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Thank You Thank You Shares New Songs ‘After You Gave Me This’ and ‘There’s No Telling’

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Thank You Thank You, aka Philadelphia-based musician and songwriter Tyler Bussey, has two new instrumental songs out today via Ruination. Listen to ‘After You Gave Me This’ and ‘There’s No Telling’ below.

Stretching over 10 minutes, ‘After You Gave Me This’ features Bussey on classical guitar, electric guitar, bass, piano, and OP-1; Jason Calhoun on synth and electronics; Kevin Copeland on pedal steel; Chris Jusell on violin; Lucas Knapp on bass synth; Christopher McDonald on Rhodes; Eliza Niemi on cello; Chaz Prymek on dobro and harmonium; Alyssa Resh on vibraphone and bowed vibraphone; and Andrew Stevens on drums. Heather Jones, who records as ther, is credited with capturing rain.

Bussey plays piano, bowed banjo, and sub bass on ‘There’s No Telling’, the single’s minimalist coda, with June Bender contributing violin.

Earlier this year, Thank You Thank You released the single ‘Watching the Cyclones’. Revisit our Artist Spotlight interview with Thank You Thank You.

Prima Queen Announce Debut Album ‘The Prize’, Share New Single

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Prima Queen – the duo of Louise Macphail and Kristin McFaddenannounce – have announced their debut full-length, The Prize. It’s set to arrive on April 25 via Submarine Cat Records. Today, they’ve shared a new single called ‘Ugly’, which you can hear below.

“‘Ugly’ is about trying to maintain a festival romance in the real world,” the band explained in a statement. “It was written after the ending of a situationship with an uneven power dynamic and after being let down repeatedly, coming to the painful acceptance that it will never be what you hoped for.”

“We’re beyond excited to finally be releasing an album out into the world!” they added. “We’ve been working on it for such a long time and it feels like a real statement of our growth, both separately and together. It’s been our little secret for a while now and we can’t wait for it to be yours!”

The Prize Cover Artwork:

Bleachers Share New Single ‘Merry Christmas, Please Don’t Call’

Bleachers have released a new holiday song, ‘Merry Christmas, Please Don’t Call’, which Jack Antonoff’s band has been teasing live over the past two years. Give it a listen below.

Bleachers’ self-titled fourth studio album arrived in March via their new label home, Dirty Hit. More recently, the group issued A Stranger Desired, a reimagined version of their debut album, A Strange Desire, to celebrate its tenth anniversary.

SASAMI Releases New Song ‘Just Be Friends’

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SASAMI has shared a new single, ‘Just Be Friends’, taken from her forthcoming album Blood on the Silver Screen. It follows previous entries ‘Honeycrash’ and ‘Slugger’. Check it out below.

“‘Just Be Friends’ feels like a really grown up continuation of themes/moods from my first two albums,” SASAMI explained in a statement. “I returned to some of the stream of consciousness, emotional lyrical writing style of my first album and kept riding the country wave that was in the fabric of Squeeze but with a bit more modern country influence. I love how country songs often tell a story. Longing, lingering, loneliness and lust. When I play this one live, I always dedicate it to anyone ‘sad and horny’ in the crowd… if that means anything.”

Blood on the Silver Screen is due out March 7 via Domino.

Multisensory Resonances: A Review of the Bridge—Work Project Showcase at Hyde Park Art Center

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The Bridge_Work project showcase at Chicago’s Hyde Park Art Center brought together a dynamic collection of works from artists across diverse backgrounds and generations, celebrating contemporary creative practices while exploring intersections between the human body, environment, technology, and tradition. Among the standout pieces was Air Flows Between Us by artist Xingyu Huang, an immersive, participatory installation that explores themes of anxiety, interaction, sound, and traditional medicine. Through a sensory-focused experience, Huang invites viewers to connect with intricate emotional and psychological layers.

Embodied Anxiety and Tangible Experiences

In Air Flows Between Us, Xingyu Huang addresses the somatization of anxiety, where psychological distress—fear, tension, or unease—manifests in physical symptoms like dizziness, palpitations, and headaches. Inspired by interviews with individuals living with anxiety disorders, Huang translates these internal sensations—mental noise, accelerated heartbeat, trembling fingers, and fluctuating emotions—into distinct rhythms and sensory cues within the installation space. This externalization of anxiety creates a shared experience that brings an often-invisible struggle into a more relatable, empathetic realm.

Xingyu Huang- Air flows between us

A Space of Sensory Resonance

The installation immerses viewers in a space filled with sound and scent, forming an almost gravitational pull that guides powdered blue pigment—a mix of medicinal and dye forms of the woad plant—to fall in a pattern synchronized with bio-rhythm data. The powder slowly accumulates and dissipates, echoing the buildup and release of tension. This layering of sound and scent encourages viewers to step into a space where unspoken emotions can be felt in a visceral way, bridging gaps in human understanding.

Medicinal powder accumulated on the floor

Reframing Emotional Communication

In her artist statement, Huang discusses her intent to use sensory experiences to explore the complexities of human connection. Her work reconstructs emotional and physiological states, allowing viewers to engage with shared yet intensely personal experiences. Her background in architecture shapes her focus on spatial awareness and sensory environments, considering how physical space affects consciousness and emotional processing. Elements such as traditional medicine, botanical matter, ambiguous sounds, erratic movements, and enclosed spaces contribute to her nuanced investigation of the relationship between body, space, and emotion.

Artist Xingyu Huang in conversation with curator Yoonshin Park

The Silent Language of Anxiety

Following the exhibition, Xingyu Huang joined curator Yoonshin Park in a conversation titled “Sensing the Unspeakable: Soundscapes of Communication,” co-presented by Working Title and the Hyde Park Art Center in the Muller Meeting Room. This artist talk offered insights into Huang’s exploration of emotion, space, sound, and the complexities of communicating what words often cannot express.

Huang discussed the conceptual and technical challenges she faced while developing Air Flows Between Us, where sensory thresholds are explored through a blend of sound, medicinal herbs, and organic materials. She explained how the abrupt sounds produced by the installation’s mechanical elements contrast with the gently falling powder, symbolizing the tension within anxiety—reflecting both inner turmoil and outer calm. This interplay between violent and serene elements captures the often-overlooked duality of mental health struggles.

Art as a Bridge Across Sensory and Emotional Boundaries

The Bridge_Work exhibition demonstrates the power of art to transcend cultural and generational boundaries, creating a platform for shared experiences. Xingyu Huang’s Air Flows Between Us is notable for its innovative integration of sound, scent, and spatial interaction, transforming anxiety into a form that resonates both physically and emotionally. By breaking down traditional viewing modalities and constructing a sensory-driven environment, Huang prompts audiences to explore the intricate connections between body, emotion, and environment.

Through this dialogue, viewers not only experienced the subtle interplay between physical and emotional realms in Huang’s work but also gained insight into the challenges contemporary artists face when depicting complex psychological landscapes. As Yoonshin Park remarked, Huang’s work illustrates that art can serve as a conduit for emotional communication, transcending linguistic barriers and fostering deeper self-understanding and empathy.

Artist Xingyu Huang in conversation with curator Yoonshin Park

In this retrospective review, Air Flows Between Us stands out as a powerful yet sensitive approach to conveying universal themes of anxiety, empathy, and human connection, bridging sensory boundaries to create moments of profound introspection and understanding.

Ichiko Aoba Announces New Album ‘Luminescent Creatures’, Shares New Single

Japanese singer-songwriter, composer, and multi-instrumentalist Ichiko Aoba has a new album on the way: Luminescent Creatures will be released on February 28 via her imprint hermine. Its lead single, ‘Luciférine’, is out today. Along with the news, Aoba has announced a 2025 world tour. Listen to ‘Luciférine’ below, and scroll down for the album cover, tracklist, and the list of dates.

Aoba’s previous album was 2020’s Windswept Adan, which was conceived as the soundtrack to an imaginary film about a girl who journeys from her home to the fantastical Adan Island. “Luminescent Creatures was born from Windswept Adan,” Aoba explained in a statement. “It began when I started wondering what happened after the protagonist of Windswept Adan disappeared along with the music of the island’s inhabitants. What would be left?”

Luminescent Creatures Cover Artwork:

Luminescent Creatures Tracklist:

1. COLORATURA
2. 24° 3′ 26.98″ N, 123° 47′ 7.5″ E
3. mazamun
4. tower
5. aurora
6. FLAG
7. Cochlea
8. Luciférine
9. prisomnia
10. SONAR
11. 惑星の泪 (Wakusei no Namida)

Ichiko Aoba 2025 Tour Dates:

Mon Feb 24 – Hong Kong, CN – Xi Qu Centre, Grand Theatre [with Musicians from HK Phil]
Wed Feb 26 – Seoul, KR – Sky Arts Hall
Wed March 6 – Taipei, TW – Zhongshan Hall
Mon March 10 – Barcelona, ES – Parallel 62
Tue March 11 – Valencia, ES – Teatro Rambleta
Thu March 13 – Milan, IT – Auditorium San Fedele
Sat March 15 – Zurich, CH – Mascotte
Tue March 18 – Hamburg, DE – Laiszhalle
Wed March 19 – Berlin, DE – Urania (Humboldtsaal)
Fri March 21 – Utrecht, NL – TivoliVredenburg (Grote Zaal)
Sun March 23 – Groningen, NL – Oosterpoort
Tue March 25 – Antwerp, BE – De Roma
Thu March 27 – Paris, FR – La Trianon
Mon March 31 – London, UK – Barbican [with 12 Ensemble]
Wed April 2 – Manchester, UK – Albert Hall
Fri April 4 – Gateshead, UK – The Glasshouse
Sat April 5 – Glasgow, UK – City Halls
Thu April 17 – Honolulu, HI – Hawaii Theatre
Sat April 19 – Vancouver, BC – Chan Centre
Sun April 20 – Portland, OR – Revolution Hall
Mon April 21 – Seattle, WA – The Moore
Wed April 23 – Oakland, CA – Fox Oakland
Sat April 26 – Los Angeles, CA – The Wiltern [with Wordless Music Quintet]
Sun April 27 – Los Angeles, CA – The Wiltern [with Wordless Music Quintet]
Tue April 29 – Scottsdale, AZ – Scottsdale Center
Thu May 1 – Denver, CO – Paramount Theatre
Fri May 2 – St. Paul, MN – Fitzgerald Theatre
Tue May 6 – Chicago, IL – Thalia Hall
Wed May 7 – Chicago, IL – Thalia Hall
Thu May 8 – Detroit, MI – Masonic Cathedral Theatre
Sat May 10 – Cleveland, OH – Agora Theatre
Mon May 12 – Boston, MA – Berklee Performance Center
Wed May 14 – New York, NY – Kings Theatre [with Wordless Music Quintet]
Sat May 17 – Philadelphia, PA – Miller Theatre
Sun May 18 – Washington, DC – Warner Theatre
Thu May 22 – Mexico City, MX – Teatro Metropolitan

St. Vincent Shares New Spanish-Language Single ‘El Mero Cero’

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St. Vincent has shared ‘El Mero Cero’, the latest single from Todos Nacen Gritando, her Spanish-language reworking of All Born Screaming. Annie Clark has also announced new tour dates for 2025, including shows with Olivia Rodrigo and Nick Cave & the Bad Seeds. Listen to the new version of ‘Big Time Nothing’ and check out St. Vincent’s tour itinerary below.

Todos Nacen Gritando arrives this Friday, November 15.

St. Vincent 2024/2025 Tour Dates:

Nov 16 – Mexico City, Mexico – Corona Capital
Nov 22 – Jakarta, Indonesia – Joyland
Nov 25 – Melbourne, Australia – Palais Theatre
Nov 26 – Ballarat, Australia – Her Majesty’s Theatre
Nov 27 – Melbourne, Australia – Forum
Nov 28 – Melbourne, Australia – Crown Aviary
Nov 30 – Hong Kong, China – Clockenflap
Jan 4 – Tokyo, Japan – Rockin’On Festival
Jan 6 – Seoul, South Korea – YES 24 Live Hall
Jan 8 – Manila, Philippines – The Filinvest Tent
Jan 11 – Los Angeles, CA – AlterEgo
Mar 26 – Curitiba, Brazil – Estadio Couto Pereira (w/ Olivia Rodrigo)
Mar 29 – Bogotá, Colombia – Estéreo Picnic
Apr 2 – Mexico City, Mexico – Estadio GNP Seguros (w/ Olivia Rodrigo)
Apr 4 – Monterrey, Mexico – Pa’l Norte
Apr 6 – Dallas, TX – The Factory in Deep Ellum
Apr 7 – Austin, TX – Moody Amphitheater
Apr 8 – Houston, TX – White Oak Music Hall
Apr 10 – New Orleans, LA – Orpheum Theater
Apr 11 – Atlanta, GA – Tabernacle
Apr 12 – Charlottesville, VA – Ting Pavilion
Apr 13 – Pittsburgh, PA – Stage AE
Apr 15 – Boston, MA – Agganis Arena (w/ Nick Cave)
Apr 17 – Brooklyn, NY – Barclays Center (w/ Nick Cave)
Apr 18 – New Haven, CT – College Street Music Hall

Morpho Shares New Single ‘Blue Light’

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Morpho – the Chicago-based project of guitarist Kristyn Chapman – has shared a new single from her debut EP, Morpho Season, which is out this Friday (November 15) via Hit the North Records. ‘Blue Light follows the previously unveiled tracks ‘Prism’ and ‘Half of Two’. Check out a video for it below.

“I’m a graphic designer and I spend a lot of time aligning to the center, left-aligning or grid-aligning things… Very exact with everything,” Chapman shared in a statement. “This song’s about being tired of that and wanting to be more free. It’s also about dependence on technology and phones… how digital our lives and memories have become.”

Koyo Release New Song ‘Mile a Minute’

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Long Island emo band Koyo have released a new song, ‘Mile a Minute’. It’s the title track off their new three-song EP, which is out today via Pure Noise Records. Check it out below.

“This is the first full band, full-send Koyo track after releasing our first record – for sure an intimidating prospect,” frontman Joey Chiaramonte explained in a statement. “We’ve been slowly but surely getting more music together, maybe keeping everything a little closer to our chests than usual. So we wanted to select one proper Koyo track to hold everyone down for a while. ‘Mile A Minute’ is a strong foot forward in this moment.”

Koyo’s debut LP, Would You Miss It?, arrived earlier this year.

My Chemical Romance Announce 2025 ‘The Black Parade’ Tour

After performing The Black Parade in full at When We Were Young this fall, My Chemical Romance have announced a summer stadium tour celebrating their seminal 2006 album. The band will play 10 North American shows across July, August, and September. Each show features support from a different artist: Violent Femmes, 100 Gecs, Wallows, Garbage, Death Cab for Cutie and Thursday (on the same show), Alice Cooper, Pixies, Devo, IDLES, and Evanescence. Check out the list of dates and a trailer for the tour below.

In a note to fans, MCR wrote:

It has been seventeen years since The Black Parade was sent to the MOAT. In that time, a great Dictator has risen to power, bringing about “THE CONCRETE AGE”; a glorious time of stability and abundance in the history of DRAAG. His Grand Immortal Dictator wishes to celebrate our rich and storied culture, fine foods, and musical entertainments by welcoming you to these great demonstrations of power and resolve. And lending voice and song for the first time in six thousand two hundred and forty six days, their work privilege ceremoniously reinstated, will be His Grand Immortal Dictator’s National Band… The Black Parade.

Long Live Draag

After reuniting in 2019, My Chemical Romance released the new song ‘The Foundations of Decay’ in 2022.

My Chemical Romance 2025 Tour Dates:

Jul 11 – Seattle, WA – T-Mobile Park (Special Guest: Violent Femmes)
Jul 19 – San Francisco, CA – Oracle Park (Special Guest: 100 Gecs)
Jul 26 – Los Angeles, CA – Dodger Stadium (Special Guest: Wallows)
Aug 2 – Arlington, TX – Globe Life Field (Special Guest: Garbage)
Aug 9 – East Rutherford, NJ – MetLife Stadium (Special Guests: Death Cab for Cutie and Thursday)
Aug 15 – Philadelphia, PA – Citizens Bank Park (Special Guest: Alice Cooper)
Aug 22 – Toronto, ON – Rogers Centre (Special Guest: Pixies)
Aug 29 – Chicago, IL – Soldier Field (Special Guest: Devo)
Sep 7 – Boston, MA – Fenway Park (Special Guest: IDLES)
Sep 13 – Tampa, FL – Raymond James Stadium (Special Guest: Evanescence)