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More Couples Are Opting for Lab Grown Engagement Rings: You Should Consider Getting One

Couples are buying larger diamonds for their engagement rings than ever before, with nearly half choosing lab-grown diamonds.

That’s according to The Knot’s Real Weddings Study, which polled over 9,000 US couples about every element of their wedding day.

According to the study, one in every three engagement rings now weighs more than 2.0 carats, including side stones and embellishments,

The rise of lab-grown diamonds contributes to this increase, and it’s for a reason.

They are cheaper than mined diamonds.

Lab-grown diamonds are an excellent choice for people on a tight budget or who wish to save money while maintaining the beauty and glitter of a genuine diamond.

This is because laboratory-grown diamonds are less expensive than mined diamonds. If you visit many stores, you will find that they can cost 30% to 40% less than naturally mined diamonds of the same size and grade.

In addition, 2-carat lab diamond rings cost almost the same as a 1-carat mined diamond.

This means that you don’t have to break the bank to have a large diamond ring.

They are produced within a short time.

Mined diamonds take millions of years to form in nature, however lab-grown diamonds are made in considerably less time.

Plenty of reports have been made where manufacturers take only five days to develop the rings.

This is due to the fact that lab-grown diamonds are produced under controlled circumstances in a laboratory, resulting in a more efficient, scalable, and rapid production process.

Mined diamonds, on the other hand, require complex geological processes and the correct conditions over a long period of time to form in their natural environment, making them far rarer.

They don’t ruin the environment as much.

Diamond mining has a severe impact on ecosystems, often polluting local water supplies and soil.

For example, hundreds of cattle died in Zimbabwe after drinking water from the Odzi River, which flows downstream of a diamond processing plant.

Similar instances have occurred in other mining zones of Africa, where inadequate water supplies force locals, livestock, and wildlife to drink tainted water.

Some people argue that lab diamond rings are made using electricity, which is harmful to the environment.

You should note that lab-created diamonds require 250 million joules per carat. Seems like a lot? Mined diamonds require 538.5 million.

However, certain lab diamonds, such as those produced by environmentally conscious companies, are created entirely using renewable energy. If you are looking to conserve the environment, always ask how the rings are made before making the purchase.

Other than electricity, lab-created diamonds use substantially less water per carat than mined diamonds—18 gallons vs. 126 gallons—and emit dramatically less carbon dioxide.

Bottom line: If you believe in global warming, there’s no better way to show your support than with a large, gleaming, lab-created diamond engagement ring.

They are as natural as mined diamonds.

Lab-grown diamonds look identical to mined diamonds. They each have the same glitter and fire, as well as differing colors and levels of clarity.

Lab-grown diamonds are not the same as diamond simulants such as cubic zirconia or moissanite. Both have identical physical, chemical, and optical properties.

One advantage lab-grown diamonds have over mined diamonds is that they are generated in a controlled environment, allowing for greater clarity and fewer defects.

With the naked eye, you cannot detect the difference between mined diamonds and lab-created diamonds since they are physically and chemically identical.

It is only by employing specialized technology and testing that skilled gemologists can tell the difference between a lab-grown diamond and a genuine diamond.

You should note that both lab-grown and mined diamonds are evaluated using the same 4Cs — cut, color, clarity, and carat weight.

This means that the GIA’s quality grading criteria apply to both lab-grown and natural diamonds, assuring that one is not superior to the other.

You can easily customize them to your preferences.

One advantage of lab-grown diamonds is that they may be made to your exact specifications.

Manufacturers can develop lab-grown diamonds based on your specifications, which can be useful if you require a specific shape or color of diamond that is difficult to locate.

They are as durable as mined diamonds

When purchasing a diamond, many people consider how long it will survive.

You should know that lab-grown diamonds are just as strong as mined diamonds. In reality, they are produced from the same ingredients and have the same Mohs hardness as natural diamonds.

This means that lab-grown diamonds are as scratch, abrasion, and break-resistant as mined diamonds.

Thinking about buying a lab-grown diamond for your better half? Be confident that lab-grown diamonds will survive as long as natural diamonds.

They are more ethical.

Lab-grown diamonds are considered more morally responsible than mined diamonds, which have frequently been linked to unethical labor practices.

These include the use of child labor and the sponsorship of war-torn nations through the selling of conflict diamonds, sometimes known as blood diamonds.

As a result, the United States passed the Clean Diamond Trade Act in 2003, making the selling of blood diamonds illegal. Furthermore, numerous governments partnered through the Kimberley Process to prevent conflict diamonds from being marketed.

Despite these precautions, mined diamonds may be connected with negative associations, prompting a preference for a more socially responsible engagement ring stone.

Lab-grown diamonds, on the other hand, are synthesized in a laboratory under-regulated settings by trained, decently compensated workers, removing the possibility of supporting unethical actions.

Chemical Vapor Deposition (CVD) and High-Pressure High-Temperature (HPHT) are the two processes used to make lab-grown diamonds, and neither uses detrimental environmental practices nor exploits labor.

If you value ethical sources, lab-grown diamonds are a great option for non-traditional engagement rings as a socially responsible alternative to mined diamonds.

Parting shot

If you are looking for a diamond engagement ring, you can’t go wrong with a lab-made ring. As mentioned above, such a ring comes with plenty of perks. To get the most from it, ensure that you buy it from a reputable store with a proven record.

Pearl Jam Release New Song ‘Running’

Pearl Jam have dropped a new song, ‘Running’, the second preview of their forthcoming album Dark Matter. It follows the previously released title track. Take a listen below.

Dark Matter, the follow-up to 2020’s Gigatron, is due out April 19 via Monkeywrench/Republic Records.

Albums Out Today: Adrianne Lenker, Waxahatchee, Julia Holter, Rosali, and More

In this segment, we showcase the most notable albums out each week. Here are the albums out on March 22, 2024:


Adrianne Lenker, Bright Future

Adrianne Lenker is back with a new album, Bright Future, out now via 4AD. Following 2020’s songs and instrumentals, the record includes the advance tracks  ‘Ruined’‘Sadness as a Gift’, ‘Fool’, and ‘Free Treasure’. It was co-produced by Philip Weinrobe and features contributions from Nick Hakim, Mat Davidson, and Josefin Runstee, who joined Lenker at a New England studio called Double Infinity. “It felt like everyone’s nervous systems released,” Lenker said in a statement about the recording process. “Once we were in the song, somehow we just knew. No one stopped a take. We didn’t listen back. I only listened after everybody else left.” Read our review of Bright Future.


Waxahatchee, Tigers Blood

Waxahatchee has returned with a new album, Tigers Blood, following up 2020’s Saint Cloud. Her first on new label ANTI- Records, the LP features the previously released singles ‘Right Back to It’‘Bored’, and ‘365’, as well as performances by MJ Lenderman, Spencer Tweedy, and Phil and Brad Cook. After writing the songs during what she calls a “hot hand spell” at the end of 2022, Katie Crutchfield recorded the album with Saint Cloud producer Brad Cook at the Sonic Ranch in Tornillo, Texas. Read our review of Tigers Blood.


Julia Holter, Something in the Room She Moves

Julia Holter has issued a new album, Something in the Room She Moves, via Domino. The follow-up 2018’s Aviary was preceded by the songs ‘Sun Girl’, ‘Spinning’, and ‘Evening Mood’. Of the album, whose title “flips the gaze” of the Beatles’ ‘Something’, the Los Angeles artist said in press materials: “There’s a corporeal focus, inspired by the complexity and transformability of our bodies. I was trying to create a world that’s fluid-sounding, waterlike, evoking the body’s internal sound world.”


Rosali, Bite Down

Rosali has followed up 2021’s No Medium with a new LP, Bite Down. It marks the North Carolina-based songwriter and guitarist’s Merge Records debut and finds her once again working with David Nance (bass, guitar), James Schroeder (guitar, synth), and Kevin Donahue (drums, percussion), with Destroyer collaborator Ted Bois joining on keys. The album title, Rosali explained in our Artist Spotlight interview, is about “understanding that life and the experiences you go through – the good, the bad, the neutral, the boring, the surreal, it’s all part of it – and not fear the horizon that comes that toward you; to accept it, bite down on it, to fully embrace all these situations; to grow and have more understanding of life, have more experiences, have more empathy. It became more of a battle cry to see the goal of it, the goal of life.”


Future & Metro Boomin, We Don’t Trust You

Future and Metro Boomin have joined forces for the new album We Don’t Trust You. It arrives two years after Metro Boomin’s Heroes & Villains – which featured Future on four tracks – and Future’s I Never Liked You. The album title plays off Metro’s producer tag, “If Young Metro don’t trust you, I’m gon’ shoot you,” which Future originally said in their 2015 track ‘Right Now’. The 17-track LP features uncredited guest spots from Kendrick Lamar, Travis Scott, Playboi Carti, Rick Ross, and the Weeknd.


Sam Evian, Plunge

Sam Evian has released a new album called Plunge. Out now through the musician and producer’s new imprint Flying Cloud Recordings/Thirty Tigers, the follow-up to 2021’s Time to Melt features the early tracks ‘Stay’, ‘Rollin’ In’, and Wild Days’. It was recorded over ten days during the early winter months of 2023 with a group of friends and collaborators that included Liam Kazar, Sean Mullins, El Kempner of Palehound, and Adrianne Lenker of Big Thief. “No one knew the songs or what the plan was. We kept it loose and fun,” Evian said in press materials. “This was the spirit of the sessions. No headphones, no playback, minimal overdubs, or bleed. Fast and loose.”


Jlin, Akoma

Indiana producer Jlin has released a new album, Akoma, her first since 2017’s Black Origami, via Planet Mu. The record boasts collaborations with Björk, Philip Glass, and Kronos Quartet; Glass co-wrote two tracks on the album, including the closer and lead single ‘The Precision of Infinity’. “To all the incredible collaborators on this record, your brilliance shines through every sound,” Jlin wrote in a statement. “Philip Glass, your mastery left an indelible mark; Bjork, your genius uniqueness inspired unparalleled creativity; Kronos Quartet, for your constant drive and virtuosity; [artist, sculptor, and designer] Florence To, for your ethics in family, honesty, vision and understanding.”


Empress Of, For Your Consideration

Empress Of has dropped her new album, For Your Consideration, which follows 2020’s I’m Your Empress Of and 2022’s Save Me EP. It was previewed by the singles ‘Femenine’, ‘Kiss Me’ featuring Rina Sawayama, and the MUNA collab ‘What’s Love’, and finds Lorely Rodriguez working with songwriters and producers including Nick León, Billboard, Valley Girls, Cecile Believe, and Umru. “I was in love with a director and he was announcing his ‘For Your Consideration’ campaign for the Oscars,” she explained. “He took me up on a hill and said he was emotionally unavailable and he kind of broke my heart. I went into the studio that day and we wrote a song called ‘For Your Consideration’ that reflects on glam and Hollywood. That was the gateway for the album and it gave me the opportunity to explore broader themes.”


Rosie Tucker, UTOPIA NOW!

Rosie Tucker has a album out called UTOPIA NOW! via Sentimental Records. Following the release of Sucker Supreme in 2021, the musician was “unceremoniously dropped from Epitaph Records,” according to press materials, one record into a three-album deal. UTOPIA NOW! was recorded at Tucker’s home studio in Altadena, California and produced with longtime collaborator Wolfy. It was preceded by a series of singles, including ‘Big Fish/No Fun’, ‘Unending Bliss’, ‘Paperclip Maximizer’, and ‘All My Exes Live in Vortexes’.


The Jesus and Mary Chain, Glasgow Eyes

The Jesus and Mary Chain are back with a new LP, Glasgow Eyes, via Fuzz Club. The follow-up to 2017’s Damage and Joy was recorded at Mogwai’s Castle of Doom studio in Glasgow, with Jim and William Reid drawing inspiration from “Suicide and Kraftwerk and a fresh appreciation of the less disciplined attitudes found in jazz,” according a press release. “But don’t expect ‘the Mary Chain goes jazz,’” Jim Reid explained. “People should expect a Jesus and Mary Chain record, and that’s certainly what Glasgow Eyes is. Our creative approach is remarkably the same as it was in 1984, just hit the studio and see what happens. We went in with a bunch of songs and let it take its course. There are no rules, you just do whatever it takes. And there’s a telepathy there – we are those weird not-quite twins that finish each other’s sentences.”


Tyla, Tyla

Tyla’s self-titled debut album is out today. The 15-track LP features guest appearances by Travis Scott, Tems, Gunna, Becky G, Skillibeng, and Kelvin Momo, as well as the singles ‘Water’, ‘On and On’, and ‘Truth or Dare’. “When I listen to the album, I’m so proud of it,” Tyla told Rolling Stone. “I just see our sound going so far: the culture, the words, the slang. Even just Joburg — the thought of people now singing about Joburg.”


Francis of Delirium, Lighthouse

Francis of Delirium – the project led by Luxembourg-based singer-songwriter Jana Bahrich – have unveiled their debut full-length, Lighthouse. The singles ‘Real Love’‘First Touch’, ‘Blue Tuesday’, and ‘Give It Back to Me’ arrived ahead of the release. “For this album, hope is the prevailing feeling I’m left with after making it and listening to it,” Bahrich explained in a statement. “The idea is that there is this light guiding you out into a space where you can be more open and accepting of love and joy. Even as you gain or lose love, it never really goes away; it just transforms itself, moving into other relationships with you.”


Cakes da Killa, Black Sheep

Cakes da Killa has dropped a new LP, Black Sheep, via Young Art. The follow-up to 2022’s Svengali was preceded by the tracks ‘Do Dat Baby’ and ‘Mind Reader’ and boasts collaborations with Stout, Dawn Richard, and Wuhryn Dumas. It finds the Nwe York rapper reuniting with longtime collaborator Sam Katz, the producer behind Svengali, guiding us “through a spiritual trip from the clubs of Manhattan to the back blocks of Brooklyn,” per a press release.


The Staves, All Now

The Staves have put out their latest album, All Now, through Communion Records. The follow-up to 2021’s Good Woman finds the duo reuniting with producer John Congleton. “There was a delayed reaction to trauma and these big changes out of your control,” Jess Staveley-Taylor said of the period following the release Good Woman, which saw them processing the death of their mother. The songs ‘I’ll Never Leave You Alone’, ‘All Now’ and ‘I Don’t Say It, But I Feel It’ previewed the LP.


Other albums out today:

Alena Spanger, Fire Escape; Aoife O’Donovan, All My Friends; Shakira, Las Mujeres Ya No Lloran; Carpool, My Life in SubtitlesSpaced, This Is All We Ever Get; Matt Champion, Mika’s Laundry; VR SEX, Hard Copy; Lauran Hibberd, Girlfriend Material; Gary Clark Jr., JPEG RAW; Gossip, REAL POWER; Marbled Eye, Read the Air; Halo Maud, Celebrate; Odetta Hartman, Swansongs; Barely Civil, I’d Say I’m Not Fine; Good Morning, Good Morning Seven; Elbow, AUDIO VERTIGO; Magic Tuber Stringband, Needlefall; villagerrr, Tear Your Heart Out; Saint Saviour, Sunseeker; Fletcher, In Search of the AntidoteRestorations, Restorations; RED ON, Phantom Easy; Prefuse 73, New Strategies For Modern Crime Vol. 1; SiR, Heavy; Cassie Kinoshi, seed.’s gratitude; Klaus Johann Grobe, io tu il loro; Zombi, Direct Injet; Sierra Ferrell, Trail Of Flowers; Klahrk, Blistering; Starsailor, Where The Wild Things Grow; Pan American & Kramer, Reverberations of Non-Stop Traffic on Redding Road; Ka Baird, Bearings: Soundtracks for the Bardos.

Are You Ready to Love Your Look? Discover 5 Simple Ways to Radiate Body Confidence at Any Size!

Body confidence is about being able to step into any environment without feeling shame about your body. You can be confident when you look and feel your best, whether at work, going to the store, or heading out on a date. It’s no secret that feeling good in your skin transcends sizes, shapes, and life changes. Whether you’ve recently embraced a new silhouette post-baby, navigated the fluctuations of weight, or simply wish to celebrate your unique body, this guide is your compass to step out with unwavering confidence. Let’s embrace the art of loving your look and see how to shimmer with self-assurance from the inside out.

Dressing for Your Unique Shape

Embracing your body starts with understanding its unique contours and how to dress them. The secret? Tailor your wardrobe to accentuate your best features. This doesn’t mean shying away from trends but rather selecting pieces that complement your shape. Flowing tops can highlight a waistline beautifully, while structured pieces add dimension to your silhouette. The key is balance and proportion, ensuring each outfit celebrates your individuality. Remember, confidence isn’t wearing what’s on the cover of a magazine; it’s curating a personal style that makes you feel unstoppable.

Cultivating a Positive Mindset

Confidence blooms from within, making a positive mindset essential. Begin by silencing the critic inside your head, replacing negative thoughts with affirmations of self-love and acceptance. Celebrate small victories, whether it’s fitting into a cherished piece of clothing or simply feeling good as you look in the mirror. Social media can be a problem for some, so curate your feed to include only those who inspire and uplift you. This mental shift won’t happen overnight, but with time, you’ll notice how these changes enrich not just your self-image but your confidence in dating life, at work, and wherever you go, fostering a deeper connection with yourself and others.

The Power of Color and Pattern

Never underestimate the transformative power of color and pattern in your wardrobe. Colors can influence mood and perception, with certain hues highlighting your skin tone and features. Experiment with colors outside your comfort zone, noting how they affect your mood and confidence levels. Patterns, similarly, can play up your favorite features and add an element of fun to your outfit. The key is in the strategic placement of these patterns, using them to draw attention where you want it. Mixing and matching patterns, when done right, is a bold statement of confidence and style.

The Foundation of Confidence: Undergarments That Fit Well

One of the most transformative yet overlooked aspects of fashion is the power of well-fitting undergarments. The right foundation pieces can dramatically change the way your clothes fit and feel, offering support and smoothing out your silhouette. It starts with getting professionally measured to ensure you’re wearing the correct size, especially for bras. A well-fitting bra not only improves posture but also makes your tops and dresses look infinitely better. Think of your undergarments as the unsung heroes of your wardrobe; they set the stage for everything you layer on top.

Investing in quality undergarments that provide the right level of support and comfort can elevate your entire look. Seamless pieces are fantastic for creating a smooth silhouette under tighter clothes while shaping options are available to highlight your curves. And when it comes to feeling irresistibly confident, don’t underestimate the power of a sexy bra. Whether it’s peeking out from under a blouse or kept as your little secret, knowing you’re wearing something beautiful underneath can boost your confidence immeasurably. This section of your wardrobe is crucial, so give it the attention it deserves.

Embracing Movement and Self-Care

Body confidence is closely linked to how we treat and perceive our bodies outside the realm of fashion. Integrating regular movement into your routine is not about achieving a certain size or shape but about celebrating what your body can do. Find a form of exercise you genuinely enjoy, whether it’s dancing, yoga, or long walks in nature. The goal is to feel good, release endorphins, and connect with your body on a deeper level.

Self-care extends beyond physical activity. It encompasses everything from nourishing your body with foods that make you feel vibrant to taking time for mental health practices like meditation or journaling. Self-care is deeply personal; what works for one person may not for another. The essence lies in treating yourself with kindness and understanding, creating a foundation of confidence that radiates outward.

girl in red and Sabrina Carpenter Team Up on New Song ‘You Need Me Now?’

girl in red and Sabrina Carpenter have joined forces for a new song called ‘You Need Me Now?’. It’s the latest single from girl in red’s forthcoming album I’m Doing It Again Baby!, following ‘Too Much’ and ‘Doing It Again Baby’. Check it out below.

I’m Doing It Again Baby! will arrive via Columbia Records on April 12. Marie Ulven and Sabrina Carpenter both opened for Taylor Swift on the Eras tour.

The Gaslight Anthem Cover Billie Eilish’s ‘Ocean Eyes’

The Gaslight Anthem have released a cover of Billie Eilish’s Ocean Eyes’. It’s taken from their new EP History Books – Short Stories, which is out today and also features new renditions of ‘Blue Jeans & White T-Shirts’, ‘Positive Charge’, and ‘History Books’. Take a listen below.

“I was driving my daughter to school and she played it for me on the way and I really took to the song,” Brian Fallon shared in a statement. “Then one day we were talking ideas for a cover with our friends and I said, wouldn’t it be cool to do a heavier version of ‘Ocean Eyes’? I tried it out and everybody loved the idea.”

History Books, the Gaslight Anthem’s first album since 2014’s Get Hurt, came out last year.

Olivia Rodrigo Releases ‘GUTS’ Deluxe Version Featuring Five New Songs

Olivia Rodrigo has shared the deluxe edition of her sophomore album GUTS. GUTS (spilled) features five new tracks, including ‘So American’, which was recorded after the original album came out last year. The other four songs – ‘Obsessed’ (co-written with St. Vincent), ‘Girl I’ve Always Been’, ‘Scared of My Guitar’, and ‘Stranger’ – all appeared on different vinyl variants of the record as “secret songs.” Rodrigo has also shared a music video for ‘obsessed’, which you can check out below.

Last month, Rodrigo kicked off her GUTS World Tour, which will take her across North America and Europe before wrapping up on August 17 in Inglewood, California.

Qinru Zhang: The Artist Who Gives AI Creative Autonomy

In recent years, AI’s popularity has soared, fueled by technological advancements and its integration across industries. Its creative applications, from generative algorithms to AI-generated artworks and tools like Sora, have stirred debates about the definition of art and ownership. Amidst this, multimedia artist Qinru Zhang explores AI’s capacity for glitched imagery and uncanny interpretations, adding a thought-provoking dimension to discussions about technology and creativity. Through her work, Zhang challenges conventional perspectives on AI’s role in art, inviting viewers to reconsider the boundaries of human creativity in a technologically driven world. Her exploration of glitched imagery underscores the complexity and beauty found within the intersection of technology and artistic expression.

During the COVID-19 pandemic lockdown in 2020, Zhang discovered the world of Artificial Intelligence, particularly drawn to the surreal imagery generated by Spade Coco on the Runway AI platform. She found its ability to accurately depict landscapes and objects intriguing but noticed its difficulties in portraying human figures. Rather than seeing this as a limitation, Zhang saw it as an opportunity for creative exploration. In the piece “Future Wonderland”(2021), Zhang coded an online gallery to present a series of doodles of daily objects, animals, human characters, and scenery interpreted by Spade Coco. By creating a captivating blend of simplistic sketches and realistic textures, Zhang’s work blurs the lines between the natural and the digital. This juxtaposition invites viewers to reflect on the evolving relationship between human creativity and artificial intelligence in the realm of art.

“Country Animals”, selected from “Future Wonderland”(https://future-wonderland.glitch.me/), 2021

In the animated rendition of “Future Wonderland” (2021), Zhang delves into the intricate relationship between humanity and technology. Within this digital utopia, animal-skinned human figures and human-skinned animal characters coexist, evoking nostalgia with landscapes reminiscent of the iconic Windows XP screensaver. Despite the artist’s direction, the characters exhibit a stiffness, peculiarity, and pixelation that grants the AI a degree of autonomy in the creative process. Zhang actively sought to uncover Spade Coco’s unique artistic traits and ‘personality,’ viewing its occasional divergence from commands as a form of techno-artistic freedom. “Future Wonderland” was then showcased in downtown Denver with Denver Digerati, effectively bridging the gap between the physical and digital realms through screens, offering viewers a portal into this fantastical digital wonderland.

“Future Wonderland,” 2021, image source: Denver Digerati

As AI technologies have advanced in accuracy, Zhang has observed the fading of the techno-organic coexistence portrayed in “Future Wonderland,” primarily due to a diminishing tolerance for technological imperfections. With increasing precision, human commanders tend to grant less freedom to AI in the creative process. Recognizing this trend, Zhang began deliberately inputting nonsensical commands into AI tools like DALL-E and Midjourney to stimulate AI-led imagination. For example, in “Rhode Island School of Design Turning Pink” (2022), Zhang presents distorted buildings that resemble more the stuff of dreams than reality, challenging conventional notions of imagery. However, recent experiments with Midjourney version 4 and version 6 yielded a disappointing amount of growth in fidelity and realism. Zhang’s concern lies in the apparent loss of creative autonomy within AI, which seems to have transitioned into an illustrative tool for human creators along its path of advancement.

“Rhode Island School of Design Turning Pink”, created with DALL-E, 2022

With the rise of AI engines’ photorealistic accuracy, Zhang’s vision of a collaborative space between humans and AI, once reliant on AI errors, has become somewhat of a distant dream. Interested in the uncanny representation of imagery, Zhang decided to test the photorealistic AI renders and seek innovative methods of applications. As a multimedia artist, Zhang has been creating eerie stories with cute motifs using miscellaneous digital mediums including digital animation, extended reality, and reactive sculptures, such as the iconic series “The MILF Collection”(2021 and ongoing) featuring a glitched housewife figure. Within this collection, “The MILF Film” (2021) stands out as a 3D animation exploring the dynamics between female-oriented domesticity and male-centric technology, earning Zhang the prestigious Gold Award in the Video/Web-based Productions category at the NYX Awards. By revisiting “The MILF Film” with AI-generated actors and photorealistically rendered scenes, Zhang has found a captivating way to delve into glitch feminism within the context of domestic life, reinforcing uncanny artistic expressions by affirming the photorealism of AI engines.

“The MILF Film”(top), 05:55, 2021 and AI interpretation(bottom), 2024

In her artistic journey, Zhang views AI not just as a tool but as a collaborator, contributing to the creative process as a co-artist. Continuously pushing the boundaries of feminine domesticity within technological and gendered contexts, Zhang’s work delves into unconventional themes and scenarios. From experimenting with unexpected commands like “In Dongbei China, a 3D modeled family is eating pink dumplings” (2023) to allowing AI the freedom to conjure up a pink Cthulhu lunch in “Lunch Box Golden Ratio” (2024), Zhang challenges traditional notions and expands the discourse surrounding femininity in relation to technology and societal expectations. Through these creative endeavors, she showcases the coexistence of glitch and perfection in the ever-evolving landscape of art and technology, revealing beauty within constraints.

Mo Troper Shares Statement Denying Abuse Allegations

Earlier this week, Mo Troper was dropped by his label, management, and publicist following allegations of abuse from his former romantic partner, Maya Stoner of the band Floating Room. In the days following Stoner’s posts, Troper deactivated his social media accounts, but has now reactivated them and issued a statement denying the allegations.

“Over the past weekend I was blindsided by allegations of abuse by my ex Maya Stoner,” Troper wrote. “Due to privacy concerns and, frankly, paralyzing anxiety at the thought of interacting with this person in any way, I deleted my social media. These allegations are false. I was never physically abusive toward Maya, and I have never been physically abusive toward any partner.”

He continued:

My relationship with Maya was not healthy. We got into terrible arguments, I incited plenty of conflict, and I said some awful things, some of which have now been laid bare for the entire internet to see. It is true that I was dismissive of Maya’s autism diagnosis. I was diagnosed with Asperger’s as a kid and was resentful of the fact that Maya received support and compassion from her peers when I never did even though that door was open to me. (Maya acknowledges this in one of many screenshots, where she admits to a friend that I was “hateful of autism in a self-hating way.”) There were times when I was a huge, huge asshole and I can see that this behavior hurt Maya. I am sorry.

Maya has disparaged my “rock star career,” implying that the collateral damage from these accusations is inconsequential because music is not my primary source of income. This is not so — since last year I have been producing and engineering other peoples’ records full-time (although it is true I come from money). As a result of these allegations, sessions have been cancelled, recording contracts have been violated, and albums that were finished last year and slated for release have been put on ice. Many people are now out thousands of dollars due to Maya’s reckless and unsubstantiated allegations of abuse.

Over several days and literally hundreds of tweets Maya has outed by sex life (I did want to be cucked), my medical diagnoses and has talked about my body and habits in extremely derogatory ways. She has publicly revealed conversations I’d had with my therapist that I relayed to her in confidence and she has belittled my bipolar disorder. She has been repeatedly calling and harassing my friends, run some of them offline, and responded to all dissent with extreme aggression. She has weaponized psychoanalytic language and painted me as a monster on par with OJ Simpson.

What provoked all this was a quote I did not write in a bio for an album that most people have not heard, which Maya interpreted as me “bragging about being an abused.” Somehow that became proof that the entire album is a concept album about me being an abuser. That is not the case and only one of the songs on this album is explicitly about Maya, and it is about a time when she pushed me onto a bed and pinned me down and screamed in my face.

Through all this Maya has made no attempt to contact me. I do not believe this is about restoration — I believe it is about complete and utter destruction. She has attempted to cut me off from my support network now that my professional life has been destroyed. I do not wish any ill will toward Maya, nor do I have any desire to hurt her. I would like to assure her that nobody close to me feels that way, either. At this point I am simply asking for a little bit of mercy.

From Urban Centers to Coastal Retreats: Diverse Settings for Hair Transplant Clinics

Having to deal with hair loss can be a challenging phase in an individual’s life. However, thanks to the development of medical technology, people nowadays have the option to restore their hair through a procedure called Longevita Hair Transplant. This procedure has gained popularity as its not only efficient but also provides a natural-looking result. Hair transplant clinics are scattered in different parts of the world, ranging from busy urban centers to calming coastal retreats.

Urban Centers: Accessible and State-of-the-Art Medical Facilities

One advantage of hair transplant clinics located in the heart of bustling cities is their accessibility. Major cities are typically connected to various forms of transportation networking, making them easier for both residents and tourists to reach. Aside from this, urban clinics often hand-in-hand with state-of-the-art medical facilities. The modern infrastructure and technologies used in these clinics can elevate the standard of the procedure, thus ensuring the best possible outcome for patients.

Coastal Retreats: A Tranquil Environment for Recovery

On the other hand, coastal retreats provide tranquility, which can be beneficial for patients during the recovery phase. The serene environment has a calming effect that can enhance the overall patient experience. Its not uncommon for patients to mix their treatment with a holiday in these locations. This brings an opportunity to destress, relax and enjoy a new scenery while recovering. These clinics also deliver high-quality care, allowing patients to feel comfortable and supported throughout their journey.

The Allure of Turkey

Turkey has gradually established itself as an international hub for hair transplant procedures. Its accessibility, advanced facilities, combined with the charm of its urban and coastal settings, makes it an attractive destination for patients worldwide. The proliferation of hair transplant clinics in Turkey is a testament to the country’s commitment to providing the best quality care for patients.

What to Consider?

Location is indeed a consideration when choosing a hair transplant clinic, but it should be not the only one. Patients should also take into account the reputation of the clinic, the expertise of the surgeon, and the quality of post-operation care. Visiting online forums, reading reviews, and consulting with previous patients can all aid in making an informed decision.

Conclusion

In conclusion, whether you prefer the hustle and bustle of city life or the tranquil environment offered by coastal retreats, the good news is that options abound when it comes to the location of hair transplant clinics. However, beyond the appeal of location, quality of care should be the paramount consideration in your decision-making process. Luckily, with destinations like Turkey offering both setting diversity and excellent medical facilities, the right choice can give you not only a new look but a great overall experience as well.