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Spearfishing Tips: 5 Tricks and Tips to Hooking More Fish in 2022 & Beyond

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Spearfishing can be good outdoor sports fun, but you need the right equipment. If you’re starting, use the right tackle for the job. Having the wrong gear on hand can make all the difference underwater. Spearfishing is an advanced skill but there are ways to get better at it with more practice and experience.

The goal of any angler is to land most fish. That doesn’t come easy, though. It takes patience, skill, and spearfishing technique. So we’ve written this article (with all the fundamentals) as a beginner’s guide to getting started. By following our guidelines, you’ll soon be landing the biggest fish you ever thought possible.

So, without further ado, here are the top diving technique and fishing tips for beginners.

Right gear

Make sure you have the proper spearfishing gear for spearfishing. This includes a spear gun, pole spears, weight belt, float line, dive knife, Neptonics wetsuits, fins, and snorkel. It is important to note that all gear is not created equal. To get the most out of your surface diving and spearfishing adventure, purchase quality gear from your local dive shop. Most importantly, make sure your gear fits. Don’t buy a shallow water wetsuit that is too big or too small; same with fins and spear guns.

Location, Location, Location

Do your research to find the best beginner spots to hunt fish. This may mean venturing away from your local dive spots to new areas, but it will be worth risking when you’re reeling in the big catch.

How deep should I dive?

Your mid-water level depth is up to you, but spearfishing is usually reserved for depths between 10 and 20 feet. You can go deeper if you’re more experienced, but remember that it becomes increasingly harder to aim while holding your single breath at those depths. On the other hand, stay within your comfort zone: finding fish on shallow reefs is much easier than deep-water hunting.

Have some company

When spearfishing, safety is paramount. There’s no shame in bringing dive buddies along since it’s just good scuba diving practice. Besides, someone else can help carry your pole spear and take photos while you’re hunting fish.

Get your fins wet to avoid fish spotters.

Fish spotters are those people who scan the blue water’s surface, looking for fish while sitting on the shore or on a boat. They’re not bad people. However, they do tend to ruin the spearfishing experience for many people because they can steal your first dive and hunt by reporting your position to other anglers. Unsurprisingly, some experienced divers with the right tools spend most of their day on the water doing the same thing.

Climate/Season and Visibility

Water temperature can vary widely depending on the time of year and proximity to stormy weather. Water that is too cold can be depressive to fish, while warm water is more inviting. Visibility is another important factor to consider when spearfishing. Ideal visibility means balancing light and dark, with just enough light to see what you are doing. Having ultra-clear water allows your prey more opportunities to see you coming and hide before it’s too late.

To keep the adrenaline pumping, it’s important to be aware of your first spearfishing surroundings. Keep an eye out for floating objects, both natural and man-made. Natural objects such as mats, old logs, or coral heads can be great places to spot fish as they’re usually covered with algae, barnacles, sponges, and all sorts of marine life. Don’t be afraid to open your eyes in dirtier water and check out what’s floating around you. Aiming for these structures will give you more spear targets to look at when searching for both small fish and big fish. Finally, don’t fear the reef; it’s a fisherman’s perfect shot for sharks.

Stay relaxed

Like any sport, the better you stay cool, the better you will be at spearfishing. This is especially true for beginners. For more spearfishing tips, spearfishing equipment, and advanced spearfishing techniques, check out Neptonics website.

Jazz Music Being Added to Films: When Did It Start

It’s hard to imagine a world without jazz music. The unique and soulful sound of jazz has been around for over a century and has been used in films to convey a variety of emotions and messages to audiences. While its use in the film is by no means new, its popularity has waxed and waned over the years.

The history of jazz music in films spans over a century, rooted in the late 19th century. From the silent era to the golden age in the 1940s and 1950s, jazz has left an indelible mark on the film industry. Notable films like Harlem Nights (1931) and The Man with the Golden Arm (1951) showcased the versatility of jazz, creating iconic atmospheres and contributing to the success of these films. The use of jazz chords in films adds a unique touch, enhancing scenes with a blend of sophistication and emotion.

The Characteristics of Jazz Music

Jazz music is characterized by its syncopated rhythms, blue notes, and improvisation. It originated in the late 19th century in African American communities in the Southern United States. Its popularity quickly spread to Europe and other parts of America, and by the early 20th century, it was one of the most popular genres of music in the world.

Its melody and harmony are often based on European music, but its rhythm is derived from African music. This combination of sounds and elements makes it a unique and distinct genre of music.

Blends and Styles

The first appearances of jazz music were blends of different sounds, like in the film Birth of the Blues (1941), where non-jazz pieces such as “ Saint Louis Blues” were included. Blues was very often connected to jazz since the two genres had a lot of commonalities and created an incredible chord blend with piano and guitar. There are also other different blends, but this one was the most used in the early days of adding jazz to films and is to today, one of the most iconic progressions.

While there are many different styles of jazz music, some of the most popular include swing, bebop, and hard bop. Swing is characterized by a relaxed, swinging rhythm and is often used in dance music. Bebop is a more complex style of jazz that features fast-paced solos and complex harmonies. Hard bop is a style that combines elements of bebop and swing and is often seen as a transitional style between the two.

Jazz in the Early Days of Film

Jazz music was used in films as early as the silent era and the earliest days of this medium. One of the earliest examples is The Jazz Singer (1927), which featured Al Jolson performing songs in a jazz style. This film is credited with popularizing the use of recorded music in films.

Another example is the 1928 film “Black and Tan,” which featured Duke Ellington and his orchestra playing the music for a black cast. This film is significant because it was one of the first to feature an all-black cast and jazz music.

The use of jazz in the film was not limited to American films. The French film L’Age d’Or (1930) featured a jazz soundtrack, and the German film M (1931) used jazz music to create a sense of unease and suspense.

And, while the use of jazz music in the film was still fairly new at this point, it quickly gained popularity in the years that followed.

The Jazz Age

Jazz music truly came into its own in the 1920s, which was known as the “Jazz Age.” This was a time when jazz music was extremely popular and financial opportunities for musicians were on the rise. It was during this time that many famous jazz musicians, such as Louis Armstrong and Duke Ellington, rose to prominence.

As the popularity of jazz music increased, so did its use in film. One of the most famous examples of this is the 1931 film Harlem Nights, which featured several popular jazz musicians, including Duke Ellington and his orchestra. The film was a huge success and helped to solidify jazz music’s place in the film industry.

This age is also notable for being the time when the first all-jazz soundtrack was created for a film. The film in question is called Young Man with a Horn (1950) and starred Kirk Douglas as a trumpeter. The film’s soundtrack was performed by Harry James and His Orchestra and featured such popular songs as “I Found a Million Dollar Baby” and “She’s Funny That Way.”

The 1940s and 1950s

The 1940s and 1950s were a golden age for jazz music in film. Several classic films were released during this period that featured memorable jazz tracks, such as The Nitwits (1945), In the Mood (1947), and  The Wild One (1953).

One of the most iconic uses of jazz music in the film came in the 1951 film The Man with the Golden Arm. The film, which starred Frank Sinatra, featured the now-famous track “Fly Me to the Moon” by Buddy Rich. The track helped to propel the film to success and is still remembered fondly by fans today.

Additionally, the 1957 film Sweet Smell of Success, which is a noir classic, featured the song “I Wanna Be Like You” by Louis Prima. The use of jazz music in the film helped to create a unique and unforgettable atmosphere that has been imitated by many films since.

After, and during the 1950s, new styles of jazz were developed, such as cool jazz, which was marked by its smooth and relaxed sound. However, new music genres started to develop and gain popularity in the 1960s, such as rock and roll and soul, which led to a decline in the use of jazz music in film.

The Atmosphere of Jazz Music in Film

Jazz music has been used in a wide variety of ways in film. It can be used to create a relaxed and laid-back atmosphere, as in the films The Blues Brothers (1980) and La La Land (2016). Jazz can also be used to create a more tense and suspenseful atmosphere, as in the film noir classics The Third Man (1949) and Touch of Evil (1958).

It is also used to convey a sense of energy and excitement, as in the films The Fabulous Baker Boys (1989) and Ocean’s Eleven (2001). Jazz music is truly versatile and can be used to create a variety of different atmospheres in film. 

For example, the use of jazz music can help to create a nostalgic and romantic atmosphere. Or,  it can be used to convey a sense of sleek sophistication and glamor.

Jazz music has been a staple in the film industry since its inception, and has played a significant role in the development of the film. Jazz music is versatile and can be used to create a wide variety of atmospheres in film. From creating a relaxed and laid-back atmosphere to conveying a sense of suspense and excitement, jazz music can enhance any film.

And, as the popularity of jazz music continues to grow, its use in the film will likely continue to evolve and change.

Tiësto and Charli XCX Team Up for New Single ‘Hot In It’

Tiësto and Charli XCX have teamed up for a new song called ‘Hot In It’. It’s the latest preview of Tiësto’s upcoming album, following the previously shared tracks ‘The Business’, ‘Don’t Be Shy’, and ‘The Motto’. Give it a listen below.

“I knew from the second I heard Charli’s cut on the song that it was going to be a smash, and it’s been amazing to see how everyone has been reacting to the message of the song,” Tiësto commented in a press release. “The heat on this one is incredible, so excited it’s finally out in the world!”

In an interview with Apple Music 1’s Zane Lowe, Charli XCX said of the track:

I feel like my preferred style of singing is something that’s like a little more rhythmical that feels like it could be a part of the track anyway. So when Tiesto sent me this original idea where like the hot in it element was in there, it felt like very me. And so I was in Houston on tour and I went to a studio there and I wrote my parts and it was the first time that I sang it out loud and it just all fit together so well. And when I was going back to the venue, I just made the Uber driver drive around Houston and just play it on repeat. The Uber driver was into it. He was like, “Hey, I think this is going to be big.” And I was like, “Thanks.”

Tiësto previously remixed Charli XCX’s 2015 single ‘Break the Rules’ as well as her hit collaboration with Icona Pop, ‘I Love It’. Charli’s latest album CRASH arrived earlier this year.

Beyoncé Reveals Cover Art for New Album ‘Renaissance’

Beyoncé has unveiled the cover art for her new album Renaissance, which shows her riding atop a glowing, translucent horse. Check it out below.

In a statement accompanying the album art on Instagram, Beyoncé said: “Creating this album allowed me a place to dream and to find escape during a scary time for the world. It allowed me to feel free and adventurous in a time when little else was moving. My intention was to create a safe place, a place without judgment. A place to be free of perfectionism and overthinking. A place to scream, release, feel freedom. It was a beautiful journey of exploration. I hope you find joy in this music. I hope it inspires you to release the wiggle. Ha! And to feel as unique, strong, and sexy as you are.”

Renaissance, the follow-up to 2016’s Lemonade, will be out on July 29. Beyoncé recently released its lead single, ‘Break My Soul’, which we named our Song of the Week.

Caribou Announces New Daphni Album ‘Cherry’, Releases New Song

After releasing the song ‘Cherry’ last month, Caribou’s Dan Snaith has announced an album of the same name under his Daphni moniker. Cherry comes out October 7 via Snaith’s own Jiaolong label, and it includes a new track called ‘Cloudy’. Check it out below, along with the album cover and tracklist.

“The essence of this one is keeping it aloft – like occasionally nudging a balloon that’s only just heavier than air to keep it afloat,” Snaith said of ‘Cloudy’ in a press release. “For something so buoyant, I’m surprised how much it bangs in a club.”

“There isn’t anything obvious that unifies it or makes it hang together,” Snaith added of the LP. “I think it was good that it was made without worrying about any of that. I just made it.”

Caribou’s last album as Daphni, Joli Mai, was released in 2017.

Cherry Cover Artwork:

Cherry Tracklist:

1. Arrow
2. Cherry
3. Always There
4. Crimson
5. Arp Blocks
6. Falling
7. Mania
8. Take Two
9. Mona
10. Clavicle
11. Cloudy
12. Karplus
13. Amber
14. Fly Away

Pitchfork Music Festival London 2022 Initial Lineup and Dates Announced

Pitchfork has announced the first wave of acts for its second London festival edition, which will take place November 9-13, 2022. Courtney Barnett, Animal Collective, Faye Webster, Jenny Hval, Cate Le Bon, Spirit of the Beehive, Injury Reserve, Guerilla Toss, and more are set to perform at this year’s event. Watch a trailer for it below.

Also today, Pitchfork has announced the inaugural edition of Pitchfork Music Festival Berlin, which will run November 4-6, as well as the return of Pitchfork Music Festival Paris, scheduled for November 14-21. The lineup for the Berlin event includes black midi, Squid, Nation of Language, Dehd, and others, while Black Country, New Road, Porridge Radio, and Grace Ives are set for Pitchfork Music Festival Paris.

“Following the celebratory return of Pitchfork Music Festival in Chicago last year, along with the sold out debut of Pitchfork London and the success of Pitchfork Paris, it feels exhilarating to launch our first-ever festival in Berlin – a city that has long served as a global focal point of culture and creativity,” Puja Patel, Editor-in-Chief of Pitchfork, said in a statement. “It’s heartwarming to see Pitchfork resonate with music fans around the world and grow our community in new cities.”

Pitchfork Music Festival London:

ANIMAL COLLECTIVE
ANJIMILE
BAR ITALIA
BIG JOANIE
BILLY WOODS
CATE LE BON
CHARLIE HICKEY
CLUB INTL
COBY SEY
COURTNEY BARNETT
DEATH’S DYNAMIC SHROUD
DEHD
DESIRE
FAKE FRUIT
FAYE WEBSTER
FEUX
GEORGE CLANTON
GIRLPOOL
GRETEL HÄNLYN
GUERILLA TOSS
INJURY RESERVE
IVY SOLE
JENNY HVAL
JESHI
JOHANNA WARREN
JORDANA
KAINA
KOKOKO!
LALA LALA
LÉA SEN
LIDO PIMIENTA
LIL SILVA
LYRA PRAMUK
MARINA HERLOP
MICHELLE
MOIN
NEGGY GEMMY
NNAMDÏ
NUKULUK
ROMERO
SISTER RAY
SPIRIT OF THE BEEHIVE
THEY HATE CHANGE
WILD PINK
WILLIAM BASINSKI

The A’s Release New Song ‘Wedding Dress’

The A’s, the duo of Sylvan Esso’s Amelia Meath and Daughter of Swords’ Alexandra Sauser-Monnig, have shared a new song, ‘Wedding Dress’. It’s lifted from their forthcoming debut album, Fruit, which is out on July 15 via Psychic Hotline. The LP features reimagined versions of traditional folk songs, lullabies, and rural standards, as well as one original song, ‘When I Die’. ‘Wedding Dress’ was sung by generations of Appalachians and was famously interpreted by Peggy Seeger. Listen to the A’s rendition below.

Susie Merry Announces Debut EP ‘Body in Time’, Shares New Single ‘Weatherman’

London-based singer-songwriter Susie Merry has announced her debut EP, Body in Time, with the new single ‘Weatherman’. The EP comes out September 8. Listen to ‘Weatherman’ below.

“’Weatherman’ is about one day being smacked in the face with the realisation that you have ended up somewhere completely different from where you first intended (and not in a fun, interesting way),” Merry explained in a press release. “That we can do the same thing over and over, and be so habitual without being intentional, that we don’t really feel recognisable to ourselves anymore.”

She continued: “Why do we feel so duty-bound to things that might actually be harmful to us in the long run? Can we break free of that expectation to be dutiful in order to be happy? People make a lot of prescribed choices – and I don’t think that’s always a bad thing – but it doesn’t work for everyone all of the time. That was what I was trying to explore.”

Body in Mind Cover Artwork: 

Body in Mind Tracklist: 

1. Weatherman
2. Revisions
3. The Well
4. Red Face

Matilda Mann Unveils New Song ‘Hell’

London singer-songwriter Matilda Mann has dropped a new song called ‘Hell’, which follows recent singles of ‘Nice’ and ‘Four Leave Dream’. Give it a listen below.

“I think this time, it’s more than just releasing a song,” Mann said in a statement about ‘Hell’. “I’m going to be talking about a really big part of why I write and show such a vulnerable side of myself to strangers. The subject of sexual assault is always something I’ve struggled to talk about, so I guess the main way I’ve been able to face it, is through music. I hope releasing this song, starts conversations. Conversations between friends/family/trusted ones. Helps people, who have been coping by themselves. Making the subject less scary and open.”

BATTS Announces New Album ‘The Nightline’, Releases New Song

BATTS has announced a new album called The Nightline. The follow-up to Tanya Batt’s 2019 debut The Grand Tour arrives on October 14 via Mistletone/I Feel Fine Records. The record features the previously released single ‘Blue’, a collaboration with Sharon Van Etten, as well as the new song ‘Call It What It Is’. Check it out below.

Batt started writing ‘Call It What It Is’ after she was hit by a car; a badly injured hand left her unable to play the guitar, so she wrote the song one-handed on the piano. “I find moving and dancing to be so healing,” she said in a statement. “I really wanted to create a song that hits you right in the chest and makes you want to move every part of your body. This song feels like a fierce sort of movement, like you really need to move to the sounds. They aren’t pretty, they are forceful in a releasing sort of way and perfectly placed together to help you move. I hope this song helps people get something out, release something from their body they have been keeping inside.'”

The Nightline Cover Artwork:

The Nightline Tracklist:

1. The Nightline
2. All That I Need
3. Summer In London
4. Blue [feat. Sharon Van Etten]
5. Call It What It Is
6. Broken Toes
7. Reassess The Marks
8. Warm Wine
9. Temporary Selfish Behaviour
10. Free
11. Linger [feat. Deep Sea Diver]
12. Keeping On