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Young Jesus Unveils New Single ‘Moonlight’

Young Jesus has shared a new track, ‘Moonlight’, from his forthcoming album The Fool. Like lead single ‘Brenda & Diane’, it’s accompanied by a non-album song, this one called ‘Bully (live in Esmont, VA)’. Take a listen below.

Discussing ‘Moonlight’, John Rossiter said:

When I was 20 I started writing about these characters, David and Eloise. There’s a whole Young Jesus album from about 15 years ago about them. Then they left my life and I forgot about them. Or maybe I tried to forget, to move on from them.

They came back on this record– a lot of things wanted to come through that I didn’t expect on this record. Lappin recorded this one, with guitar and voice. We built some sounds around it, but it’s guided by that connection. All these songs started with me sitting down with a friend, showing them the tune on guitar or piano and singing them these stories. I played bass on this one, rare for me, but I’m glad Lappin pushed me to try it.

Of ‘Bully (live in Esmont, VA)’, he added:

Dawood, Chris, and I were driving through Virginia to play a show on our friends farm. It was cold and Jay had dug out a few fire pits. The folks living in the house made a stew from roadkill and salad and sides for everyone. They fixed my broken glasses with a hot glue gun.

On that tour, I’d sing bully over a cassette of the piano loop playing out of my mom’s old tape player. I got up to sing and it was too cold up on the deck, so I went by the fire and sang with everyone sitting in a circle chatting. Dawood recorded it with his phone and that’s the tune.

 The Fool, the follow-up to 2022’s Shepherd Head, arrives May 24 via Saddle Creek. Revisit our inspirations interview with Young Jesus.

Kamasi Washington and André 3000 Collaborate on New Song ‘Dream State’

Kamasi Washington has released a new song, ‘Dream State’, featuring André 3000 on flute. It’s lifted from his new album, Fearless Movement, which also includes contributions from Thundercat, Terrace Martin, Patrice Quinn, vocalists George Clinton, BJ the Chicago Kid, and D Smoke, and others. Listen to ‘Dream State’ below.

“When you receive a text from a wind friend something beautiful usually transpires,” André 3000 shared in a statement. “The day Kamasi invited me to a session for Fearless Movement I was so geeked and honored. Now, every time we get together something interesting happens. We first played during a recording session for New Blue Sun and it’s been fruitful ever since.”

“‘Dream State’ is a celebration of life and the opportunity it gives us to explore new possibilities,” Washington added. “We created this song together instantaneously as we improvised off the music we made in the moment. It was such an honor to work on this song with one of my heroes, the great André 3000. And what an amazing experience André 3000, Brandon Coleman, Tony Austin, Mono/Poly and I had gliding freely through this world of sound not knowing where we would end up, but joyful in the journey itself.”

Fearless Movement is slated for released on May 3 via Young. It was led by the closing track ‘Prologue’.

Cloud Nothings Release New Song ‘Silence’

Cloud Nothings have previewed their upcoming album Final Summer with a new song called ‘Silence’. It follows previous cuts ‘Running Through the Campus’, ‘I’d Get Along’, and the title track. Check it out below.

“I wrote this song after reading that Samuel Alito’s Roe v. Wade opinion tried to justify banning abortion with quotes from a guy who literally burned women at the stake for being ‘witches’ in the 1600s,” vocalist/guitarist Dylan Baldi explained in a statement. “Like, how stupid do you have to be to think that a guy like that has said anything worth listening to at all? It’s wild that you can be a Supreme Court justice and also be an idiot. So I made ‘Silence’ about how sometimes you feel powerless watching bad people run the world, but that hopefully in the end you can find a way to live by decent values in whatever place you’re in.”

Final Summer is due for release on April 19 via Pure Noise Records.

Adult Jazz Release New Song ‘Marquee’

Adult Jazz have unveiled a new single, ‘Marquee’, lifted from their upcoming album So Sorry So Slow – out April 26 via Spare Thought. It follows previous offerings ‘Suffer One’ and ‘Dusk Song’. Listen to it below.

“I think this is essentially a wedding song – written after a spate of going to lots of weddings, feeling happy, lonely, and after 2014, ostensibly welcomed into that institution,” the band’s Harry Burgess explained in a statement. “I was thinking about ceremonies that involve staking out ground, beating the bounds, and hoping for an idea of community broader than a series of sealed family units.”

“An early idea for the album artwork was the image of a tattered wedding marquee in a stark landscape – which came from some lines from a thing I wrote for a little book called Toffee Hammer back in 2018,” Burgess added. “A couple of pieces in that book were pitting gay rights against climate breakdown, documenting our historical culpability for disaster/extreme weather etc.. (à la that UKIP councillor in 2014, sodom and gomorrah) for a bit of fun. It was mainly as a laugh, but also how thinking about any progress feels a bit strange when the ecological death knell is ringing!”

Lazy Day Unveils New Song ‘Bright Yellow’

Lazy Day – the project of London-based songwriter Tilly Scantlebury – has released a new single, ‘Bright Yellow’. Listen to it below.

The song’s origins trace back to Scantlebury’s PhD in Queer American Art, a project that led to a three-year break from Lazy Day. “My research was focussed on queer representation in contemporary art,” they explained. “Catherine Opie’s photographic portrait series Being and Having from 1991 was the work that sparked ‘Bright Yellow’. It’s made up of the faces of 13 queer people, captured like comical mugshots against a bright yellow background: ‘Kings like them had never been seen.’ At its very best, art can change the way that we see and think and live, acting like a window into another world — which is how I want my music and this song to feel as well.”

Peggy Gou Announces Debut Album ‘I Hear You’, Shares New Single

Peggy Gou has announced her debut album: I Hear You will be out June 7 via XL Recordings. Along with the previously released ‘(It Goes Like) Nanana’ and the Lenny Kravitz collaboration ‘I Believe in Love Again’, the LP includes the new single ‘1+1=11’. Check out its Olafur Eliasson-directed video below, and scroll down for the album cover and tracklist.

I Hear You is more than just my debut album,” Gou said in a statement. “It embodies countless hours of dedication in my journey to create something timeless, and is a testament to the power of listening, to ourselves and to each other.”

Commenting on the video, Eliasson shared:

Dance is transformative! It bends and reshapes our relationship with time and space. When I was a teenager, breakdancing changed my life. I was into popping, moving like a robot, and doing the electric boogie. Street dance enabled me to explore the space of my body in relation to the world around me. I came to realise that by moving, I could change space. I could change what I saw and what I sensed. And these experiences actually proved foundational for my later artistic work.

Sculpture and dance are both non-verbal languages. Sometimes in order to communicate, you simply have to move. That’s what happened when I first met Peggy. We were having lunch, talking about our shared interests in psychosonics, rhythm, and movement, and to show her the moves I was talking about, I stood up in the restaurant to dance. I was thrilled that she later asked me to dance on video for one of her upcoming releases and to develop the visual language for it. By bringing together dance – embodied exploration of space – with colourful shadows, lights, and mirrors, I was able to bring some of the key interests that have long shaped my art into an entirely new context. Working together has been rewarding and a lot of fun!

I Hear You Cover Artwork:

I Hear You Tracklist:

1. Your Art
2. Back To One
3. I Believe In Love Again (with Lenny Kravitz)
4. All That (feat. Villano Antillano)
5. (It Goes Like) Nanana
6. Lobster Telephone
7. Seoulsi Peggygou (서울시페기구)
8. I Go
9. Purple Horizon
10. 1+1=11

European Regulator Briefs Communications Minister on How Total Gambling Ad Ban Could Work in Australia Too

Following in the heels of the total gambling ad ban introduced by the Belgian government last year, Communications Minister, Michelle Rowland, has been briefed on the viability of a similar move for Australia. The briefing came via trusted European regulators, and has been largely welcomed. However, the possibility of a similar ban being implemented in places like Australia too traverses a more multifaceted discourse than initially meets the eye. 

A need for harm reduction amid issues like irresponsible gambling and the financial and socioeconomic impacts it can have is well known. That being said, the global iGaming industry has also proven to be a massively lucrative one that provides many macroeconomic benefits too. Now, the question is, is such a ban the best way to balance the clashing societal interests at play?  

Gambling Culture in Australia 

Despite its often less than favorable reputation as a vice, gambling is one of the world’s oldest pastimes, and an activity that is deeply rooted within Australian culture. The simple truth is that gambling is extremely popular in the country and, as resources like Techopedia’s toplist here show, the vast availability of online pokies provides plenty of options for players. With gambling expert Vlad Grindu noting how these games can award massive jackpots with small bets and a bit of luck, it’s hardly surprising that they are so popular.

Between the popularity of online pokies and sports betting in the country, and the huge incomes the platforms that provide them generate, there are plenty of positives that come from the industry. However, the tension arises because of the need to minimize harm caused by reckless and irresponsible online wagering. There’s been many people and organisations pushing back against gambling ads across platforms like television, radio, the internet, and social media. 

The problem is that Australia’s gambling culture means it won’t necessarily be easy to push through a complete ban. Given the size and vast economic benefits of the industry, it’s unsurprising that everyone from players to sports broadcasters, tech companies and online gambling companies have been lobbying against the proposed ban. 

Will A Complete Ban Be A Good Thing?

The nature of gambling harm and the plethora of problems that it can lead to makes the idea of a complete gambling advertising ban an unsurprisingly attractive one on the surface. After all, the general idea is that with no advertising and more stringent regulations like mandatory limits and financial background checks, less people will be prone to irresponsible gambling. The idea isn’t a new one and seems all too familiar — probably because we’ve seen a similar one play out before. 

Anyone old enough to remember that far back, will have vivid memories of the days when cigarettes were once freely advertised on television and across all major sporting events. Formula One cars were once emblazoned with the vibrant logos of tobacco companies, while everything from football matches to massive billboards on street corners once freely advertised smoking brands. 

Once tobacco advertising bans went into effect across most major jurisdictions across the world, there were reductions in the habit. However, there were also economic impacts too. Cigarette taxes effectively passed the economic losses onto customers, while black markets also began springing up around the world to bypass them. According to the World Health Organisation, the illicit cigarette trade results in economic losses that range in the billions. 

When it comes to online gambling, global revenues are estimated to be worth more than $100 billion. Those revenues cascade down to individual jurisdictions in a number of direct and indirect ways through job creation and taxes that help governments fund things like infrastructure, healthcare, and education. Given the vast economic positives associated with the industry at large, there’s certainly enough reasons to properly consider the impact that an outright ban on gambling ads could have. 

No one is suggesting that seeking more harm reduction shouldn’t be a continuous objective. However, there’s also an argument to be made that the industry has simply grown too big to curb to that extent. While an advertising ban and other regulations would still allow online gambling to exist, it’s hard to imagine a way they could be implemented that wouldn’t cause massive economic losses for the companies that directly and indirectly rely on it. In light of these competing interests, it isn’t necessarily a cut-and-dry argument that the positives of a total gambling advertising ban would outweigh the negatives.

The Way Forward 

Given what a complex situation presents itself, it’s clear that such a ban should be carefully constructed, with the potential impacts considered from as many angles as possible. Another likely argument that will be raised is one of personal responsibility, and whether it’s the players or the platforms that should ultimately bear that responsibility when it comes to reducing harm. 

Either way, it seems that someone’s interests will have to yield in some way. From a jurisprudential perspective, proponents for and against the ban will also have to weigh up an age-old philosophical debate — namely how far governmental power should be allowed to encroach into private enterprise?

A possible way forward will likely have to include some kind of compromise to be viable. In that sense, since revenue losses are unavoidable if a complete ban is effected, a possible reduction in taxes may be extended to the gambling companies to mitigate such losses. However, that will also mean an erosion of the tax revenue government will be able to earn from the industry. 

How Far Should it Go?

Another chilling possibility is that if the country’s gambling culture proves stronger than the ban, players will simply turn to offshore platforms to bypass local regulations if they’re deemed too stringent. Just as banning tobacco advertising never resulted in most smokers quitting the habit, banning gambling ads won’t stop avid players from indulging in their favorite casino games. 

The question is, what then? How far can regulatory bodies go? Do you then start curbing and policing what people can access on the internet? These kinds of questions make it clear that the concept of a total gambling advertising ban is likely not going to be as simple as just passing the required law.

How Video Photo Booths are Changing Event Coverage on YouTube

Digital media is known for being a fast moving industry. In this article, we will look at the increasing popularity of photo booths, and how this is starting to change the way events are covered on YouTube to provide a fresh and engaging perspective for viewers worldwide. Indeed, this innovative technology is not just changing the game; it’s redefining the way we experience and interact with content on one of the world’s largest video-sharing platforms.

The Rise of Video Photo Booths

Gone are the days of static photos and conventional video recordings. Today, event organizers and brands are increasingly turning to video photo booths to capture the essence of their events in a way that resonates with the digital-savvy audience of YouTube. These booths, equipped with advanced features like slow-motion, 360-degree video capture, and augmented reality effects, offer an interactive experience that traditional methods simply cannot match.

Engaging the Audience in a New Way

The primary allure of video photo booths lies in their ability to significantly boost viewer engagement on YouTube. Attendees, given the chance to create personalized and dynamic content, are more likely to share their experiences on social media, thus amplifying the event’s reach and impact. The interactive nature of these videos, coupled with their high-quality production, keeps viewers hooked and encourages shares and likes, extending the event’s digital footprint far beyond its physical boundaries.

 

In addition to that, photo booth and 360 photo booth apps are revolutionizing content creation by providing users with the tools to produce immersive and interactive experiences effortlessly. These applications streamline the process of capturing engaging, high-quality content, enabling even novice users to create share-worthy videos and images. This ease of use not only democratizes content creation but also fosters a more engaging and participatory atmosphere at events. By leveraging the capabilities of these innovative apps, organizers and attendees alike can enhance the interactive element of their content, making the audience’s experience more memorable and sharable. This new approach to content creation is setting a precedent for how events engage with their audiences, offering a novel and effective way to extend their reach and impact.

Personalization at Its Best

Video photo booths offer a level of personalization that deeply resonates with today’s audience. Users can interact with custom backdrops, use props, or engage with themes that reflect the event or sponsoring brand, creating a unique and memorable piece of content. This not only enhances the viewer’s experience but also fosters a stronger connection between the brand and its target audience.

Quality That Speaks Volumes

The high-quality visuals produced by video photo booths are a key factor in their rising popularity. In an era where the quality of content can make or break viewer engagement on platforms like YouTube, the professional-grade cameras and lighting used in these booths ensure that the videos stand out. This attention to quality reflects well on the event and the brands associated with it, portraying them in the best possible light.

Extending Reach and Visibility

One of the most significant advantages of video photo booths is their ability to extend an event’s reach. By creating shareable content that is tailor-made for platforms like YouTube, organizers can engage with a global audience, far beyond those physically present at the event. This global reach is invaluable for brands looking to enhance visibility and for events aiming to make a broader impact.

Diversifying Content Creation

The content generated by video photo booths adds a new dimension to event coverage. Unlike traditional videography, which often focuses on capturing the event as a whole, video photo booths allow for the creation of short, engaging clips that capture individual moments and emotions. This diversity in content appeals to a wide range of viewers and keeps the YouTube feed fresh and exciting.

Seamless Brand Integration

For events sponsored by brands, or for those hosted by brands themselves, video photo booths offer a creative and subtle way to incorporate brand elements into the content. Whether it’s through custom backdrops, props, or digital effects, this technology enables brands to weave their identity into the narrative of the event, enhancing brand recognition and engagement without being overly intrusive.

Navigating Challenges

Despite their many benefits, video photo booths also present certain challenges. The cost of setup, space requirements, video booth software and the need to align with the overall event and brand strategy are significant considerations. Moreover, privacy and consent are paramount, as not all attendees may be comfortable with their images being shared online. Addressing these challenges requires careful planning and consideration but is essential for maximizing the benefits of this technology. 

The Future of Event Coverage

As we look to the future, it’s clear that video photo booths will continue to play a pivotal role in transforming event coverage on YouTube. With their ability to engage viewers, personalize content, and extend reach, these booths are setting a new standard for how events are documented and shared in the digital age. As technology evolves, we can expect to see even more innovative features that will further enhance the viewer experience, making video photo booths an indispensable tool for event organizers and brands alike.

As we venture further into this era of digital interactivity, the role of video photo booths in transforming event coverage cannot be overstated. They offer a unique blend of entertainment, personalization, and quality, making them indispensable for event organizers and brands looking to make a lasting impact. The content generated by these booths—vibrant, engaging, and shareable—does more than just populate YouTube channels. It fosters a sense of community and connection among viewers, breaking down the barriers between the event and the global audience.

Moreover, the potential for brand integration provided by video photo booths offers a seamless and creative way to enhance brand visibility and engagement. In an age where brand differentiation is key, the ability to incorporate brand elements into content in a way that is both organic and engaging represents a significant advantage. This integration, when executed thoughtfully, can elevate the brand experience for viewers, turning passive observers into active participants and advocates.

The challenges associated with video photo booths—ranging from logistical considerations to privacy concerns—highlight the need for careful planning and ethical considerations. Yet, these challenges also present opportunities for innovation and improvement. As technology advances, we can anticipate the development of more sophisticated solutions that address these concerns, making video photo booths even more accessible and effective.

Looking ahead, the future of event coverage on YouTube is bright, with video photo booths playing a central role. As they continue to evolve, integrating cutting-edge technology and offering even more opportunities for engagement, we can expect to see a new standard for how events are shared and experienced online. The implications for content creators, event organizers, and brands are profound, offering endless possibilities for creativity, engagement, and growth.

In conclusion, video photo booths are not merely changing the landscape of event coverage; they are redefining it. Through their capacity to engage, personalize, and mesmerize, they are ushering in a new era of digital storytelling and audience interaction. As we look to the future, it is clear that the impact of video photo booths on YouTube and beyond will continue to expand, marking a pivotal shift in the way we capture and share our collective experiences.

Breaking Boundaries: Wenqing Gu’s Artistic Odyssey

In the vibrant realm of illustration, Wenqing Gu shines as a compelling talent, captivating audiences and critics alike with her unique blend of whimsy, style, and color. This talented artist, who began her studies at the Maryland Institute College of Art in 2022, has rapidly ascended in the art world, earning recognition and accolades for her distinctive illustrations that invite viewers into a whimsical world crafted from simple strokes and harmonious color palettes.

In less than two years, Wenqing’s work has garnered over ten awards in international competitions, and her illustrations have been featured in prestigious publications such as the “China Illustration Art Yearbook,” the American “3×3 Illustration Annual,” “Creative Quarterly,” and Canada’s “Applied Arts” magazine. Her recent inclusion in the “Illustrators 66” annual exhibition, hosted by the American Illustration Association in New York, marks a significant milestone in her burgeoning career.

Paper Mache Sculpture: Grassland Whisper
Paper Mache Sculpture: Grassland Whisper
Sewing Crafts: Brothers with Magical Powers

“Pettopia” – A Glimpse into a World Where Roles Are Reversed

Among Wenqing’s acclaimed works, “Pettopia” stands out for its inventive exploration of a world where humans and pets swap roles. Inspired by her cat, who lives a life of leisure and play, Wenqing imagines a reality where humans are miniature and pets tower over us, assuming the role of caretakers. This role reversal prompts viewers to ponder the dynamics of love and care between species, suggesting a deeper, more harmonious relationship borne out of understanding and empathy.

“Pettopia” not only showcases Wenqing’s talent for creating engaging narratives through art but also reflects her philosophical inquiry into empathy, care, and the interconnectedness of all living beings.

Illustration: Pettopia

A Style That Speaks to the Heart

Wenqing’s art is often described as playful, warm, and infused with a childlike innocence. She attributes this quality to her admiration for children and their ability to find joy and wonder in the simplest of things. By maintaining this childlike perspective, Wenqing believes adults can rediscover the soft, tender parts of their hearts, finding happiness and peace in a world that often hardens and isolates.

Illustration: The Great City Escape
Illustration: The Great City Escape

Her approach to art—favoring warmth and gentleness over criticism and satire—draws on the belief that the softest touch can have the most significant impact. This philosophy, echoing the wisdom of philosophers and sacred texts, underlines her commitment to spreading kindness and optimism through her work.

Embracing the Future of Art in the Age of AI

As technology evolves, bringing both opportunities and challenges, Wenqing is exploring new frontiers in illustration, incorporating dynamic elements to make her art more expressive. She views the advent of artificial intelligence and other technological advancements not as threats but as tools that, if harnessed correctly, can enhance creativity and bring about a new era of artistic expression.

By adapting to and experimenting with new techniques, Wenqing continues to push the boundaries of her craft, aiming to create illustrations that resonate more deeply with audiences and reflect the complexities of the human and animal experience.

As Wenqing Gu’s influence grows in the art world, her creations stand as a powerful example of how illustration can delve into, question, and honor the vast array of life’s aspects, encouraging us all to view the world with increased wonder, empathy, and happiness.

Watch Kim Gordon Perform ‘Bye Bye’ on ‘Kimmel’

Kim Gordon appeared on Jimmy Kimmel Live last night (April 3), showcasing her single ‘Bye Bye’. Watch the performance below.

‘Bye Bye’ is taken from Gordon’s second solo album, The Collective, which came out in March. The No Home Record follow-up was also preceded by the tracks ‘I’m a Man’ and ‘Psychedelic Orgasm’.