Black Country, New Road have shared a new performance film titled Live at Bush Hall. It documents three shows they played at the London venue in December, which were comprised of entirely new material written after the departure of frontman Isaac Wood early last year. Greg Barnes directed the film, which was mixed by John Parish. Watch it below.
“We didn’t want to do a studio album,” pianist May Kershaw explained in a press release. “We wrote the new tracks specifically to perform live, so we thought it might be a nice idea to put out a performance.”
“We had concerns from live sessions we’ve seen or done in the past,” guitarist Luke Mark added. “They are very obviously clumped together visually from multiple performances. That can take you out of the performance and make it seem artificial and like it’s not actually live. So we came up with the idea to make the three nights look visually distinct from one another. To scratch the idea of trying to disguise anything. We wanted it to be very honest and let people know that we had three goes at it. This isn’t just us playing the whole thing non-stop.”
“We thought: if we’re gonna do a film, then make it personable,” Mark continued. “And a lot of our fans, especially when we were putting this stuff together, played a huge part in spreading the songs which meant that people could listen to them without us putting them out in the first place. It felt good to do the film in a way that involved the people who’ve been vital to keeping the whole thing afloat.”
“It’s about capturing the moment,” saxophonist and vocalist Lewis Evans said. “A little time capsule of these eight months that we’ve had playing these songs on the road.”
audiobooks, the London duo of David Wrench and Evangeline Ling, have announced a new EP titled Gulliver. Out April 12 via Heavenly Recordings, it includes the previously released single ‘Tryna Tryna Take Control’, as well as a new track, ‘Burnt Pictures’, featuring OneDa. Check out a video for it below.
“’Burnt Pictures’ is unlike anything we’ve written before,” audiobooks said in a statement. “When we toured for Astro Tough we took along the brilliant Oneda to open for some of the shows. We were playing ‘Burnt Pictures’ as part of the set to try and explore different structures, and we invited up Oneda to freestyle with us, and it was exactly what the track was missing.”
Wrench added: “Inspiration for the track came from 60’s Czech New Wave Cinema classic ‘Daises’ which I put on silently on a screen in the studio while Evangeline improvised lyrics to it.”
Gulliver Cover Artwork:
Gulliver Tracklist:
1. Burnt Pictures
2. Beekeeper
3. Tryna Tryna Take Control
4. Milan Fashion Week
Following the release of her debut EP in 2015, Anna B Savage was uncertain about how to move forward. The attention it brought her led to tours with the likes of Jenny Hval and Father John Misty, but the London singer-songwriter struggled with imposter syndrome and went through a painful breakup that made her lose confidence in herself and her abilities as a creative. In addition to showcasing her arresting voice, 2021’s A Common Turn, her William Doyle-produced debut for City Slang, found her delving into a wide range of emotions with daring vulnerability and richly detailed songwriting. Giving weight to each memory, the songs seemed to hold intimate conversations with the past – for the short film accompanying ‘Baby Grand’, she reunited with her ex-boyfriend and filmmaker Jem Talbot to untangle complicated, unexpressed feelings around their relationship.
Savage’s emotional and musical journey extends through her new album, in|FLUX, released on Friday. Working with Mike Lindsay of Tunng and LUMP, she continues to explore the complexity of her psyche but is more inclined to follow her instincts, leaning into the edges of uncertainty, confusion, and comfort to striking effect. Sometimes she evokes the duality of its title as a constant push-and-pull; elsewhere it is more of a tender embrace than a dichotomous relationship, mirrored in warm, subtly expansive arrangements. As open-ended as they are open-hearted, her questions ultimately give way to an air of contentment: “It’s a small miracle to finally enjoy being me,” Savage concludes on ‘The Orange’, “If this is all that there is/ I think I’m gonna be fine.”
We caught up with Anna B Savage for this edition of our Artist Spotlight interview series to talk about the relationship between therapy and creativity, the contradictions permeating in|FLUX, collaborating with Mike Lindsay, and more.
Around the release your debut album, you talked about how you were affected by the positive response to your 2015 EP, and how it brought out a lot of insecurities. Would you be willing to share any specific things that have helped you stave off low self-esteem?
Yeah, there’s quite a few things. Therapy – very expensive, very long-term answer, but that would be my number one answer. Much cheaper answer is the book called The Artist’s Way by Julia Cameron. Doing Morning Pages is an incredible practice, and I feel like that book is really good for pushing you through things. It’s a 12-week program, and it’s a fuck ton of work, so you have to be aware of that. And then the cheapest option, which is the most annoying option, is just keeping working. I feel like my low self-esteem really takes hold if I haven’t done any work for a little bit, and then I feel further and further away from it, and I feel less and less able to recognize that it’s always cyclical: you start something, you think it’s great, then you think it’s shit, then you think it’s great that you think it’s shit. But when I am further away from having written a song, I don’t remember that wobbliness, and I also don’t remember how difficult it is to start or finish stuff.
A lot of artists talk about the role of therapy in their lives, especially nowadays, but what I find refreshing is the subtle ways it comes up in your music, like in ‘Feet of Clay’, when you sing, “I’m what’s called avoidant, I’ve been reading about attachment.” Can you talk about how creativity and therapy intersect in your life?
They’re kind of inextricably linked. It’s funny, I feel like my creative practice is so integral to who I am. I do something creative every day, but it’s not always music, and I think a lot of people would dismiss what I do as not really a thing. But I love making stuff in different ways, so I try and do that as much as possible because it just brings me loads of joy. And similarly, therapy impacts my everyday life in many different ways that are sometimes very subtle and sometimes not so subtle. I think having things that I’m enthusiastic about – I don’t really want to not think about them. I don’t really want to not interact with them. And I am really enthusiastic about both therapy and creativity, so I try and shoehorn them into whatever I’m doing. They’re both present almost all the time, and I feel like they interact very beautifully together. Before I started therapy, I had five years where I didn’t release any music, because I was just destroying myself. I didn’t make anything, I wasn’t being creative, I was too busy destroying. And I tend to write about what’s in front of me or what’s happening in my life, so it was always going to sneak in there somehow.
I’m interested in the relationship between A Common Turn and the new album, and one change in the way you’re processing your experience is hinted by the title, in|FLUX. On one hand, there’s a sense of introspection and the vulnerability that comes with it, and on the other, an awareness of emotional fluidity and variability. Was there a point where you struggled to figure out how these contradictions could make sense in the context of an album?
You are so spot on, I appreciate that. For me, A Common Turn and in|FLUX, they feel almost like companion pieces – well, it’s not companion pieces because I don’t think they work the other way around, but it’s a journey. Not to be too GCSE about it, but a common turn, as a literal thing, is you’re just turning around, whereas in flux is a constant flux, which feels a perfect analogy for how I feel about what I’m trying to express on the albums. I think my biggest difficulty in trying to express all the contradictions that I feel on in|FLUX specifically comes in interviews. It’s really hard to succinctly express how contradictory I feel, and how contradictory I think all humans are, and fallible, and hypocritical – holding all of these different ideas that seemingly are completely opposite to each other, but holding them all at the same time and being like, “Look, these are all true, and they’re all happening right now.” For some reason, I feel like maybe that’s easier in a song, because there’s a lot of blank space, where you can make statements and then leave space around them. It feels like we managed make stuff sit really nicely on the album, like side A is a lot more of the A Common Turn world – it’s a lot more introspective, a lot more internal – and I think the second half is more external and self-assured and more embodied, and maybe more confusing as a result.
There are some specific callbacks to A Common Turn, but at the same time, things are left uncertain or ambiguous. In ‘Crown Shyness’, for example, there’s the line “It’s straight out of our film/ But I’m not certain enough to tell you anything.” ‘I can hear the birds now’, which references the animal that comes up a lot on your first album, suggests a clarity on your part without really spelling it out. Were you conscious about carrying that thread from one album to the next while leaving things open?
I don’t think I was, hugely. ‘I can hear the birds now’, that’s a perfect example, I don’t know that I actively tried to put that in as a kind of callback. But I love birds, they’re in my everyday life – again, I just put stuff that I love in songs, so they were always going to show up again. But this album, having moved slightly further away from birds, it definitely sticks out and then ties it back, which I don’t think I really realized until I had the album as a complete thing. And the other example, ‘Crown Shyness’, that was the only one where I was like, “This is a pretty obvious thing that I’m saying.” That felt a little bit more difficult, but my whole idea for this album was, I just wanted to show my progression, both musically and emotionally – emotionally outwardly but also emotionally inwardly, if that makes sense, so my emotions for other people but also my relation to myself.
There’s one other example that I actually only realized a couple of days ago, and I was like, “I’m a fucking genius!” [laughs] The last songs on both of the albums – on A Common Turn the last one is called ‘One’, and on it, I talk about a sexual partner grabbing my stomach and calling it fat. And ‘The Orange’, which is the last song on the new album, is kind of the perfect antidote to that, because I do actually talk about my stomach on that, and I talk about slightly falling in love with it and thinking it’s soft and lovely. I feel like that’s quite a good example of the progression of my emotional state as well. But I don’t know that I set out to do any of those things intentionally.
With ‘Crown Shyness’, which you said you were more conscious of, did you feel any trepidation about leaving that line in?
Not so much, because part of me feels like I wasn’t treading any new ground in ‘Crown Shyness’. And I actually wrote it not that far away from a lot of A Common Turn stuff, so in that way I’m still saying like, “This is a bit confusing, I find this quite hard.” Also, the person who I wrote it about is very generous towards me and generous towards my music, and always has been. It was an element of trust on my part and on his part.
One of my favorite contrasts is between ‘Say My Name’ and the title track, which have maybe the most intimate and defiant performances on the album, respectively. Is there a different kind of catharsis that came with making each of of those tracks?
Another thing that I wanted to do with this album, I wanted to make it easier for myself. Part of the way that I decided to do that was, when I was writing melodies, and then when I was recording, I actually didn’t want to try and put in really difficult vocal runs or octave splits or some stuff that I’d put into A Common Turn to, I guess, prove that I could do all this stuff. I wanted it to feel intimate, I wanted to be right up close to the mic, and if I’m gonna have a bit more of a dramatic vocal take, it’s just going to happen. So, part of the joy of then listening to ‘Say My Name’ or ‘in|FLUX’ is that they do have a bit more release, and they do have a bit more of that dynamic range.
When I recorded the demo of ‘Say My Name’, I wrote it at midnight or something, and I was living with my brother at the time, and he was asleep upstairs. The house that we were in was so old that I was like, “I need to fucking get the song down, but if I sing it too loud I’ll wake him up.” So in the demo, I’m playing the guitar as quietly as I possibly can, and I’m singing as quiet as I can. I remember playing it to my friend Henry, who was one of the directors on the film that I made, and Henry was like, “I’ve never heard of your voice sound like that. I’ve never heard you try and hold it in.” So I was like, “I want to do that on the on the actual album take.” Basically, the take that you hear now is what I thought was going to be the guide vocal. I just did it all the way through from start to end, and then burst into tears. And then Mike turned around and was like, “Yeah, we’re not changing that.” I guess ‘in|FLUX’ has an opposite vibe, the laugh and the “Oh, yeah” that you hear Mike do –
I was wondering if that was him.
Yeah, yeah. Basically, I’d been singing a vocal take for the ending and I’d fucked up, so I did an impression of myself and then I laughed, and then Mike was like, “Oh, yeah.” And then I did the glam rock thing, and the next time I listened to the song, those were still in there. So I was like, “Okay, let’s do it.” It felt very organic with the vocal deliveries and vocal takes. I’m not very good at doing it again and again and again, so I would do maybe five takes maximum of most of the songs. But honestly, I would happily do it once or twice and be done with it, because otherwise I start to lose my energy and the emotion of it.
What was it like working with Mike? What do you feel like he ultimately brought to the album?
It was absolutely joyful. He is such a positive and hard-working man. He was such a good influence and such a good collaborator to work with. It was just the two of us, and we just made all of it together and we kept showing up and kept doing the work. Mike worked so hard, even when I wasn’t there and I’d be like, “Thank goodness, we have a few days off,” I’d come back and he would have done loads of mixing, or he would have added in a couple of parts to something. He was always kind of churning it in his head. I don’t have that work ethic, so it’s really good that one of us had that. It felt like we both really encouraged each other to allow ideas to come out, and once we had our framework of the types of sounds that we wanted to include, it was really fun because we would just be running from instrument to instrument being like, “Let’s put some of this on.”
Are there any fond memories from the making of this album that you could share?
There’s one moment that really sticks out to me, which is kind of a funny one because it’s just a conversation that we had. But we were talking about the Get Back documentary, the Beatles one that came out around the same time that we were recording the album. I really hope it’s okay with him if I convey this story because I love it so much, but he was saying, “I always really loved John, John was my favorite because he’s mysterious and a bit tortured.” I was basically thinking, because I always wanted to be in a band, I never really wanted to work on my own, so working with Mike was amazing because I was like, I’m having this kind of band experience. I watched the first episode of Get Back and I was like, “Do you know what? All I want is a Paul. All I want is some very positive, lovely, very talented person to get me in check all the time.” He’s constantly bringing everyone back and being like, “Concentrate, everyone.” And I suddenly realized, Mike is a Paul. He’s my current Paul. He brings out the best in everyone. I was just sitting there being like, “Holy fuck, I think I’ve actually come across this thing that I’ve been looking for for a really long time.”
The idea that our personalities are always in flux is at the heart of this album, but is there a part of yourself that, as you’re about to release it, you feel confident has remained constant throughout this whole process?
It sounds sad – I feel like I’m forever going to be interacting with and dealing with my lack of self-confidence, and I feel like that’s been my main constant. It’s sad, but that’s part of the flux. When I started therapy, I thought that it would be like a light switch, and I could just turn that stuff off and never have to think about it ever again. Obviously, that’s not the case. Unfortunately, that’s not the case. But you learn to navigate it and you learn to listen to it, but maybe not give it the same amount of weight that you always used to. This is now the second time I’ve released an album, so I slightly know what’s coming, but still not quite. A lack of self-confidence is always going to be there, but I think it’s just part of me, and learning to kind of be okay with that and not attack myself for that feels like possibly the most valuable lesson I’ve ever learned.
This interview has been edited and condensed for clarity and length.
Polygon, previously known as Matic Network, is a Layer 2 scaling solution for Ethereum that aims to tackle the scalability, security, and user experience challenges the Ethereum network faces.
Polygon (MATIC) is a famous blockchain platform that has gained much interest among game developers and enthusiasts. Wondering why? Well in this article, you will understand what a polygon is, its purpose of it, its benefits, why it gains attention, how to store it, how it works, and it’s future.
What is Polygon?
Polygon is an open-source, Ethereum-compatible blockchain network that provides a fast, cheap, and secure infrastructure for decentralized applications. It is built on top of the Ethereum network and uses a proof-of-stake consensus mechanism, which is more energy-efficient and less susceptible to centralization compared to the proof-of-work mechanism used by Ethereum.
Purpose of Polygon
The main purpose of Polygon is to provide a scalable and secure infrastructure for decentralized applications built on Ethereum. The Ethereum network has faced several challenges in terms of scalability, security, and user experience, and Polygon aims to solve these problems by providing a Layer 2 scaling solution. This allows for faster and cheaper transactions on the Ethereum network and makes it easier for developers to build and deploy decentralized applications.
Advantages of Polygon
Some of the key advantages of Polygon include its fast transaction speeds, low transaction fees, increased security, and Ethereum compatibility. By using Polygon, developers can build and deploy decentralized applications that are scalable, secure, and user-friendly without sacrificing the benefits of the Ethereum network.
Additionally, Polygon provides a more energy-efficient and less centralized infrastructure compared to Ethereum, making it an attractive option for users and developers alike.
Polygon is a Game-Changer
As mentioned before, Polygon has a lot of advantages in that it has become the preferred choice for game developers who want to create decentralized games that are fast, cost-effective, and secure.
With Polygon’s fast transaction speed and low gas fees, gamers can easily participate in gameplay without experiencing any delays or spending too much on fees.
As a result, Polygon can be used to create new opportunities by implementing those benefits. Game developers can now focus on creating more immersive and engaging gameplay experiences rather than worrying about traditional gaming technology. To name a few of the games that use Polygon is UFO Gaming, Voxies, and SkyWeaver.
How to store Polygon?
Polygon, like most cryptocurrencies, can be stored via hardware or software wallets.
Hardware wallets are a form of cold storage for your tokens and provide additional security as they do not require an online connection. However, this comes at the expense of reduced mobility.
On the other hand, software wallets or hot wallets give you quick and easy access to your tokens. But these wallets are less safe as you need to be connected to the internet to use them.
What I’d recommend you do is use a combination of the two storage types to safeguard your assets. To help you make a decision, I’ve put together a list of the best polygon (MATIC) wallets available.
How does Polygon work?
Polygon works by providing a Layer 2 scaling solution for Ethereum. Transactions on the Polygon network are processed off-chain, which means that they are not recorded on the Ethereum blockchain.
This allows for faster and cheaper transactions, as well as increased security. The transactions are then periodically committed to the Ethereum blockchain, ensuring that they are secure and transparent.
Polygon’s Future
The future of Polygon looks promising as the network continues to attract more users, developers, and partnerships. The Polygon community is actively working to improve the network and increase its visibility, and there is potential for further growth as the network continues to mature and expand.
However, it is important to remember that investing in Polygon (MATIC) is a high-risk investment, and you should always conduct thorough research and seek professional advice before making any investment decisions.
Closing Thoughts
In conclusion, Polygon is a promising Layer 2 scaling solution for Ethereum that provides a fast, cheap, and secure infrastructure for decentralized applications.
With its fast transaction speeds, low transaction fees, increased security, and Ethereum compatibility, Polygon is an attractive option for users, developers, and investors who are looking to invest in the crypto industry.
Integration of Polygon in the gaming industry is a game-changer, it transforms the way how games are developed and played. As the use of Polygon in gaming continues to gain popularity, we can expect to see a new wave of innovative and engaging gameplay experience that is powered by blockchain.
However, as with any investment, it is important to conduct thorough research and seek professional advice before making any investment decisions.
Starting a dropshipping business is an excellent opportunity to earn a substantial income, but it is essential to make wise choices when selecting the products to sell. When it comes to home décor, wallpaper is a popular item that has the potential to be a profitable product for a dropshipping business.
However, choosing a suitable one is crucial for success in this market, and a wrong decision could lead to lackluster sales and disappointing results. That is why it is vital to take the time to research and carefully consider the different types of wallpapers available, taking into account factors such as current trends, customer demand, and the unique features and benefits of each product.
A well-selected wallpaper product line will attract customers, generate high sales and increase profits for your dropshipping business. This article will provide a comprehensive guide on choosing the best wall art for your dropshipping business.
From evaluating market trends to considering customer preferences and product quality, we will explore the various factors that will help you make an informed decision.
Consider Your Target Market
The first step in this process is to research the demographic of your target audience, including their age, gender, and income level. This information will provide valuable insights into the types of wallpapers they might be interested in purchasing, enabling you to choose products that meet their needs and preferences.
In addition to considering the demographic of your target audience, it is also essential to understand their lifestyle. Are they busy professionals with limited time for home maintenance, or do they have more free time and enjoy DIY projects?
This information can help you choose ones that are easy to install and maintain for busy professionals or ones that are more elaborate and offer a creative outlet for those with more free time.
By considering these factors and taking the time to research and understand your target market, you can choose wall art that will sell well and provide value to your customers, helping you establish a successful dropshipping business.
Researching Current Trends and Demand
Maintaining awareness of current trends is vital for staying ahead in the competitive dropshipping market. To do so, it’s advisable to research what types of the wall art are prevalent in your target market, taking into account the colors, patterns, and textures that are in high demand.
For instance, contemporary and minimalist designs are currently in vogue among those seeking a modern and stylish look in their homes.
On the other hand, botanical and floral designs are favored by those who want to bring a touch of nature into their interior spaces. Additionally, it’s crucial to consider regional preferences and trends when selecting wallpapers.
For example, tropical-themed ones may be prevalent in warmer climates, while cabin-style wall art might be more in demand in colder regions.
By keeping these factors in mind, you can choose a cover that will be attractive to your target market and have a higher likelihood of selling well. This can help you stay competitive in the dropshipping industry and successfully meet the demands of your customers.
Evaluate Quality and Durability
When choosing wall art for your dropshipping business, the quality and durability of the product must be given significant consideration. These factors can play a crucial role in determining the success of your business, as they will impact the wallpaper’s aesthetic appeal and longevity.
To ensure that you select high-quality wall art, it is recommended that you look for products made from durable materials such as vinyl or heavy-duty paper. These materials are more resistant to wear and tear and are better suited for high-traffic areas such as kitchens and bathrooms.
It is also essential to check reviews and ratings from previous customers, as this can provide valuable insight into the wallpaper’s performance and help you avoid low-quality products that are prone to wear and tear.
To further assess the quality of the ones you are considering, you can compare products from different suppliers and manufacturers.
This will help you understand the overall quality of the products in the market and make a more informed decision when choosing one for your dropshipping business.
By taking the time to consider the quality and durability of the wallpaper you are selecting, you can choose products that will look good and last a long time, helping you establish a successful dropshipping business that offers high-quality products to your customers.
Determine Your Budget
When selecting art for your dropshipping business, finding the right balance between cost and quality is imperative. Your goal should be to choose affordable wall art that is of sufficient quality to appeal to your target market and sell well.
To achieve this balance, you must take a comprehensive approach that involves researching competitive pricing, creating a budget plan, and considering the costs associated with shipping and handling.
Begin by researching the competitive pricing in the market and make a budget plan that allows you to offer high-quality products at a competitive price. This will ensure that your wallpapers are affordable for your target market while still providing value and generating high sales.
It is also essential to consider the cost of shipping and handling when determining your budget. Some wallpapers are large and bulky, which can significantly increase the cost of shipping. This is an essential factor to consider when choosing one for your dropshipping business, as it can dramatically impact your overall profit margins.
By considering these factors and making a well-informed decision, you can select high-quality, affordable wallpapers that will sell well and generate substantial profits for your dropshipping business.
Consider the Room and its Purpose
When deciding on wallpaper for your dropshipping business, it is crucial to consider the room in which it will be used and its intended function. This is because different rooms may need various types of art that can withstand different light levels, moisture, and foot traffic.
For instance, areas with high moisture levels, such as bathrooms or kitchens, might need waterproof wallpaper. On the other hand, rooms that see a lot of traffic or are frequently used by children might need one that is durable and easy to clean.
Rooms that are sensitive to light, such as bedrooms, might require wall art that is resistant to fading over time.
Moreover, it’s essential to consider the room’s purpose when choosing covers. A home office, for instance, may benefit from a neutral cover and a professional appearance, while a child’s room may require bright and playful wallpaper.
Additionally, it’s essential to consider the room’s overall design theme and style when picking wall art, as they should complement and enhance its appearance.
Pick the Lifestyle
When thinking about the people you want to reach with your art products, it is not enough to simply consider their demographic. It is crucial that you also get a good grasp of their lifestyle. This will allow you to make an informed decision when selecting one that will appeal to your target audience.
For instance, if your target audience consists of busy professionals with little spare time, choosing quick and effortless wallpapers to install, and maintain would be wise. These individuals may appreciate low-maintenance wallpapers, so they can enjoy their newly decorated space without having to devote a lot of time and energy to upkeep.
On the other hand, if your target audience has more leisure time and enjoys DIY projects, choosing more elaborate wallpapers that offer a creative outlet might be a good idea. These wallpapers can provide a fun and fulfilling experience for individuals who enjoy working with their hands and want to personalize their living spaces.
So, when choosing wallpapers to offer to your target audience, it is essential to understand their lifestyle and what they would find appealing in terms of installation and maintenance.
Final Thoughts
Choosing the ideal wall art for your dropshipping wallpaper business can be complex and demanding, but with the right approach, you can make an informed and confident decision.
To ensure that you select wallpapers that will sell well and offer value to your customers, you must take a comprehensive and thorough approach that involves considering multiple factors.
Begin by evaluating your target market, considering their age, preferences, and interests. Research current trends and customer demand to determine the most popular styles, designs, and colors.
Evaluate the quality and durability of the wallpaper you are considering, ensuring that it will stand up to the wear and tear of daily use. Consider your budget, determine how much you can afford to spend on each product, and consider the room’s purpose and design when selecting.
To maximize your chances of success, take the time to research and compare different wall art products. Consider their features, benefits, and prices, and compare them to your specific needs and requirements.
By taking the time to consider your options and make an informed decision carefully, you can choose ones that will sell well, provide value to your customers, and support the success of your dropshipping business.
Let’s Eat Grandma’s Rose Walton has unveiled a new solo single, ‘Turning Up the Flowers’. The track coincides with the release of the 3D anime action game Honkai Impact 3rd. Check out a video for it below.
“’Turning Up the Flowers’ is a song about the world feeling very bright and alive, and the people you love being grounding through this, but also uplifting them to be able to see it,” Walton explained in a statement. “It draws parallels between nature, light and connection between people, with the idea that they are all so intertwined and at the core almost all the same thing. It’s about both looking at nature and feeling close to someone you love, and nature looking more beautiful because of them.”
‘Turning Up the Flowers’ marks Walton’s second solo song, following ‘I Really Want to Stay at Your House’, which was featured in the Netflix series Cyberpunk: Edgerunners. Let’s Eat Grandma released their third album, Two Ribbons, last year.
Throughout the week, we update our Best New Songs playlist with the new releases that caught our attention the most, be it a single leading up to the release of an album or a newly unveiled deep cut. And each Monday, we round up the best new songs released over the past week (the eligibility period begins on Monday and ends Sunday night) in this best new music segment.
On this week’s list, we have Lana Del Rey’s ‘A&W’, a sprawling seven-minute track that drifts through different styles, images, and personas but lands someplace eerily, daringly new; Feist’s ‘In Lightning’, the most compelling and gorgeously off-kilter of the three tracks she unveiled from her next LP; ‘Lose You’, the soaring, catchy new single from Bully, a collaboration with Soccer Mommy’s Sophie Allison; Janelle Monáe’s breezily upbeat ‘Float’, featuring Seun Kuti and his Afrobeat band Egypt 80; Mega Bog’s ‘The Clown’, a strikingly cathartic embrace of one’s own multitudes; Anna B Savage’s ‘Pavlov’s Dog’, a propulsive, subtly ecstatic track about sexual desire; Caroline Rose’s ‘The Doldrums’, which probes the subject of self-reinvention with swirling intimacy; ‘Butterfly Net’, an astonishing highlight from Caroline Polachek’s new album; and MSPAINT’s frenetic, strangely invigorating new single ‘Titan of Hope’.
Just a day after releasing Quest for Life, Skrillex has surprise-released another new album. It’s called Don’t Get Too Close, and it features contributions from Yung Lean, Bladee, Chief Keef, Justin Bieber, PinkPantheress & Trippie Redd, Bibi Bourelly, Kid Cudi, and more. The previously released singles ‘Way Back’ (with PinkPantheress and Trippie Redd), ‘Real Spring’ (featuring Bladee), and ‘Don’t Get Too Close’ (with Bibi Bourelly) appear on the LP. Listen to it below.
Quest for Fire marked Skrillex’s second studio album, following 2014’s Recess. It includes the singles ‘Butterflies’ (with Starrah and Four Tet), ‘Too Bizarre’ (featuring Swae Lee and Siiickbrain), ‘Supersonic (My Existence)’ (featuring Noisia, Josh Pan, and 100 gecs’ Dylan Brady), ‘Rumble’ (with Fred Again.. and Flowdan), ‘Leave Me Like This’ (with Bobby Raps), and ‘Xena’ (featuring Nai Barghouti).
Having a pet gives you access to a wealth of health advantages while preventing depression and loneliness. On the other side, it can also mean pet hairballs on the furniture, scuffs on the floor, stains from urine on the carpet, and droppings or feathers in unexpected places.
But don’t allow these minor inconveniences to deter you from taking a pet home—you can always hire basic cleaning services or there are lots of simple methods to keep your house fresh and clean even when you have pets.
Purchase A High-Quality Vacuum Cleaner.
When you have pets in your home, it is essential to have a high-quality vacuum cleaner that ensures powerful suction and outstanding performance. Because pets enjoy playing outside, in addition to pet hair, you may also see leaves, dirt, and other material entering your home on their paws and fur.
The Shark vacuum cleaner for pets is ideal if you have pets in your house. Pet hair, filth, and debris may easily be removed from bare floors as well as carpets and rugs thanks to its superior air filtration, powerful suction, huge dirt bins, motorised brush roll, and various other cleaning attachments and accessories.
Use Dark Colours On Surfaces
Dark paint will help to better conceal mud stains and wet marks left by your pets’ wagging tails and moist noses on the lower cupboards in your kitchen and bedroom. To make cleaning much easier, ensure that the wall paint you use is likewise readily wiped down.
Place Rugs And Doors Mats
Doormats can help collect any water and dirt that your pet may track in. Today, there are many fashionable options that not only collect dirt and debris but also enhance the appearance of your home. For maximum dirt and debris absorption as your pet walks through them, place a doormat at the front door and a washable throw rug inside.
Throw rugs should be positioned in areas where your pet likes to relax, such as below a sofa, in front of a fireplace, or under a dining table. Use strong, resilient textiles that won’t tear easily and can be hosed down to get the stains out. Utilizing carpet tiles is an excellent alternative because, in the event of an unexpected mishap, you would just need to replace one square as opposed to the entire rug. Putting a wipeable mat under their top dog food could be one of the best decisions you make when it comes to keeping your kitchen floor clean.
Use Lint Rollers
Lint rollers are a staple in the cleaning arsenal of every pet owner. For cleaning stuffed furniture, throw pillows, decorative items, and pretty much all the areas your pet likes to relax, it is the ideal tool.
Clean Your Pet’s Housing and Bedding Frequently
Finally, don’t forget to keep your pets’ bedding and housing tidy. Establish and follow a regular cleaning plan. Pet housing that is dirty not only makes the animal uncomfortable but also makes the house smell bad.
To ensure fewer offensive odours, routinely clean your pet’s litter box and use high-quality, extremely absorbent bedding. Vinegar can also be used to dissolve urine encrustations.
Conclusion
If you heed the following advice, caring for your pet and keeping your home clean will be extremely simple. Ensure that the cleaning supplies you select are safe to use around dogs as well. Avoid using harsh or powerful items like bleach and choose instead for environmentally friendly alternatives.
Flo Milli has released a new single called ‘Nasty Dancer’. Produced by OG Parker, the track follows last month’s ‘Conceited’ remix featuring Lola Brooke and Maiya the Don. Give it a listen below.
Flo Milli released her debut album, You Still Here, Ho ?, in July of last year.
