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Neither/Nor/And Both: I Am Here, But Not Just Here

HARTslane Gallery, New Cross, London

Words by Curator Lisha Duan

When the dominant narrative fails to carry the weight of those unique lived experiences, fragmented identities, or interior states, can those unspeakable, marginalised, and anomalous experiences still be expressed, witnessed, and co-exist with others? 

Left to right: Doudou Wang’s A relatively cold season (2024), Soo Hyun Lee’s Why are you doing this to yourself (2023), Chengyu Yao’s Misery Actuary(2022), Courtesy of the artist and hARTslane Gallery.

Presented at HARTslane Gallery in New Cross from 22 – 25 September, 2025, Neither/Nor/And Both brings together four Asian female artists – Chengyu Yao, Doudou Wang, Soo Hyun Lee, and Xiya Wang, who face intersectional pressures from the dominant discourse and established frameworks. Curated by Lisha Duan, the exhibition explores how identity is continuously negotiated, absorbed, or resisted within those tensions.

Chengyu Yao, Misery Actuary(2022), Courtesy of the artist and hARTslane Gallery.
Chengyu Yao, Misery Actuary (2022), Courtesy of the artist and hARTslane Gallery

In this exhibition, the self and external cultural spaces are never parallel lines but intertwined forces that transform one another. Through personal narratives and embodied practices, the artists examine the asymmetry between the body and society, emotion and structure, in which some voices are amplified while others remain deliberately muted. Their practices condense collective anxiety and personal desire into a non-verbal yet powerful expression. Facing the intersectional pressures from the dominant discourse, territorial traditions and disciplines. Each of their expressions continuously expands the boundaries of interpersonal and intercultural understanding, reflecting a third perspective shaped by contradiction, resistance, and reformation.

Xiya Wang,
Safe Trip (2023), Courtesy of the artist and hARTslane Gallery

Emerging from the statement “I am here, but not just here,” they resist being confined by singular definitions, instead creating fluid zones of becoming and encounter. Doudou Wang’s painting unfolds as a resistant gesture against external discipline, revealing an eruption of emotion and an act of refusal. Chengyu Yao’s vivid response to the White Paper Movement, which centred on protests on Urumqi Road in Shanghai, conveys an empathetic connection between individual emotion and collective trauma. Xiya Wang revisits Chinese paper effigy traditions to reflect on diasporic mourning and the friction between inherited ritual and displaced identity. Soo Hyun Lee’s video work exposes the gap between expression and comprehension — between self-understanding and others’ perception — where language becomes both bridge and barrier.

Doudou Wang,
A relatively cold season (2024), Courtesy of the artist and hARTslane Gallery.

Together, these works form an open, evolving dialogue on selfhood, vulnerability, and the space in-between where contradiction itself becomes a mode of creation and understanding.

Exhibition Details:

Title: Neither/Nor/And Both

Dates: 22 September – 25 September, 2025

Location: HARTslane Gallery, 17 Harts Lane, London, SE14 5UP

Participating Artist: Chengyu Yao, Doudou Wang, Soo Hyun Lee, Xiya Wang

Curator: Lisha Duan

5 Key Menswear Trends to Expect This Autumn

Autumn in menswear brings a noticeable shift. Gone are the breezy linens and light tailoring of summer, replaced by weight, texture, and richer palettes that reflect the season itself.

This year, designers are not simply recycling old ideas but sharpening familiar codes into something more expressive. Five trends stand out across collections and street style alike, each pointing towards a season defined by loosened structure, tactile depth, and subtle individuality.

Oversized Blazers

The blazer has long been the cornerstone of menswear, but this season it’s no longer about clean, slim lines. Oversized cuts have taken over, bringing broader shoulders, relaxed hems, and boxier frames into focus. The shift is deliberate: these shapes carry presence without the stiffness of traditional tailoring.

This trend is not confined to the runway. Oversized blazers have filtered into day-to-day wear, styled casually over rollnecks or knit polos. Paired with wide-leg trousers, they form a modern interpretation of the power suit. Thrown over denim, they give a polish that feels effortless. The appeal lies in their ability to span formality, working equally well in a boardroom or at a late-night bar.

Textured Fabrics

Texture is everywhere this autumn, and it’s one of the clearest markers of the season’s mood. Designers have leaned into corduroy, brushed wool, bouclé, and chunky knits, creating collections that beg to be touched as much as seen. These fabrics add depth to everyday pieces, making even the simplest outfit feel considered.

Corduroy is enjoying a resurgence, particularly appearing in everything from double-breasted jackets to relaxed trousers. When paired with smooth cotton shirts or fine knits, it creates tactile and visual contrast. Bouclé and brushed wool are shaping outerwear, adding softness to structured coats. Even accessories are adopting the approach, with suede belts and textured leather shoes anchoring looks.

Texture adds dimension without the need for bold colours or patterns. It rewards close inspection and provides longevity, making it one of the most wearable trends of the season.

Earth Tones

Colour is rarely static in menswear, and this autumn sees the continued dominance of earth tones. Rich browns, terracotta reds, moss greens, and muted ochres are replacing black and navy as the grounding hues of choice. The effect is subtle but significant, creating wardrobes that feel natural, warm, and rooted.

Tonal dressing works exceptionally well within this palette.

A deep brown overcoat layered over an olive jumper and sand trousers offers coherence without monotony. Mixing shades within the same family creates quiet depth, while pairing earth tones with grey or cream keeps the look contemporary.

Layering as Craft

Layering has always been part of autumn dressing, but this year, it’s less about piling on warmth and more about precision. Designers are treating layering as a craft, using proportion and fabric weight to sculpt looks.

Key combinations include lightweight rollnecks beneath overshirts, quilted vests under longer coats, and knit vests styled over classic shirts.

The goal is balance: bulkier outerwear is offset by slim, refined layers beneath, while cropped jackets find harmony with elongated knits. Scarves are no longer just for warmth but are tied, looped, or draped to become structural parts of an outfit.

Statement Accessories

The final trend shaping autumn menswear is accessories. With tailoring leaning looser and colours settling into muted tones, accessories step forward as the finishing touch that expresses personality.

Jewellery has become particularly important. Refined pieces are making their way into everyday wardrobes. For example, a men’s Cuban bracelet offers a counterpoint to knitwear or tailoring. Layered chains and sculptural rings follow the same principle: subtle injections of character without overwhelming an outfit.

Practical accessories are also part of the conversation. Oversized leather totes and crossbody bags provide utility but also become style anchors in their own right. Footwear is bolder, with chunky loafers and textured boots setting the foundation for layered looks above.

This season, accessories are less about decoration and more about punctuation. They complete an outfit with the confidence of someone who knows exactly where to place the final note.

The Takeaway

This autumn in menswear is defined by balance: structure that feels free, colour that grounds without dulling, fabrics that demand touch, and accessories that add expression. Oversized blazers mark the shift in silhouette, textured fabrics bring dimension, earth tones set the palette, layering evolves into craft, and accessories sharpen the details.

Together, these trends represent a season that values individuality but resists excess. The result is a wardrobe that feels grounded yet modern, confident yet easy.

8 New Songs Out Today to Listen To: Geologist, Ratboys, and More

There’s so much music coming out all the time that it’s hard to keep track. On those days when the influx of new tracks is particularly overwhelming, we sift through the noise to bring you a curated list of the most interesting new releases (the best of which will be added to our Best New Songs playlist). Below, check out our track roundup for Tuesday, October 28, 2025.


Geologist – ‘Tonic’

Earlier this year, Brian “Geologist” Weitz teamed with Doug Shaw, aka D.S., for the collaborative album A Shaw Deal. Today, he’s announced his first solo album: Can I Get A Pack Of Camel Lights? arrives January 30 on Drag City. Recorded at Drop of Sun Studios in Ashville, it features contributions his Animal Collective bandmate Avey Tare and FACS drummer Alianna Kalaba. About the fizzy, psychedelic lead single, ‘Tonic’, Geologist said: “Most of the formative music in my teens was guitar-based, and at that age, you try to play like your favorites. But I was never very good at guitar myself. A couple years ago when trying to come up with a solo hurdy gurdy drone set to take out on tour, I heard a story about Greg Ginn playing guitar solos over a drum machine. I was coming to accept that whatever drone I could make on the hurdy gurdy would never live up to when I first heard Keiji Haino play one at Tonic in 1998. So I went the Ginn route instead and wrote this record. I still can’t play or write like my favorites, but the hurdy gurdy got me closer than guitar ever did.”

Ratboys – ‘Anywhere’

“I can’t help my panic attack,” Julia Steiner sings on ‘Anywhere’, the lead single off Ratboys’ new album Singin’ to an Empty Chair, and I can’t help going back to it: as anxious as it is catchy, like the band’s best tunes. “The experience of making this record definitely gives me hope for whatever happens next,” Steiner said. “There are plenty of good days, days filled with friendship and love, and then there are days when I dwell on things and desperately want to bridge the gap. It’s my whole life, you know? So, for me, this record is a document of all of those days stitched together, like a quilt in a time capsule, just waiting to get dug up when the time is right.”

The Twilight Sad – ‘Waiting for the Phone Call’

The Twilight Sad, a longtime opening act for the Cure, have enlisted Robert Smith for their cathartic new single ‘Waiting for the Phone Call’. “’Waiting For The Phone Call’ is about grief, love, and mental illness,” singer and lyricist James Graham explained. “These things took over my life and I became ill. I lost the person most important to me in one of the cruellest ways. I’ve always used writing as a method of processing and coping with my emotions. My emotions became a problem and I couldn’t control them, writing music with Andy… especially the past seven years had been both the escape and the opportunity to process and try and make sense of life. We’ve all been waiting on a phone call that can change our lives at some point. This unfortunately focuses on a phone call that you never want to have.”

Liz Cooper – IDFK

Every now and then, I still go back to the Tomberlin’s great 2022 ballad ‘idkwntht’. Liz Cooper’s new single ‘IDFK’ has a similar kind of understated candor. Leading her upcoming album New Day, which arrives February 20, the song is “about the connection of the past in the present, the connection between who the main character in the song showed me I am and the person I am becoming, the feeling of a memory and intimacy across time and space,” according to Cooper. “This is a love song to a friend and to myself.”

Mute Swan – ‘Hypnosis Tapes’

Tucson shoegaze outfit Mute Swan, who have played with Wednesday, Horse Jumper of Love, and Peel Dream Magazin, have dropped a new song, ‘Hypnosis Tapes’, which is aptly hypnotic. It’s their first new music since their debut album, 2021’s Only Ever. “We had only approved the final mix of this song weeks before when we lost our best friend and guitarist, Tom Sloane,” vocalist/guitarist Mike Barnett shared. “It is the first of a collection of his last songs we felt especially determined to give a proper release into the world. Displaying some of his best textural guitarwork, this song is about finding some kind of inner peace through the noise of chaotic times and endless mental chatter. There’s a meditation tape sampled at the end, as well as a vacuum cleaner in reverse at the beginning (an inside joke of ours).”

Tim Heidecker – ‘Alone Until I’m Home’

Tim Heidecker has shared ‘Alone Until I’m Home’, a stunning track taken from the upcoming benefit compilation Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers. “I wrote this song on tour with my second favorite family, my band,” he commented.

The Convenience – ‘Angel’

The Convenience’s jangly new single, ‘Angel’, was partly improvised in the studio. The New Orleans band’s Nick Corson describes it as “a doomed road trip lullaby,” which is quite fitting.

Retail Drugs – ‘Demon Town’

“Doomed road trip lullaby” is also not a bad description for ‘Demon Town’, the abrasive new single by Retail Drugs — the NYC recording project of Jake Brooks. “I blacked out when making ‘Demon Town’,” Brooks said of the Factory Reset single. “It started with the drum beat. I started screaming over it, distorting the master bus I had it all going into. It felt so strong I just kept all that distortion. It’s a feral track not really about anything. It’s cathartic making music that sounds like this. I let go of all expectations and let the voice within me make the thing.”

Ratboys Announce New Album, Release New Song ‘Anywhere’

Ratboys have announced a new album titled Singin’ to an Empty Chair. The follow-up to 2023’s The Window lands on February 6 via New West Records. It includes the previously released single ‘Light Night Mountains All That’, one of the best songs of September, as well as a nervy, infectious new track called ‘Anywhere’. Check out its Bobby Butterscotch-directed video below.

Ratboys vocalist/guitarist Julia Steiner wrote most of the songs on the new album after attending therapy for the first time, which opened up a dialogue with a loved one from whom she’s estranged. The band recorded it with co-producer Chris Walla at various studios, including Electrical Audio in Chicago and Rosebud Studio in Evanston, Illinois.

“We recorded the songs in all these different places, so we approached it in a way where different songs had different scenes,” bassist Sean Neumann explained. “Certain parts of songs were recorded in different spaces, and we switch back and forth between them throughout the record to help tell the story of each song.”

“The experience of making this record definitely gives me hope for whatever happens next,” Steiner added. “There are plenty of good days, days filled with friendship and love, and then there are days when I dwell on things and desperately want to bridge the gap. It’s my whole life, you know? So, for me, this record is a document of all of those days stitched together, like a quilt in a time capsule, just waiting to get dug up when the time is right.”

Revisit our Artist Spotlight interview with Ratboys.

ingin’ to an Empty Chair Cover Artwork:

Singin’ To An Empty Chair.

Singin’ to an Empty Chair Tracklist:

1. Open Up
2. Know You Then
3. Light Night Mountains All That
4. Anywhere
5. Penny in the Lake
6. Strange Love
7. The World, So Madly
8. Just Want You to Know the Truth
9. What’s Right?
10. Burn It Down
11. At Peace in the Hundred Acre Wood

The Cure’s Robert Smith Joins The Twilight Sad for New Single ‘Waiting for the Phone Call’

The Twilight Sad have teamed up with The Cure’s Robert Smith for a new single called ‘Waiting for the Phone Call’. Smith plays guitar on the searing track, which is billed as an “autobiographical epic detailing a phone call you never want to arrive.” Check it out below, along with the band’s upcoming tour dates.

“’Waiting For The Phone Call’ is about grief, love, and mental illness,” singer and lyricist James Graham explained in a statement. “These things took over my life and I became ill. I lost the person most important to me in one of the cruellest ways. I’ve always used writing as a method of processing and coping with my emotions. My emotions became a problem and I couldn’t control them, writing music with Andy… especially the past seven years had been both the escape and the opportunity to process and try and make sense of life. We’ve all been waiting on a phone call that can change our lives at some point. This unfortunately focuses on a phone call that you never want to have.”

The Twilight Sad 2026 Tour Dates:

Sun 12 April 2026 – Italy, Milan, Legend Club
Tue 14 April 2026 – Switzerland, Zurich, Bogen F
Wed 15 April 2026 – Germany, Munich, Ampere
Thur 16 Apr 2026 – Germany, Berlin, Gretchen
Sat 18 Apr 2026 – Denmark, Copenhagen, Loppen
Sun 19 Apr 2026 – Norway, Oslo, Parkteateret
Mon 20 Apr 2026 – Sweden, Stockholm, Slaktkyrkan
Wed 22 Apr 2026 – Germany, Hamburg, Grünspan
Thur 23 Apr 2026 – Netherlands, Utrecht, Tivolivredenburg Pandora Hall
Sat 25 Apr 2026 – Germany, Cologne, Gebäude 9
Sun 26 Apr 2026 – Belgium, Brussels, Rotonde – Botanique
Mon 27 Apr 2026 – France, Paris, Le Trabendo
Wed 29 Apr 2026 – UK, Bristol, Electric Bristol
Thurs 30 Apr 2026 – UK, London, Roundhouse
Sat 2 May 2026 – UK, Manchester, New Century Hall
Sun 3 May 2026 – UK, Newcastle upon Tyne, Boiler Shop
Tue 5 May 2026 – Scotland, Glasgow, Barrowlands
Sat 9 May 2026 – Ireland, Dublin, Button Factory

Smells Like Fall, Costs Like Zara: The Perfume Dupe Edit

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Autumn is the season of in-betweens. Not quite cold, not quite warm. The air thickens, the light softens, fresh florals start to feel too light, while deeper notes like woods, amber and musk suddenly make sense again. The crisp citrus of summer slowly gives way to tobacco, tonka bean, and sandalwood.

We associate fall perfumes with intimacy, they sit closer to the skin, invite you in. There’s a sense of nostalgia in warm scents, a need to feel held as everything outside changes. Scent after all, has always been the most personal form of dressing.

This Fall though, we’ve grown tired of investing in hilariously expensive designer bottles. We still, choose to invest in ourselves, just with more approachable fragrances. And Zara’s dupes, some even better than the originals, come to the rescue. Here are our top picks.

Golden Decade

We’ve all heard the talk around YSL’s Libre. For a while, it was the Internet’s most-loved fragrance, and of course, Zara had to give us a dupe. This time, we actually believe it’s a very close match. Golden Decade shares the same top notes of orange and mandarin, the heart of jasmine, and a warm base of vanilla and amber. It’s seductive, yet perfectly balanced.

 

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Energetically New York

There are endless speculations online that everyone in New York smells like Le Labo’s Santal 33. Naturally, Zara fed into that theory and named its dupe Energetically New York. The fragrance blends sandalwood, cardamom, leather and jasmine. A lively and urban kind of freshness.

Incense Sunset

There’s something about Incense Sunset that feels like dusk bottled. It’s Zara’s answer to Byredo’s Black Saffron. Both cedarwood, fire, suede and citrus centered, are smoky, warm and addictive. Yet Zara’s version feels like burnt orange silk, the scent of a candle that’s just gone out. Mysterious but comforting.

 

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Hypnotic Vanilla Bloom

Perfume lovers seem to believe that this is a dupe for Dior’s Hypnotic Poison, but we’d argue that Zara’s take on the fragrance, with its strong notes of vanilla, wood, pear and cashmere, is far better. Hypnotic Vanilla Bloom feels warmer, creamier, like a sweet, sensual hug against the colder days.

Bohemian Oud

This blend shares a similar DNA with Maison Margiela’s Replica By the Fireplace. Zara’s Bohemian Oud carries notes of agarwood, cacao, vanilla, incense, leather and pepper. While Replica leans heavier on chestnut and sweetness, Zara’s version feels airier, warm, freshly spicy and infinitely more wearable for every day. Proof that affordable can smell expensive.

 

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From Classic to Contemporary: Lab-Created Ruby Engagement Rings That Stand Out

Ruby engagement rings have always been among the best. That rich heart red never fails to speak to the soul. However, modern couples are thinking outside the diamond ring box and finding the appeal of lab-created ruby engagement rings instead. These beauties provide a stunning look as natural rubies and some pretty incredible benefits.

Ruby is a gemstone used for centuries to express love and passion. Older civilizations imagined that these rubies could shield relationships and also be favorable to couples. Ruby is a perfect fit for your special moment as the deep red color stands for the strength of great love.

Why Lab-Created Rubies Make Perfect Sense

Lab-created ruby rings deliver all this symbolism while offering practical benefits that modern couples appreciate. The technology behind creating these gems has become so advanced that the results are virtually identical to natural rubies in every way that matters.

Creating rubies in a lab isn’t magic – it’s science. The process takes the same elements found in natural rubies and recreates the conditions that form them underground, just much faster. The chemical composition remains identical to natural rubies. Both are made of aluminum oxide with chromium giving them that signature red color.

Why Lab-Created Makes Sense

Lab-created versions often have fewer inclusions than their mined counterparts, resulting in clearer, more brilliant stones. Here’s what makes them special:

  • Superior quality control with consistent color and clarity
  • Ethical peace of mind with no mining concerns
  • Better value that lets you afford larger stones or premium settings

Classic Ruby Engagement Ring Styles That Never Fade

Some things, like classic ruby engagement rings, will never go out of fashion. The classic solitaire setting highlights the ruby and is surrounded by a simple band that will not compete for attention. For a lab-created ruby, this classic setting makes the perfect picture. It enhances the natural beauty of a gemstone even further. The old-fashioned look of the designs combines old-world charm with modern-day sensibilities. The key feature of such decoration is filigree, milgrain, and general Art Deco. These settings combine the rich history of rubies with the finest craftsmanship contemporary works really have to offer.

The Three-Stone Story

Three-stone settings tell a beautiful story – past, present, and future. A center ruby flanked by two smaller stones creates visual interest while maintaining classic elegance. Many couples choose diamonds as accent stones, creating a striking contrast with the red center gem.

Halo Magic

Halo settings add extra sparkle by surrounding the ruby with smaller diamonds. This style makes the center stone appear larger while maximizing brilliance. It’s a perfect way to get more visual impact from your engagement ring budget.

Contemporary Takes That Break All the Rules

For today’s newlyweds, the old marriage pair has become extinct. Contemporary lab-created ruby engagement rings, whether produced in hexagonal or irregular forms, with particular settings designed to be different and fabulous, creative styling that uses neither color nor finish as the basis for innovation.

Clean and geometric settings brought modern aesthetics to rubies. You can expect hexagonal halos, unusual prongs, and straight or even designs that are a breath of fresh air as regards the time frame in which it’s located. Of course, these settings in particular work beautifully with finely cut stones, as seen if one looks at our precision-cut lab-created rubies.

Mixed Metals for Modern Romance

Mixed metal designs combine different colors like rose gold and platinum for visual interest. This approach creates depth and allows the ruby’s red color to interact beautifully with warm and cool tones.

East-West Orientation

East-west settings turn traditional oval or marquise rubies sideways for an unexpected look. This orientation creates a more casual, contemporary feel while still maintaining sophistication.

Cluster Creativity

Cluster designs group multiple smaller rubies together instead of featuring one large center stone. This approach can create interesting patterns and allows for more creative freedom in the overall design.

Choosing Your Perfect Lab-Created Ruby

Of course, color is the most important factor when choosing laboratory-made ruby rings. In the best rubies, you won’t find a trace of brown or its close cousin purple; it’s bright red without any overtones. However, this ideal color can be achieved more consistently than with natural stones using lab-created versions.

Visibility has an effect on the way light moves through the stone. Lab-created rubies generally have excellent clarity, letting lots of light through and ensuring a good fire. Look for stones that are visibly clean to the naked eye.

Cut Quality Makes the Difference

Cut quality determines how well the ruby reflects light. A well-cut lab-created ruby will display even color distribution and excellent brilliance. The precision possible with lab-created stones often results in superior cut quality.

Size Without Compromise

Size becomes more accessible with lab-created options. Because they cost significantly less than natural rubies of similar quality, couples can often afford larger stones or invest more in the setting design.

Settings That Make Your Ruby Shine

The right setting can make any lab-created ruby engagement ring extraordinary. Prong settings remain popular because they maximize light exposure while securing the stone safely. Four or six prongs work well, depending on the ruby’s shape.

Security Meets Style

Bezel settings offer maximum protection by surrounding the ruby’s edge with metal. This contemporary look appeals to active individuals who want security without sacrificing style.

Modern Engineering Marvels

Tension settings create the illusion that the ruby floats between two points of the band. This modern approach requires precision engineering but creates stunning visual impact.

Classic Elevation

Cathedral settings lift the ruby higher off the finger, creating space for light to enter from below. This elevation enhances the stone’s natural brilliance and creates an elegant profile.

Keeping Your Ruby Ring Beautiful Forever

Lab-created ruby rings require the same care as natural ruby jewelry. Here are the key things to remember:

  • Clean regularly with warm water and mild soap using a soft brush
  • Schedule professional cleanings once or twice yearly to check for loose stones
  • Store separately from other jewelry to prevent scratching
  • Professional maintenance helps catch potential issues early and keeps your ring looking stunning for years to come.

The Ruby Revolution Is Here

The future of high jewelry, as lab-created ruby engagement rings represent, is filled with fresh hope. They offer the beauty, quality, and value that conscientious consumers require now—not just something elegant but fine jewelry all the same.

Scientists continue to discuss the danger of hybridization if lab-created rubies are corrupted. This involves not only studies on yield increase and production technology but also breeding tests and the examination of their results.

Whether you prefer classic elegance or contemporary innovation, lab-created ruby engagement rings can provide the right direction to start your love story. Combining ancient beauty, modern technology, and responsible sourcing, they are the perfect choice for modern couples.

This rumor has been doing the rounds for a while now: Why are lab-created rubies such a low price? It is because gem traders do not value them. Admittedly, the raw material (jewel-grade corundum) cost is very low compared to emerald or diamond, and its processing time at pouty noses all find this delightful. Nevertheless, when considered from certain perspectives, this kind of bargain may well become an important factor in your investment in love and life together!

Your perfect lab-created ruby engagement ring is waiting. The question isn’t whether rubies make beautiful engagement rings – it’s which style will capture your unique love story best.

Mother Tongue: Reimagining Diaspora in the Age of Media Saturation

Diaspora media has occupied an irreplaceable, if often short-lived, niche in the American media ecosystem, providing not just news from countries of origin but also practical information about housing, employment, and cultural adaptation that mainstream outlets rarely cover with comparable nuance or linguistic accessibility.

By their very nature, diaspora-focused media’s concerns shift with historical and social contexts. Consider The North American Post, founded in 1902 to serve Seattle’s Japanese American community. The newspaper has evolved from supporting families during wartime incarceration in the 1940s to covering today’s anime conventions and cultural festivals. More recently, Mochi Magazine launched in 2008 as a lighthearted publication for Asian American teen girls covering fashion and pop culture. But its content matured alongside its audience—particularly during the 2020 George Floyd protests and 2021 Stop AAPI Hate movement—shifting to address systemic racism and complex identity issues through its Our Voices section and first-person narratives now aimed at Asian American women broadly.

Mochi Magazine has transformed into a comprehensive AAPI-focused publication

The advent of digital publishing has amplified these transformations, allowing smaller diaspora outlets to bypass traditional gatekeepers, cultivate direct reader relationships, and adapt quickly to their communities’ evolving needs.

Mother Tongue Media LLC (MTM) is an interdisciplinary creative production studio founded in May 2023 with the mission of dismantling tokenism and building equitable platforms for Asian diasporic voices. Established by award-winning producer Lily Huang-Voronina, the studio has quickly expanded from a small content shop into a multi-channel enterprise spanning publishing, video production, brand architecture, and mentorship-driven community initiatives. In today’s oversaturated media landscape, MTM offers a refreshing take on the meaning of online and offline connections and the power that diaspora communities might hold. What began as a small boutique content shop has, in less than two years, expanded into a multi-pronged studio operating at the intersection of culture and commerce. 

What sets it apart is its ability to collapse boundaries between authentic storytelling and marketing goals. MTM’s dedication has always been to find commonality across cultures and resonance amongst audiences from all walks of life. Just as the MTM founder Lily Huang-Voronina often puts it, “We make stories feel like home.” Whether through narrative pieces like Ey! Don’t Pick in alliance to the #StopAAPIHate movement or commercial campaigns, MTM thrives in the cultural borderland of storytelling, and tirelessly renders its beauty to a growing audience.

More recently, MTM has harnessed the power of fashion to create a sense of recognition and belonging. The CHUA Bag Launch Campaign F/W 2025, produced with KUN HONG Studio and Queue Agency, centered mother-daughter bonds and Asian American craftsmanship, reframing fashion as a diasporic cultural archive rather than purely a commercial product. In blending culture and commerce, MTM positions itself as a leader in opening new spaces for diaspora narratives.

MTM has expanded the concept of diaspora storytelling into a multimedia endeavor with partnerships with fashion brands

MTM keeps its cultural backbone firmly in place through Mother Tongue Journal, the literary publishing wing of MTM. Mother Tongue Journal positions itself as an independent space of voice where diasporic artists, writers, and thinkers can present work free from the pressures of token representation. Reflecting on the journal’s founding, Editor-in-Chief Ariel Xinyu Peng has emphasized the importance of “writing beyond Western expectations,” a commitment that extends to editorials exploring identity, displacement, and cultural inheritance. The journal insists on diasporic self-expression in both literary and visual forms, supported by an editorial team grounded equally in collaboration and craft. 

In May 2025, Mother Tongue Journal published its debut issue, Ground Zero 初, featuring seven works of nonfiction, literary translation, poetry, and fiction by diasporic authors. Using literature as a space to examine the complexities of diasporic experience is an important mission of MTM. The reception of the journal showed that there was a craving for uncensored, untokenized voices among the Asian diaspora. More than 100 guests attended the journal’s launch party held at the bookstore POWERHOUSE Arena in DUMBO, Brooklyn.

The overwhelming enthusiasm surprised the small team of four at MTM—including Fiction and Poetry Editor Ang Xu and Visual Art Editor Hua Hannah Zhong—who are well aware that literature has long fallen behind other forms of media. “What does it mean to read from a digital magazine that insists on launching in an era where literature almost over-saturates and everyone has a podcast?” Ariel even posed this very question to the guests at the issue launch party. Ariel believes that the birth of Mother Tongue Journal is not only prompt but vital. “There’s never enough content. As I continue to seek resonance, the more I find the closer I get to finding myself.” 

Aside from the regular issues, Ariel has also established THE Lounge, the artist interview column by Mother Tongue Journal. The column gives spotlights to diasporic artists in various fields, including entrepreneurs and filmmakers. The idea is in a way a synthesis of Ariel’s publishing career. Prior to becoming Editor-in-Chief of Mother Tongue Journal, Ariel has published in both selective literary magazines as well as broad-circulating newspapers such as Shanghai Daily, for which she wrote articles of cultural commentary. Ariel believes there is common ground between these two media niches.

Editor-in-Chief Ariel Xinyu Peng and Fiction/Poetry Editor Ang Xu at the Mother Tongue Journal Issue Launch Party

MTM operates comfortably in the offline world. Unusual for a media company, MTM runs a mentorship-driven community platform, Bloom, which offers guidance, consultation, and capacity-building to diasporic creators. Its bi-monthly programs provide a grassroots infrastructure of support, positioning MTM as a movement-builder for Asian diasporic voices. The initial program of Bloom focuses on the theme of “Networking”, in a self-conscious, tongue-in-cheek fashion. The program satirizes the contemporary demands of constant visibility and personal branding while remaining sympathetic to the very real pressures these expectations place on modern careers. 

Program Flyer of Mentorship Initiative “Bloom”

Mother Tongue Media’s multivalent coverage is remarkable. This adaptability makes MTM not only a media company but also a form of community infrastructure, uniting artists, writers, and creative practitioners from diverse backgrounds into a shared collaborative station. MTM has built an extensive network of collaborators across literature, film, fashion, and visual storytelling. At its heart, Mother Tongue Media is a venture made by and for artists. With this passion, they hope to outlast other diasporic publications that have come and gone. As Ariel explained at the issue launch party: “We want to give diasporic artists a place to shine while also giving ourselves exactly that. And by artists I mean everyone who carries their sense of self, everywhere they go.”

Ghost of Tsushima Unveils Patch 8, Gets Steam Deck Verification

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Ghost of Tsushima Director’s Cut has just received its eighth patch. In particular, part of the new update brings the Steam Deck verification of the action-adventure title. At the same time, the latest version has changes, bug fixes, and UI improvements.

A Modern Samurai Experience

For readers new to the game, Ghost of Tsushima came out on PlayStation 4 in 2020. It is the predecessor of the recently launched Ghost of Yōtei. A Director’s Cut also arrived a year later, adding the single-player Iki Island expansion. Particularly, it follows the story of a brave samurai warrior known as Jin Sakai. As the last of his kind, he has to save Tsushima Island from the Mongol invasion alone. In a mission to do whatever it takes, Jin takes the path of the Ghost to free his home.

Steam Deck Verification Arrives

Based on the Steam announcement, Patch 8 includes the Steam Deck verification for the title’s single-player mode. This means that the game meets Valve’s standards. In the same way, it is at par in terms of performance, controls, and stability on the handheld.

To complement the verification, the developers added a Steam Deck graphics preset. They also made many adjustments to the user interface. All of these changes aim to deliver better visuals. Plus, it optimizes the layout for fans playing on the go. With this verification, Ghost of Tsushima joins the list of PlayStation games on the popular gaming handheld.

Legends Mode Becomes a Separate DLC

As per Sucker Punch Productions, the update separates the title’s single-player campaign from its online multiplayer Legends mode. The latter now comes as a free DLC on Steam for those who own or buy the Director’s Cut. To access the content, players must activate the Legends DLC. They also need a PlayStation Network account for this. In contrast, existing players will notice no change.

Bug Fixes and Improvements

The official patch notes also show that there are technical fixes and performance improvements. In detail, the update upgrades AMD FidelityFX Super Resolution (FSR) to version 3.1.4. It now offers better image quality and higher frame rates. The game also shows this version in the menu and launcher when accessing AMD FSR 4 in the driver. In the same way, the latest version fixes an audio bug in the Eternal Blue Sky mission. On top of that, there are stability and performance improvements.

Availability

Patch 8 of Ghost of Tsushima Director’s Cut is now available to all players. It also highlights the developer’s commitment to elevating the game based on community feedback. This very reason is why the 2020 title is still considered as one of the best works of Sucker Punch Productions up to this day. 

Digital Belonging: When Art, Culture, and Play Merge Online

Culture is no longer confined to galleries, theatres, or concert halls — it now thrives in the spaces between screens, chats, and shared moments online. What began as a network for quick communication has evolved into a creative ecosystem where music, design, and interactive entertainment coexist.

Platforms like https://fireportals.net/ represent this cultural blend, merging creativity, conversation, and play into a seamless experience. The result is an environment where users can explore, express, and connect through digital storytelling, visuals, and collaborative interaction.

A new kind of cultural exchange

In today’s digital communities, culture is created in real time. Artists, gamers, and audiences share the same virtual stage — swapping inspiration through memes, mini-games, short videos, and live discussions.

  • Visual artists curate exhibitions on social feeds.
  • Musicians test beats through chat-based communities.
  • Designers and gamers collaborate to transform experiences into vibrant, interactive artworks.

What used to be “content consumption” has become a cycle of creation, remix, and response culture as dialogue rather than broadcast.

The rise of interactive entertainment

Digital play is now part of how culture circulates. Instead of passively watching, people participate by pressing buttons, choosing outcomes, and contributing to stories.

  • Interactive platforms have become social spaces.
  • Every player becomes a co-creator in shared experiences.
  • Emotional connection replaces competition as the main driver of engagement.

📊 Key insights about modern digital audiences:

  • Around 67% of users prefer cultural content that allows participation, not just viewing.
  • Nearly half describe digital play as a form of creative expression.
  • 72% say community-based interaction keeps them returning to the same platform.

Safety, identity, and creative freedom

Modern platforms balance openness with personal safety. Rather than restricting creativity, they protect it — using moderation tools, customizable privacy layers, and consent-based interaction systems. Users can shape how much of themselves they share and in what context, creating a digital space that feels both expressive and secure.

Digital art as a collective experience

Cultural expression in the digital world is collaborative by nature. What one person designs, another reacts to, remixes, or transforms.

  • A photo can become a digital collage.
  • A track can evolve into an interactive soundscape.
  • A short animation can inspire a challenge, meme, or creative chain reaction.

The border between artist and audience fades — replaced by a fluid exchange of ideas, visuals, and emotions.

Conclusion

Culture online is no longer about consumption; it’s about connection. When technology, creativity, and community align, they form a new kind of stage — one where anyone can perform, respond, and co-create.