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Blur Share Video for New Song ‘St. Charles Square’

Blur have shared a video for ‘St. Charles Square’, the second single from their upcoming album The Ballad of Darren. It follows lead cut ‘The Narcissist’. Check out the Toby L-directed clip below.

Speaking about the new single in an interview with Zane Lowe on Apple Music 1, Damon Albarn said:

Well, I was just really relieved it went this way in the studio. I mean, I kind of in my demo, it sort of alluded to it, because of the chords that hold in the chorus. It’s got that chug to it. But Graham really went with that. And yeah, it’s got an amazing atmosphere. Everybody’s playing really well on that thing. Do you know what the whole thing has really felt like, we’re sort of somewhere in 1992, something like that, ’92, ’93. We’re just sort of back. I don’t know. And when we go on stage, that’s we’re where we start off really… I’ve always kind of felt like it’s not just about singing about yourself. You’ve got to kind of bring where you’re singing it and writing it with you.

The Ballad of Darren is set for release on July 21 via Parlophone.

Album Review: Grian Chatten, ‘Chaos for the Fly’

Grian Chatten was walking along Stoney Beach one night when, he says, the entirety of his debut solo album came to him on the waves. “I just stood there and looked at them and I heard the whole fucking thing.” Good luck figuring out where, exactly, “Stoney Beach” is, but we know it’s not too far from his family home in Skerries on the Irish east coast, inspiring a collection about the dark underbelly of small town life. “See I am that wave that breaks below/ I will give you thrills and take your pain,” the Fontaines D.C. frontman sings sullenly over fingerpicked guitar on opener ‘The Score’, setting the scene. Across nine tracks, Chaos for the Fly maintains a somber, brooding tone that’s more often bitter than sweet, but it doesn’t exactly stay in one place. There’s more than meets the eye in the stories and characters he dives into, making the smallness of their lives feel universal and, even as Chatten avoids autobiographical detail, personal in their significance.

Chatten collaborated with longtime Fontaines D.C. producer Dan Carey on the album, but what they’ve come up with is more than a stripped-back version of the band’s signature sound – moodiness minus driving instrumentation. It’s strange and raw, emerging equally from a need for isolation and control. Even when the songs sound like they could be turned into material for Fontaines D.C., you can tell why they’re a better fit for this more self-contained world. A song like ‘Bob’s Casino’, then, with loungey brass and strings that evoke its namesake in haunting fashion, offers some assurance his main project is not about to follow the Arctic Monkeys trajectory, but it feels at home on Chaos for the Fly; as does the subtly layered and soothing ‘East Coast Bed’, which allows Chatten’s imaginative storytelling to unfurl cozily over five full minutes. It’s in these moments that he entertains us with the vision that struck him that night: “Fed the birds/ On a lap round town/ Got a peculiar thought/ Nearly struck me down/ Am I the wingless one that keeps me here?” he ponders on ‘Last Time Every Time Forever’, one of a few tracks featuring Chatten’s partner Georgie Jesson, whose voice softens the void.

The most memorable and striking songs, though, are those that could stand out of the context of the album. They sail a little further and are less quick to offset the darkness that underlies them, revealing a different kind of intensity than we’re used to from Fontaines D.C. ‘Fairlies’, easily the most dynamic cut here and arguably one of the best things Chatten has put his name to, brings to life the buzzing chaos alluded to by the album title but which elsewhere remains mostly a suggestion. Written between places that seem worlds away both from each other and the record’s original spark of inspiration – the Andalusian town of Jerez (where I’ve lived, so colour me biased) and Los Angeles – it gets at the burning frustration at the core of the album, a determination to make it alone fractured by glints of nostalgia and a kindling of hope: “There’s a thing about people that I suppose is alright/ It’s when they smile right at their pain through all the day and night,” he observes.

‘Fairlies’ comes into stark contrast with the piano-led ‘All of the People’, a song that seems to be about alienation festering into bitterness about humanity until it reveals itself to be about connection. “What kind of fool would follow signs that were never there?” Chatten ultimately asks, and as he repeats the titular line one last time, it’s clear he can’t rule himself out. As the heat cools off towards the back end of the album, the ballads are more pretty and plaintive. Mostly composed of guitar and vocals, ‘Salt Throwers off a Truck’ takes place on a cold winter day in New York, extending a lovely metaphor about how “the whole of the city was seasoned to taste.” Chatten’s voice is able to find some comfort and even euphoria in the isolation, but it’s unnerving just how much the album grounds itself in negative feelings, which may have been difficult to process on a Fontaines D.C. record. It’s musically restrained and emotionally unfiltered, both qualities that feel necessary. But just like there are songs here that are deceptively upbeat, even the most glaringly pessimistic lyrics can be read as ambivalent. “I doubt you find what you’re looking for/ I doubt the feeling remains,” Chatten sings on ‘Season for Pain’. It’s not the season for loving, he makes clear, at the same time implying that whatever it is will pass, too.

Beverly Glenn-Copeland Shares New Single ‘Stand Anthem’

Beverly Glenn-Copeland has shared a new single, ‘Stand Anthem’, lifted from his upcoming album The Ones Ahead. A collaboration between Glenn-Copeland and his longtime partner Elizabeth, it follows previous offerings ‘Harbour (Song for Elizabeth)’ and ‘Africa Calling’. Check it out below.

“‘Stand Anthem’ was originally a song written to represent the essence of a one-woman show Elizabeth wrote, entitled, ‘Bearing Witness’,” Glenn-Copeland explained in a statement. “She wrote, produced, directed and performed in the show which was workshopped with the support of that inimitable (and now late) Canadian dramaturg, Sharron Pollock with the support of Mount Allison University. In the show, I and an Indigenous elder represented ‘the voice of the elders’. This was Elizabeth’s visionary, earth-activist show, and utterly brilliant.”

The Ones Ahead is slated to arrive July 28 via Transgressive.

Ratboys Release Video for New Song ‘The Window’

Ratboys have released ‘The Window’, the title track from their forthcoming LP. Following ‘Black Earth, WI’ and ‘It’s Alive!’, both of which landed on our Best New Songs segment, the new single arrives with a music video directed by John TerEick. Check it out below.

“I wrote this song a few days after the death of my grandma in June 2020,” the band’s Ratboys’ Julia Steiner said in a statement. “She didn’t have COVID, but because of the pandemic my grandpa wasn’t able to visit her in person at the nursing home to say goodbye. He ended up standing outside her room and saying goodbye through an open window. A lot of the lyrics are direct quotes of things he said to her in those final moments.”

The Window will be released on August 25 via Topshelf.

Anjimile Shares New Song ‘Father’

Anjimile has unveiled ‘Father’, the latest offering from his upcoming album The King. It follows the previously released title track, which made our Best New Songs list. Listen to ‘Father’ below.

“I wrote this song with my parents in mind as a sort of gesture of appreciation and love for everything they did to try and support me before, during, and after I went to rehab and got sober in early 2016,” Anjimile shared in a statement. “Thanks, Mom and Dad.”

The King comes out September 8 via 4AD.

BENEE and Mallrat Team Up for FIFA Women’s World Cup Theme Song

New Zealand’s BENEE and Australia’s Mallrat have shared the official theme song for FIFA Women’s World Cup, which runs from July 20 through August 20. Listen to ‘Do It Again’ below.

“Being a small part of this incredible celebration of women’s sport is an absolute dream come true for me,” BENEE said in a press statement. “As a keen young football player, I just couldn’t have imagined this! I’ve loved the experience of writing a song which I hope reflects my excitement at having the world’s biggest women’s sports event held on my home turf, and I can’t wait to perform Do It Again live with Mallrat at the opening ceremony.”

BENEE and Mallrat previously collaborated on 2020’s ‘Winter’. Check out our Artist Spotlight interview with Mallrat.

Aspects to Consider When Purchasing an Electric Vehicle

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As we stand on the brink of an automotive revolution, many of us are thinking of switching from petrol or diesel cars to electric ones. Electric cars are gaining momentum in the automotive industry, especially in the UK, where government incentives and an increasing focus on sustainability make electric vehicles (EVs) an attractive proposition. This move towards electrification is driven not only by the desire to reduce carbon emissions but also by other equally compelling factors. Meanwhile, innovations in battery technology, advancements in charging infrastructure, and governmental policies encouraging the transition to EVs have all played pivotal roles in making electric cars more accessible and attractive to consumers. 

Nevertheless, amidst this wave of enthusiasm, there lies an essential question that every potential car buyer must ask themselves – should I buy an electric car?

We understand that making the switch to EVs is a big decision. It goes beyond simply choosing a new car. It represents a lifestyle change, a commitment to sustainability, and an embrace of cutting-edge technology. Thus, to help you make an informed choice, this guide presents some of the key factors to consider when thinking about buying an electric car. In essence, we will guide you through some of the crucial aspects that could influence your decision, ranging from cost considerations to practical aspects, like charging infrastructure and driving range, to environmental impact and available government grants.

Essential Factors to Consider When Making the Electric Transition

Economic Factors: Initial Cost and Long-term Savings

For most people, the financial aspect is one of the most significant considerations when buying a car. EVs tend to be more expensive upfront compared to their petrol or diesel counterparts. This is primarily due to the cost of the batteries, which is gradually decreasing as technology advances.

However, when considering the long-term running costs, EVs can prove to be more economical. The cost of electricity per mile is considerably lower than the cost of petrol or diesel. Maintenance costs are also lower as electric cars have fewer moving parts than conventional vehicles. Furthermore, there are potential savings from various government grants and exemptions, such as the Plug-in Car Grant or savings on road tax.

One must also consider the resale value. As the EV market expands and consumer demand rises, the depreciation rate of electric cars is expected to be slower than that of internal combustion engine cars.

Access to Charging Infrastructure with Bonnet App

Transitioning to an electric car may seem daunting, particularly due to concerns about charging. This is where the Bonnet app shines. This electric app offers access to over 200,000 chargers across Europe, with more than 17,500 located in the UK alone. The breadth of this network ensures that drivers can easily find convenient EV charging points, no matter their location. Bonnet prides itself on a simple and transparent pricing structure, displayed clearly within the app, so there are no surprises when drivers reach a charging point. The app even offers a simple monthly fee for its services, ensuring no hidden or unfair costs.

Driving Range and Battery Longevity

Electric car range anxiety is a common concern, but advancements in battery technology are rapidly increasing the range of electric cars. Many new models offer ranges comparable to petrol or diesel cars, making them a practical option for both city driving and longer journeys.

The longevity of the batteries is another important factor. Most electric car manufacturers offer extensive warranties on their batteries, often up to 8 years. This should provide peace of mind for potential electric car buyers worried about the lifespan of their batteries.

Environmental Impact

Electric vehicles generate zero exhaust emissions. That is right, absolutely none. This makes them incredibly clean to run, particularly when compared to diesel or petrol cars. This lack of tailpipe emissions leads to cleaner air, contributing to a healthier environment for everyone.

However, it is not just about what comes out of the tailpipe. The overall carbon footprint of an EV, which includes its manufacture, operation, and disposal, can be significantly lower than a traditional vehicle. Even when the electricity used to charge them comes from a mix of renewable and non-renewable sources, EVs still generally produce fewer emissions per mile than conventional cars. As the grid continues to become greener, this advantage will only grow.

Finally, electric vehicles are remarkably efficient. They convert a higher percentage of the electrical energy from the grid to power at the wheels. This efficiency means less wasted energy and, ultimately, less environmental impact.

Government Incentives

Governments worldwide acknowledge electric vehicles’ crucial role in meeting environmental goals. In response, they are introducing a variety of incentives to encourage consumers to make the switch to EVs. In the UK, for example, the government offers a grant towards the cost of new low-emission vehicles, including fully electric and plug-in hybrid cars. This can significantly decrease the upfront cost of purchasing an electric vehicle. Furthermore, some local authorities offer additional incentives, such as free parking for EVs and access to clean air zones.

Beyond these purchasing incentives, the UK government also offers a grant towards the installation of home charging stations. This helps offset the cost of setting up a convenient charging solution at home, further enhancing the practicality of owning an electric car. Additionally, electric vehicles are exempt from vehicle excise duty, commonly known as road tax. This is because the rate of tax is based on the vehicle’s carbon dioxide emissions, and electric cars, of course, produce zero tailpipe emissions. Lastly, company car drivers also stand to benefit significantly. The Benefit-In-Kind (BIK) tax rate for electric vehicles is significantly lower than for traditional cars. This can result in substantial savings over the course of ownership.

These various incentives make owning an electric car more affordable and demonstrate the government’s commitment to encouraging the transition to cleaner, more sustainable transportation solutions.

The Bottom Line

The transition to electric vehicles signifies a step towards a cleaner, more sustainable future. As technology continues to evolve and make EVs more accessible and convenient, it is clear that electric cars are more than a passing trend. They represent a significant shift in how we perceive and experience mobility.

That said, deciding to buy an electric car is a decision that should be based on your specific circumstances and needs. Consider your driving habits, commuting distance, budget, and commitment to sustainability. Remember, purchasing an EV is not just about the car; it’s also about joining the growing community of drivers who are reshaping the future of transportation. As you contemplate this decision, consider not only the practical aspects but also the broader impact of your choice. With an electric vehicle, you are not just driving but contributing to a global movement towards sustainability.

Grian Chatten Releases Video for New Song ‘All of the People’

Fontaines D.C’s Grian Chatten has released a new track, ‘All of the People’, taken from his debut solo album Chaos for the Fly – due out this Friday, June 30. Following earlier cuts ‘Last Time Every Time Forever’, ‘The Score’, and ‘Fairlies’, the track arrives with a video directed by Sam Taylor, who previously helmed the videos for Fontaines D.C.’s ‘I Love You’ and ‘Roman Holiday’. Watch and listen below.

“’All Of The People’ is the stiff collar tight-fisted hand to the grindstone written where all is blue and everyone is a liar,” Chatten explained in a statement. “It is a line of chalk scratched around the world.”

Taylor added of the video: “Taking inspiration from Lars Von Trier, George Orwell, Billy Wilder, our film analyses loneliness, self-doubt then acceptance, appreciation and human connection. We hope it makes you cry happy/sad tears x.”

Close Wins LUX European Audience Film Award 2023

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The European public and members of the European Parliament have voted “Close” by Belgian director Lukas Dhont the winner of the LUX European Audience Film Award in a ceremony at the hemicycle of the European Parliament in Brussels. In the film, co-produced by Belgium, France and the Netherlands, two thirteen-year-old boys, Leo and Remi, form a close bond. When their friendship is suddenly disrupted, Leo approaches Sophie, Remi’s mother, struggling to understand what has happened.

Lukas Dhont, receiving the award with his co-author Angelo Tijssens, stated: “We stand by you as you. Discover who you are as you are. We think of you, we are hopeful and proud of you.”

Four other films were shortlisted for the award: “Alcarràs”, a Spanish film by Carla Simón, “Burning Days”, a Turkish film by Emin Alper, a Portuguese film called “Will-o’-the-Wisp” and a Swedish film called “Triangle of Sadness”. Over 500 screenings of the nominated films have been held across the European Union, subtitled in all 24 official languages.

The LUX Audience Award combines and unites the votes of the European public and those of the European Parliament Members. It is presented by the European Film Academy and the European Parliament, and in partnership with the European Commission and Europa Cinemas.

Robert Walters Group Commences Fourth Edition of their Art Competition

In collaboration with Saatchi Gallery and UK New Artists, Robert Walters Group’s UK New Artist of the Year Award returns this summer for the fourth time.

Having received 1,400+ entries last year, this year’s call for entries opens on Thursday, 29 June 2023, under the brief: ‘The Journey of Self-Actualization: Exploring the Illusion of Greener Grass and the Pursuit of the Dream’ – and the judges expect it to draw a large number of entries.

This exhibition explores aspirations and dreams, playing into the idea that everyone is seeking the career path that fulfils us and brings us self-actualization. However, the journey may not always be easy.

Among the judges will be Robert Walters – an art enthusiast, collector, and founder of Robert Walters Group; Paul Foster – Director of Saatchi Gallery; Michelle Bowen – Director of UK New Artists; Alex Zawadzki – Director of The Second Act Gallery; Harold Offeh – Artist & Educator; Inger Margrethe Stoveland – Director of Fluks – Centre for Young Art at the University of Agder, Norway; Habib Hajallie – Artist and winner of the Robert Walters Group UK New Artist Award.