Kaytranada has announced that his new album, Ain’t No Damn Way!, comes out on Friday, August 15. The producer has today previewed it with the sleek, bouncy new single ‘Space Invader’, which is built on a sample of Latrelle and Kelis’ 2001 R&B track ‘My Life’. Check it out below.
Ain’t No Damn Way!, which arrives ahead of Kaytranada’s autumn tour with Justice, will follow last year’s guest-heavy Timeless. A tracklist for the new record has yet to be revealed.
Ain’t No Damn Way! Cover Artwork:
The online casino industry is doing everything possible to attract the attention of a large audience. Various tools are used for this, among which gamification deserves special attention. So, when choosing an casino online site, you should pay attention to those tools that increase involvement in the gaming process. They allow you to get special privileges, as well as get a unique experience. Gamification plays an important role in the gambling market and is actively developing.
Gamification is a tool used by modern online casino site operators to attract the attention of the audience. In structure, such an ecosystem is similar to traditional video games, where there are levels of difficulty and specific rewards.
Initial efforts focused on the basic mechanics: earn points for playing, unlock badges for milestones, and climb loyalty levels. These features were largely static and offered limited personalization or interactivity. The main goal was to provide a reward for activity.
Now casinos are actively integrating additional features. Platforms now use behavioral data to tailor challenges and rewards to individual players. Special leaderboards and tournaments encourage competitive play. All information is displayed in real time, so players can easily track their progress online with minimal restrictions.
Casino sites use multi-level and personalized gamification systems. Key elements to look out for include:
Modern online casino site features provide the best possible gaming experience and attract the attention of the most loyal users.
Gamification works not only because it is fun. It also uses the basic psychological mechanisms that shape human behavior. Intrinsic motivation comes from internal satisfaction. Players enjoy a new challenge and exploration of available options.
Reaching new goals, unlocking levels, and receiving bonuses also trigger a release of dopamine. This creates a unique connection with online casino site elements of gamification and motivation to repeat the success. Daily bonuses for activity and login increase engagement and make you feel like you are part of a large community. As a result, such mechanics form habits and loyalty to casino games.
To summarize, gamification is a complex tool that online casinos use to attract and retain gambling fans. To increase engagement, missions, quests, and tasks are used that allow you to receive unique rewards and use them to continue playing.
Black Ops 7 takes Treyarch’s signature action and adds smoother, more responsive movement and truly expansive battlefields. You’ll find that diving and wingsuit drops feel natural, letting you drop into the fight exactly where you need to be. Classic maps return with fresh layouts, and brand-new arenas offer plenty of verticality and sightlines to master. For players interested in learning about different features and enhancements in Black Ops 7, understanding how they align with movement and map design can help you see the game from a broader perspective. Whether you’re used to boots-on-the-ground play or eager to try large-scale 20v20 Skirmish matches, the basics remain the same: move smart, pick your positions carefully, and work with your team.
In this guide, we’ll explain the core mechanics – how movement works, which maps to learn first and how they play out, and what each mode demands from you. You’ll get straightforward tips on picking loadouts, understanding Overload and Skirmish objectives, and setting yourself up for success in every playlist. By the end, you’ll know exactly where to land, how to fight, and what to pack before you even hit “Deploy.”
Black Ops 7’s movement system, called Omnimovement, blends grounded combat with strategic aerial options. Directional diving lets you drop into cover or dodge fire, while vaulting over obstacles and quick slides keep you mobile on the ground. On larger maps like Skirmish arenas, wingsuit drops speed up rotations and surprise enemies from above.
Key Movement Features
Master these mechanics in Custom Matches before jumping online. Practice transitioning from slides into dives for sudden direction changes, and experiment with wingsuit drops to find unexpected attack angles on every map.
Black Ops 7 offers a mix of fresh battlegrounds, reworked classics, and massive zones built for 20v20 clashes. Understanding each map’s flow and key areas will help you to control engagements and anticipate enemy movements.
Brand-New Environments
Each new map in the Black Ops 7 launch roster brings unique terrain, sightlines, and vertical layers:
Classic Map Comebacks
Treyarch has remastered several fan favorites to fit Black Ops 7’s style and flow:
Skirmish and Open-World Zones
Skirmish maps support 20v20 objectives across sprawling environments:
Familiarize yourself with each map in Custom and Training modes. Focus on common lanes, high-traffic areas, and available cover. In Skirmish zones, always plan your drop point based on the current objective and remaining teammates – coordination can turn an unfavorable position into a strong counterattack.
Overload – 6v6 Objective Play
Overload returns to small-team action with a focus on moving an EMP device into the enemy base. It plays like a mix of capture-the-flag and Uplink:
Skirmish – 20v20 Large-Scale Battles
Skirmish ramps up the player count and objectives across sprawling maps:
Core Playlists – Classic Modes Refreshed
Familiar game types are reworked slightly to fit Black Ops 7’s pace and maps:
Each mode rewards different skills. Practice Overload to improve your device-handling under fire, dive into Skirmish to master large maps, and run Core Playlists when you want quick, focused rounds on familiar locales.
Understanding Black Ops 7’s core systems allows you to adjust your approach and react to any situation effectively. From fine-tuning loadouts to syncing movement with shooting, these mechanics are at the heart of every match.
Loadout Customization & Perks
Creating the right loadout gives you an advantage before the match even starts.
Begin with a balanced build – an AR with recoil control attachments, Ghost, Fast Hands, and Hardline – and swap perks as you learn which playstyle suits you best.
Scorestreaks, Equipment & Field Upgrades
Choosing the right support tools can boost your momentum.
Adapt your choices according to the game mode – stick to low-cost streaks in Search & Destroy, but go heavy with mid-cost options in Skirmish to support large-scale pushes.
Combining Movement and Combat
Combining movement techniques with your shooting style keeps you unpredictable.
Practice switching from a slide into a quick strafe-dive and immediate firing in Custom Matches. When you master these combos, you’ll turn evasive moves into aggressive pressure.
Choosing a solid starter kit helps you to focus on improving rather than wrestling with your gear. Here’s a simple framework to launch you straight into the action.
Start with one build, then swap a perk or attachment each match to find what best fits your style. Over time, you’ll know exactly which tools allow you to focus on outplaying your opponent rather than your kit.
Success in Black Ops 7 often comes down to reading the battlefield and working with teammates rather than raw aim. Here are simple tactics to get you started.
By combining steady map awareness, smart positioning, and simple teamwork, you’ll turn beginner mistakes into winning plays. Practice these tips in Casual matches to build habits that stick when the stakes are high.
These core pillars of Black Ops 7 give you everything you need to beat the competition. Nail your slide-dives and wingsuit drops, learn each map’s flow, and lock in a weapon setup that fits your style to the max. Jump into Custom Matches to build muscle memory, then tackle Overload, Skirmish and classic modes to turn what you’ve learned under pressure into victory on the battlefield. After that, go ahead and change one attachment or perk each session and monitor how it affects your play. With steady practice and smart positioning, you’ll go from newcomer to confident competitor in no time at all.
The connection between gambling and gaming has grown increasingly clear in recent years. Where arcades and casinos were once seen as distinct entertainment spaces, today they share more than a few design principles. As digital gaming has developed, many creators have borrowed ideas from casino design to enhance engagement, reward loyalty, and increase the time users spend playing. The colours, pacing, sound cues, and even the psychology behind these systems often mirror what’s been refined for decades on the casino floor. What might have started as a few visual nods has grown into a deeper influence that’s helping shape game culture as a whole.
This change is partly driven by the best online casinos, which have consistently improved how users interact with digital platforms. These platforms are known for quick loading times, responsive gameplay, and reward systems that keep people engaged without becoming overly complicated. They also tend to offer practical benefits like fast withdrawals, easy account setup, and regular promotions that add value to each session. Aspects of this style have filtered into other digital games, especially mobile and free-to-play ones, where developers have adopted similar techniques to boost daily logins, player retention, and in-game purchases. It’s a style built on convenience, speed, and constant stimulation, which are all qualities that appeal to modern players.
Design-wise, the visual influence of casinos is easy to spot. Many current games feature glowing lights, celebratory animations, and stylised win effects that look almost identical to slot machine interfaces. These visual elements aren’t just for show; they play a part in how players feel during a session. By replicating casino-like reward sequences, games can create a sense of excitement or anticipation, even when very little is actually at stake. The goal is to build up positive reinforcement loops that encourage repeat play and longer sessions. These effects are often combined with in-game timers, limited-time offers, and unlockable rewards. They are design choices that are deeply influenced by gambling platforms, even if the gameplay itself remains far removed from traditional casino formats.
As gaming evolves, this crossover with casino design raises some important questions around player experience and transparency. Many games now use randomised reward systems, where outcomes are determined by chance, and the odds are not always made clear. This adds a gambling-like element to games that otherwise have no link to betting. While some players enjoy this unpredictability, others have grown wary of how much real money can be spent on games where success is partially luck-based. The line between entertainment and chance-based systems is becoming increasingly blurred, especially in competitive games where upgrades or cosmetic items can influence the experience. Players often perceive cosmetic purchases not just as vanity items, but as a means of rewarding developers and enhancing social engagement, with motivations tied to autonomy, relatedness, and ongoing investment in their gaming identity
Even with those concerns, the creative opportunities that come from this blending of styles are worth noting. Some developers are using gambling-inspired systems in original ways, creating entirely new types of games that build on the thrill of chance while offering thoughtful or artistic experiences. From card-based story games to risk-and-reward combat mechanics, the influence of casino structure can be seen across many genres. What makes these games different is how they use those elements not just to drive spending, but to shape the narrative or mood. It shows that even features once tied purely to casinos can be used more meaningfully when placed in the right creative hands. For the wider gaming industry, the link between arcade-style design and algorithm-driven gambling has opened the door to more experimentation and a deeper understanding of how players respond to digital experiences.
Recently I went on a date with someone who showed me a forearm scar he got from hopping a barbed wire fence when he was in high school, trespassing an abandoned pool. The cops came, and his friends ran, leaving him with a mark of teenage stupidity and freedom for the rest of his life. To put it bluntly, I couldn’t empathize — I was a good kid in high school; too busy or too bored to seek out weed or parties. Later, our underground bar flooded during a particularly brutal thunderstorm — “Are we gonna die?” I asked my date, imagining a wall of water rushing in on us. He said no, obviously not.
I kept that in mind while reading C. Mallon’s Dogs, a devastating novel filled with rabblerousers and jittery teens who wouldn’t hesitate to hop fences or steal booze, either. In the small town of Carbon, childhood innocence exists so close to teenage cruelty it winds the reader; get used to the muscles in your face dropping from a smile to a grimace in a matter of seconds. Mallon will not spare you — each page drips with the violence of teens fucking, fighting, disabled kids surviving their mothers, surviving getting whacked. Carbon is populated with agents of sadness, micro-stories of trauma Mallon focuses her lens on and moves away after the ache pangs for too long. An epileptic autistic 30-year-old tears Styrofoam apart and shakes hands by “splaying his fingers back out in a pink baby starfish.” A kid playing on the train tracks gets hit, the meat of his legs “fish-mouth, turned to tendrils, shredded,” eventually amputated, then he shops with his sweatpants cut below the stumps, along with his mom, donned in Care Bear scrubs. And then there’s Hal.
He can describe himself. He’s “a battery,” “a pale horse,” “the butchered calf,” “the byproduct,” “a toothed whale,” “a nothing man,” “a submarine,” “strong, whole, long and tough, broad and built out of gristle, and wire, and iron.” He tells his mother, “I didn’t ever want to be this” — after a book full of irreverent images, choose your favorite to fill in what he means. He doesn’t know what to do with his hands, he’s just happy to be there, his body is a postmodern breakable object reconstructed with language, a thing outside of himself — “I was tied to Hal’s track” — and he is also a teenage boy. And like all teenage boys, “I figured probably I was ruined.”
Hal is a tenderhearted horny monster, a boy with emotions too big for his body, a body he weaponizes to avoid speaking. He’s perceptive and doesn’t show it, angry and unfortunately does. He is literary and violent, a bully and a victim. He wears mittens and discusses Snoopy. He sings “You Are My Sunshine” to his dog and swallows pills to kill himself. He cuts his hand on a piece of glass so his mother can bandage it. Kevin makes a horrible joke, so Hal fractures his eye socket and destroys his nose. At a party he gets high on Valium and rests with Cody John in a bathtub, and has his parents bathe and clothe him. Kevin and his goons confront Hal later, spitting in Cody John’s face, so Hal mauls him again. He’s nice enough to spare Kevin another trip to the hospital, with Hal “batter[ing] my bandaged hand onto the concrete a thousand times, white cotton shredded, gone dark with the old grease and filth of the lot.”
Hal is a wrestler, along with the rest of his posse, Dylan, Zachary, Carter, and Hal’s crush, Cody John. Dogs is about one night, when the boys get out of practice and drive up to a mountain after dinner at Hal’s to camp out. Hal and Cody John are intense, doomed — think high school Brokeback Mountain — progressive boys insofar as they tell each other they love each other and closed-off to the point where Hal returns a forehead kiss from Cody John with a punch in the ribs. They haven’t done anything together yet — “I was afraid he’d think there was something ugly about it anyhow” — but the book doesn’t need sex scenes to show how intimately familiar the boys are (there is a backseat blowjob, though).
“He was a cardinal bird,” Hal thinks, “I was a canyon.” He’s a “horsefly lassoed on a thread of gold,” “the lone star, the best thing that I ever had.” If I’m quoting a lot, it’s because Hal’s relationship to himself and to Cody John (and the town, his parents, etc.) goes beyond grounded understanding; he (and Mallon) are wordsmiths. It’s through his actions, rather than his conversations, that he truly knows himself, terse as they may be. His every move is unknown to him; Dogs is as propulsive and dynamic as a well-oiled machine. Hal’s problems stem, of course, from trauma — the shattering reveal of which and subsequent mistakes plunge the book into its darkest, most depressing territory.
Dogs, which has been compared to A Little Life, does what Hanya Yanigihara sets out to do and ends up in a less frenzied place, that being with a fully-formed character and not a pulp of a human (with 500 pages to spare). Yanigihara’s strategy is not morally wrong, as other critics argue, only tiring. Hal’s ending is not sunshiny — as you can expect, it’s the opposite — but his anger and sadness and fears seem earned through the depths of emotions he experiences through his fuck-ups. Same goes for the sympathy I feel for him (I welled up three times). A Little Life felt like a kid stabbing a doll in order to get a reaction from someone; in Dogs, Hal falls through a meat grinder and lives to tell the tale. I’m not told to feel bad for him, I just do from Mallon’s incisive and often stunning prose; it’s brilliant and bodily, pulsing with life and extinguishing it just as quickly.
“They’d make him scared,” Hal imagines the fate of a mistreated dog he sees one day, “They’d shut him in a cage and then when nobody came by for him, when nobody came by to love him and call him their special boy, they’d pin him on a cold table and they’d put him to sleep. There wouldn’t be anybody there with him to smooth his fur flat, hold his chewed ears and tell him that he’d really been the best dog.”
Dogs is a staggering, nauseating display of talent — a hundred arrows into the heart all at once. The journey into the psyche of a troubled, emotional, but good boy, is deft enough to combine the dustbowl hopelessness of Ethel Cain’s discography and the pubescent romantic swells of Call Me By Your Name with a voice that pounces off the page. Mallon punches you in the gut and doesn’t bother to stop when you’ve raised your white flag. When wandering one day, Hal sees the elderly dog from the passage above, tied up in a yard, and sits with him, “Love him the way I was able,” but he doesn’t seem to perceive his warmth. A month later his drunk owner puts two bullets in his head at dawn. “Some dogs,” Hal thinks, “didn’t get what they ought to have got.” Woof.
Dogs is out now.
Taylor Swift has announced her 12th studio album, The Life of a Showgirl. Pre-orders for vinyl, CD, and cassette versions of the album are now ongoing via the pop star’s website. Its artwork, tracklist, and release date have yet to be unveiled, but Swift’s website notes that physical copies will ship before October 13.
Swift will promote The Life of a Showgirl with an appearance on New Heights, the podcast hosted by her boyfriend Travis Kelce and his brother Jason Kelce, on Wednesday, August 13, at 7:00 pm ET. Her last album, The Tortured Poets Department, came out in April 2024.
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Let’s admit it — nothing’s easier than opening your device and searching for the title you want to watch. It saves your time and most of your money. Similarly, the free section of Vudu gave us blockbuster titles with zero price tags. However, its free content doesn’t always have everything. Likewise, the availability of the “Movies On Us” feature may vary across devices due to different reasons. Thankfully, there are tons of Vudu (Free section) Alternatives out there. From subscription-based to free websites, you won’t run out of streaming options.
This article contains some streaming choices, mirror sites, and Reddit insights.
Netflix provides unlimited movies, TV series, comedy shows, and more. While it’s not free, its monthly fee is relatively low. Likewise, the premium content makes the subscription price worth it. With something new to discover each week, it remains a gold standard in streaming.
Starz is popular for its mix of licensed films and original content. Similar to Netflix, this platform is not free. However, it frequently has trials and bundle deals. At the time of writing, it is offering a special price of $5 a month for three months.
FlixFling blends subscription and rental models into one platform. For as low as $7.99 per month, users can access over 5,000 classics and unique titles. At the same time, it’s available on Android, Apple devices, Roku, Fire TV, and many more. It also claims to have zero ad interruptions.
Goku is a free streaming website that delivers a quality streaming experience. It doesn’t require users to create accounts to watch its library of HD movies and TV series. However, it does come with occasional pop-ups. It’s a great option for Vudu (Free section) alternatives.
HuraWatch promises fast streaming with no ads and no fees. Similarly, the website boasts a large catalog of movies and TV shows in high definition. Viewers can find blockbuster titles across genres. Also, HuraWatch features classic films.
Considering the nature of Vudu, it’s not common for it to have mirror sites. If there is, you should be cautious in accessing it. As of writing, the working domain for Vudu is https://athome.fandango.com/.
Reddit users on the r/vudu thread are sharing their bad experiences with the bundle or sale deals on Vudu. Some are complaining about the SD quality of their purchase. Likewise, other users say that the platform has misleading advertisements.
There are several Vudu (Free section) alternatives to explore. Choices range from paid platforms to free websites. No matter your preferences or budget, there’s always a streaming option that fits. However, you should always stream smart and steer away from risky websites.
When online cinema booking became a thing, everyone felt it was a relief from having to line up to buy tickets. However, everything changed when streaming came into the picture. Literally, all you need to do is pull up a chair and press play. No fluff and most of the time, no fees. Similarly, that’s what Popcornflix was famous for. However, many people find the content library lacking as it focuses on classics and indie titles. So, audiences are looking for Popcornflix alternatives that will give them more mainstream picks.
This article covers the top streaming alternatives, proxy sites, and Reddit updates.
Disney+ allows users to access endless entertainment. Yes, it’s not free. However, it’s hard to beat its massive library. From Marvel hits to the Star Wars franchise, it stays true to being the home of your favorites. Likewise, it offers a collection of titles that viewers can watch without a paid subscription.
Kanopy is for viewers who like documentaries, independent movies, foreign films, and classics. Specifically, you can stream thousands of movies for free. All you need is your university login or public library card. Plus, you can stream content on any device.
Philo provides live TV and on-demand content. It’s a solid replacement for users who want more than just movies. For only $28 per month, you’ll have access to the best shows, films, and much more. At the same time, it hosts hundreds of free channels and thousands of ad-supported movie titles.
FMovies is one of the last standing pioneers of free streaming websites. It continues to draw viewers with its wide variety of content. Until now, audiences have been able to use it to stream everything from blockbusters to foreign films. It’s a solid addition to Popcornflix alternatives.
ZMovies offers several choices for streaming. Specifically, this platform has titles from different genres. The selection includes action, animation, comedy, adventure, documentary, and more. However, users should be wary of the pop-up ads.
The most recent working links for Popcornflix are the following:
Be careful in accessing mirrors as they may pose digital threats to you and your device.
There is not much new information on Reddit about Popcornflix. But six months ago, one user on the r/cordcutters thread announced the return of Popcornflix.
Popcornflix alternatives are everywhere. They make your couch your front-row seat to a cinema experience. However, streaming unofficially can lead you to viruses and legal risks. You should always know what you’re clicking.
Bobby Whitlock, the American blues-rock musician who co-founded the British band Derek & the Dominos alongside Eric Clapton, has died. His manager, Carol Kaye, said in a statement to Variety that Whitlock died earlier this morning following a cancer diagnosis. He was 77 years old.
Born in Memphis, Whitlock was drawn to music at an early age, taking an interest in learning the keyboard and organ. He became the first white artist signed to Stax Records, but he never released anything for the label. He decided to leave Memphis to play music with the rock and soul duo Delaney & Bonnie, meeting Eric Clapton when he also joined the group. Whitlock went on to contribute keys to Clapton’s self-titled 1970 solo album as well as George Harrison’s solo debut, All Things Must Pass, playing organ, piano, harmonium, tubular bells, and backing vocals on several tracks.
Early in the sessions for All Things Must Pass, Clapton and Whitlock teamed up with Carl Radle and Jim Gordon for the short-lived supergroup Derek & the Dominos. Whitlock co-wrote and sang lead on numerous songs from their first and only album, 1970’s Layla and Other Assorted Love Songs. He then embarked on a solo career, releasing a self-titled 1972 album that featured contributions from all of his Derek and the Dominos bandmates and George Harrison. His second album, Raw Velvet, was co-produced by Jimmy Miller, whose connection with the Rolling Stones led to Whitlock him being an uncredited musician on Exile on Main St.
After a few more solo LPs in the 1970s, Whitlock left the music business to live a farm in Mississippi, where he raised his children. In 1999, he returned with the album It’s About Time, and the following year reunited with Eric Clapton for a performance on Jools Holland. In 2010, he published a memoir. “My business is to try to conduct myself as a decent person and a gentleman as much as I can, get through this world, navigate through this without making too many waves,” Whitlock told Everything Knoxville upon being awarded a Brass Music Note on Memphis’ Beale Street Walk of Fame. “But when you make them, make them big – ones to remember. I know the role that I’ve been playing in everyone’s music that I was a part of. Because my addition made that music mine as well – whether it’s a Jeff Healy record or whatever. I put my stamp on it.”
Resembling windows, tent and bricks, Xin Zhang’s artworks sit on the theme of urban alienation and migration, asking how home is built, unbuilt and remembered across cities, materials and body. Born on the south coast of China and now living in London, Xin looks back at the shifts between cities to confront origins and identity in their barest form.
Refusing to be grounded by categories, Xin is constantly looking for new language and form. Her design background and trainings in traditional printing at the Royal College of Art laid the ground work for her interdisciplinary practice across printmaking, photography and installation. Fueled by extreme tenderness and passion, it drifts in the in-between and leads us through the limbo of self-recognition.
In one of her latest work Insomnia I (2025), where a twisted view of the city floats before a window of light, Xin commented on the alienation of metropolitan life. The photograph conjures a real yet surreal and detached location, gesturing towards a sense of placelessness——an anonymous space of in transit, as described by Marc Auge’s.
The eccentric line ‘where to look under this temporary roof’ is threaded between the layers. Such text recurs across her work as either a narrative, a critique or a confession, offering a glimpse into Xin’s method of working where writing and making feed into one another.
As is looking through a window, Insomnia I articulates urban alienation while opening a space for self-reflection and recognition.
While she remains critical towards the definition of home, Xin’s tender telling of memory and trauma surfaces in Growing Pain(2025) and Of Eros of Dust(2023).
In Growing Pain(2025), columns of brick-like cubics carry grids, stains and handwriting, weightlessly floating and cut into the air. The papery material mimics the shape of the actual brick yet poetically contradicts its concrete heaviness that suggests vulnerability of body. Set against an actual brick wall, the doubling of the image and the object is deliberate: the actual structure and its representation occupy the same visual space but never quite meet.
Deeply personal, Growing pain dirssects into the East-Asian family value and its emphasis on discipline and self-scarifice——what is being socially produced? Carried by metaphor of ‘brick as body’, the work earns its clarity through an well restraint argument on modern alienation, and the desire to rebuild otherwise.
Originally presented as a half-burned tent on a pile of charred wood and ash, with a flaming red print telling a personal story of love and destruction, Of Eros of Dust(2023) took on a new life in the garden of a traditional hanok in Seoul, installed for the exhibition The Stone We Hold curated by 13B Gallery.
“ Me and Sangwon and Eunwoo (founders and curators of 13B) spent so much time discussing what’s the best way to install the work over email. We all agreed that we wanted it to evolve from the previous installation and interact with the new context,” Xin shares the story behind.
It now sits quietly in the clearing, a log and the remnants of a bonfire at its side. Unlike its first appearance it expresses longing in a calmer yet firm manner, signaling an evolution in the artist’s own state.
The piece takes on a different perspective on the relationship between self and origin when compared with Insomnia I, which expressed a need of stability, Of Eros of Dust suggests a nomadic and free-spirited view, and a active state of being on the road with no need of permanent structure.
Xin’s resent body of work reflects a continuous quest for identity within the them of global migration. She says London has opened a new perspective for her to doubt and question, to search and conclude, while keeping the past in view. What emerges is her rebellion against received structure, articulated in a precise and poetic language, Xin reminded us of how can be call Home.
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