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How to Become Viral on OnlyFans: Tips, Tricks & Tools

Nowadays, the OnlyFans scene is crowded, and standing out is harder than ever. Feeds move fast, trends flip overnight, and copycats appear the moment your post lands. If you’re new and still searching for your crowd, you need a plan that turns curiosity into loyal fans. If you’re ready to build the drive, the tips below will help you reach your goal.

Platforms That Actually Drive Heat

Upload clips and teasers to high-traffic sites that allow creator pages, give you a link in bio, and surface content to new viewers through feeds or tags. Keep the previews SFW when rules require it, and route clicks through a simple link hub so no one gets lost. Use platforms that offer basic analytics, scheduling, and takedown support, because those tools save time while you test hooks. A service like OnlySonar can help here, since you can host teaser content, organise links, and track which posts pull the most clicks. Start with two channels you can manage daily, learn their peak hours, and reply fast during the first hour after posting. Once a format succeeds, repurpose it across your other outlets and keep the best version paywalled.

Brand, Niche, Promise

Viral content needs a clear identity. Choose a tight niche, then write your promise in one sentence. It should tell people what they get and why you are different. Build a simple style guide with colours, angles, and props. Keep a short list of “always” and “never” so shoots stay on-brand. Your “moat” lives in consistency. A dozen small decisions (lighting, captions, tone, and pace) add up to something people can recognise at a glance.

Profile Setup

Your profile is the landing page for all that attention. Use a clean username, a sharp banner, and a bio that repeats your one-sentence promise. Pin a short trailer that shows the best angles and explains what to do next. Set a clear CTA hierarchy: subscribe, then check bundles, then tip or PPV. Add a friendly welcome message that fires on subscribe. Keep pricing simple at first. Offer a launch discount for the first month and a bundle for three months. Turn on region blocks if needed, set DM filters, and connect a link-in-bio that routes traffic by platform.

Content That Hooks in 3 Seconds

People decide fast. Your first frame must stop the scroll, and the next two seconds must explain the value. Use movement, close-ups, or bold text overlays. Lead with the strongest shot, not a slow intro. Add a one-line caption that creates curiosity and points to the next step. Avoid crowded visuals. 

Formats That Travel Well

Some formats perform across channels. Short vertical clips, three-to-five photo carousels, before/after sequences, and quick loops all move well. Create weekly tentpoles you can repeat: countdowns, challenges, reveals, Q&A, and “POV” moments. Stack small story arcs across a week so each post tees up the next one. People love progress. They also love a series they can follow.

Collabs That Multiply Reach

Collabs are the fastest way to grow because you swap audiences. Choose partners with similar quality and a clear overlap. Pitch a concept with two angles, one for each profile. Share a mini-contract that covers posting order, tags, and windows. Plan cross-post timing so both accounts reply in the first hour. Use dual POV clips, mirrored scenes, or a “role flip” to keep it fresh. After posting, link to each other’s pinned posts. Track results with unique links or codes so you know what worked.

Promo

Promote without tripping filters and write captions like headlines. Use a small set of hashtags that fit the post and the platform. Delay direct links on sensitive channels and route through your link hub when needed. Track each channel with UTM tags or unique discount codes. People share what helps them or entertains them, and they buy when the path is easy.

Analytics

Numbers turn guesses into decisions. Watch click-through rate, conversion rate, first-month revenue, and churn. Check which hooks, captions, and thumbnails pull the best CTR. Compare paid vs free trial conversion to paying users after one week. Track which platforms send the highest LTV. Build a simple weekly dashboard in a sheet. Keep one page. If a post wins, make three more like it. If it fails, change the hook, not the entire niche.

Final Thoughts

Aim for a clear promise, a sharp profile, and first frames that grab attention. Repurpose assets, post on a schedule, and reply fast during the first hour. Turn spikes into subs with a simple funnel, and keep fans with steady value. Don’t forget to protect your privacy while you scale, and measure what matters so each week gets a little better.

How Niche Cryptocurrencies Can Help The Gaming Sector Grow Faster

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The global gaming market has blown up into a $200 billion sector, with forecasts for 2026 expecting this number to climb even higher. Beyond numbers, gaming brought about a cultural revolution that has completely changed the way audiences engage with media. From an influx of gaming content creators to references from AAA titles being found in films and series, gaming is everywhere. However, it sits on a rather outdated and closed economic structure that limits the value players get back after sinking a lot of cash into a game. It is clear that the sector has peaked in consumers, software, and hardware, so the next growth accelerator for the sector could be niche cryptocurrencies. 

The Critical Bridge: Wallets and Launchpads

To begin with, gamers would need to move away from outdated payment methods and begin adopting crypto wallets. In doing so, players are granting themselves a personal vault where they can store and have complete control over all of their digital (and in-game) assets. With the latest innovations in blockchain tech, players will soon be able to gain sovereignty over the items they purchase at an in-game store. NFTs (Non-Fungible Tokens) will play a large role in this process, acting as a token that not only proves this ownership, but also makes this asset unique. 

As such, launching these custom tokens as ERC-20 Tokens would ensure players get a safe, secure, and robust environment for their assets. An Ethereum launchpad in 2025 would be a good go-to option as it grants users inclusivity, no minimum funding amounts, or country restrictions. With how effortlessly this platform connects to decentralised exchanges, players should also have no issue trading their launchpad tokens/in-game assets. 

The Niche Token Thesis: Beyond Generic Utility

It has been established that when referring to “niche tokens” in their context, it is directly looking at digital currencies created for a specific game or genre. Simply put, a niche cryptocurrency could be created for all sci-fi horror games, or it could be created for a specific game like Grand Theft Auto. With each genre or game having its own token, it would make it easier for real-world value to be attached to a purchased in-game asset. 

Of course, this does raise the concern that gaming will no longer be fun, as it might seem like an attempt to combine a high-tech, “business concept” with a leisure activity. This is not the case, however, as these tokens would be interwoven into the game’s monetary system (should it have one), lore, and player progression. By taking this approach, the crypto aspect is not intrusive and blends well within the game’s system, still providing the proposed benefits. 

Smoother In-Game Transactions: The Frictionless Commerce

Currently, there are a few ways the standard purchasing system creates friction when players are attempting to buy items in-game. For one, credit or debit card processing fees and wait times can be off-putting for many players (especially since the game can directly access their bank account). There is the added downside of the developer acting as the sole intermediary for all the digital purchases players make. While yes, it is your account, and that new skin seems secure in your safehouse or storehouse, there is no way to actually prove that skin is yours. 

A solution to this comes in the form of micro-transactions, which are instant and low-cost, especially when it comes to rapid and high-volume transactions. Let’s say you are attempting to trade a resource or cosmetic with another player in real-time; long waiting times are not going to cut it. This is where utilising a crypto wallet can save you time, protect you from potential malicious attempts, and still get you that item instantly. Lastly, the item you just purchased or traded can now be moved around or sold the same way a physical collectible would be. As mentioned, this item is truly yours, with the token providing proof of ownership and authenticity. 

Meaningful Reward Systems: The Ownership Revolution

Reward systems in many games offer players a sense of achievement, showcasing all their milestones reached alongside their progress. Naturally, a lot of time and effort is put into completing a game, especially for those players who enjoy obtaining accolades in the process. Introducing niche cryptocurrency into these reward systems instantly turns all the time and effort invested in a game into tangible assets with real-world value. Just won a rare, in-game badge? Well, you can sell it to another player for real money. Additionally, this also elevates P2E (Play To Earn) models, making the ‘earned’ rewards even more worth it.

For those players who create game mods, in-game characters, or other additions, they can now gain back money for the time spent with these niche tokens. To take it a step further, complete ownership of in-game assets (especially on a large scale) means players have a stake in the game’s evolution. This could come in the form of allowing players to vote on balance updates, game changes, and bug fixes, making them digital stakeholders of sorts. The best perk of this would be the player’s digital archaeology, as their in-game career can now be tracked right back to them. Although this would be a badge of honour for many, it could also help in identifying problematic players who are known for cheating or other suspicious activity. 

Cultivating Dedicated Communities and IP Longevity

Integrating niche cryptocurrencies into the gaming sector would help create a community where their finances are tied to a game’s success. While this might seem like a bad idea, it has the opposite effect, as games (especially popular ones) will have a self-policing and dedicated fanbase. Players won’t be willing to risk the game failing, and there will be an influx of self-conducted due diligence and identification of potential bugs or malicious players. As such, there is now a self-sustaining community of players not only protecting the game but also finding ways to further elevate the gaming experience. In turn, this gives way to more creative freedom for developers or modders, and could lead to the release of more AAA titles or fun sequels.

Fortnite x The Simpsons: Boss Locations, Mythic Weapons, and How to Find Them

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If you’ve ever wanted to battle Homer Simpson for a Mythic weapon, Fortnite‘s latest crossover season finally lets you do just that. The Fortnite x The Simpsons Season update has turned the island into a Springfield-style arena, introducing a collab-themed Battle Pass and skins, Sidekicks, and, of course, an array of Simpsons-inspired weapons, POIs, and bosses. Much like in previous seasons, each Simpsons boss in Fortnite has their own location and Mythic loot pool and eliminating them can net you some of the game’s most powerful weapons. So if you’re trying to find all Fortnite x The Simpsons boss locations, see what Mythic or Exotic items they drop, or plan your jump around their spawning areas, here’s a full breakdown of every Simpsons boss, their locations and loot in Fortnite Chapter 6 Mini-Season 2.

All Simpsons Boss Locations and Mythic Loot in Fortnite Chapter 6 Mini-Season 2

The Fortnite Chapter 6 Mini-Season 2 has brought in three main The Simpsons bosses to the island, which include Evil Homer, Krusty the Clown, and Witch Marge. As opposed to earlier seasons, the Fortnite Simpsons Boss spawn patterns are rather erratic and there’s a slim chance of them showing up in every battle. However, like the previous Fortnite bosses, every Fortnite Simpsons boss seems to prefer certain areas of the map. Given that all three might turn up at different times and locations during a match, finding them will take patience and a bit of luck. That said, here’s where and how you can find every Fortnite Simpsons boss and their loot in Fortnite Chapter 6 Mini-Season 2.

Krusty the Clown Location and Loot in Fortnite x The Simpsons

If the name isn’t a dead giveaway, Krusty the Clown can usually be found in and around Kamp Krusty, one of the newly added map locations in Fortnite Chapter 6 Mini-Season 2. He’s usually seen near the gas station just east of the region and is the most aggressive of the three Fortnite Simpsons bosses. Taking Krusty the Clown down will reward you with Krusty’s Mr Blasty Exotic weapon, a Shield and a stash of Gold bars.

Witch Marge Location and Loot in Fortnite x The Simpsons

Witch Marge, the second Fortnite x Simpsons boss, can be spotted on the fringes of Corruption Corners, typically towards the end of the match. Her spawn is unpredictable, thus finding her can be a bit of a waiting game. However, the good news is that Witch Marge is not too difficult to defeat once she shows up. Defeating Witch Marge in Fortnite Chapter 6 Mini-Season 2 will get you the Mythic Enhanced Combat SMG, in addition to Shield and Gold.

Evil Homer Location and Loot in Fortnite x The Simpsons

Evil Homer is the most difficult to find, since he tends to spawn more rarely than the other two Fortnite Simpsons Bosses. The best way to find Evil Homer in Fortnite Chapter 6 Mini-Season 2 is to look around Springfield Town Square, since he occasionally shows up there during a match. Defeating Evil Homer will earn you the Mythic Enhanced Tactical Shotgun, one of the classic weapons from all the way back from Chapter 1, along with Shield and Gold. 

Moreover, as a fun little Easter Egg, Nelson Muntz shows up briefly after you eliminate any Fortnite Simpsons boss and lets out his classic “Ha ha!” before vanishing again. And that covers every Fortnite Simpsons boss location and Mythic loot drop in Fortnite Chapter 6 Mini-Season 2. Good luck out there!

Cinematography Between Light and Truth: Zhengyang Du on the Quiet Language of Images

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Cinematographer Zhengyang Du works across narrative and documentary films,
exploring the emotional connection between light, space, and human
experience. His visual style is often described as intimate yet poetic, capturing
the quiet moments where emotion and environment coexist in harmony. Rooted
in a documentary background, Du brings a deep sensitivity to real spaces,
movement, and human presence into his narrative cinematography.

His works — including the award-winning short films In the Light and Hounds
Under My Bed, screened at festivals such as the Atlanta Film Festival and the
Portland Film Festival — explore themes of identity, belonging, and
transformation. What distinguishes Du’s approach is his ability to merge the
observational eye of a documentarian with the crafted rhythm of narrative
cinema. For him, every frame is a study of light and life — a visual language
through which stories are not only seen, but deeply felt.

Can you briefly walk us through your story – how you started and how you got to where you are today. You can include as little or as much detail as you’d like.

My first step into filmmaking began when I joined a documentary project with
Harbin Television, traveling to Israel to film Chinese laborers working there.
Unlike workers sent by state-owned companies, these men were independent
contractors who went abroad through private channels, yet often found
themselves without legal protection. Some suffered work injuries and have still
not received compensation, while returning home meant losing any chance of
justice. This social issue deeply struck me — I believed their stories needed to
be told. During that journey, I started learning how to tell stories through images
and realized that filmmaking could be a way to give voice to those who are
unheard.

That experience changed the way I saw both filmmaking and responsibility. It
taught me that the camera is not only a technical tool, but also a moral one — a
way to document truth, preserve dignity, and connect lives across distance.
Since then, I’ve been committed to exploring stories that hold both social and
emotional weight.

Currently, I’m a cinematographer who works on both films and documentaries.
What I love most about my work is the chance to encounter different ways of
living and to understand how people see the world. Even if my films may not
reach a huge audience, I believe their quiet presence can still give voice to those
whose stories deserve to be seen. Grounded in reality, my documentaries have
profoundly influenced my approach to cinematography — teaching me how to
capture authenticity, empathy, and the poetry within the ordinary.

How do you keep your creativity alive?

The renowned Chinese film scholar Dai Jinhua once said that since the birth of
cinema, the human lifespan has been extended threefold, because through film
we can live other people’s lives and feel what they feel. A friend once told me
that those who truly understand life are also those who make the best films. I
couldn’t agree more.

I am deeply grateful to every person who has allowed me to film their story: the
Chinese construction workers making a living in Israel; the small tech
entrepreneurs in North America; the Tibetan woman in Shambhala searching for
her own existence; my college friend who found courage through the duality of
light to undergo gender affirmation surgery; the boy who dreamed of diving in
the Pacific but wasn’t allowed; the horse confined in its stable, desperate to run;
the hot-air balloons rising from the plains of New Mexico; the online singer in
Shaanxi diagnosed with schizophrenia. Each life is a single frame, and all those
frames together make up the film of our shared humanity.

My camera has always been greedy—it longs to sculpt time with precision.
When I began shooting narrative films, I realized that every character and space
I encountered still spoke to me in the same way my documentary subjects once
did. Somehow, I always felt guided—knowing instinctively how to frame, how to
light, how to listen.

If that can be called “inspiration,” then it comes entirely from the people who
once allowed me into their worlds. It is their courage, their truth, that keeps my
creativity alive.

Tell us about your recent work?

Recently, I completed a self-initiated project at the Albuquerque International
Balloon Fiesta in New Mexico. I was fascinated by the idea that there exists
such a romantic celebration — a gathering of people who love the sky. Standing
on the vast desert plain, surrounded by the glow of dawn and hundreds of
balloons rising through the cold air, I was inspired by the colors, light, and
human spirit. While reviewing the footage, I started thinking about how these
compositions and emotions might shape my next narrative film — how to
transform the fleeting beauty of real life into cinematic imagination.

Looking back, what do you think were the three qualities, skills, or areas of knowledge that were most impactful in your journey?

1. Skill – The Ability to Learn

The most important skill in my journey has been the ability to learn. In
filmmaking, there are endless details to absorb — from the technical to the
emotional. Even after working in the industry for four or five years, I still find
something new to learn on every set. Maintaining a learning mindset keeps me
from becoming complacent; it pushes me to grow and stay curious. This
profession changes constantly, and the willingness to keep learning is what
keeps you alive within it.

2. Quality – Confidence

Confidence is closely tied to learning. In this industry, there will always be things
you don’t know — and that’s okay. The key is not to lose faith in yourself
because of uncertainty, but to stay optimistic and believe that you can figure
things out. Confidence doesn’t mean knowing everything; it means trusting that
you have the ability to learn and adapt.

3. Area of Knowledge – Visual Language

I believe that visual language will always be the most essential area of
knowledge in our field. It has taught me how to understand space, how to
communicate emotion through framing and movement, and how to let images
speak when words cannot. For me, visual language is not a tool to master but a
lifelong practice — a quiet conversation between the eye, the mind, and the
heart.

The Best Albums of October 2025

In this segment, we round up the best albums released each month. From Sudan Archives to Snocaps, here are, in alphabetical order, the best albums of October 2025.


Agriculture, The Spiritual Sound

the spiritual sound.The title of Agriculture’s astounding new album is lifted from the statement that’s printed onto their T-shirts: “I love the spiritual sound of ecstatic black metal by the band Agriculture.” On the follow-up to their 2023’s self-titled LP, the Los Angeles band toys with the technical boundaries of the genre and stretches its transcendent power, partly by digging through the muck of how it feels to love its intense extremes. Shifting between and blurring the visions (and vocals) of main songwriters Dan Meyer and Leah Levinson, its waves are unpredictable but frequently exultant in their chaotic spawl. The most fitting metaphor arrives on the closing track, which ends with the proclamation: “Sometimes I’m lifted and sometimes they crash down on me/ I’m totally out of control/ With a mouth full of water.” Rad the full review.


bloodsports, Anything Can Be a Hammer

bloodsports anything can be a hammer.From their first rehearsal together, it took less than a year for bloodsports to record their blistering debut LP, Anything Can Be a Hammer. Produced by Hayden Ticehurst, the album innervates the band’s slowcore foundations, its volatile songs often beginning with spare, somber guitar parts before bursting with noise, though never exactly in the direction you expect them to. Murphy’s lyrics teeter between sweet stream-of-consciousness and nightmarish dejection, blurring the line between fragility and confidence. “It forces an odd reaction/ Coarse and affirmed/ Cuts like a razor,” he sings almost self-consciously on the closing title track, which might leave you feeling the same way: no less alone, but strangely moved by the ever-evolving chaos. Read our Artist Spotlight interview with bloodsports.


Eliza McLamb, Good Story

Good Story coverWritten after she relocated from Los Angeles to New York, Eliza McLamb‘s sophomore LP as wry and introspective as her Sarah Tudzin-produced debut while leaning into feelings of absurdity and chaos; not just taking stock of the changes in her early 20s, but unpacking the self-narrativizing patterns behind them. “Writing it down and making it real/ Skipping the step where I remember to feel,” she sings on the title track, reconciling by holding the stories lightly and reminding herself the present is all she has: boring and difficult, sacred and eternal. Read our Artist Spotlight interview with Eliza McLamb.


feeo, Goodness

feeo Goodness coverfeeo frames her fragile, eerily intimate songs against the backdrop of infinity. Cosmic possibilities and absurd injustices shimmer at the edges of Goodness, making its vision feel as wide as it is singular; yet the more microscopic details and emotional nuances the London artist homes in on, the more her sonic poems scan as small epics, oozing through the connective tissue of a deeper world. At 39 minutes, Theodora Laird’s full-length debut is astonishingly rich; it swirls, brews, and burrows, rewarding you the further you stay along with it. Her voice is as beautiful as ever but at times almost vaporized by its surroundings, as if everything is always hanging by a very fine thread. But her discerning eye and sense of presence remains infrangible. “I’m only a witness,” she sings, bearing like few artists dare to.


Flock of Dimes, The Life You Save

The Life You Save CoverJenn Wasner’s radiant new album under the Flock of Dimes moniker creates a warmly inviting, deceptively straightforward environment to accommodate its complex ideas around addiction and co-dependency. Two decades into her career – with several solo records under her belt aside from her work in Wye Oak and collaborations with Bon Iver, Sylvan Esso, and many others – the simplicity of its songs can feel subversive, and, more importantly, the only way to really sit with and wrench the truth out of them, paradoxical as it may seem. As she reminds herself on ‘Defeat’, “I’m inside it, after all.” Read our inspirations interview with Flock of Dimes.


Florence + the Machine, Everybody Scream

Everybody Scream Artwork“Let me put out a record and not have it ruin my life,” Florence Welch sings on ‘Music by Men’, a relatively unassuming song from her latest album that cuts to its very core. It’s not fame that comes close to destroying her life, Everybody Scream suggests, but the very human drive to push through the body’s limits, to satisfy her compulsion to perform. Welch may indulge in magical realism here and there, but the visceral origins of these songs are hard to overstate: in 2023, complications from a miscarried ectopic pregnancy forced her into emergency surgery mid-tour, which saved her life and prompted an exploration of witchcraft and pagan imagery. Still seeking cathartic release, she delivers a torrential and shadowy record that’s anything but lacking in big choruses and brutal confrontation. Read the full review.


Hannah Frances, Nested in Tangles

nestled in tanglesFollowing last year’s Keeper of the Shepherd, Hannah Frances‘ fifth LP is another dazzling invitation into the singer-songwriter’s deeply interconnected world. Continuing her collaboration co-producer Kevin Copeland, Frances expands the earthy intricacies of her last album by leaning into graceful, winding maximalism; if her previous album was a solemn excavation of grief, familial dysfunction, and a turbulent upbringing, Nested in Tangles spirals outward instead of burrowing further in, creating a lush environment through which past and present selves can move and change shape. Gnarled, playful, and ultimately therapeutic, it knows when to breathe fire and softly exhale, nestle and branch out. “Recollections move through in sudden shifting shapes,” she intones on the final track, “I release into the unburdening.” Read our Artist Spotlight interview with Hannah Frances.


Jay Som, Belong

Jay Som Belong coverWhen the time came to revisit her solo project, Melina Duterte felt the urge to open up her sound to outside collaborators, enlisting contributions from Joao Gonzalez (of Soft Glas), Mk.gee/illuminati hotties collaborator Mal Hauser, Steph Marziano, and Kyle Pulley, as well as guest vocals from some of her biggest heroes, including Paramore’s Hayley Williams, Jimmy Eat World’s Jim Adkins, and Mini Trees’ Lexi Vega. Belong, her first new album in six years, is expansive and exciting at every turn, clearly energized as much by Duterte’s experimental impulses as her nostalgic love for classic alternative rock. Even when they lean into moodier, more subdued territory, these songs aren’t meant for sulking, but as Duterte puts it on ‘Past Lives’, spiraling up. It’s good company to feel a part of. Read our inspirations interview with Jay Som.


keiyaA, hooke’s law

KeiyaA_Hooke'sLawkeiyaA was feeling numb as the hype around her last album, 2020’s Forever, Ya Girl, began to die down, when she came across a post by writer Mandy Harris Williams: “a downward spiral is a loaded spring.” He was citing the concept in physics that became the title of, and poetic fuel for, the Chicago-born singer-songwriter and multi-instrumentalist’s latest album, hooke’s law. Building on the avant-R&B vision of her debut, it’s a dazzling portrait of jadedness unlike any in the genre while remaining absolute playful, both in its lush experimentation and silly one-liners. It’s not claustrophobic, exactly, so much as club music from the bottom of an emotional well. “I toast to lighten up the pain,” she offers on the closing track, “Until we meet again/ Start again.”


Rocket, R Is for Rocket

Named after a song by ‘90s post-hardcore outfit Radio Flyer, Rocket‘s debut album was recorded between 64 Sound and the Foo Fighters’ Studio 606, but rather than calling in a big-ticket indie producer, guitarist Desi Scaglione helmed the process himself. All but one of the record’s early singles were tracked at Studio 606, pushing forth its most thunderous and anthemic qualities; but what makes R Is for Rocket such a refreshing, fully-realized debut is its emotional range and earnest experimentation. “I wanna be the one to make it out of your dreams,” Alithea Tuttle repeats on ‘Another Second Chance’, as they all sound like they’re living their own. Read our Artist Spotlight interview.


Snocaps, Snocaps

Snocaps - album art.If the words Waxahatchee, Swearin’, or P.S. Eliot mean anything to you, the surprise debut from Snocaps might be the best musical surprise of the year. It’s the return of the Crutchfield twins, whose first band, the Ackleys, made waves in Birmingham, Alabama when they were just 15. Allison sometimes plays as part of Waxahatchee, Katie’s biggest, now Grammy-nominated project, and they’ve promised to perform material from P.S. Eliot, their second band, when they tour together later this year. They split their self-titled album’s tracklist evenly, ricocheting between their diverging (but never discordant) songwriting instincts. Backed by two musicians Katie worked with on her latest album, Tigers Blood, MJ Lenderman and Brad Cook, Snocaps is as warm and spontaneous as it is thorny and subtly miraculous. Read the full review.


Sudan Archives, The BPM

The BPM album coverSudan Archives’ lavish, ambitious world keeps expanding on THE BPM, but not at the expense of vulnerability – quite the opposite. Broadly speaking, the virtuoso’s third LP is as inventive as her 2022 breakout Natural Brown Prom Queen, but it also at times feels like a totally different album: wilder and more confounding its musical swings, more existential in its post-breakup candor. Sudan and her collaborators’ production is hypnotic and breathless with ideas without ever falling out of sync with the singer’s emotional overflow. “Sometimes I can get real low but I am high right now,” she sings on ‘Los Cinci’, prizing every point on the spectrum equally.


The Antlers, Blight

BlightThe Antlers’ new album, Blight, widens the scope of Peter Silberman’s songwriting by reckoning with environmental catastrophe, taking cues from a range of science fiction media. But it begins in a homey place: the unsparing intimacy of Silberman’s voice, admitting to the ways he’s contributing to the destruction by simply going about his day, the way you might be when you first press play on the record: having a meal, ordering it. If you have mourned with the psychological devastation of 2009’s Hospice or 2011’s Burst Apart, it is disarming and powerful to hear his soulful whisper carrying the same weight in this conceptual framework. Though when Blight spirals toward a series of ambiguous apocalyptic events, it once again feels not conceptual but psychological, the sound of ecological anxiety – corrosive, wordless, outstretched – turning what could be a familiarly delicate (by the Antlers’ standards) listen into an eerily fragile one. Read our inspirations interview with The Antlers. 


They Are Gutting a Body of Water, LOTTO

TAGABOW Lotto CoverAs the most pioneering band in modern shoegaze, TAGABOW could capitalize on a fantastical, watered-down version of a sound that’s only getting more popular, especially on their first LP for a bigger label in NYC’s ATO Records. They could shroud everything in glitchy layers of artifice and mutter poetic lyrics that mean nothing for the rest of their careers. Douglas Dulgarian’s way of avoiding that was making a record he’s deemed “too real” – confessional, euphoric, and achingly, nauseatingly beautiful. “I finally feel the comforting, familiar feeling of potential sleep rising up through the bile in my throat,” he says on the first song of a record filled with truths that are hard to stomach. But there’s hardly a feeling of finality to it – against all odds, it’s another fruitful beginning. Read the full review.

Lô Borges Dead at 73

Brazilian singer-songwriter and guitarist Salomão Borges Filho, known professionally as Lô Borges, has died at the age of 73. According to Mix Vale, the artist died today in Belo Horizonte, where he was recently hospitalized for a medication-related infection.

Borges was one of the founding members of Clube da Esquina, a group of musicians that originated in the Brazilian state of Minas Gerais. Growing up, he and other boys would gather at the crossroads of Divinópolis street and Paraisópolis street in the neighborhood of Belo Horizonte’s Santa Tereza, playing music and talking about the Beatles, MPB, and jazz. Borges was only 19 when he took part in Milton Nascimento’s seminal Clube da Esquina album, and wrote the tracks ‘O Trem Azul’, ‘Tudo Que Você Podia Ser’, and ‘Nuvem Cigana’.

“The story of this club, which was full of complete unknowns who all became famous later because nobody worked in music, was that I was the party organizer, me and Yé [Borges], because I played guitar and Yé also played guitar, so there was always music,” Borges recalled in an interview. “Back then, there wasn’t this thing of having equipment to play music, we just played guitar to liven up the parties. And I was the guy with the most repertoire, because I knew all the Chico Buarque songs, all the Jovem Guarda songs, all the Beatles songs, so I was the official musician and the rest of the people who frequented the place weren’t even musicians, I was the musician who played there on that corner.”

In 1973, Borges released his debut solo album, Lô Borges, which was followed by A Via Láctea in 1979 and Os Borges in 1980. Clube da Esquina 2, which arrived in 1978, featured the Borges compositions ‘Ruas da Cidade’ and ‘Pão e Água’. His recorded output slowed down in the ’80s and ’90s, but he continued releasing music up until 2023, when he issued Não Me Espere Na Estação.

Jimmy Eat World Release New Song ‘Failure’

Jimmy Eat World are back with a soaring new single called ‘Failure’. It marks the band’s first new music since 2023’s ‘Telepath’, and it was produced by Justin Meldal-Johnsen. Check it out below.

‘Failure’ will appear on the just-announced Something(s) Loud EP, which will feature vinyl debuts of previously digital-only singles ‘Something Loud’, ‘Place Your Debts’, and a cover of Crooked Fingers’ ‘Call to Love’ (featuring Bethany Cosentino), as well as an acoustic version of ‘Something Loud’ and a TW Walsh remix of ‘Place Your Debts’. It’s out November 14.

Jimmy Eat World’s last album was 2019’s Surviving. Earlier this year, Jim Adkins collaborated with Jay Som on the track ‘Float’.

“By 2021, it felt like distancing restrictions were finally easing and we could get back on the road,” Adkins explained. “Our Surviving album had barely been released before we were performing live again and reconnecting with fans. Coming out of the pandemic, it didn’t feel right to tour without offering something more, so we took the chance to share a few more tracks we’d been working on. At the time, it seemed like listeners were gravitating toward playlists rather than full albums, so we decided to meet them where they were.”

h. pruz Shares Video for New Song ‘After Always’

Ahead of the release of their new album, Red sky at morning, on Friday (November 7), Hannah Pruzinsky – the New York singer-songwriter who records as h. pruz – has shared one more single. Following previous cuts ‘Arrival’ and ‘Krista’, ‘After Always’ is a patient, enchanting track to sink into. It comes paired with a video directed by Pruzinsky’s cousin and collaborator Molly Schenkenberger, which you can check out below.

“‘After Always’ is a song exploring what comes after the possibility of forever with a person. The video was extremely fun to make,” Pruzinsky explained in a statement. “My cousin, Molly Schenkenberger, directed the short going off of a concept we both had dreamt up, largely inspired by The Wickerman (1973). When I think about finality, I often think about fire, and it was fun to reimagine these masked figures on a final dance and march to a similar type of end.”

Revisit our Artist Spotlight interview with h. pruz.

Pokémon GO Unleashes New Details About Wild Area 2025

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Pokémon GO has shared more details about its upcoming Wild Area. This big event follows the recently concluded Halloween event of the popular AR mobile game. It is also part of Niantic’s existing lineups of in-game events for the players. In particular, Wild Area highlights a different host city every year. For 2025, the honor goes to Nagasaki, Japan. On top of that, there will be a global edition of the major live event. Trainers can look forward to new adventures and exclusive rewards.

Pokémon GO Wild Area: Nagasaki

According to Niantic, 2025’s Wild Area in Nagasaki will feature a new GO Stamp Rally. Players can use it to visit real-world landmarks across the city to collect digital stamps. An event map is also already available online. This enables trainers to plan their routes as early as possible.

Likewise, the new live event in Japan debuts another Pokémon. Players should look forward to finding Shiny Unown K. They can use Incense to attract the new character during the event. However, trainers are not allowed to use the Daily Adventure Incense. Plus, the encounter is only available to ticket-holding players in Nagasaki.

Trainers can further enhance their experience by buying add-ons. All weekend, they have the option to get extended play days, boosted bonuses, and an event shirt.

Pokémon GO Wild Area: Global

Based on the official announcement, this year’s Wild Area: Global adds a unique twist. Specifically, there will be a branched Special Research story. Players must choose between the Dark Detective and the Fairy Fanatic theme. Each of these gives players a medal and bonuses.   

Upon receiving the Dark Detective medal, players can claim the following rewards for catching Dark-type mighty Pokémon:

  • One more Candy XL (Trainers level 31+)
  • 1,000 Stardust

In the same way, once players earn the Fairy Fanatic medal, they will receive the following for catching Fairy-type mighty Pokémon:

  • One more Candy XL (Trainers level 31+)
  • 1,000 Stardust

Additional Offerings

Participants in the Wild Area 2025 can expect to find Supply Balloons that appear every hour during the event. Likewise, there are new avatar items to collect.

Availability and Important Reminder

Pokémon GO’s Wild Area 2025 runs from November 7 until November 9. Meanwhile, Wild Area: Global will take place from November 15 (10 AM) to November 16 (6 PM) local time.

Once again, the developer reminds everyone to mind their surroundings and local guidelines for a fun and safe gaming experience.

What’s Next?

Niantic has already confirmed that a Pokémon HOME update is coming soon. The said change will allow players to move Pokémon caught in GO Safari Balls to Pokémon HOME. After transferring, each GO Safari Ball will look different compared to how it was in Pokémon GO.

JustArt Collective Presents Issue 2 of the JustArt Newspaper Club – Challenging Traditional Art

JustArt Collective is an artist-led initiative, founded in Hong Kong and now active in the UK, dedicated to supporting emerging and mid-career contemporary artists. Through collaborative projects, exhibitions, and publications, it fosters creative exchange, community engagement, and visibility. Rooted in inclusivity and accessibility, JustArt encourages dialogue, experimentation, and connection across diverse artistic practices, helping artists share their voices and reach wider audiences.

The JustArt Newspaper Club is a non-profit publication series that seeks to amplify the voices of artists whose work challenges, inspires, and provokes thought. Each issue combines artist features, interviews, essays, and curatorial perspectives to explore timely themes in the arts, bridging traditional and experimental approaches to contemporary creativity. By highlighting diverse practices and fostering dialogue, the Newspaper Club cultivates understanding, visibility, and support for artists beyond conventional gallery spaces.

Issue 2, themed Challenging Traditional Art, explores artists who question, subvert, and expand established artistic conventions. This edition features Amy Jackson, Nataliia Makina, Sarah Muwanga, Benchong Li, Sam Wood, Mingyu Jia, Amelia Frances Wood, Hei Yeung Kwok, Xiaoyu Hui, Claudi Piripippi, Zixin Mou, Sean Bw Parker, Hanzhi Zhong, Xiaoxiao Song, Beibei Xue, Hannah Masi and SODABOY (Hao Ming). Their work spans multiple media, including painting, illustration, photography, sculpture, and digital practices and blend of practices, presenting bold approaches that interrogate identity, form, culture, and process.

The issue also features contributions from curators and art groups such as Ivy Li, Hello Art, Everything But The Work, and WURE AREA, providing critical reflections on contemporary art practices, collective creation, and innovative curatorial strategies. Together, these voices explore how artists navigate creative challenges, redefine the boundaries of their mediums, and advocate for more equitable visibility within the art world.

JustArt Newspaper Club Issue 2 is now available for pre-order and will be sold at Newbridge Books in Newcastle, as well as online through the JustArt Collective website (https://forms.gle/ufAM5w7Z4HqVy1td8) Interested readers and supporters may also place pre-orders via email at justart.jennylin@gmail.com. Proceeds from the issue directly support the continuation of future editions, exhibitions, and artist-led projects, helping to sustain a vibrant and inclusive arts community.

Looking ahead, JustArt Collective invites artists to participate in upcoming opportunities, including the March 2026 group exhibition in Edinburgh (Collective Voices), which will feature around 30 artists presenting one artwork each. Submissions for this exhibition and for Issue 3 of the JustArt Newspaper Club are open, providing further platforms for visibility, collaboration, and creative growth. Submission details and deadlines are available via the website and social media channels.

Stay connected with JustArt Collective for updates on publications, exhibitions, and opportunities via Instagram @justart_collective, email (justart.jennylin@gmail.com), and the official website.

Written by Stephanie Siu Yau Leung and Jenny Ping Lam Lin