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Roxburry Park by Franck Bohbot

Franck Bohbot, a photographer and artist out of Los Angeles, USA, released a splendid series named Roxburry Park in which he explores the colours, structure, and the vibe of the park through his lens. Bohbot’s utilisation of pastel colours is present and brings out the warmth colour of the season and the mood of the place.

Find more work by Bohbot here.

Sound Selection 087: Zak Abel Features on Don Diablo’s ‘Bad’

noxz Euphony

Entering first on our Sound Selection with a smooth wave of synths and a stunning melody is noxz with Euphony. In this ear-catching track, noxz delivers delightful dynamics with warm-like vocal samples that will have you listening for weeks to come. This one is for the playlists.

Sebastian Mullaert Moonwaker

Coming in with a mysterious piece we have Sebastian Mullaert with Moonwaker. In this mood-shifting, filmic-like piece Mullaert delivers an impressive journey which evolves into a gloomy and intriguing mood, leaving a feeling of melancholy with you. 

Don Diablo Bad feat. Zak Abel

If you’re a fan of the startling Zak Abel, then you’ll love Don Diablo’s latest single Bad which features the star himself, Zak Abel. Diablo’s well known for club-ready energetic tracks and in this song Diablo does not disappoint with his new radio-ready single Bad featuring creamy synths and a delightful beat that elevates the majestic vocals of Abel.

How VR is set to Change Gaming Forever

Recent events have proven that the need for gaming and home entertainment are greater than ever, with people’s mental health negatively impacted if their brains aren’t enriched and challenged over long periods of time. While not too many people have a VR setup installed in their living room yet, that is no doubt set to change as the technology improves, reduces in price, and allows gamers everywhere to enter parallel universes they never previously thought could exist.

What follows below are the ways in which VR is poised to change online gaming forever.

Reproducing Real World Scenes and Spaces at Home

As latency decreases and graphics improve, it will soon be possible for games developers to transport their players to scenes and venues that are so real you could get lost in them for hours.

Whether it’s a visit to the casino to play a few spins on the slots, to undertake a tour of a football stadium or to play paintball with your friends, VR can take you there. Furthermore, as more people join the VR revolution and AI additionally improves interactions you can have with fictional characters, VR worlds can become more populated, with people to converse and play with.

Imagine getting to the roulette table – dressed in a tux, freshly shaven and aftershave-ready – and sharing your casino bonus winnings with a stranger, watching their eyes light up as you make a friend for life, all while being sat in your underpants and vest on the sofa, sipping a beer can that was previously balanced on your vest-covered belly.

These are the possibilities VR can realize ,and which could lead to some people disappearing into VR rabbit holes for days at a time. After all, virtual reality may soon be more attractive than the real world. For those new to VR gambling, this Virtual Reality Casino guide is the perfect place to start!

VR Doesn’t Have to be Solitary

It wouldn’t bode well for many relationships if people began donning VR headsets for hours on end while their partner twiddled his or her thumbs on the couch, wondering if their life would ever return to normal. With this in mind, companies like VOID are providing VR experiences that take place in the surrounds of real life building complexes. Think paintball or laser quest, but with your whole crew wearing VR headsets and teaming up to fight everything from storm troopers to ghosts.

This incredibly social experience shows just how fluid VR can be, providing for the needs of gamers no matter where they sit on the introvert/extrovert spectrum. However, do keep in mind that you will all look like total idiots as you tiptoe around an abandoned warehouse gawping at imaginary threats.

Going Completely Wireless

One of the main fallbacks of previous VR headsets were that they needed to be wired to a computer or some kind of pack which the user would carry on their person. Thanks to new developments, though, all that nuisance will be forgotten, with companies like Oculus and Vive already ahead of the curve in this regard.

Allied to this, there are also developments afoot to improve the hand controllers players must hold during games, allowing them to better track a player’s movements and hand gestures. Who knows what further features may be added to headsets in order to further enrich the VR experience? Some possibilities that have been muted include special smell effects and the further development of body sensors, so your every movement counts in-game.

5G is About to Revolutionise VR

One of the main complaints about VR experiences in general are that the headsets are uncomfortable (don’t worry, this is being worked on) and that sometimes the graphics can lag, meaning the player’s experience is ruined. New 5G networks are about to solve the latter issue, greatly increasing broadband data speeds, as well as virtually eradicating latency. With this in mind the message is clear: gamers everywhere need and want 5G rolled out as soon as possible, so let’s hope to see it happen without delay!

Albums Out Today: The Weeknd, Morissey, Adam Lambert, Haru Nemuri

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In this segment, we showcase the most notable albums out each week. Here are the albums out on March 20th, 2020:

The Weeknd, After Hours

Image result for the weeknd after hoursThe Weeknd is back with a new album titled After Hours, out now via XO and Republic Records. Following the success of his 2015 release LP, Starboy, as well as his 2018 EP My Dear Melancholy, the album features 14 tracks, including the singles ‘Heartless’ and ‘Blinding Lights’, and sees him working with producers Oscar Holter, Max Martin, Dre Moon, Illangelo, and Metro Boomin. Much of the promotion of the album shows him wearing a red velvet jacket, while the grimness of the cover calls back to the singer-songwriter’s appearance as himself in the Safdie brothers’ Uncut Gems. The album will also introduce a new character: “I feel confident with where I’m taking this [new] record,” he told CR Fashion Book. “There’s also a very committed vision and character being portrayed, and I get to explore different sides of me that fans have never seen.” The accompanying After Hours world tour has yet to be rescheduled.

Morissey, I Am Not a Dog on a Chain

Image result for morrissey i am not a dog on a chainMorissey has come out with his thirteenth studio album, I Am Not a Dog on a Chain, via BMG. Produced by Joe Chiccarelli, the LP is the first release of original material from the former Smiths frontman since 2017’s Low in High School. In a statement, he described the songs as “the very best of me … too good to be true … too true to be considered good”, while the producer described it as Morrissey’s “boldest and most adventurous album yet”. To accompany the release of the album, BMG will reissue several of Morrissey’s past solo releases, including Southpaw GrammarMaladjustedYou Are The QuarryRingleader Of The TormentorsYears Of Refusal, and Live At The Hollywood Bowl.

Adam Lambert, Velvet 

American singer Adam Lambert has released his fourth studio album, Velvet, through More Is More and Empire Distribution. Following his Velvet: Side A EP back in September, the new album features all the tracks off that EP, as well as the singles ‘Feel Something’, “New Eyes’, ‘Comin’ in Hot’, and ‘Roses’ with Nile Rodgers. The American singer said that the time he spent touring for Queen has influenced the writing for his new solo album. “I don’t think I sat down and specifically was like, ‘Hey, I need to do a song that sounds like a Queen song,’” he said. “But I’m sure that now, over the course of the past seven years, by osmosis it’s kind of rubbed off on me a bit.”

Haru Nemuri, LOVETHEISM 

Image result for haru nemuri lovetheismJapanese artist Haru Nemuri has a new mini-album out titled LOVETHEISM. Following her genre-mixing debut, Haru to Shura, that put her on the radar back in 2018, as well as last year’s Kick in the World EP, the new release is a 7-song collection that finds her revisiting her signature fusion rap, hard rock, J-pop, and dance music. In a heartfelt statement accompanying the record, Nemuri concludes: “The world is always imperfect and the times are always incomplete. No one knows what the world will be like for the next 10 years. But that is why we can always make it with our hands. When we look at the world, love someone, and choose something, that is, when we “live,” I hope that this fanfare will ring through out and become a prayer for you.

Other albums out today:

Brian and Roger Eno, Mixing Colours; Moaning, Uneasy Laughter; Gordon Lightfoot; Solo.

Landscapes Collection by Vivien Bertin

Vivien Bertin, an art director and illustrator out of Paris, France, presented a beautiful series of illustrations that showcase vibrantly warm landscapes. The series started back in 2018, the illustrations below are part of the fourth edition in the series.

You can find more brilliant work by Vivien Bertin here.

Films on MUBI in April

MUBI, a streaming service that champions great cinema, has announced their lineup of films for the month of April. The month of April will include Kurosawa’s Ran, Jarmusch’s Coffee and Cigarettes, and an exclusive premiere of The Whalebane Box by Andrew Kotting — to name a few.

April on MUBI Listings

01/04/20VISITOR Q / Takashi Miike

02/04/20NONA, IF THEY SOAK ME, I’LL BURN THEM / Camilla José Donoso / The New Auteurs

03/04/20THE WHALEBONE BOX / Andrew Kotting / MUBI exclusive

04/04/20COFFEE AND CIGARETTES / Jim Jarmusch

05/04/20SOUTHLAND TALES / Richard Kelly / Perfect Failures

06/04/20THE SERVANT / Joseph Losey / Joseph Losey Retrospective

07/04/20THAT MOST IMPORTANT THING: LOVE / Andrzej Zulawski

08/04/20SARABAND / Ingmar Bergman / The Inner Demons of Ingmar Bergman

09/04/20THE GRAND BIZARRE / Jodie Mack / Undiscovered

10/04/20BLUE VALENTINE / Derek Cianfrance

11/04/20L’ECLISSE / Michelangelo Antonioni

12/04/20MY BLUEBERRY NIGHTS / Wong Kar-wai

13/04/20ACCIDENT / Joseph Losey / Joseph Losey Retrospective

14/04/20LE CORBEAU / Henri-Georges Clouzot / Henri-Georges Clouzot Focus

15/04/20QUAY OF THE GOLDSMITHS / Henri-Georges Clouzot / Henri-Georges Clouzot Focus

16/04/20WOMAN IN CHAINS / Henri-Georges Clouzot / Henri-Georges Clouzot Focus

17/04/20BIUTIFUL / Alejandro González-Iñárritu

18/04/20CHLOE / Atom Egoyan / Perfect Failures

19/04/20TOMBOY / Céline Sciamma

20/04/20THE GO-BETWEEN / Joseph Losey / Joseph Losey Retrospective

21/04/20GHOST TOWN ANTHOLOGY / Denis Côté / Luminaries

22/04/20 GRAND ILLUSION / Jean Renoir / Jean Renoir Focus

23/04/20LA BÊTE HUMAINE / Jean Renoir / Jean Renoir Focus

24/04/20PORTRAIT OF A LADY ON FIRE / Céline Sciamma / MUBI Spotlight

25/04/20 – TBC

26/04/20RAN / Akira Kurosawa / Marker/Kurosawa

27/04/20 – A.K. / Chris Marker / Marker/Kurosawa

28/04/20 – MR. KLEIN / Joseph Losey / Joseph Losey Retrospective

29/04/20 – LA STRADA / Federico Fellini

30/04/20 – A RUSSIAN YOUTH / Alexander Zolotukhin / Debuts

Artist Spotlight: Samplelov

Samplelov is the moniker of California-based singer-songwriter Caitlyn Lopez, whose music wonderfully blends elements of lo-fi pop, R&B, and alternative rock. After releasing a series of singles on Bandcamp, as well as a dreamy, sun-drenched LP titled Love Tapes vol. 1, she has just come out with a new album, As You Are. Though similar in style, her latest feels distinctly more personal in nature, as indicated by the cover art, which features a picture of Caitlyn herself. Trading electric instruments for more acoustic arrangements, As You Are dwells on our relationship with ourselves as well as with others, offering the kind of intimate self-reflection one might subject themselves to in a time like this. Despite the simplicity of the compositions, which circle around a few acoustic chords and minimal embellishments, there’s a stark sense of hope and affirmation that shines through Caitlyn’s enchanting vocals and vulnerable lyrics, ultimately reminding us of the importance of self-love before all else – a message we all need to hear, and beautifully delivered too.

We caught up with Caitlyn Lopez for this edition of our Artist Spotlight series, where we showcase up-and-coming artists and give them a chance to talk a bit about their music.

How and when did you start playing music?

My music journey started when I was young. I always loved singing since I had an awareness of music, but playing instruments didn’t start until I was about 9 or 10. I learned to play clarinet in band class, and did that for about 6 years. I knew I wanted to learn to write and play original pieces, and I didn’t really get into playing more instruments and writing songs until about 4-5 years ago. I learned to record and use software in high school, and since then I’ve been committed to learning more and more about producing and recording my own compositions.

Where do you draw your influences from?

My musical influences are all over the place genre wise. To name a few, sounds by Nai Palm, Portishead, King Krule, Charlotte Dos Santos, Raveena, D’Angelo, Solange, Tennis, The Internet, and Jessica Pratt have inspired me within the last couple of years. R&B and Alternative Rock are typically the genres in rotation for me, but Hip Hop & Rap as well as Indie has been apart of my upbringing and continue to inspire me as an artist. Early 2000’s R&B artists like Ashanti and Tamia greatly inspired melodies in my most recent project as well.

What was the main inspiration behind ‘As You Are’?

As You Are was made with the intention of dedicating it to my loved ones and the world around me, as well as an ode to myself. I wanted it to act as a response to the chaos of our world’s condition and work as a reminder of the sweet things to savor in life despite the things we dwell on or worry about. It’s about caring for our inner child and experiencing the same adventure an wonder within our adult bodies. It’s about self-respect and showing appreciation for those around us, and the idea that celebrating the good things in life can coincide with being aware of the evils of the world. I think it’s healthy to celebrate the duality of sadness and happiness in this life. It’s a part of being human. Celebrating what makes us human is the goal.

Where is the opening audio on ‘Bella’s Affirmations/ Daian’ from, and why is it meaningful to you?

‘Bella’s Affirmations’ is actually a recording of my cousin and her daughter saying affirmations that they say for their nightly routine! My cousin, Daniella, shared it on her instagram story one evening and I asked for her permission to use it at a family gathering, and I feel so lucky to have been able to share it on the album! Hearing Bella say those affirming things at such a young age is powerful because young girls (especially young girls of color) being taught radical self love in not only their beauty but the contents of their character give them so much room to move in confidence. I really admired my cousin teaching Bella those things, and it kind of goes along with the idea of re-parenting our inner child to know those things about ourselves. I want to encourage listeners to take that mantra for themselves. We are strong, we are brave, we are kind, brave, smart, and beautiful.

What was the recording process of the album like?

Recording is actually where a lot of the song writing took place. I would always start with a chord progression on guitar and just an idea of what I wanted to write/sing about. Guitar and bass typically came first, then keys, then vocal layerings. I wanted to challenge myself for this project and push the boundaries of anything else I’ve done before.

What draws you to this kind of production process?

Many producers, myself included, benefit from starting with the basics and working the track up to more complex rhythms, melodies, and progressions. When I’m still developing a song, keeping it simple in the beginning stages gives me a lot of room to be more expressive in my lyrics and vocal stylings. Characteristics of a track heavily rely on what I want to say with my lyrics. With R&B and alt rock, you don’t always need complex production to make the song effective!

What are your plans for 2020?

2020 is the year for reaching new heights in skill and content. I want to continue to push the boundaries of what I’ve done previously as well as collaborate with many of the talented artists that surround me. I’m currently working on two collaborative EPs which I hope to complete this year. I’m also hoping to expand my artistic range, because music is not the only thing I do. I love the visual arts, and have completely fallen in love with ceramics. I hope to integrate all of these mediums to build on the message of duality and embracing the complexities of the human experience. In addition to art expansion, I want to prioritize chasing what I want. It’s easy to get complacent in the routine of life. I want to seize the time I have on earth more. I encourage everyone to do that too.

The Greenhouse Series by Tom Hegen

Tom Hegen, a superb photographer out of Munich, Germany, presented a new series which focuses on greenhouses and their importance with the population of the world growing so rapidly.

Writing about the series Hegen stated “The Dutch have created the most advanced area in the world for controlled environment agriculture and have become world leaders in agricultural innovation. However, there are also consequences this growing method brings with it, like light pollution or growing crops out of season and ship them around the world, so people can eat strawberries year-round. Ordinances have been developed in which up to 98% of the electric lighting must be contained within a greenhouse facility by using blackout screens and curtains along the sides and roofs.”

Find more work by Tom Hegen.

Monolink Presents ‘Sinner’

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Before the release of his forthcoming album Sophmore, Monolink has released his new single Sinner. This release marks another stunning release in Monolink’s discography, having previously released a tonne of beloved music including The End and Swallow.

Talking about his forthcoming album Monolink stated “I’m very excited to finally unveil some new music. My second album is going to be released towards the end of the year but there will be a bunch of singles coming out in the meantime. With the first single ‘Sinner’ I wanted to explore a darker side of me, writing a fictional goodbye letter to a world that’s not worth living in anymore. On the musical side it’s got a driving beat and is hopefully gonna make people dance to turn it into something positive”.

Monolink will also be touring in April and May across North America. With COVID-19 happening, a lot of these events may be cancelled or postponed. 

Tour Dates

April 10 – The Midway, San Francisco CA
April 12 – Coachella, Indio CA (postponed until October)
April 19 – Coachella, Indio CA (postponed until October)
April 23 – Union Rooftop, Minneapolis, MN
April 24 – City Hall, Chicago, IL
April 25 – Club Vinyl, Denver, CO
April 30 – Flash, Washington, DC
May 1 – Bijou, Boston, MA
May 2 – Kings Hall, Brooklyn, NY
May 3 – TBA
May 6 – Jade Room @ 45 East, Portland, OR
May 7 – Fortune Sound Club, Vancouver, BC
May 8 – Sound Nightclub, Los Angeles, CA
May 13 – Spin, San Diego, CA
May 15 – Pepsi Centre w/ Rüfus Du Sol, Mexico City, MX
May 16 – Corona Capital, Guadalajara, MX

MANIFF Review: Love Type D

Adapting her 2011 short Lunch Date into a feature-length film, writer-director Sasha Collington delivers an enjoyably relatable romantic comedy with Love Type D. The premise is simple: when Frankie (Maeve Dermody) gets dumped by her boyfriend, Thomas (Oliver Farnworth), via his nerdy pre-teen brother Wilbur (Rory Stroud), no less, she soon discovers that she has more than just bad luck – she has the dumpee gene. Yes, the dumpee gene – as Wilbur informs her, a new study published in a scientific journal posits that all people are born with either the dumper or the dumpee gene, which has the power to determine one’s love life forever.

Dumbfounded, Frankie decides to carry her own little experiment: under the pretense of an HR investigation, she asks everyone in her office how many times they’ve been dumped, and it tests out: everyone is clearly in either one category. The newly-formed group of office dumpees is one of the most endearing elements of the film, and creates opportunities for plenty of effective comedic moments. But by far the most refreshing part of the film is Frankie’s unexpected but affecting relationship with the young Wilbur, whose wit, scientific curiosity, and downplayed compassion are key to the film’s succesful DNA.  

Things start to get interesting when Wilbur comes up with a theorem that the dumpees have the potential to become dumpers if they date and dump every person they’ve ever been with, and Frankie and her fellow dumpees decide to take the challenge. Except Frankie’s task seems to be particularly insurmountable considering that she’s got eleven exes, chief among them her most recent one. And no matter what she does, she can’t help but embarrass herself with every attempt to break that spell. 

There are a few moments that elevate Love Type D from an otherwise run-of-the-mill romantic comedy to a frequently imaginative endeavor surviving not just on its winning premise but also its refreshing personality. One sequence, for example, features some playful use of stop-motion as a means of facilitating an exchange between Frankie and the ghost of one of her exes. Elsewhere, the filmmakers get creative with the backstory surrounding another one of the exes. And finally, Collington’s script isn’t afraid to take the protagonist’s doomed obsession with Thomas to some hilariously absurd extremes as the plot progresses. 

Not every scene is as exciting as the next, and while the film is not in any way groundbreaking, it’s nice to see the filmmaker taking risks and going slightly beyond the by-the-numbers formula of a romantic comedy, to the point where it barely can even be categorized as one. There’s not much of a love story here, except of course one of self-love as Frankie learns to gain confidence in herself – a familiar trope, yes, but not annoyingly so. When the story’s inevitable twist arrives, it doesn’t come as a shock as much as a comforting confirmation of what you’ve probably been expecting from the beginning. Love Type D might not be a gamechanger, but there aren’t too many flaws in its genetic code – it’s exactly what it sets itself out to be, plus a little bit more. And God knows we all could use a dose of harmlessly fun entertainment right about now.