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Grammy Nominations 2026: See the Full List

The 2026 Grammy nominations have been announced. Presenters such as Sabrina Carpenter, Chappell Roan, Lizzo, Doechii, Jon Batiste, Karol G, Mumford & Sons, Sam Smith, and Nicole Scherzinger took part in announcing the nominees in a live stream today (November 7). Kendrick Lamar, who swept his categories at last year’s awards with ‘Not Like Us’, leads the field with nine nominations, while Lady Gaga, Jack Antonoff, and Mayhem producer Cirkut earned seven apiece.

Lamar has been nominated for Album of the Year seven times, but has never won. His album GNX is now competing against records by Bad Bunny, Clipse, Justin Bieber, Lady Gaga, Leon Thomas, Sabrina Carpenter, and Tyler, the Creator. In fact, all but one of these artists – R&B singer Leon Thomas – have been up for but never gotten the award.

First-time nominees include Dijon, who got a nod for Producer of the Year, Non-Classical (as well as his contributions to Justin Bieber’s Swag), Zach Top, Addison Rae, PinkPantheress, and Lola Young.

This year, the Recording Academy has finally introduced a category for Best Album Cover, which, as a publication whose year-end coverage has included a best album covers list for a while now, we’re quite happy about. Its inaugural nominees are Bad Bunny, Djo, Perfume Genius, Tyler, the Creator, and Wet Leg.

The 2026 Grammy Awards take place on February 1, 2026 at Crypto.com Arena in Los Angeles. The event will be broadcast live on CBS and Paramount+.

Record of the Year
Bad Bunny – DTMF
Billie Eilish – Wildflower
Chappell Roan – The Subway
Doechii – Anxiety
Kendrick Lamar & SZA – Luther
Lady Gaga – Abracadabra
Rosé & Bruno Mars – Apt.
Sabrina Carpenter – Manchild

Album of the Year
Bad Bunny – Debí Tirar Más Fotos
Clipse, Pusha T & Malice – Let God Sort Em Out
Justin Bieber – Swag
Kendrick Lamar – GNX
Lady Gaga – Mayhem
Leon Thomas – Mutt
Sabrina Carpenter – Man’s Best Friend
Tyler, the Creator – Chromakopia

Song of the Year
Bad Bunny – DTMF
Billie Eilish – Wildflower
Doechii – Anxiety
Huntr/x – Golden
Kendrick Lamar & SZA – Luther
Lady Gaga – Abracadabra
Rosé & Bruno Mars – Apt.
Sabrina Carpenter – Manchild

Best New Artist
Addison Rae
Alex Warren
Katseye
Leon Thomas
Lola Young
The Marías
Olivia Dean
Sombr

Producer of the Year, Non-Classical
Blake Mills
Cirkut
Dan Auerbach
Dijon
Sounwave

Songwriter of the Year, Non-Classical
Amy Allen
Edgar Barrera
Jessie Jo Dillon
Laura Veltz
Tobias Jesso Jr.

Best Pop Solo Performance
Chappell Roan – The Subway
Justin Bieber – Daisies
Lady Gaga – Disease
Lola Young – Messy
Sabrina Carpenter – Manchild

Best Pop/Duo Group Performance
Cynthia Erivo & Ariana Grande – Defying Gravity
Huntr/x – Golden
Katseye – Gabriela
Rosé & Bruno Mars – Apt.
SZA With Kendrick Lamar – 30 for 30

Best Pop Vocal Album
Justin Bieber – Swag
Lady Gaga – Mayhem
Miley Cyrus – Something Beautiful
Sabrina Carpenter – Man’s Best Friend
Teddy Swims – I’ve Tried Everything but Therapy (Part 2)

Best Dance/Electronic Recording
Disclosure & Anderson .Paak – No Cap
Fred Again.., Skepta & PlaqueBoyMax – Victory Lap
Kaytranada – Space Invader
Skrillex – Voltage
Tame Impala – End of Summer

Best Dance Pop Recording
Lady Gaga – Abracadabra
PinkPantheress – Illegal
Selena Gomez & Benny Blanco – Bluest Flame
Tate McRae – Just Keep Watching (From F1® the Movie)
Zara Larsson – Midnight Sun

Best Dance/Electronic Album
FKA twigs – Eusexua
Fred Again.. – Ten Days
PinkPantheress – Fancy That
Rüfüs Du Sol – Inhale / Exhale
Skrillex – F*ck U Skrillex You Think Ur Andy Warhol but Ur Not!! <3

Best Remixed Recording
The Chemical Brothers & Chris Lake – Galvanize (Chris Lake Remix)
Huntr/x & David Guetta – Golden (David Guetta Rem/x)
Lady Gaga & Gesaffelstein – Abracadabra (Gesaffelstein Remix)
Mariah Carey & Kaytranada – Don’t Forget About Us (Kaytranada Remix)
Soul II Soul – A Dreams a Dream (Ron Trent Refix)

Best Rock Performance
Amyl and the Sniffers – U Should Not Be Doing That
Hayley Williams – Mirtazapine
Linkin Park – The Emptiness Machine
Turnstile – Never Enough
Yungblud, Nuno Bettencourt & Frank Bello Featuring Adam Wakeman & II – Changes (Live From Villa Park / Back to the Beginning)

Best Metal Performance
Dream Theater – Night Terror
Ghost – Lachryma
Sleep Token – Emergence
Spiritbox – Soft Spine
Turnstile – Birds

Best Rock Song
Hayley Williams – Glum
Nine Inch Nails – As Alive as You Need Me to Be
Sleep Token – Caramel
Turnstile – Never Enough
Yungblud – Zombie

Best Rock Album
Deftones – Private Music
Haim – I Quit
Linkin Park – From Zero
Turnstile – Never Enough
Yungblud – Idols

Best Alternative Music Performance
Bon Iver – Everything Is Peaceful Love
The Cure – Alone
Hayley Williams – Parachute
Turnstile – Seein’ Stars
Wet Leg – Mangetout

Best Alternative Music Album
Bon Iver – SABLE, fABLE
The Cure – Songs of a Lost World
Hayley Williams – Ego Death at a Bachelorette Party
Tyler, the Creator – Don’t Tap the Glass
Wet Leg – Moisturizer

Best R&B Performance
Chris Brown Featuring Bryson Tiller – It Depends
Justin Bieber – Yukon
Kehlani – Folded
Leon Thomas – Mutt (Live from NPR’s Tiny Desk)
Summer Walker – Heart of a Woman

Best Traditional R&B Performance
Durand Bernarr – Here We Are
Lalah Hathaway – Uptown
Ledisi – Love You Too
Leon Thomas – Vibes Don’t Lie
SZA – Crybaby

Best R&B Song
Chris Brown Featuring Bryson Tiller – It Depends
Durand Bernarr – Overqualified
Kehlani – Folded
Leon Thomas – Yes It Is
Summer Walker – Heart of a Woman

Best Progressive R&B Album
Bilal – Adjust Brightness
Destin Conrad – Love on Digital
Durand Bernarr – Bloom
Flo – Access All Areas
Terrace Martin & Kenyon Dixon – Come as You Are

Best R&B Album
Coco Jones – Why Not More?
Giveon – Beloved
Ledisi – The Crown
Leon Thomas – Mutt
Teyana Taylor – Escape Room

Best Rap Performance
Cardi B – Outside
Clipse, Kendrick Lamar, Pusha T & Malice – Chains & Whips
Doechii – Anxiety
Kendrick Lamar Featuring Lefty Gunplay – TV Off
Tyler, the Creator Featuring Teezo Touchdown – Darling, I

Best Melodic Rap Performance
Fridayy & Meek Mill – Proud of Me
JID, Ty Dolla $ign & 6lack – Wholeheartedly
Kendrick Lamar & SZA – Luther
PartyNextDoor & Drake – Somebody Loves Me
Terrace Martin & Kenyon Dixon Featuring Rapsody – WeMaj

Best Rap Song
Clipse, John Legend, Voices of Fire, Pusha T & Malice – The Birds Don’t Sing
Doechii – Anxiety
Glorilla – TGIF
Kendrick Lamar Featuring Lefty Gunplay – TV Off
Tyler, the Creator Featuring Glorilla, Sexyy Red & Lil Wayne – Sticky

Best Rap Album
Clipse, Pusha T & Malice – Let God Sort Em Out
Glorilla – Glorious
JID – God Does Like Ugly
Kendick Lamar – GNX
Tyler, the Creator – Chromakopia

Best Spoken Word Poetry Album
Marc Marcel – Black Shaman
Omari Hardwick & Anthony Hamilton – Pages
Queen Sheba – A Hurricane in Heels: Healed People Don’t Act Like That (Partially Recorded Live @City Winery & Other Places)
Saul Williams & Carlos Niño & Friends – Saul Williams Meets Carlos Niño & Friends at Treepeople (Live)
Skillz – Words for Days, Vol. 1

Best Jazz Performance
Chick Corea, Christian McBride & Brian Blade – Windows (Live)
Lakecia Benjamin Featuring Immanuel Wilkins & Mark Whitfield – Noble Rise
Michael Mayo – Four
Nicole Zuraitis, Dan Pugach & Tom Scott Featuring Idan Morim, Keyon Harrold, Rachel Eckroth & Sam Weber – All Stars Lead to You (Live)
Samara Joy – Peace of Mind / Dreams Come True

Best Jazz Vocal Album
Dee Dee Bridgewater & Bill Charlap – Elemental
Michael Mayo – Fly
Nicole Zuraitis, Dan Pugach & Tom Scott Featuring Idan Morim, Keyon Harrold, Rachel Eckroth & Sam Weber – Live at Vic’s Las Vegas
Samara Joy – Portrait
Terri Lyne Carrington & Christie Dashiell – We Insist 2025!

Best Jazz Instrumental Album
Branford Marsalis Quartet – Belonging
Chick Corea, Christian McBride & Brian Blade – Trilogy 3 (Live)
John Patitucci Featuring Chris Potter & Brian Blade – Spirit Fall
Sullivan Fortner – Southern Nights
Yellowjackets – Fasten Up

Best Large Jazz Ensemble Album
Christian McBride – Without Further Ado, Vol 1
Danilo Pérez & Bohuslän Big Band – Lumen
Deborah Silver & The Count Basie Orchestra – Basie Rocks!
Kenny Wheeler Legacy Featuring The Royal Academy of Music Jazz Orchestra & Frost Jazz Orchestra – Some Days Are Better: The Lost Scores
Sun Ra Arkestra – Lights on a Satellite

Best Latin Jazz Album
Arturo O’Farrill – The Original Influencers: Dizzy, Chano & Chico (Live at Town Hall)
Arturo O’Farrill & The Afro Latin Jazz Orchestra – Mundoagua – Celebrating Carla Bley
Gonzalo Rubalcaba, Yainer Horta & Joey Calveiro – A Tribute to Benny Moré and Nat King Cole
Miguel Zenón Quartet – Vanguardia Subterránea: Live at the Village Vanguard
Paquito D’Rivera – Madrid-New York Connection Band – La Fleur de Cayenne

Best Alternative Jazz Album
Ambrose Akinmusire – Honey From a Winter Stone
Brad Mehldau – Ride into the Sun
Immanuel Wilkins – Blues Blood
Nate Smith – Live-Action
Robert Glasper – Keys to the City Volume One

Best Traditional Pop Vocal Album
Barbra Streisand – The Secret of Life: Partners, Volume 2
Elton John & Brandi Carlile – Who Believes in Angels?
Jennifer Hudson – The Gift of Love
Lady Gaga – Harlequin
Laila Biali – Wintersongs
Laufey – A Matter of Time

Best Contemporary Instrumental Album
Arkai – Brightside
Béla Fleck, Edmar Castañeda & Antonio Sánchez – BEATrio
Bob James & Dave Koz – Just Us
Charu Suri – Shayan
Gerald Clayton – Ones & Twos

Best Musical Theater Album
Buena Vista Social Club
Death Becomes Her
Gypsy
Just in Time
Maybe Happy Ending

Best Country Solo Performance
Chris Stapleton – Bad as I Used to Be (From F1® the Movie)
Lainey Wilson – Somewhere Over Laredo
Shaboozey – Good News
Tyler Childers – Nose on the Grindstone
Zach Top – I Never Lie

Best Country Duo/Group Performance
George Strait Featuring Chris Stapleton – Honky Tonk Hall of Fame
Margo Price Featuring Tyler Childers – Love Me Like You Used to Do
Miranda Lambert & Chris Stapleton – A Song to Sing
Reba McEntire, Miranda Lambert & Lainey Wilson – Trailblazer
Shaboozey & Jelly Roll – Amen

Best Country Song
Lainey Wilson – Somewhere Over Laredo
Miranda Lambert & Chris Stapleton – A Song to Sing
Shaboozey – Good News
Tyler Childers – Bitin’ List
Zach Top – I Never Lie

Best Traditional Country Album
Charley Crockett – Dollar a Day
Lukas Nelson – American Romance
Margo Price – Hard Headed Woman
Willie Nelson – Oh What a Beautiful World
Zach Top – Ain’t in It for My Health

Best Contemporary Country Album
Eric Church – Evangeline vs. the Machine
Jelly Roll – Beautifully Broken
Kelsea Ballerini – Patterns
Miranda Lambert – Postcards From Texas
Tyler Childers – Snipe Hunter

Best American Roots Performance
Alison Krauss & Union Station – Richmond on the James
I’m With Her – Ancient Light
Jason Isbell – Crimson and Clay
Jon Batiste Featuring Randy Newman – Lonely Avenue
Mavis Staples – Beautiful Strangers

Best Americana Performance
Jesse Welles – Horses
Maggie Rose & Grace Potter – Poison in My Well
Mavis Staples – Godspeed
Molly Tuttle – That’s Gonna Leave a Mark
Sierra Hull – Boom

Best American Roots Song
I’m With Her – Ancient Light
Jason Isbell – Foxes in the Snow
Jesse Welles – Middle
Jon Batiste – Big Money
Sierra Hull – Spitfire

Best Americana Album
Jesse Welles – Middle
Jon Batiste – Big Money
Larkin Poe – Bloom
Molly Tuttle – So Long Little Miss Sunshine
Willie Nelson – Last Leaf on the Tree

Best Bluegrass Album
Alison Krauss & Union Station – Arcadia
Billy Strings – Highway Prayers
Michael Cleveland & Jason Carter – Carter & Cleveland
Sierra Hull – A Tip Toe High Wire
The Steeldrivers – Outrun

Best Traditional Blues Album
Buddy Guy – Ain’t Done With the Blues
Charlie Musselwhite – Look Out Highway
Kenny Wayne Shepherd & Bobby Rush – Young Fashioned Ways
Maria Muldaur – One Hour Mama: The Blues of Victoria Spivey
Taj Mahal & Keb’ Mo’ – Room on the Porch

Best Contemporary Blues Album
Eric Gales – A Tribute to LJK
Joe Bonamassa – Breakthrough
Robert Randolph – Preacher Kids
Samantha Fish – Paper Doll
Southern Avenue – Family

Best Folk Album
I’m With Her – Wild and Clear and Blue
Jason Isbell – Foxes in the Snow
Jesse Welles – Under the Powerlines (Live April 2024 – September 2024)
Patty Griffin – Crown of Roses
Rhiannon Giddens & Justin Robinson – What Did the Blackbird Say to the Crow

Best Regional Roots Music Album
Corey Henry & The Treme Funktet – Live at Vaughan’s
Kyle Roussel – Church of New Orleans
Preservation Brass & Preservation Hall Jazz Band – For Fat Man
Trombone Shorty & New Breed Brass Band – Second Line Sunday
Various Artists – A Tribute to the King of Zydeco

Best Gospel Performance/Song
Cece Winans & Shirley Caesar – Come Jesus Come
Jonathan McReynolds & Jamal Roberts – Still (Live)
Kirk Franklin – Do It Again
Pastor Mike Jr. – Amen
Tasha Cobbs Leonard & John Legend – Church

Best Contemporary Christian Music Performance/Song
Brandon Lake & Jelly Roll – Hard Fought Hallelujah
Darrel Walls & PJ Morton – Amazing
Elevation Worship, Chris Brown & Brandon Lake – I Know a Name
Forrest Frank – Your Way’s Better
Lecrae, Killer Mike & T.I. – Headphones

Best Gospel Album
Darrel Walls & PJ Morton – Heart of Mine
Tamela Mann – Live Breathe Fight
Tasha Cobbs Leonard – Tasha
Tye Tribbett – Only on the Road (Live)
Yolanda Adams – Sunny Days

Best Contemporary Christian Music Album
Brandon Lake – King of Hearts
Forrest Frank – Child of God II
Israel & New Breed – Coritos, Vol. 1
Lecrae – Reconstruction
Tauren Wells – Let the Church Sing

Best Roots Gospel Album
The Brooklyn Tabernacle Choir – I Will Not Be Moved (Live)
Candi Staton – Back to My Roots
Gaither Vocal Band – Then Came the Morning
The Isaacs – Praise & Worship: More Than a Hollow Hallelujah
Karen Peck & New River – Good Answers

Best Latin Pop Album
Alejandro Sanz – ¿Y Ahora Qué?
Andrés Cepeda – Bogotá (Deluxe)
Karol G – Tropicoqueta
Natalia Lafourcade – Cancionera
Rauw Alejandro – Cosa Nuestra

Best Música Urbana Album
Bad Bunny – Debí Tirar Más Fotos
Feid – Ferxxo Vol X: Sagrado
J Balvin – Mixteip
Nicki Nicole – Naiki
Trueno – EUB Deluxe
Yandel – Sinfónico (En Vivo)

Best Latin Rock or Alternative Album
Aterciopelados – Genes Rebeldes
Bomba Estéreo, Rawayana & Astropical – Astropical
Ca7riel & Paco Amoroso – Papota
Fito Páez – Novela
Los Wizzards – Algorhythm

Best Música Mexicana Album (Including Tejano)
Bobby Pulido – Bobby Pulido & Friends Una Tuya Y una Mía – Por la Puerta Grande (En Vivo)
Carín León – Palabra de To’s (Seca)
Fuerza Regida & Grupo Frontera – Mala Mía
Grupo Frontera – Y Lo Que Viene
Paola Jara – Sin Rodeos

Best Tropical Latin Album
Alain Pérez – Bingo
Gilberto Santa Rosa – Debut y Segunda Tanda, Vol. 2
Gloria Estefan – Raíces
Grupo Niche – Clásicos 1.0
Rubén Blades Featuring Roberto Delgado & Orquesta – Fotografías

Best Global Music Performance
Angélique Kidjo – Jerusalema
Anoushka Shankar Featuring Alam Khan & Sarathy Korwar – Daybreak
Bad Bunny – Eoo
Ciro Hurtado – Cantando en el Camino
Shakti – Shrini’s Dream (Live)
Yeisy Rojas – Inmigrante y Que?

Best African Music Performance
Ayra Starr & Wizkid – Gimme Dat
Burna Boy – Love
Davido Featuring Omah Lay – With You
Eddy Kenzo & Mehran Matin – Hope & Love
Tyla – Push 2 Start

Best Global Music Album
Anoushka Shankar Featuring Alam Khan & Sarathy Korwar – Chapter III: We Return to Light
Burna Boy – No Sign of Weakness
Caetano Veloso & Maria Bethânia – Caetano e Bethânia Ao Vivo
Shakti – Mind Explosion (50th Anniversary Tour Live)
Siddhant Bhatia – Sounds of Kumbha
Youssou N’Dour – Éclairer le monde – Light the World

Best Reggae Album
Jesse Royal – No Place Like Home
Keznamdi – Blxxd & Fyah
Lila Iké – Treasure Self Love
Mortimer – From Within
Vybz Kartel – Heart & Soul

Best New Age, Ambient, or Chant Album
Carla Patullo – Nomadica
Cheryl B. Engelhardt & Gem – According to the Moon
Chris Redding – The Colors in My Mind
Jahnavi Harrison – Into the Forest
Kirsten Agresta-Copely – Kuruvinda

Best Children’s Music Album
Flor Bromley – Herstory
Fyütch & Aura V – Harmony
Joanie Leeds & Joya – Ageless: 100 Years Young
Mega Ran – Buddy’s Magic Tree House
Tori Amos – The Music of Tori and the Muses

Best Comedy Album
Ali Wong – Single Lady
Bill Burr – Drop Dead Years
Jamie Foxx – What Had Happened Was…
Nate Bargatze – Your Friend, Nate Bargatze
Sarah Silverman – PostMortem

Best Audio Book, Narration, and Storytelling Recording
Dalai Lama – Meditations: The Reflections of His Holiness the Dalai Lama
Fab Morvan – You Know It’s True: The Real Story of Milli Vanilli
Kathy Garver – Elvis, Rocky & Me: The Carol Connors Story
Ketanji Brown Jackson – Lovely One: A Memoir
Trevor Noah – Into the Uncut Grass

Best Compilation Soundtrack for Visual Media
Timothée Chalamet – A Complete Unknown
Various Artists – F1® the Album
Various Artists – KPop Demon Hunters
Various Artists – Sinners
Various Artists – Wicked

Best Score Soundtrack for Visual Media (Includes Film and Television)
John Powell – How to Train Your Dragon
John Powell & Stephen Schwartz – Wicked
Kris Bowers – The Wild Robot
Ludwig Göransson – Sinners
Theodore Shapiro – Severance: Season 2

Best Score Soundtrack for Video Games and Other Interactive Media
Austin Wintory – Sword of the Sea
Gordy Haab – Indiana Jones and the Great Circle
Pinar Toprak – Avatar: Frontiers of Pandora – Secrets of the Spires
Wilbert Roget, II – Helldivers 2
Wilbert Roget, II & Cody Matthew Johnson – Star Wars Outlaws: Wild Card & A Pirate’s Fortune

Best Song Written for Visual Media
Elton John & Brandi Carlile – Never Too Late (From the Film “Elton John: Never Too Late”)
Huntr/x – Golden
Jayme Lawson – Pale, Pale Moon
Miles Caton – I Lied to You
Nine Inch Nails – As Alive as You Need Me to Be
Rod Wave – Sinners

Best Music Video
Clipse – So Be It
Doechii – Anxiety
OK Go – Love
Sabrina Carpenter – Manchild
Sade – Young Lion

Best Music Film
Devo – Devo
Diane Warren – Relentless
John Williams – Music by John Williams
Pharrell Williams – Piece by Piece
Raye – Live at the Royal Albert Hall

Best Recording Package
Bruce Springsteen – Tracks II: The Lost Albums
Duran Duran – Danse Macabre: De Luxe
Mac Miller – Balloonerism
Mac Miller – The Spins (Picture Disc Vinyl)
OK Go – And the Adjacent Possible
Tsunami – Loud Is As
Various Artists – Sequoia

Best Album Cover
Bad Bunny – Debí Tirar Más Fotos
Djo – The Crux
Perfume Genius – Glory
Tyler, the Creator – Chromakopia
Wet Leg – Moisturizer

Best Album Notes
Amanda Ekery – Árabe
Buck Owens and His Buckaroos – Adios, Farewell, Goodbye, Good Luck, So Long: On Stage 1964-1974
Anouar Brahem, Anja Lechner, Django Bates & Dave Holland – After the Last Sky
Miles Davis – Miles ’55: The Prestige Recordings
Sly and the Family Stone – The First Family: Live at the Winchester Cathedral 1967
Wilco – A Ghost Is Born (Expanded Edition)

Best Historical Album
Doc Pomus – You Can’t Hip a Square: The Doc Pomus Songwriting Demos
Joni Mitchell – Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980)
Nick Drake – The Making of Five Leaves Left
Various Artists – Roots Rocking Zimbabwe – The Modern Sound of Harare’ Townships 1975-1980 (Analog Africa No.41)
Various Artists – Super Disco Pirata – De Tepito Para el Mundo 1965-1980 (Analog Africa No.39)

Best Engineered Album, Non-Classical
Alison Krauss & Union Station – Arcadia
Cam – All Things Light
Japanese Breakfast – For Melancholy Brunettes (& Sad Women)
Pino Palladino & Blake Mills – That Wasn’t a Dream

Best Engineered Album, Classical
Andris Nelsons, Kristine Opolais, Günther Groissböck, Peter Hoare, Brenden Gunnell & Boston Symphony Orchestra – Shostakovich: Lady Macbeth of Mtsensk District
The Cleveland Orchestra & Franz Welser-Möst – Eastman: Symphony No. 2 – Tchaikovsky: Symphony No. 2
Sandbox Percussion – Cerrone: Don’t Look Down
Third Coast Percussion – Standard Stoppages
Trio Mediæval – Yule

Producer of the Year, Classical
Blanton Alspaugh
Dmitriy Lipay
Elaine Martone
Morten Lindberg
Sergei Kvitko

Best Immersive Audio Album
Duckwrth – All American F**k Boy
Justin Gray – Immersed
Tearjerkers – Tearjerkers
Trio Mediæval – Yule
Various Artists – An Immersive Tribute to Astor Piazzolla (Live)

Best Instrumental Composition
John Powell & Stephen Schwartz – Train to Emerald City
Ludwig Göransson Featuring Miles Caton – Why You Here / Before the Sun Went Down (From “Sinners” Score)
Miho Hazama, Danish Radio Big Band & Danish National Symphony Orchestra – Live Life This Day: Movement I
Nordkraft Big Band, Remy Le Boeuf & Danielle Wertz – First Snow
Sierra Hull – Lord, That’s a Long Way
Zain Effendi – Opening

Best Arrangement, Instrumental or A Cappella
Cynthia Erivo – Be Okay
Nordkraft Big Band & Remy Le Boeuf – A Child Is Born
The Westerlies – Fight On
The 8-Bit Big Band – Super Mario Praise Break

Best Arrangement, Instruments and Vocals
Cody Fry – What a Wonderful World
Jacob Collier – Keep an Eye on Summer
Lawrence – Something in the Water (Acoustic-ish)
Nate Smith & Säje – Big Fish
Seth MacFarlane – How Did She Look?

Best Orchestral Performance
Andris Nelsons & Boston Symphony Orchestra – Messiaen: Turangalîla-Symphonie
Esa-Pekka Salonen – San Francisco Symphony – Stravinsky: Symphony in Three Movements
Gustavo Dudamel & Simón Bolívar Symphony Orchestra of Venezuela – Ravel: Boléro, M. 81
Michael Repper & National Philharmonic – Samuel Coleridge-Taylor: Toussaint L’Ouverture, Op. 46 – Ballade Op. 4 – Suites From “24 Negro Melodies”
Yannick Nézet-Séguin & The Philadelphia Orchestra – Still & Bonds: Symphonies & Variations

Best Opera Recording
Alan Pierson, The Choir of Trinity Wall Street & Silvana Quartet – Kouyoumdjian: Adoration (Live)
American Composers Orchestra & Carolyn Kuan – Huang Ruo: An American Soldier
Emily D’Angelo, Ellie Dehn, Ben Bliss, Kyle Miller, Greer Grimsley, The Metropolitan Opera Orchestra, The Metropolitan Opera Chorus & Yannick Nézet-Séguin – Tesori: Grounded (Live)
Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton & J’Nai Bridges – Jake Heggie: Intelligence
Irish National Opera & Elaine Kelly – O’Halloran: Trade / Mary Motorhead

Best Choral Performance
Anne Akiko Meyers, Los Angeles Master Chorale & Grant Gershon – Billy Childs: In the Arms of the Beloved
The Clarion Choir & Steven Fox – Requiem of Light
Conspirare & Craig Hella Johnson- Advena: Liturgies for a Broken World
The Crossing & David Nally – David Lang: Poor Hymnal
Los Angeles Philharmonic, Gustavo Dudamel & Alisa Weilerstein – Gabriela Ortiz: Yanga

Best Chamber Music/Small Ensemble Performance
Alan Pierson & Alarm Will Sound – Donnacha Dennehy: Land of Winter
Lili Haydn & Paul Cantelon – Lullabies for the Brokenhearted
Mak Grgić & Mateusz Kowalski – Slavic Sessions – Slavic Sessions
Neave Trio – La mer: French Piano Trios
Third Coast Percussion – Standard Stoppages

Best Classical Compendium
Christina Sandsengen – Tombeaux
Janai Brugger, Isolde Fair, MB Gordy & Starr Parodi – Seven Seasons
Los Angeles Philharmonic, Gustavo Dudamel & Alisa Weilerstein – Gabriela Ortiz: Yanga
Sandbox Percussion – Cerrone: Don’t Look Down
Will Liverman – The Dunbar/Moore Sessions, Vol. II

Best Contemporary Classical Composition
Christopher Cerrone – Cerrone: Don’t Look Down
Donnacha Dennehy – Dennehy: Land of Winter
Gabriela Ortiz – Ortiz: Dzonot
Shawn E. Okpebholo – Okpebholo: Songs in Flight
Tania León – León: Raíces (Origins)

Grace Ives Returns With Three New Songs

Grace Ives is back with three new songs. The rippling, infectious ‘Avalanche’ arrives with a music video, while ‘Dance with Me’ and ‘My Mans’ are more fuzzy and subdued. Released via True Panther Records/Capitol Records, the tracks were written and produced with Ariel Rechtshaid. Take a listen below.

In a press release, Ives wrote:

This music is a step outside of the house. It’s ambitious in its attempt to capture my will to change. I’ve always waited around for things to get better in my life rather than taking action and responsibility. I’ve stayed at jobs that I hated for far too long, stayed inside or in bed for days ignoring outside advice, hurting my body and asking God to make my pain go away instead of breaking my own destructive cycles. In 2023, after touring Janky Star, I hit a true rock bottom and have been finding my way out of the dark hole I dug for myself since then. I was drinking, lying and hiding. I fell down stairs; I called out sick; I stole; I was a shitty girlfriend, a bad daughter; I abandoned the few friends I had; I cried and vomited beyond bile. Gross. When I finally stopped drinking, I stopped lying. I gave up trying to control everything and let life take over. I saw my life clearly. Yes, I was miserable—my boyfriend haaaated me (valid), my friends and family were disappointed and hurt (fair), and my tailbone was FUCKED—but I actually saw my life for what it was: a disaster! I had abandoned myself, abandoned my path, abandoned music and love. I snapped out of it and made a slow-motion return to my place in the world. 
What I write about in this music follows this story of my “crash out,” if you will—a life of drinking and hiding and hurting that ended in betrayal and hospital bills galore, and the will to change that followed. It’s the confidence of the storm and the clarity in the calm of the aftermath (douchey). I’ve lived in one place my whole life. I’ve loved one person my whole life—and I believe this is beautiful, but I’ve had an honest desire to experience more that hadn’t been actualized until I came to California to write.
In and out of the studio, I felt myself existing in a world bigger than my house in Brooklyn. I wrote in different libraries all over LA, trying to figure out what to say in these songs. Somehow, this time around, I felt safer out in the world than I did holed up in my nest. Like trying to be a good person while surrounded by new places and people was a more secure plan than trying to change all alone at home. I felt safe getting lost, driving with friends, driving alone. Stopping in random motels and going down wrong roads felt way less dangerous than the life of falling, flailing and sneaking around I had gotten so used to in New York. Out in the open, in the wild, on the road, there was nowhere for me to hide. Nothing to steal. Nothing to chase. It’s a proper antidote to self-inflicted isolation and sedation.
This music feels more real to me than anything I’ve made before. I’ve played more instruments in the past year making this record than I’ve played in the majority of my life. I’ve let my heart and my hands work freely. I wanted to live in LA alone. I lived in LA alone. I wanted people to trust me. I tried to be open and treat people with more sincerity. I learned how to drive. I drove. The sky expanded around me and reminded me that I was not, in fact, the center of the universe. Just a small part of it. Thank god. 

This era of my life feels like freedom. There’s still some shrapnel on the ground from my chaotic years, but it doesn’t drag me down so much. I think I can hear this in the music. The songs I’ve made feel spacious, clear and confident. I feel their darkness, but also their buzzing energy to keep moving. The music is serious, but also bursting with joy. I talk more these days, I say yes to plans, fall in love with strangers and try to fix the things I break. I’ve been on a road, and I’m a confident driver (maybe to a fault). I’m not lonely, I’m alive and I’m laughing, and I feel my heart beat really fast, and it doesn’t scare me like it used to. I’m really here, and I’m trying not to hide or bail.

Grace Ives’ last album, Janky Star, came out in 2022. Revisit our Artist Spotlight interview with Grace Ives. 

Fortnite x The Simpsons: Where to Find Homer’s House

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It wouldn’t be a Fortnite x The Simpsons collab without Homer’s iconic house and the devs have not only added the Simpsons’ residence for you to check out but even managed to make a quest out of it. Like every other Fortnite season, Epic’s current The Simpsons-themed mini-season has added a deluge of content, quests, as well as Springfield-inspired locations and POIs to the island, including Springfield Slurpworks, the Town Square, and obviously, Homer’s home. Out of the many story missions in Fortnite Chapter 6 Mini-Season 2, one asks you to “enter the Simpsons house and inspect different remotes” to find out what Homer is plotting. Whether you’re a fan of the show and want to check out the house for yourself or simply complete the quest, here’s where you can find Homer’s house in Fortnite.

Where to Find The Simpsons House in Fortnite

Much like the show, Homer’s beloved two-storey house in Fortnite is located in Evergreen Terrace and looks exactly the way it did in the show. To find The Simpsons house in Fortnite, simply head to Evergreen Terrace on the west side of the island, southwest of Cletus’ Corn Hole and north of Springfield Slurpworks. Homer’s house in Fortnite sits right in the middle, sporting a brown roof. To complete the quest, you can walk right in through the front door and inspect five remote controls placed within the house that are marked with an exclamation point. The remotes are fairly easy to find and after you’re done with the quest, you can stick around for tons of extra loot.Inside the Fortnite Homer house, there’s loot near the TV room couch, by the kitchen and in Bart’s room upstairs. Moreover, if you want to go about the Springfield map faster, you can take Homer’s pink two-seater sedan parked in the driveway for a spin. After you’re done exploring Homer’s house in Fortnite and have grabbed all the loot, you can go on to find and eliminate all the Fortnite Simpsons bosses in order to get your hands on their mythic weapons.

11 Albums Out Today to Listen To: Rosalía, Danny Brown, Westerman, and More

In this segment, we showcase the most notable albums out each week. Here are the albums out on November 7, 2025:


Rosalía, LUX

LUX cover artworkAfter being previewed last week by the single ‘Berghain’ with Björk and Yves Tumor, Rosalía’s LUX is now out in full. The Spanish superstar recorded the orchestrally striking and deeply spiritual LP with the London Symphony Orchestra, and, in addition to the aforementioned guests, it features Carminho, Estrella Morente, Silvia Pérez Cruz, Yahritza, and the Escolania de Montserrat i Cor Cambra Palau de la Música Catalana. It also has lyrics in fourteen languages: her native Catalan and Spanish, as well as Arabic, English, French, German, Hebrew, Italian, Japanese, Latin, Mandarin, Portuguese, Sicilian, and Ukrainian.


Danny Brown, Stardust

Stardust album coverDanny Brown’s thrilling, hyperpop-fuelled new album, Stardust, has arrived via Warp Records. Its eccentric cast collaborators includes underscores, Femtanyl, Frost Children, Jane Remover, Quadeca, IssBrokie, Zheani, 8485, JOHNNASCU, Nnamdi, and Ta Ukraika. As the first album the rapper has made entirely sober, it also attempts to reconcile his new lifestyle with a still-anarchic sound. “The message wasn’t coming from the best place at the time, so I always associated the message with that style of music,” he told NME. “I felt like that wasn’t a part of me no more because I’m not partying and doing drugs.”


Westerman, A Jackal’s Wedding

Jackal's WeddingWesterman has followed up 2023’s An Inbuilt Fault with a new album called A Jackal’s Wedding. Named after a particular folkloric interpretation of a sunshower – a “wedding” for a trickster animal – the album was partly influenced by his adopted home in Greece. “A lot of the textures on the album emerged from how the light works in Athens,” Westerman explained in press materials. “When the light changes here, there’s this oversaturated brilliance to everything. I wanted to make something where there were heavier textures punctured by these iridescent shards, both in individual tracks and in the overall shape of the record. It’s not hyperreal, but it’s mimicking something hyperreal.”


Stella Donnelly, Love and Fortune

Stella Donnelly - Love and Fortune (album packshot).webAfter touring behind her last album, 2023’s Flood, Stella Donnelly decided to take a break before continuing to work on music. As she was going through a difficult friend breakup, she felt wary of grappling with it in her songwriting. “I have no shame about writing a breakup song about any of my exes, but when it came to this… There’s a reason I stopped playing music for two years,” she said in our inspirations interview around her new album, Love and Fortune. “I wasn’t sure I was willing to go there, because it’s just complicated, and a friendship breakup speaks so much to your personality and your humanity. It was a very confusing time.”


Hatchie, Liquorice

Liquorice album coverHatchie has released her dazzling, lustrous new album, Liquorice, via Secretly Canadian. Harriette Pilbeam worked with producer Melina Duterte (Jay Som) on the follow-up to 2022’s Giving the World Away, capturing the bittersweetness of the titular candy. “This album feels like the culmination of everything I’ve wanted to do with this project since I first started it,” Pilbeam shared in a press release. “I focused on the finer details of the trajectory of love found and lost, inspired by my favourite tragic romance films. I’ve never felt more aligned with an album and can’t wait to share the experience with everyone.”


The Mountain Goats, Through This Fire Across From Peter Balkan

The Mountain Goats - Through This Fire _ Album Art“In the night of May 29, 2023, I had a dream,” John Darnielle wrote in a note introducing the Mountain Goats 23rd studio album. “Waking from it, I transcribed what I could remember of it into the note-taking app I keep on my phone. The note reads: ‘through this fire across from peter balkan #dream. It was the title of a work, not sure which form.’ The next time I sat at the piano to see if I had ideas, I got the notion of writing a work that proceeded from its title, and that tried to make real the dreamlike grammar of that title. This album is that work.” It features Replacements bassist Tommy Stinson, harpist Mikaela Davis, Bonny Light Horseman’s Josh Kaufman, and Lin-Manuel Miranda.


h. pruz, Red sky at morning

red sky at morning coverThe new album from h. pruz, the project of the Queens-based songwriter Hannah Pruzinsky, lifts its title from a proverb cited in the New Testament: “Red sky at night, sailors’ delight/ Red sky at morning, sailors take warning.” The follow-up to last year’s No Glory treads the unknown with beguiling tenderness. “I am drawn to the fact that so many people put their thoughts and beliefs into the sky, the mere color of it,” Pruzinsky explained. “That we can see things somewhere else, perhaps above, far beyond, that are to come to pass. To see a red sky above themselves, an outright warning of potential peril and collapse, and to still choose to go forward into something. If you know something is going to be uncovered or difficult or treacherous, how do you proceed with that warning sign?”


Armand Hammer and the Alchemist, Mercy

Mercy album coverArmand Hammer and the Alchemist have reunited for a haunting new album, Mercy, out now via billy woods’ Backwoodz Studioz. The Haram collaborators tapped Earl Sweatshirt, Quelle Chris, Cleo Reed, Pink Siifu, Kapwani, and Silka for the new project, which was preceded by the singles ‘Super Nintendo’ and ‘Calypso Gene’. According to press materials, the record is “made out of blood and empire, children’s laughter, unpaid parking tickets, and unkept secrets.”


Kali Malone and Drew McDowall, Magentism

magnetism Cover ArtKali Malone and Drew McDowall’s new collaborative LP, Magnetism, contains five tracks the pair recorded in just a matter of days. Malone reflected, “Playing this music felt like singing, as I freely followed my internal voice. A lot of those melodies I had been holding inside of me for so long.” McDowall added, “The music is surprisingly accessible even though some of the timbres are extreme. it’s not foreboding or even opaque. We might even be dabbling with pop sentiments.” They returned to the music after leaving them untouched for a year, finding “it had taken on some uncanny, mystical quality.”


Allie X, Happiness Is Going to Get You

Happiness Allie XAllie X’s new album, Happiness Is Going to Get You, arrives as a “deep breath” following the artist’s 2024 record Girl With No Face. It was self-produced and written largely on piano, coloured out by layers of harpsichord, timpani, and strings. It centers on the protagonist and Allie X’s alter ego Infant Marie to explore “the idea of existing in multiple places in time, weaving baroque instrumentation with digital production to reflect a world caught between nostalgia, hope, and dread,” per a press release.


Liam Kazar, Pilot Light

Pilot Light artworkSam Evian’s no-frills production is a perfect fit for Liam Kazar’s songwritering on Pilot Light. Recorded at Evian’s Flying Cloud Studios in the Catskills, it features Hannah Cohen and Sima Cunningham on backing vocals, Sean Mullins on drums, and more. “I’ve gone through periods of being a very private person and keeping my cards close to the vest, and I’ve let go of all that,” Kazar commented. “I think since the relationship I was in ended, I feel like being honest and being vulnerable has only brought me closer to people.”


Other albums out today:

Whitney, Small Talk; Twen, Fate Euphoric; BENEE, Ur an Angel I’m Just Particles; Mini Trees, Slow It Down; DRAIN, ..IS YOUR FRIEND; Mavis Staples, Sad And Beautiful World; Mavis Staples, Sad and Beautiful World; Steve Gunn, Daylight Daylight; Sarathy Korwar, There Is Beauty, There Already; Tiny Vipers, Tormentor; White Lies, Night LightCharlotte de Witte, Charlotte de Witte; Aris Kindt, Now Claims My Timid Heart; Clark, Steep Stims; Tristen, Unpopular Music; Teen Jesus & the Jean Teasers, GLORY; Del Water Gap, Chasing the Chimera; Portugal. the Man, SHISH; Brian House, Everyday Infrasound in an Uncertain World.

DJ Sabrina The Teenage DJ Releases New Song ‘Not There Yet’

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A new DJ Sabrina the Teenage DJ album is on the way. The London-based producer has been teasing it since July, and today, along with the release of the ebullient 11-minute track ‘Not There Yet’, she wrote on Bandcamp: “Album coming soon!” Check out the new song below.

DJ Sabrina the Teenage DJ released her most recent LP, Sorcery, last year.

Gorillaz and IDLES Team Up for New Song ‘The God of Lying’

Gorillaz have teamed up with IDLES for ‘The God of Lying’, the latest offering from their forthcoming album The Mountain. Damon Albarn wrote the spooky reggae tune with IDLES frontman Joe Talbot and recorded it in London and Devon, England, as well as Mumbai, with bansuri player Ajay Prasanna and percussionist Viraj Acharya. Check it out below.

“Can I tell you a secret?” Gorillaz member 2D said in a statement. “Doubt is very tiring but questioning things is really good for you.”

The Complete Buyer’s Guide: How to Choose the Perfect Party Bus Rental in Scottsdale

Selecting the right party bus rental service can make the difference between a memorable celebration and a disappointing experience that fails to meet expectations. In Scottsdale, Arizona, where the entertainment industry thrives and luxury standards are exceptionally high, the party bus rental market offers numerous options that vary significantly in quality, service standards, and pricing structures. Understanding how to evaluate and compare different party bus scottsdale services is essential for making informed decisions that ensure your special event receives the transportation service it deserves.

Understanding Your Transportation Needs

The foundation of successful party bus rental selection lies in accurately assessing your specific transportation requirements and matching them with service providers who specialize in meeting those particular needs. Different events require different approaches to transportation, and the most successful rentals occur when there is clear alignment between customer expectations and service provider capabilities.

Group size represents the most fundamental consideration in party bus selection, as it directly impacts vehicle options, pricing structures, and overall experience quality. Scottsdale party bus services typically offer vehicles ranging from intimate 8-passenger luxury vehicles to large 44-passenger party buses, with each size category offering different amenities and service levels.

Event type and duration significantly influence the appropriate service selection, as different celebrations require different approaches to transportation logistics and customer service. Corporate events demand professional presentation and reliable scheduling, while bachelor parties might prioritize entertainment features and flexible itineraries. Understanding these distinctions helps narrow the field of potential service providers to those who specialize in your specific event type.

Budget considerations must balance cost concerns with quality expectations, recognizing that the lowest-priced options rarely deliver the service quality that creates memorable experiences. Effective budgeting involves understanding the total cost of transportation services, including potential additional fees, gratuities, and optional services that might be necessary for your specific event requirements.

Evaluating Service Provider Credentials

Professional credentials and business practices provide crucial insights into service provider reliability and quality standards. Legitimate party bus rental companies maintain proper licensing, insurance coverage, and regulatory compliance that protects customers and ensures professional service delivery. Party bus rentals scottsdale services that operate professionally understand the importance of transparency in credential verification and willingly provide documentation of their qualifications.

Commercial vehicle licensing and driver certification requirements vary by jurisdiction, but reputable service providers exceed minimum requirements through additional training and certification programs. Professional drivers should maintain commercial driver’s licenses with appropriate endorsements, clean driving records, and ongoing training in customer service and safety protocols.

Insurance coverage levels provide essential protection for customers and indicate the service provider’s commitment to professional operations. Comprehensive commercial vehicle insurance, general liability coverage, and professional liability protection should be standard features of any quality party bus service, with coverage levels that exceed minimum regulatory requirements.

Business longevity and reputation in the local market offer valuable insights into service provider reliability and customer satisfaction levels. Established companies with strong local reputations typically maintain higher service standards than newer competitors.

Vehicle Quality and Maintenance Standards

The condition and maintenance of party bus vehicles directly impacts both safety and experience quality, making vehicle inspection and maintenance standards crucial evaluation criteria. Professional party buses scottsdale services invest heavily in vehicle maintenance and presentation, understanding that vehicle condition reflects overall service quality and professionalism.

Vehicle age and mileage provide important indicators of reliability and comfort levels, with newer vehicles typically offering better performance, more advanced safety features, and superior comfort amenities. However, well-maintained older vehicles can sometimes provide better value than poorly maintained newer options, making maintenance standards more important than vehicle age alone.

Interior condition and cleanliness standards reflect the service provider’s attention to detail and commitment to customer experience quality. Professional services maintain immaculate vehicle interiors through regular cleaning, detailing, and inspection protocols that ensure every rental begins with a pristine environment.

Safety equipment and emergency preparedness demonstrate the service provider’s commitment to passenger safety. Modern party buses should include comprehensive safety equipment, emergency communication systems, and first aid supplies that meet regulatory requirements for passenger transportation.

Pricing Structure and Value Analysis

Understanding party bus rental pricing structures helps customers make informed comparisons and avoid unexpected costs that can significantly impact overall event budgets. Transparent pricing policies and clear communication about additional fees distinguish professional service providers from those who use misleading pricing strategies to attract customers.

Hourly rates typically form the foundation of party bus rental pricing, but additional fees for fuel, driver gratuities, cleaning, and special services can significantly impact total costs. Party bus rental scottsdale az services that operate transparently provide detailed pricing breakdowns that allow customers to understand total costs before making commitments.

Minimum rental periods and peak season pricing policies affect overall value calculations and should be clearly understood before making rental decisions. Some service providers offer better value for longer rentals, while others specialize in shorter transportation needs with pricing structures that reflect these different approaches.

Package deals and bundled services can provide significant value for customers who need comprehensive transportation solutions, but these packages should be evaluated carefully to ensure they include necessary services without unnecessary additions.

Customer Service and Communication Standards

The quality of customer service and communication throughout the rental process provides valuable insights into the overall service experience customers can expect. Professional party bus services prioritize clear communication, responsive customer service, and proactive problem resolution that ensures smooth rental experiences from initial inquiry through final destination arrival.

Response time to inquiries and booking requests indicates the service provider’s commitment to customer service and their capacity to handle rental volume effectively. Phoenix Luxury Ride and other professional services typically respond to inquiries promptly and provide detailed information that helps customers make informed decisions.

Booking procedures and contract terms should be straightforward and transparent, with clear explanations of policies, procedures, and expectations for both parties. Professional services use written contracts that protect both customers and service providers while establishing clear expectations for service delivery.

Successful party bus rental selection requires balancing multiple factors to identify the service provider that best meets your specific needs while providing the best overall value for your investment. The decision process should prioritize safety and reliability while considering amenities and service features that enhance the overall experience.

Reference checks and customer reviews provide valuable insights into actual service delivery and customer satisfaction levels. Professional service providers welcome reference requests and maintain strong review profiles that reflect consistent service quality and customer satisfaction.

Contract negotiation and final arrangements should address all aspects of the rental agreement, including timing, routing, special requirements, and contingency plans for potential issues. Professional services work collaboratively with customers to ensure all details are addressed before the rental period begins.

Conclusion

Selecting the right party bus rental service in Scottsdale requires careful evaluation of multiple factors that impact both safety and experience quality. Customers who invest time in thorough research consistently achieve better outcomes and higher satisfaction with their transportation experiences.

The key to successful party bus rental selection lies in understanding your specific needs, evaluating service providers based on professional standards, and choosing companies that demonstrate consistent commitment to customer satisfaction and safety excellence. For customers seeking the highest standards in Scottsdale party bus rentals, Phoenix Luxury Ride represents the benchmark for professional excellence.

How Content Creators Are Influencing the Fashion Industry

The fashion industry has always been fast paced. But with the emergence of social media and the growth of online content creators and influencers, the rise and fall of fashions trends and the way these are shared and consumed is drastically different to what it was a decade or so ago.

So let’s look at how content creators have, and continue, to influence the fashion industry.

Made Authenticity a Priority

Content creators share everything online from what they do day-to-day to what they eat. This has created a level of authenticity that conventional celebrities simply can’t replicate.

Because of this authenticity, people have become more drawn to content creators over traditional models for fashion inspiration as they can relate more to the individual behind the fashion trend, which increases its appeal.

Improved Accessibility

Before the digital age, TV and magazines were the main source of fashion inspiration. Now,  everyone has access to the latest fashion trends right in the palm of their hands and almost anyone has the opportunity to start a new trend or redefine a style, swaying the industry within hours.

It’s no longer confined to one or two platforms either. The rise of platforms such as TikTok, which offer short-form videos, and even sites such as OnlyFans which have created a strong bond between viewer and creator, are paving the way for content creators to express their unique style and impact the fashion industry.

Promoted Diversity

Another significant area of change is diversity. Traditional fashion and modelling has always involved airbrushed models who share a similar body type, but fashion now has stretched to a more everyday sense. Content creators and influencers of all different shapes and sizes, and with less airbrushed perfection, have made fashion more applicable to everyday life and for everyday people.

Encouraged Independent Brands

Independent designers and small clothing businesses have been able to breakthrough without relying on expensive advertising campaigns or high fashion brands thanks to partnerships with content creators.

An influencer marketing program or OnlyFans agency can connect creators with independent labels or small businesses that align with their personal style and target customers, opening the door for brands to cut through the crowd and succeed in a highly competitive industry.

The Future of the Fashion Industry is Community Driven

Thanks to content creators, the fashion industry has seen an increase in authenticity, accessibility, diversity, and opportunity, which is leading the fashion industry down a more community driven route.

Nintendo’s The Legend of Zelda Movie: Release Date, Plot and Latest News

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We’re officially getting a live-action movie adaptation of one of the biggest video game franchises of all time, The Legend of Zelda, sending another one of Nintendo’s IPs to the big screen. Video game adaptations are (once again) seeing a massive resurgence, with recent releases like HBO’s The Last of Us and Netflix’s Arcane upping the bar for storytelling and world-building. Not to be outdone, even Nintendo joined the fray with 2023’s The Super Mario Bros. Movie, which, despite mixed reviews, went on to become a box-office smash, bringing in USD $1.36 billion globally and setting a Guinness World Record for the highest-grossing video game film ever.

Now, the Japanese gaming giant is hoping to strike gold again with another of its acclaimed IPs, bringing Link’s epic adventure to life in a whole new way. Wes Ball, best known for directing the Maze Runner trilogy and 2024’s Kingdom of the Planet of the Apes, is heading up the upcoming live-action feature adaptation of The Legend of Zelda, which Nintendo and Sony Pictures Entertainment will jointly fund. Seeing as the film recently entered production and the work is still in its early stages, there’s a lot we don’t know; nevertheless, thanks to new details shared by both Ball and Nintendo, we have a rough sense of what’s in the works. So, here’s everything we know so far about the upcoming Legend of Zelda film.

The Legend of Zelda Movie Release Date

We won’t have to wait too long to see Hyrule in all its glory, as The Legend of Zelda movie is all set to be released on May 7, 2027. The film’s release date was previously announced in March, but creator Shigeru Miyamoto pushed it back to May 7, clarifying that the extra time was needed to “make the film as good as it can be.”

The Legend of Zelda Movie Cast

There’s currently not much known about the cast of The Legend of Zelda movie, aside from the two currently confirmed leads. Instead of going with household names, Nintendo has tapped two promising young talents to play Link and Zelda. Benjamin Evan Ainsworth, best known for voicing the titular character in Disney’s live-action Pinocchio, will star as Link, while Princess Zelda will be played by Bo Bragason, who you may recognize from 2017’s BBC One drama Three Girls.

Aside from these, Nintendo is keeping the rest of the cast under lock and key and it’s still unclear which characters from the franchise will show up or who will play them. Here’s the current cast list for The Legend of Zelda movie:

  • Benjamin Evan Ainsworth as Link
  • Bo Bragaso as Princess Zelda

What Will Nintendo’s The Legend of Zelda Movie Be About

Nintendo is also keeping the plot for The Legend of Zelda adaptation a big secret (no surprises there) and so far, no official synopsis or logline has been shared. Moreover, there are no trailers or teasers to go by; however, it’s safe to assume that the upcoming film adaptation will likely feature an original story and could draw on thematic elements from Zelda’s various games.

Much like The Super Mario Bros. Movie before it, the plot for The Legend of Zelda film will most probably see Link and Zelda joining forces as they set out to save Hyrule from an impending threat. We may also get to see some other familiar faces from the franchise. As per a recent listing from ProductionList, it looks like Nintendo’s Legend of Zelda movie is now in production, with filming taking place in Wellington, New Zealand, from November 4, 2025, to April 7, 2026. However, take all of this with heaps of salt, as Nintendo has yet to confirm anything.

If you’ve played the games, you’ll know Link as a member of the elf-like Hylian race and a fearless young hero destined to protect Hyrule. He usually gets joined by Princess Zelda, the Hylian ruler and bearer of the Triforce of Wisdom. Their arch nemesis is often Ganon, a power-hungry warlord turned demon king who wants to claim the Triforce for himself and plunge the world into chaos. 

Director Wes Ball, who’s an avid Zelda fan himself, also dropped a few hints about his plans for the movie and how he intends to tie everything together. While speaking with Total Film, he shared that he has been toying with the idea of a Zelda movie “for a long time,” calling it a project he wants to treat with care and ambition. “I have this awesome idea. I’ve been thinking about it for a long freakin’ time, of how cool a Zelda movie would be… I want to fulfill people’s greatest desires,” Ball said. “I know it’s important, this [Zelda] franchise, to people and I want it to be a serious movie. A real movie that can give people an escape.” Wes went on to say that the goal is to find a balance between tone and spirit, adding, “That’s the thing I want to try to create – it’s got to feel like something real. Something serious and cool, but fun and whimsical.” 

Moreover, during a Reddit AMA, Ball also shared some of the guiding ideas he’s bringing from Kingdom of the Planet of the Apes, saying, “Keep the money on the screen. Be ambitious. Be confident in the talent around you. Try to do something great.” Even Sony CEO Kenichiro Yoshida vaguely teased about the film’s plot, billing it as “an amazing tale of adventure and discovery.” 

For now, though, it’s anyone’s guess what story The Legend of Zelda film adaptation will tell and whether Nintendo will pull from one of the older games (perhaps Majora’s Mask) or come up with an entirely new story.

Are There Other Films Like The Legend of Zelda?

While you wait for Nintendo’s The Legend of Zelda movie to hit the screens, you can check out other popular video game adaptations like HBO’s The Last of Us, as well as Arcane, The Witcher, Splinter Cell: Deathwatch or Cyberpunk: Edgerunners on Netflix.

3 Everyday Fall Jackets For The Unbothered

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Outerwear’s favorite season is here and we’ve been deeply influenced by Veneda Carter’s fall wardrobe. We were ready for the annual jacket hunt to begin, turns out we already have all we need for our laid-back, cooler months in our closet. No new-season panic. Watch us feed into the cool-girl, Instagram-worthy aesthetic with these three simple pieces. 

The Good Old Classic Trench Coat

Nothing beats a classic, almost boring staple styled in way that it was never intended for. Oversized, structured, yet soft. Don’t expect us to wear this Frenchie with tailored pants or shy-sized jeans though. This November you’ll see us styling it with gigantic sweat sets and a beefy sneaker in the morning and bear legs with a heel at night. Goal will be mild confusion over what’s happening below the waist. And if you ever catch a tie peeking out from under our trench, just know beneath it is the miniest of mini skirts, possibly bubbly, maybe 3D floral printed.

The Borrowed From The Boys Bomber

A good slouchy bomber from the men’s section will be our second skin by November, preferably in that expected bombery-green shade. It’ll lie over a black tight bodysuit with black kitten heel boots and a pair of the blackest Balenciaga-like sunglasses, or a huge pair of camo pants, or even a floor-grazing skirt, perhaps in lace. Pair it with whatever you find first in your closet, the bomber doesn’t judge. Just make sure the jacket is big and boxy.

 

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The Always-Hanging-Around Denim

A denim jacket is the “just grab it and go” piece we never truly believed we needed. But now we do. It’s going to be worn in the streets one of two ways, either disgustingly big or awfully small, no in-betweens. Denim, we accept in a brand-new, factory-smelling condition or a worn-in, fully-fading one. So, pick your poison. I think we’re going with a tiny vintage grey-blue jacket after this talk. In denim we trust.

Three jackets, three moods, zero effort required. Oversized, boxy, or barely-there. Pick your favorite, throw it on, and pretend you planned it all along, November is ours, and these pieces got us covered, literally and stylistically. No fuss, no panic, just jackets and fashion talks.