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Pokémon Winds and Waves: Every Starter Pokémon Revealed for Gen 10

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Who are the Pokémon Winds and Waves starters? Now that Pokémon Winds and Waves has been shown off for Switch 2 during the recent Pokémon Presents showcase, we’re finally getting a better idea of how the next mainline game will look, starting with the partners that kick off your journey. Alongside a sweeping look at a tropical, open-world region set to launch on Nintendo Switch 2 in 2027, we were introduced to the three Gen 10 Pokémon Winds and Waves starters who will be by your side as you begin your adventure. You’ll need to pick one of the three starters, Browt, Pombon or Gecqua, to be your partner through your first battles, early gym challenges, and everything the new region throws your way. So to better understand your options, here’s a closer look at all the Pokémon Winds and Waves starters you’ll be choosing between.

Pokémon Winds and Waves: Every Starter Pokémon Revealed for Gen 10

There are three starter Pokémon waiting for you in Pokémon Winds and Waves: Browt, Pombon, and Gecqua. Despite sticking with the classic Grass, Fire, and Water setup, each brings something fresh to the table, whether it’s their designs or how they might perform in battles. These are the first (of hopefully many) brand-new Pokémon revealed for Gen 10, and they’ll be your partners as you make your way through the region, take on your first gyms, and start shaping your adventure. Here’s everything we currently know about each of them.

Browt-Pokémon-Winds-and-Waves-starters
Image Credit: Pokémon

Browt

Category: Bean Chick Pokémon
Type: Grass
Ability: Overgrow
Height: 1′
Weight: 7.7 lbs

Browt is the Grass-type starter, and it will immediately grab your attention with the leafy “brow” sitting right on its forehead. It’s full of energy and always on the move. The official description says, “This Pokémon runs about energetically while photosynthesizing using the leaves on its brow. It’s lively, but it can also be a bit clumsy.”

Pombon-Pokémon-Winds-and-Waves-starters
Image Credit: Pokémon

Pombon

Category: Puppy Pokémon
Type: Fire
Ability: Blaze
Height: 1’4″
Weight: 14.7 lbs

Pombon is the Fire-type starter this generation and could easily be one of the cutest Fire starters in a while. Inspired by a Pomeranian, it’s small, fluffy, and covered in bright orange-red fur, with a faint glow just under its throat.

Here’s what the official description says about that glowing spot: “The area below its throat glows faintly from the heat-generating organ within its lungs. This Pokémon is guileless and friendly.” During the reveal trailer, Pombon was shown inside a volcano, which has already got fans guessing about a potential Fire/Rock evolution. For now, though, it’s still a pure Fire-type with Blaze as its signature ability.

Gecqua-Pokémon-Winds-and-Waves-starters
Image Credit: Pokémon

Gecqua

Category: Water Gecko Pokémon
Type: Water
Ability: Torrent
Height: 1′
Weight: 9.5 lbs

Gecqua rounds out the trio as the Water-type starter and arguably carries the most mysterious presence. It’s a blue gecko with large eyes and a teardrop marking between them. The official description for Gecqua reads, “This Pokémon launches springy balls of water from its tail. Gecqua is very intelligent and maneuvers shrewdly while putting on airs.”

From what’s been shown so far, Gecqua comes across as more of a thinker than a straight-up brawler. During the reveal, Gecqua was seen exploring jungle areas, and its purple markings suggest it could pick up a second type later on. For the time being, it’s a pure Water-type and has Torrent as its ability.

Right now, Browt, Pombon, and Gecqua are the only original Gen 10 Pokémon officially revealed and we also don’t know what they evolve into or if they’ll gain secondary typings. For more gaming news and guides, be sure to check out our gaming page!

Renoir and Love at the National Gallery

This autumn, the National Gallery will stage Renoir and Love, a major exhibition devoted to Pierre-Auguste Renoir. It will be on view from 3 October 2026 to 31 January 2027. Bringing together 45 works, this marks the most significant presentation of the artist’s paintings in the UK in two decades, and the first exhibition dedicated to him at the museum since 2007. Organised in partnership with the Musée d’Orsay and the Museum of Fine Arts in Boston, the show focuses on the pivotal years between the mid-1860s and mid-1880s, when scenes of modern love and sociability became central to Renoir’s art.

At the heart of the exhibition are celebrated works such as Dance at the Moulin de la Galette (1876), shown in the UK for the first time, alongside large-scale compositions including The Umbrellas (1881–85). Moving from early scenes of everyday life to bustling images of cafés, theatres and suburban leisure, the exhibition traces Renoir’s sustained engagement with affection, flirtation, friendship and family life. Paintings such as Dance at Bougival (1883), The Promenade (1870) and The Conversation (1878) demonstrate how he reimagined the rococo fête galante for modern Paris, capturing fleeting moments of intimacy with a lightness that mirrors his fascination with sunlight itself.

The final section turns to the mid-1880s, when Renoir began shifting away from Impressionism’s emphasis on atmosphere towards more solid and sculptural forms. The inclusion of The Great Bathers (1884–87) signals this transition, closing the exhibition on a work that points beyond the spontaneity of his earlier scenes toward a more classical ambition. Together, the paintings offer a look at how Renoir positioned love and human connection at the centre of modern life.

Maria Grazia Chiuri’s Fendi Debut at Milan Fashion Week Fall 2026

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We all have a long-lost friend we like to romanticize from a safe distance. The one you swear you’ll reach out to again, just not today. Or this decade. Don’t worry though, at Fendi, it took 37 years. And the reunion succeeded, though not over coffee, this one unfolded on a Milanese runway. The friend, of course, is Maria Grazia Chiuri.

Maria Grazia Chiuri at Fendi, 1992
@mariagraziachiuri via Instagram

After graduating from Rome’s Istituto Europeo di Design, 1989 rolled around and Fendi happened. The urge stuck, for ten full years, spent deep in the accessories department, Baguette designs and all. In 1999, she moved on to Valentino, same category, this time alongside Pierpaolo Piccioli. Not long after Valentino Garavani stepped aside, the two were promoted to co-creative directors, fashion just loves a slow-burn power shift. By 2016, Christian Dior called and Chiuri became the first woman to take the creative director seat, right after Raf Simons. And then came 2025. All the way back to where she started, Fendi. “I’m here to give back what they [the founding family] gave to me,” she told Vogue.

Fendi Fall 2026 show at Milan Fashion Week
@harpersbazaarus via Instagram

And it showed. “Less I, more us” was the show’s motto, literally underfoot, stamped across the runway. Chiuri looked like she had a mental list of house upgrades, starting with the obvious. FF stands for Fun Fur, after all. And it was everywhere, coats, jackets, trims, even collars. Though, the good stuff went to the men strutting Fendi’s runway. A nod, maybe, to that tired idea, that men are perfect for womenswear and women somehow can’t touch menswear, flipped on its head. With the new Echo of Love project, clients get to play atelier for a day, reworking their own furs into something new.

Fendi Fall 2026 show at Milan Fashion Week
@harpersbazaarus via Instagram

Hair aside, Chiuri layered in a streetwear-meets-workwear twist, T-shirts sporting phrases like “rooted but not stuck”, thanks to a collab with artist Sagg Napoli. Think khaki overalls, denim and cargo pants, and parkas. She played with the silhouette, revived the beloved Baguette, and gave the collection a cleanse after years of color. Some of it was business, some romantic, and some pure Chiuri. But the whole thing stayed grounded. And if “grounded” is good at one thing, it’s leaving people either thrilled or bored, no middle ground, ever.

Diesel Did the Walk Of Shame at Milan Fashion Week Fall 2026

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Something tells me that Glenn Martens either just lived through a marathon of nightlife or is mourning the parties he’s missing. Hard to tell, given the guy’s busy juggling Diesel and Maison Margiela. Either way, Milan Fashion Week kicked off with a lineup of models that looked like hungover ghosts had raided their closets after surviving every Milanese minibar.

Diesel's set design at Milan Fashion Week Fall 2026
@diesel via Instagram

I don’t think anyone who spent their Tuesday afternoon navigating CNMI’s Fashion Hub on Milan’s Via Moncucco 35 expected to walk into what looked like a very funky ragpicker’s yard. In reality, it was a massive immersive installation of repurposed items. Picture a motorcycle next to a nutcracker statue, in front of a Renaissance dress, a colorful umbrella behind it with a unicorn underneath, a giant wedding cake nearby, and an actual car just a few steps ahead, surrounded by clowns, rocking horses, and martini glasses. I felt mildly threatened by an alarmingly huge chicken, though little pink flamingos sprinkled around somehow made it all okay. The entire spectacle was Diesel memorabilia dating back to 1978, which fits perfectly with the brand’s love affair with upcycling, Successful Living, and Glenn Martens’ idea of a collection about waking up in a stranger’s living room.

Diesel runway look at Milan Fashion Week Fall 2026
@diesel via Instagram

Tank tops and cardigans looked like they’d been wrestled from closets in a panic, layered over creased denim paired with unexpected patterns, and cozy blankets turned into outerwear. Florals peeked out of collars and cuffs as if the wearer had grabbed whatever was lying closest, while skirts and dresses were shaped in playful disorder, like they’d been grabbed mid-hustle from a bedroom floor. Deconstruction, mix-and-match, volumes, florals, faux fur, and splashes of bright color turned the runway into a sort of stylish scrapyard. By the end, you weren’t sure whether you’d seen fashion or a very good-looking, post-party fever dream, and honestly, you didn’t want to know the difference.

Stop Lagging! Try These Gaming Tablets

Gaming on a tablet has evolved into a serious experience, especially as mobile games become more demanding. Players now expect fast load times, smooth visuals, and consistent performance. Unfortunately, not all tablets are built to handle these expectations, and lag can easily ruin even the best gameplay moments.

Many gamers start exploring devices like the Apple iPad Air, but the goal is to find a tablet that matches your play style and delivers reliable performance. From high-end options to budget-friendly picks, here are some of the best gaming tablets to try if you want to eliminate lag and enjoy a smoother experience.

Best Gaming Tablets for Smooth Performance

When it comes to gaming tablets, it is essential to have the right one to ensure optimal game performance. With many options on the market today, it is vital to choose one that provides a smooth gaming experience without lag or overheating. Although it is essential to have a device that performs well in terms of processing and other related features, it is equally important to have one that is consistent in its performance and usability.

Here are some of the gaming tablets that have been chosen as the best based on their performance and ability to provide users with a smooth gaming experience:

1. Apple iPad Air (Balanced Performance and Portability)

The Apple iPad Air is an excellent choice for gamers seeking a device with balanced performance and portability. The device supports a wide range of popular games, making it an efficient tool for daily use. The device’s light weight is an added advantage for gamers, especially during extended gaming sessions, as it is a feature most users will appreciate.

In terms of reliability, the Apple iPad Air provides consistent battery life and performance. The device does not heat up quickly during use, ensuring gamers enjoy a smooth experience even during extended sessions. For gamers seeking a reliable device that supports gaming and other activities equally well, this device is an excellent choice.

2. Samsung Galaxy Tab S9 (Android Powerhouse)

The Samsung Galaxy Tab S9 is a powerful Android device that any gamer would love if they want a premium feel. This device can play almost any game without any lag. The display screen also helps to enhance the overall feel of the game by making the colors pop. For any Android enthusiast, this device is usually one of the top options to consider.

Apart from its powerful performance, this device also allows for multitasking, which is quite handy for any gamer. The device also offers a premium feel that any gamer would love. Therefore, this device provides a well-rounded experience for any Android enthusiast.

3. Lenovo Tab P12 Pro (Great for Entertainment and Gaming)

The Lenovo Tab P12 Pro is a powerful device that any gamer would love to have for their gaming experience. This device features a large screen that enhances the overall feel of any game. Although this device may not be as powerful as the others reviewed here, it does play almost any game quite smoothly.

The reason this device stands out from the rest is that it delivers a powerful experience at a lower cost than the others. This device provides a smooth experience for any mid-range gamer. For any gamer looking for a device that delivers a powerful experience for both gaming and streaming, this device is a perfect fit.

4. Samsung Galaxy Tab S8 (Reliable All-Rounder)

The Samsung Galaxy Tab S8 remains a reliable device for any gamer who wants to experience a powerful experience. This device plays almost any game quite smoothly. Therefore, this device would be perfect for any gamer who wants to play their favorite games.

The reason this device remains a top option for any gamer is the fact that it provides a balanced experience. Although this device may not be the latest in the market, it remains powerful enough to play almost any modern game without any issues. This device also has a sturdy feel that any gamer would love.

5. Xiaomi Pad 6 (Best Value for Money)

The Xiaomi Pad 6 is a great device for gaming, especially in the value-for-money segment. It has great specs and performance, allowing users to enjoy smooth gaming sessions without burning a hole in their pockets. It is a favorite among many gamers, especially the ones who are budget-conscious.

Despite its affordable price, the device offers a high refresh rate, providing a smooth gaming experience. In addition, the device is lightweight and easy to hold, making it a great option for long gaming sessions. If you are looking to get the most out of your money, the Xiaomi Pad 6 is definitely a great option.

6. Amazon Fire Max 11 (Entry-Level Gaming)

The Amazon Fire Max 11 is a great device for beginners who are new to playing games on a tablet. It has great specs and performance, which allow users to enjoy smooth gaming sessions. Although it might not be the best option for playing heavy games, it is a great option for playing casual games.

The device is affordable and comes with great specs, making it a great option for beginners. In addition, it is a great option for people who want a device they can use in their day-to-day lives. For beginners, it is a great option, and they will not have to worry about anything.

A good gaming tablet can change the game and be a great addition to your gaming setup. There are many great gaming tablets on the market, and there is definitely a device for every kind of gamer. Some people are more interested in the device’s performance, while others are more interested in its portability and price.

Although the Apple iPad Air is a great device, the final choice will be based on personal preferences. If you choose a device based on your preferences, you will definitely have a great experience and enjoy lag-free gaming.

Areas of Entertainment Being Revolutionized By Streaming

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Streaming did not just change how people watch things. It changed how entertainment is built and experienced. What started as a way to watch films online turned into something much bigger. Now it touches almost every corner of entertainment. Music moved there. Sports followed.

Areas that once depended on physical venues now live partly online.

What makes streaming powerful is immediacy. Content appears when it is needed. There is no waiting for schedules or physical releases. Entertainment shifted from planned viewing to instant access, and that changed behaviour across entire industries.

Casino Games And The Rise Of Live Streaming Tables

Casino gaming changed in a big way once live streaming entered the picture. Online casinos already existed, but live dealer games added something different. Real tables. Real dealers. This is all shown through high-quality video feeds.

This changed how people interacted with online casino games. Instead of playing against animations, players could watch a real person dealing cards or spinning wheels in real time. That created a stronger sense of social connection that some people look for in games. Sportaza’s online casino games connect people with real dealers in games including blackjack and roulette.

The pace also feels different. Live streaming introduces natural pauses. Cards are dealt at human speed. Wheels spin naturally. That rhythm feels closer to physical casino environments. Some people prefer layouts and sites like Sportaza provide choices and options for how people play.

Technology made this possible through faster internet and better video compression. High-definition streams now run smoothly across phones and laptops. The result is a hybrid experience where physical casino atmosphere meets digital convenience. Increasing internet speeds have definitely helped this to become more straightforward.

Sports And The Shift To Constant Access

Sports changed dramatically through streaming. Matches are no longer limited to television schedules. Fans watch games on phones or tablets wherever they are. Highlights appear seconds after they happen.

Streaming also changed how sports are produced. Alternative camera angles. Player-focused streams. Commentary options. Fans choose how they experience events.

Even smaller leagues gained visibility. Streaming platforms allow events to reach global audiences without traditional broadcasting barriers. That exposure changes how sports grow.

Movies And TV In The On-Demand Era

Film and television were early drivers of streaming. The industry still feels the impact. Release windows changed. Entire seasons arrive at once. Viewers control pacing.

Streaming platforms also changed what gets made. Niche genres find audiences because distribution is global. Stories that might not fit traditional broadcast schedules now have space to exist.

Production styles change. Shows are written with binge viewing in mind. Story arcs stretch across episodes more smoothly. Cliffhangers feel different when the next episode sits one click away.

Shows like Fallout have proven to be big successes in recent years. Even though the second season has only just dropped, people want to know what the third season has in store.

Gaming Content And The Rise Of Watching Play

Streaming turned gaming into spectator entertainment on a massive scale. Watching someone play a game became entertainment in its own right.

Platforms allow players to broadcast gameplay instantly. Audiences form around personalities, and YouTubers and Twitch streamers are increasingly common (and famous). Many of the top streamers on Twitch are in the gaming niche. Some players and fans watch for commentary and reactions.

This also influences game design. Developers know games will be watched as well as played. Visual clarity and pacing matter more than ever as the games are digested differently.

Esports also grew alongside streaming. Tournaments reach global audiences easily. Commentary and analysis now sit alongside gameplay in real time.

Music And Live Digital Performances

Music streaming is not just about recorded tracks anymore. Live digital concerts and sessions are now normal. Artists perform for global audiences without needing massive venues.

Fans can watch performances from anywhere. Some shows include interactive elements – bands and artists can get creative with it.

This changed how artists connect with audiences. Distance matters less. Reach expands.

Why Streaming Continues To Expand

Streaming works because it removes distance and delay. Entertainment becomes immediate. Global audiences access content at the same time and can quickly chat about the latest season of a show or what is happening in a big esports tournament.

Technology continues to improve. Faster connections. Better video quality. Lower delay between broadcast and viewing. These improvements make streaming feel natural.

Content creators also benefit. Distribution costs drop. Audiences grow faster. Creative freedom expands.

The Future Looks Permanently Streamed

Streaming is no longer a trend. It is infrastructure. Entertainment industries now build around it rather than adapting to it.

Casino games use it to recreate physical experiences digitally. Sports use it to expand audiences. Film and TV use it to change storytelling. Gaming uses it to turn play into performance.

The biggest change is how natural it feels. Streaming no longer feels like technology. It feels like how entertainment simply works.

Ingrid Schmaedecke on Design Beyond the Surface

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According to a recent report from Consumer Affairs, Americans spend roughly four and a half hours on their phones every day, which is up 52% from 2022. The report also notes that we check our phones roughly 200 times a day.

In a time when graphic design is center stage on our smartphones, the work of Ingrid Schmaedecke feels tangible. From a green gelatin exhibition title that slowly dissolves over time to a sake-lover illustrated cat that has become a cult icon in Greenpoint, Schmaedecke’s portfolio defies the “flattening” of modern branding.

A designer, architect, and strategist based in Brooklyn, Schmaedecke has spent the last eight years building a reputation for material logic—a design philosophy where the medium is just as important as the message. Whether she is working on environmental wayfinding for major museums or a digital archive for indigenous construction techniques, her goal remains the same: to create identities that don’t just look good, but behave with intent in the physical world.

For many designers, “style” is a signature. For Schmaedecke, it is a variable. “The material and visual language in each case comes from the concept, never from a personal style,” she explains. This approach allows her to pivot between projects that seem, on the surface, to have nothing in common.

Take, for example, her work at Isometric Studio for Bin Bin Sake. The brand is centered around a “disarming” character—a chubby, relaxed cat named Bin (Japanese for “bottle”). What began as a loose sketch in a notebook during a client meeting blossomed into a comprehensive visual system. Bin Bin is seen serving, napping, biking, and partying across tote bags, bingo cards, and storefronts.

“The client wanted something different from the traditional Japanese ‘Maneki-neko’ (the beckoning cat),” Schmaedecke recalls. “Bin Bin ended up carrying a lot of the identity. People post photos of the tote bag with their own cats, and I sometimes spot people wearing it on the streets. It became something people genuinely adopted.”

In this instance, the “design” wasn’t just the logo; it was the warmth and relatability that allowed a commercial brand to enter the domestic lives of its customers.

Schmaedecke’s obsession with materiality isn’t a recent development; it’s built into her DNA. Growing up in Brazil, she watched her father work in his woodshop, eventually building things alongside him. This tactile upbringing led her to a Bachelor of Architecture from the Federal University of Paraná (UFPR), a degree that fundamentally shaped her spatial thinking.

Before moving to the United States, Schmaedecke established herself in the Brazilian design workforce. At the Museu Paranaense in Curitiba, she served as the Coordinator of the Graphic Design Department. There, she wasn’t just designing posters; she worked alongside the museum’s direction on the institutional re-design, collaborating with anthropologists and curators to ensure that the museum’s visual identity resonated with its diverse cultural mission.

Her architectural roots are perhaps most visible in the Caixa Morada, a project that sits at the intersection of furniture and exhibition design. The wooden structure is a literal “exhibition in a box” that folds into its own shipping container and unfolds into a full-scale display. It is a masterclass in logistics and aesthetics, proving that an exhibition can be a three-dimensional object that designs itself into its own constraints.

While some of her work is designed to dissolve, other projects are designed to be timeless. One of her most significant contributions is Dimensão Imaterial do Habitar e Construir Indígenas (The Immaterial Dimension of Indigenous Living and Building). Working alongside a team of architects and anthropologists, Schmaedecke led the graphic design for the project at the Museu Paranaense, bridging a gap between archival history and living communities. The museum held over a thousand photographs and films of the Xetá, Kanhgág, and Guarani peoples from the early 20th century—images that the communities themselves had often never seen.

Schmaedecke designed the digital archive and visual system for the project, which recorded the oral responses, memories, and technical building knowledge of indigenous representatives as they viewed the archives.

“This project needed to last, to overcome the forgetting,” she says. In this context, the visual system wasn’t about “looking good” for a design gallery; it was about legibility, care, and accessibility for a community reclaiming its own history.

By drawing on her multidisciplinary background—ranging from her co-founding of Studio Bombus, a practice spanning graphic design, furniture, and architecture, to her work with ATO1Lab at the Oscar Niemeyer Museum—Schmaedecke treats every project as a spatial challenge. Whether it’s a character on a tote bag or a wayfinding system in a massive cultural institution, she asks: How should this behave over time?

In Schmaedecke’s world, design is not a static image on a screen. It is a living thing—something that multiplies through social media, dissolves in a gallery, or preserves a culture for the next century.

“I always want the identity to do something beyond looking good,” she concludes. “It should carry an idea.” And in an industry often obsessed with the “now,” Schmaedecke’s focus on the “how” and the “where” is precisely what makes her work feel so permanent.

Images courtesy of Ingrid Schmaedecke and Isometric Studio.

The Multiplayer Future of iGaming: Why Social Play Is the Next Stage of Online Gambling

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Gaming and iGaming are fusing into one hybrid entertainment model. This shift is not a niche trend. It is a clear market direction.

Players now expect social features in every digital product. They already use voice chat, party systems, leaderboards, and creator communities in mainstream games. They want the same connected experience in casino products.

That is why multiplayer iGaming is becoming inevitable.

TL;DR

Online gambling is moving from solo sessions to social sessions. Slots were designed for individual play in the first online era, but player behavior has changed. Modern users want community, shared moments, and live interaction. The next wave is social-first iGaming: multiplayer slots, group competitions, live chat, and creator-driven game rooms.

What does “gaming and iGaming fusion” mean?

It means iGaming products now borrow the strongest mechanics from modern gaming:

  • real-time multiplayer interaction
  • persistent identity and social profiles
  • progression loops and community events
  • spectating, sharing, and creator participation

At the same time, gaming products are adding monetization systems that look more like iGaming economics. The two categories are converging around one core idea: interactive entertainment with social engagement. This is the direction platforms like Gamwiz are building for.

Why is multiplayer iGaming inevitable?

1. Player behavior has changed

Users no longer want isolated digital experiences. They want to play with friends, compare outcomes, and react together in real time.

2. Social products retain users longer

Multiplayer systems build stronger retention loops than solitary products. Chat, team goals, and social competition increase repeat sessions.

3. Community lowers friction

When gameplay is visible and shared, it feels less hidden. Social context can reduce stigma and normalize participation as entertainment.

4. Content creators need social surfaces

Streaming and short-form video thrive on interaction. Multiplayer iGaming creates moments that are easier to share, discuss, and replay.

5. The younger audience expects live features

Newer digital-native users are conditioned by online gaming culture. For them, solo-only formats feel outdated.

Slots became solitary. That era is ending.

Historically, gambling was social. People gathered, watched each other play, celebrated wins, and reacted to losses together. Social energy was part of the product.

Online slots scaled access, but they also removed that shared layer. The result was convenience with less community.

Now the market is correcting that gap. Multiplayer slot rooms, shared bonus events, and community-led formats are restoring the social side of gambling.

Solitary slots vs social multiplayer slots

Why this matters for stigma

The old model framed gambling as a private activity done alone. The new model frames gambling as a social entertainment experience.

That shift matters.

When products are community-led, transparent, and moderated, users see them closer to mainstream digital entertainment. This does not remove the need for responsible gambling controls. It makes those controls easier to communicate and adopt in shared environments.

What responsible multiplayer iGaming should include

A social-first future still needs strong protection standards:

  • clear spend limits and time controls
  • visible responsible-play reminders
  • anti-harassment moderation and reporting
  • transparent odds communication
  • tools for self-exclusion and cooldown periods

The best hybrid products will combine high engagement with strong user safety.

The direction is clear: hybrid by default

The next generation of successful platforms will not separate gaming and iGaming as rigid categories. They will combine both.

Expect to see:

  • multiplayer-first casino products
  • live social lobbies and events
  • creator-integrated game loops
  • progression systems that reward participation, not only outcomes

In short, this is the evolution of online gambling. It is moving back to its roots as a social experience, now powered by modern gaming infrastructure.

FAQ

Is multiplayer iGaming just a trend?

No. It reflects a long-term shift in user expectations across digital entertainment. Social interaction is now a default expectation, not a bonus feature.

Why are solitary slots losing relevance?

They can still perform, but they offer less community value. Multiplayer formats create stronger engagement through social presence, group energy, and shared milestones.

Can social iGaming reduce gambling stigma?

It can help. Products that are visible, moderated, and community-based often feel less isolated and more like standard entertainment.

What is a hybrid gaming + iGaming platform?

It is a platform that combines game-style social systems, progression mechanics, and live interaction with iGaming products such as slots and casino experiences.

Ancient Chinese “Symbol Factory” Revealed Through New Digital Database More Than Writing: Decoding Shang Dynasty Symbols Through New Digital Database

A new digital archive is making thousands of mysterious ancient Chinese emblematic symbols accessible to anyone with an internet connection.

Yuwei Zhou, a PhD candidate in the Department of East Asian Languages and Civilizations, is spending three months at Taiwan’s Academia Sinica helping to complete a groundbreaking database of clan emblems—highly pictorial emblem glyphs found on mortuary bronze vessels from the Shang dynasty (c. 1300-1046 BCE). These emblems make use of design strategies such as symmetry, mirroring, and inversion. At first glance, they can seem more like images or even contemporary logos than written language. But that visual impression can be misleading: despite their pictorial appearance, these emblems played a specific and meaningful role in the ancient world, one that scholars are still working to fully understand.

Ritual grain server (yu) with masks (taotie), dragons, and cicadas. Inscribed on the bottom of the interior, Yi Che 亦車 (“Yi-Chariot”). Collection of the Smithsonian National Museum of Asian Art https://asia.si.edu/explore-art-culture/collections/search/edanmdm:fsg_F1941.8/

More than 8,000 bronze vessels bearing these emblems have been discovered across northern China during the Shang dynasty, yet scholars have debated their meaning for over a millennium. Chinese antiquarians as early as the Song dynasty (960-1279 CE) believed they represented ancient clan names, Later scholars expanded this view, suggesting that the emblems may also have referred to official titles, personal names, or even markers of military alliances. Some researchers have gone further, hypothesizing that the symbols represent an early form of Chinese writing—possibly predating the oracle bone inscriptions discovered at the archaeological site of Yinxu. Yet the relationship between the two remains unresolved.

“The fact that these bronze symbols coexist—at the same sites and during the same period—with the earliest known form of Chinese writing, the oracle bone inscriptions, is striking,” Zhou notes. “This suggests that rather than representing an earlier phase of writing, the emblem glyphs may have served a different purpose altogether—perhaps addressing a different audience or operating as a distinct form of visual communication.”

Zhou’s research takes a more novel approach. Instead of treating the emblems as a mysterious language waiting to be decoded, she focuses on where and how they were used. Noticing that these symbols appear almost exclusively on bronzes placed in tombs, Zhou asks a broader question: how do these symbols relate to the mortuary practices in ancient China? What role did they play in the mortuary ritual process? She applies statistical methods to understand their cultural significance through distribution patterns and archaeological context. Her findings reveal a striking concentration: more than 60 percent of late Shang emblem glyphs come from the late Shang capital at Yinxu, Anyang.

“The concentration of emblem glyphs at Yinxu is no coincidence,” Zhou says. “On the one hand, we have to account for archaeological bias: excavations at Yinxu have been underway for nearly a century, while work at many other sites began much later. On the other hand, the evidence itself matters. With its large-scale monumental architecture, developed urban infrastructure, royal mausoleums, and diverse cultural remains, Yinxu was, by any measure, a major metropolitan center in late Shang China.”

Yuwei Zhou presents her research on early Chinese bronze inscriptions during an academic lecture

The new database, in development since 2017, breaks down each emblem into smaller, recognizable parts—similar to how a Chinese dictionary organizes characters. Users with no background in ancient scripts can search and compare emblems simply by clicking visual icons. This database is linked to a bigger database of Chinese characters. Eventually, this tool will allow users to trace how individual characters look like in oracle bone inscriptions, bronze inscriptions, and bamboo strips. Together, it gives users a sense of how Chinese writings evolve into the modern Chinese characters we now use every day.

The project represents a new frontier in making specialized archaeological research accessible to students, educators, and anyone interested in the history of Chinese writing. For Zhou, it’s also central to her dissertation research on how these emblem glyphs function in the deathscapes in Yinxu.

“The dead don’t bury themselves—the living do,” Zhou says. “These emblem glyphs may have played a unique role in mortuary rituals, from acts of gifting and commemoration to the negotiation of identity and social relationships among the living. They may have helped structure how memory, status, and belonging were expressed at moments of loss.”

As Zhou explains, the use of these symbols wove writing-like forms into a dynamic relationship between the living and the dead that was distinctive to late Shang China. Understanding how the emblems functioned helps illuminate the many roles that writing—and writing-like visual systems—played in the earliest stages of their development.

At a time when U.S.-China relations dominate headlines, this project addresses a critical gap in American cultural literacy about early Chinese civilization. The database makes 3,000 years of Chinese visual culture accessible to American educators, students, and museums without specialized language skills, allowing institutions like the Metropolitan Museum of Art and the Smithsonian to finally provide meaningful context for thousands of Chinese bronze vessels in their collections. The project demonstrates that productive U.S.-China academic collaboration continues even amid political tensions, building the cultural understanding Americans need to engage effectively with a nation shaping the 21st century alongside the United States.

The research sheds new light on Yinxu, designated a UNESCO World Heritage Site in 2006 and considered one of China’s most important archaeological sites. The site marks both the last capital of the Shang dynasty and the birthplace of scientific archaeology in China.

The New Pornographers Release New Single ‘Spooky Action’

The New Pornographers have shared ‘Spooky Action’, the latest single from their forthcoming album The Former Site Of. The relatively understated tune follows previous cuts ‘Votive’ and ‘Pure Sticker Shock’. Give it a listen below.

The Former Site Of comes out March 27 on Merge. Revisit our 2023 inspirations interview with the New Pornographers.