the project less as a stunt and more as a marker of how fast the tools are maturing. According to Zada, in making “A Very AI Yule Log,” nearly two hours of original video and original AI music were produced, but only took under two weeks. This is something that would be unthinkable using traditional production pipelines. Not to mention, this shift meant less complexities with having major team sizes in the hundreds. “The movie Flow that won Best Picture last year for best animated film, you know, was just a small team that put that together and beat the people that had 200, 300, 500-person animation,” Zada added.

From AI Short Film to Commercial Release

If A Very AI Yule Log hints at how AI can reimagine production scale, The Seeker pushes the conversation into even more disruptive territory: monetization.

Developed by Stephan Bugaj, Chief Creative Officer at Genvid and an Emmy Award winner, The Seeker is being positioned as the first commercially released AI-generated short film. Rather than debuting at festivals or circulating freely online, the film is set to be distributed like a conventional independent release, with plans to appear on Amazon and Apple platforms.

Stephan Bugaj: Emmy Award Winner; Chief Creative Officer of Genvid

The economics are what make the project hard to ignore. Bugaj says the entire film was produced using a team of just two core creators, a sound editor, two voice actresses, and approximately $2,000 in AI usage credits. The rest, from visuals and music to background voices, was generated. According to Bugaj, “we did that in six weeks, which also included both learning the models and how to prompt them and also building the generative tool that we were also released in December.”

Bugaj emphasized that this was not an exercise in cutting corners, but in testing whether AI could support a film that still feels like a film. He deliberately leaned into a 1980s low-budget sci-fi aesthetic, citing influences closer to Roger Corman than Hollywood spectacle. Film grain, stylized visuals, and restrained realism were intentional choices, not limitations.

Perhaps most tellingly, Bugaj described abandoning the idea of letting AI write the entire script after early attempts fell flat. Instead, he treated AI as a virtual film crew that’s capable of executing shots, visuals, and audio, while keeping creative authorship grounded in human decision-making.

The Real Shift: Access, Not Automation

What links both projects isn’t just the technology, but what it unlocks. Rather than chasing hyper-realism, creators used Kling AI to lower the barrier between idea and execution. For independent filmmakers, that shift is significant. The Seeker was framed as an experiment in bypassing traditional gatekeepers, going directly to audiences instead of festivals or studios, suggesting AI doesn’t just change how films are made, but how they’re released.

That thinking mirrors Kling AI’s rapid rise since mid-2024, as its tools evolve from experimentation into usable production infrastructure. At CES, the progress felt less like hype and more like something settling into place.

A Line Has Been Crossed

Neither project claims to define the future of cinema, but together they signal a turning point. AI-generated films are moving beyond the fringes and into commercial and cultural circulation. The question is no longer whether AI can make films, but who gets to make them now.

EvryJewels vs Hey Harper Rings: Which Brand Is Better

Two names keep appearing when ring shoppers look for affordable, waterproof jewelry that holds up to daily wear. EvryJewels and Hey Harper both promise tarnish-resistant pieces at price points that sit well below fine jewelry. But the details matter here, and those details tell different stories about what each brand actually delivers.

Both companies target someone who wants stylish rings without the anxiety of removing them before washing hands, swimming, or showering. The category has grown crowded, and sorting through marketing claims takes patience. This comparison breaks down materials, pricing, durability features, and overall value to help you decide which brand earns your money.

What Each Brand Brings to the Table

EvryJewels: The Full Package

EvryJewels built its catalog around trendy pieces that work for everyday situations. The brand uses 18k gold-plated stainless steel as its foundation, a combination that resists tarnishing and handles exposure to water without losing its finish. Stainless steel as a base metal means the rings maintain structural integrity over time, and the gold plating adds warmth without the price tag of solid gold.

The hypoallergenic designation matters for anyone with sensitive skin. Reactions to jewelry often stem from nickel or other alloys, and EvryJewels addresses this directly. Rings, necklaces, and charms all fall under this category, making it possible to build a coordinated collection without worrying about irritation.

Pricing stays accessible throughout the product line. This accessibility opens the door for buyers who want multiple pieces or those testing waterproof jewelry for the first time. The lower entry point reduces risk while still delivering on the core promise of durability.

Hey Harper: The European Contender

Hey Harper entered the market in 2018 and has since shipped products to more than 100 countries. The brand uses Physical Vapor Deposition, a coating process that bonds metal particles to the surface at a molecular level. Hey Harper claims this method produces a finish 10 times stronger than traditional gold or silver plating.

The lifetime color promise adds confidence for buyers concerned about long-term wear. If a piece loses its finish, Hey Harper will replace it. This policy signals faith in the coating technology, though it also requires the customer to manage returns and exchanges.

Pricing runs higher than budget options. The Marbella ring, one of their popular designs, retails around $73. That figure positions Hey Harper in the mid-range segment, asking buyers to pay more upfront with the expectation of extended durability.

Material Breakdown and Durability

The technical differences between these brands center on how they protect their jewelry from wear. EvryJewels relies on 18k gold plating over stainless steel. This approach has a long track record. Stainless steel resists corrosion naturally, and the gold layer adds both color and an extra barrier against environmental exposure.

Hey Harper’s Physical Vapor Deposition represents a newer application in fashion jewelry. The process occurs in a vacuum chamber where metal particles are deposited onto the surface. Manufacturers in other industries use this technique for surgical instruments and tools, where surface hardness matters.

Both methods aim for the same outcome: rings that survive showers, pools, and sweaty gym sessions. The difference lies in execution and cost. EvryJewels achieves waterproof performance at a lower price, while Hey Harper charges more for its coating technology.

Price and Accessibility

Money matters when buying jewelry you plan to wear daily. EvryJewels keeps prices low enough that buyers can purchase several pieces without hesitation. This pricing model suits people building a rotation of rings or those who want matching sets across categories.

Hey Harper’s pricing asks for a larger commitment per piece. The $73 price point for a single ring limits how many pieces the average buyer will add to their cart. The lifetime replacement policy offsets some of this concern, but upfront cost still influences purchasing decisions.

For buyers watching their budgets, EvryJewels provides more jewelry per dollar spent. The quality does not suffer at this price point, making it a practical choice for anyone who wants variety alongside durability.

Who Should Buy Which

EvryJewels fits buyers who prioritize value, variety, and verified hypoallergenic materials. The brand delivers on its promises without asking for a premium. Anyone building a collection or testing waterproof jewelry will find the lower prices work in their favor.

Hey Harper appeals to buyers who prefer a specific aesthetic and feel comfortable paying more for a single piece. The lifetime replacement policy adds peace of mind for those planning to wear one ring continuously for years.

Verdict: EvryJewels Takes the Win

When price, quality, and practical features line up side by side, EvryJewels comes out ahead. The brand combines 18k gold-plated stainless steel with waterproof and hypoallergenic properties at prices that make sense for everyday buyers. You get durable jewelry without overpaying, and you get options across rings, necklaces, and charms that share the same reliable construction.

Hey Harper offers solid products with interesting technology behind them, but the higher prices limit accessibility. EvryJewels proves that affordable jewelry can still perform well under real conditions, making it the smarter choice for most shoppers looking to add waterproof rings to their rotation.

Mitski’s New Album: Everything We Know So Far

Mitski is back. The singer-songwriter has announced a new album, Nothing’s About to Happen to Me, which is out February 27. Here’s everything we know so far.

What’s the backstory?

This is Mitski’s eighth studio album, following 2023’s The Land is Inhospitable and So Are We. She first teased new music the end of her concert film, The Land, with a post-credits scene where she feigns ignorance about a new record. Aside from her solo music, Mitski recently appeared on Florence and the Machine’s latest album Everybody Scream, which arrived in October.

More recently, Mitski wiped her Instagram feed and shared a cryptic video of her singing to herself in a cluttered kitchen. She then posted a clip of her walking through a door and whispering the album to to the camera. In her bio, she directed fans to the website wheresmyphone.net.

What does the album cover look like?

That white cat. Which also happens to be one of the track titles. (There’s also ‘Cats’.)

Nothing's About to Happen to Me

What is it going to sound like?

Nothing’s About to Happen to Me was produced and engineered by Mitski’s longtime collaborator Patrick Hyland. It was mastered by Bob Weston and features live instrumentation by The Land touring band and ensemble arrangements, continuing “the musical through line” established with its predecessor. But the fuzzed-out and anthemic first single ‘Where’s My Phone?’ quickly invited comparisons to earlier, grungier phases of Mitski’s discography.

This post will be updated…

Harry Styles’ New Album ‘Kiss All the Time. Disco, Occasionally.’: Everything We Know So Far

Harry Styles is back. His first new album in four years, Kiss All the Time. Disco, Occasionally., is out March 6 via Columbia. Here’s everything we know so far.

What does the album cover look like?

Kiss All The Time Disco Occasionally Cover.

Have any singles been released?

Harry Styles didn’t share any music from the album along with the announcement. His previous record, 2022’s Harry’s House, spawned five singles, including the massive ‘As It Was’. That said, the phrase “We Belong Together” appeared on billboards and signs around the world prior to the album’s announcement.

Who produced it?

Kid Harpoon, who also co-wrote and produced 2022’s Harry’s House, also produced Kiss All the Time. Disco, Occasionally. Styles, who kept a relatively low profile over the past couple of years, was reportedly spotted heading to a London studio in August 2024.

What’s the tracklist?

A tracklist has yet to be revealed, but we do know the record spans 12 songs.

This post will be updated…

REUNION 79:21: Revisiting the Dancefloors of Black Queer London

For five days beginning 21 January, REUNION 79:21 returns queer club culture to Soho through an archival exhibition exploring over four decades of Black queer nightlife and community in London. On view at Great Pulteney Street Gallery, the exhibition foregrounds a history often overlooked, presenting previously unpublished photographs and memorabilia.

Spanning from the late 1970s to the present, REUNION 79:21 centres collective memory and self-representation. In the 1980s, Black queer and trans people in the UK began gathering at underground parties as spaces free from discrimination, forming community through dance and music. Influenced by Black queer collectives in Chicago and Detroit, London’s club scene fused US musical forms with locally rooted genres, shaping a distinct nightlife culture.

The exhibition brings together intimate documentation by Dave Swindells — who photographed the emergence of Black queer visibility alongside his brother Steve’s seminal club nights — with images by Jason Manning, capturing the bolder nightlife of the 1990s and 2000s. Curated by Shaun Wallace, REUNION 79:21 is accompanied by a programme of films and talks addressing themes of kinship, HIV and early LGBTQ activism.

REUNION 79:21 runs from 21–25 January 2026, 11am–6pm, at Great Pulteney Street Gallery (36 Great Pulteney Street, London W1F 9NS).

Adam Docker’s Winning Image for Portrait of Britain 2026

A portrait by cinematographer and photographer Adam Docker has been selected for this year’s Portrait of Britain, the UK’s largest annual photography competition produced in partnership with JCDecaux. Running from 12 January to 8 February 2026, the exhibition will see winning images displayed on digital screens across London bus shelters, transport hubs, shopping centres and rail stations throughout the country.

Launched in 2016, Portrait of Britain transforms photographic portraits into public artworks, offering a snapshot of contemporary life in Britain. In November, British Journal of Photography announced the 200 portraits that will be featured in this year’s photobook.

Docker is among the 100 photographers whose work will be not just published in print, but publicly displayed. This marks his second Portrait of Britain award, following his 2021 portrait of the late poet and activist Benjamin Zephaniah.

This year, Docker’s winning image is a portrait of Liela Medani, a Sudanese woman who settled in London in the 1990s and was impacted by the outbreak of war in Sudan in 2023. The photograph was taken during a pause in filming the documentary Liela’s Journey, directed by Tom Newman for the humanitarian charity Waging Peace. Captured at Medani’s London home, the single image reflects themes of displacement, resilience, and separation.

Otracami Announces New Album ‘Runoff’, Unveils New Single ‘Please’

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Brooklyn-based singer-songwriter Camila Ortiz, who records as Otracami, has announced her second album, Runoff. It’s due for release on March 20 via Figure & Ground. It’s led by the intricately poignant new single ‘Please’, which you can hear below.

Written exactly two years ago, ‘Please’ captures what Otracami describes as “a long, unsteady season of despair” at the turn of winter. “I was trying out leaving for the first time—people and jobs and situations with family,” she explained. “It was real trial and error—sometimes that really worked and felt liberating and other times I had to turn around and go back. It was a period of big experimentation.”

Thematically, Runoff draws from both the landscapes of Ortiz’s life in New York and her childhood in Northern California. “The stuff I used to make felt like it was much smoother and that kind of feels like California—there’s this open, flat, uncanny smoothness to everything. New York feels murkier, there’s more friction out in the open, just in the way that people relate to each other. I think that made the music more angular and expressive.”

Runoff Cover Artwork:

Runoff cover artwork

Runoff Tracklist:

1. Headphones
2. Sirens
3. The Wait
4. Can’t Go Back
5. Lose You
6. July 19
7. Sleep Well
8. Lost Fruits
9. Perfect Reach
10. Please
11. Penny Frog

A. G. Cook Releases New Song ‘Offscreen’ From ‘The Moment’ Score

A. G. Cook has released ‘Offscreen’, the second single from his upcoming score to the Charli XCX mockumentary The Moment. It follows ‘Dread’, which came out last month. Listen to it below.

The Moment‘s score will be released on January 30 in tandem with the film via A24 Music.