In this segment, we showcase the most notable albums out each week. Here are the albums out on July 10, 2026:
The Rolling Stones, Foreign Tongues
A couple of years after Hackney Diamonds, the Rolling Stones return with their third LP of original material this century. Working once again with producer Andrew Watt, Foreign Tongues clocks in at over an hour and includes a posthumous performance by longtime drummer Charlie Watts on ‘Hit Me in the Head’, covers of Amy Winehouse’s ‘You Know I’m No Good’ and Chuck Berry’s ‘Beautiful Delilah’, and contributions from the Cure’s Robert Smith and Bruno Mars on ‘Never Wanna Lose You’. “The thing about this record is,” Mick Jagger said of the band’s 25th and possibly final album, “the Stones are a rock band that also has the capacity to do ballads, country music or dance music. So we don’t get stuck in one kind of style.”
Kelela, new avatar
As soon as PinkPantheress joins Kelela on ‘the bridge’, the penultimate track and final single of new avatar, she helps sum up the entire project: “Spare my eyes, I fear I get no sleep.” For the Washington, D.C.-born singer-songwriter, sleeplessness turns out to be both a blessing and a curse. The night is where negativity festers, curdling uncertainty, regret, and desire into pure nerves; it’s also what gets her gears turning, harnessing a formlessness eventually reclaimed by the morning light. For over a decade, Kelela has proven herself a master of liminal spaces, and the follow-up to 2023’s Raven, for all its rough edges and unpredictable twists, is her most illuminating. Read the full review.
Jack White, Frozen Charlotte
Jack White is back with a new album, Frozen Charlotte. The follow-up to 2024’s no-frills No Name was previewed by the singles ‘G.O.D. and the Broken Ribs’, ‘Derecho Demonico’, and ‘Dollar Bill’. A Frozen Charlotte, in case you were wondering, is a style of penny doll based on a folk ballad about a girl that froze to death, and the custom doll sculpture you see on the cover was created by White himself. “Welcome to the Garden of Eden,” Jack White howls on the opening track. There’s plenty of fun to be had. Read the full review.
Finn Wolfhard, Fire From the Hip
Finn Wolfhard has followed up last year’s Happy Birthday, his debut solo album, with a new record called Fire From the Hip. Out now via Night Shift Productions/AWAL, it was tracked in February 2026 at Pachyderm Studios and engineered by Andrew Humphrey, introducing more hi-fi elements to the Canadian actor and musician’s DIY approach. “I’ll never forget recording this album,” Wolfhard said in press materials. “It was such a special experience being surrounded by some of my closest friends, whose support meant a lot to me. They brought so many incredible ideas to the table and their creativity helped shape the record into what it is.”
Panda Bear & Sonic Boom, A ? of WHEN
Four years after Reset, Panda Bear and Sonic Boom have returned with another collaborative record, A ? of WHEN. They didn’t release any advance singles from it, and it’s only available on vinyl, CD, cassette, and as a digital download, but not on streaming services. “Going forward we’re looking to radio, live shows, listening parties, Q&A sessions & real life interactions to get back to a place we feel makes more sense,” the duo shared. “To that end, we’re asking you to join us offline, outside of social media. To meet us in the real world. IRL not URL…” The cover art was designed by Julian House, who has made covers for Broadcast, Stereolab, Pulp, and more.
Twisted Tweens, Florida Water Blues
If you’re psyched about the new Jack White album but have never heard of Twisted Tweens, I urge you to give Florida Water Blues a listen. It marks the New Orleans punk duo’s second album of 2026 and third overall, following February’s Blame the Clown. No less raucous but a little deeper (and longer) than its predecessor, it amplifies a previously contained duality in the band’s sound, which Caspian Hollywell describes as such: “The Kinks of living in a school bus with no wheels on it. The Rolling Stones of Jungian anarchism. The Buzzcocks of the poisoned bogs of south Louisiana. Punk inflected country music, or country inflected punk music idk. Memetic warfare via earworms (it’s extremely catchy.) Outperforms all other bands in every metric, drinks every night but still makes it to the gym.”
Show Me the Body, Alone Together
Show Me the Body have unleashed a new album, Alone Together, the follow-up to 2022’s Trouble the Water. It was made with an unlikely pair of collaborators, Robyn collaborator Klas Åhlund and Kenneth Blume III (fka Kenny Beats), which has the effect of heightening the immediacy, even danceability, of the hardcore band’s abrasive anthems. Recalling a conversation with Åhlund, frontman Julian Cashwan Pratt said: “There’s certain parts of our music that are distinctly Show Me the Body. And he was like, ‘Those parts only your band could do? You should just do that all the time. All the parts that sound like everybody else, you should just do less.'” It includes the previously released tracks ‘Eat for Peace’, ‘No God’, and ‘Dance in the USA’.
Suki Waterhouse, Loveland
Suki Waterhouse’s new album, Loveland, has arrived via Island Records. Spanning 14 tracks, the follow-up to 2024’s Memoir of a Sparklemuffin was created alongside Amy Allen, Aaron Dessner, Mick Fleetwood, Joel Little, Dan Wilson, as well as the English singer-songwriter’s longtime collaborators Jules Apollinaire and Natalie Findlay. “This album to me is like an ache of becoming where my freedom, devotion, and self-recognition are all in motion,” Waterhouse said in a press release. “It’s a personal and a private revolution of sorts, like a roller coaster of creativity, one that I feel like has ultimately led me right where I was meant to be.”
Other albums out today:
Ebbb, Shallow Hits; Baby Rose, YEARNALISM; Future, The Real Me; Ultra Lights, Pleasure’s All Yours; Hurry, Zoned Out; Allison Russell, In the Hour of Chaos; Will Sheff, Extra Mile; Gloorp, Gloorp Life; Magi Merlin, Power House; Jonas Bonnetta & Stefan Christoff, All in the Dawn.
