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13 Best Quotes from All Quiet on the Western Front (1979)

Based on the German novel by Erich Maria Remarque, All Quiet on the Western Front is an English language TV movie adaptation set in World War I. Despite the television release, the 1979 adaptation has an epic, cinematic quality about it, thanks to the large-scale scenes in trenches and bombed villages, as well as the main character’s poignant narration. Paul Baumer (played by Richard Thomas) is a young German soldier who enlists to fight for his country. At the beginning of the war, he and his classmates are filled with idealistic, patriotic ideas about Germany and warfare, and these ideas are reinforced when they attend a rigorous training camp in preparation for battle.

Over the course of the war, Paul and his friends come to realise that much of the information they have been fed was propaganda. An older veteran, Ernest Borgnine’s Stanislaus Katczinsky (affectionately called Kat), is a key player in the boys’ disillusionment. Kind and patient, he treats them like people rather than soldiers, and helps them learn the harsher truths about war. Ironically, Remarque’s book was banned in his own country during the Second World War, which now gives the story an added layer of authenticity and urgency. Here are the best quotes from the 1979 film adaptation.

  1. “You still think it’s beautiful to die for your country. The first bombardment taught us better. When it comes to dying for country, it’s better not to die at all.”
  2. “And our bodies are earth. And our thoughts are clay. And we sleep and eat with death.”
  3. “In the training camp, they filled you with fancy information on how to be a soldier. We’re going to work hard to forget all that. I’ll teach you practical things. Like how to put your diapers on in the front lines.”
  4. “Shoot the wounded horses! Shoot them! Shoot them, can’t you? Shoot them … What have they done? They haven’t done anything … It’s wrong killing horses.”
  5. “They brought us delicious Edammer cheese. We eat and drink of course but there is no joy in it because they always feed us like this before they send us into hell.”
  6. “How long is it? Days, weeks, months, and years. Attack, counterattack, and the dead pile up. Winter, summer. The days are hot and the dead lie unburied. The shells will bury them. But when the wind blows towards us it brings the smell of blood, which is heavy and sweet.”
  7. “I didn’t want to kill you. But you just jumped in here like that. What would you have done? It’s just I’d never met you before like this face to face. I just saw your rifle, your bayonet, grenades. If we threw all those away we could be brothers. But they never want us to know that, do they? They never want us to know. We each have mothers, fathers, the same fear of death. The same pain. The same everything. Everything. Forgive me, comrade.”
  8. “Be careful with these uniforms, boys. They have to be handed down to the next bunch of heroes that get reviewed by the Kaiser.”
  9. “Kat, why do you think we’re in this war?”
    “Protect the Fatherland.”
    “What are the French fighting for?”
    “Protect the Motherland.”
    “And who’s right?”
    “Whoever wins.”
  10. “Can you imagine that little peacock (Himmelstot) getting a medal from the Kaiser?”
    “He behaved like a true German soldier. He ran ahead when he was told to run ahead. And he ran back when he was told to run back. The only thing he didn’t do like a German soldier was die.”
    “Do you think that’s what we’re fighting for? Just to die?”
    “Do you know what we’re fighting for? Does anybody know what we’re fighting for? Does the Kaiser?”
  11. “I used to live in this room. All my things are here, all my books. My beloved books. But they no longer speak to me as they used to, for I am no longer what I was when I lived in this room. I am a soldier. My business is not reading; it is killing. My knowledge of life is limited to death.”
  12. “Out there all men think as I do; there’s no argument about the meaning of life because it has no meaning.”
  13. “He was talking. Ten minutes ago. We were talking.”

18 Beautiful Stills from Jane Eyre (2011)

The 2011 film adaptation of Charlotte Brontë’s Gothic novel Jane Eyre is a gorgeous piece of cinema, thanks partly to Adriano Goldman’s incredible cinematography. Throwing the moors into sharp contrast against the sunny, floral grounds of Thornfield, the film follows Jane’s tumultuous journey from childhood to her role as governess to almost marrying her employer, the mysterious Mr. Rochester. While in Brontë’s novel Jane speaks directly to the reader, the film is framed by her mad dash through the foggy wilderness after she learns that Rochester has lied to her about his past. The plot will be familiar to readers of the book, but this film adaptation is a brilliant, vivid journey that shines fresh light onto Jane’s character.

Portrayed by Mia Wasikowska, Jane is haunted by her dark, lonely, and abusive past – something she’s trying to escape in her new position as governess to the cheerful Adèle (Romy Settbon Moore), Rochester’s “charge”. Edward Rochester (Michael Fassbender) is not present when Jane first arrives at Thornfield Hall, and when she does finally meet him, he remains just as much of a mystery to her. Though Thornfield is an isolated place, rumors swirl about Rochester, about Jane, and eventually about their relationship. A series of unsettling events – strange noises in the night, a sudden fire, and Rochester’s random outbursts – doesn’t seem to affect her opinion of him, which gives the viewers clues about Jane’s own character.

Though this classic book has been adapted numerous times, the 2011 adaptation stands out, as do its memorable visuals. Here are some of the best stills from Jane Eyre.

The Best Songs Featured in HBO’s Euphoria (So Far)

HBO’s hit teen drama Euphoria has a distinctive visual aesthetic, which has made the show easy to distinguish from others like it – the characters wear glittery makeup and bright outfits, the lighting is alternately colorful and stark, and the camera maneuvers draw the viewer right into this hyper-stylized world.

Plot-wise, the series follows teenager Rue (Zendaya), who struggles with addiction following her father’s death. She has drifted away from her best friend Lexi (Maude Apatow), so the only company she finds is with her mother Leslie (Nika King), sister Gia (Storm Reid), and dealer Fez (Angus Cloud). These three characters are often the ones to deal with Rue’s lies and overdoses – until Jules (Hunter Schafer) moves to town. Jules befriends some of the other girls in Rue’s circle, including Kat (Barbie Ferreira), who is on a journey of self-discovery and reinvention. This is influenced by Maddy (Alexa Demie), who is dating the violent Nate (Jacob Elordi). In season 2, Lexi’s self-absorbed sister Cassie (Sydney Sweeney) becomes involved in a messy love triangle with Nate and Maddy, who is her best friend.

Each episode focuses mostly on one of these characters but always returns to Rue, who is also the (unreliable) narrator. Every character has their own distinctive traits, and some even have their own theme song. Along with the vibrant visuals, Euphoria is also known for its shimmery soundtrack. The show is scored by English artist Labrinth, who brings a unique sound to the series. Here are some of the best songs featured in Euphoria‘s first two seasons.

  1. All For Us – Labrinth, Zendaya
  2. All My Heroes (The Tox Avenger Remix) – Naeleck, Sarah Rebecca
  3. Champagne Coast – Blood Orange
  4. Dirty Work – Steely Dan
  5. Don’t Be Cruel – Billy Swan
  6. Gangster – Labrinth
  7. Formula – Labrinth
  8. Haunted – Laura Les
  9. Holding Out for a Hero – Bonnie Tyler
  10. Hot – The Last Artful, Dodgr
  11. How Long – Tove Lo
  12. I’m Tired (with Zendaya) – Labrinth
  13. Jump Into The Fire – Harry Nilsson
  14. Liability – Lorde
  15. Me in 20 Years – Moses Sumney
  16. Mount Everest – Labrinth
  17. Nate Growing Up – Labrinth
  18. Never Tear Us Apart – INXS
  19. Right Down the Line – Gerry Rafferty
  20. Run the Road – Santigold
  21. seaside_demo – SEB
  22. She Sells Sanctuary – The Cult
  23. Snow Flake – Jim Reeves
  24. Stand by Me – Ben E. King
  25. Still Don’t Know My Name – Labrinth
  26. Stuck In The Middle With You – The Sometimes Island
  27. Vitamin C – CAN
  28. Watercolor Eyes – Lana Del Rey
  29. When I R.I.P. – Labrinth
  30. Work – Charlotte Day Wilson

19 Best Stills from The Grand Budapest Hotel

American director Wes Anderson is well-known for his quirky, colorful films. The Grand Budapest Hotel continues his track record of offbeat humor, highly stylized settings, and deadpan characters. Inspired by Stefan Zweig’s novel, Beware of Pity, the film takes place in a fictional Eastern European country in the twentieth century. As per the film’s title, the primary setting is a hotel, whose concierge Monsieur Gustave H. (Ralph Fiennes) is framed for murdering a wealthy dowager (Tilda Swinton), who has left him a priceless painting in her will. Accompanied by one of his new employees, Zero (Tony Revolori), Gustave embarks on an adventurous journey to find the painting while fleeing the police.

Though the film takes place in winter, its color palette is bright and vivid, and the settings are gorgeously framed. The Grand Budapest Hotel won Academy Awards for production design, makeup and hairstyling, and costume design. Along with meticulous cinematography by Robert Yeoman, these elements come together to create a pleasant viewing experience and a visually stunning cinematic world. These are some of the best stills from The Grand Budapest Hotel.

Watch Post Malone Perform With Fleet Foxes’ Robin Pecknold, Roddy Ricch on ‘SNL’

Post Malone was the musical guest on Saturday Night Live last night (May 14), where he performed songs from his new album twelve carat toothache. Making his debut on the show, the rapper brought out one of his favorite artists, Fleet Foxes’ Robin Pecknold, for the song ‘Love/Hate Letter to Alcohol’. Pecknold sang in a choir behind him while the stage was enveloped in smoke. Posty was also joined on stage by Roddy Ricch for a live rendition of ‘Cooped Up’, which they shared earlier this week. Watch it below.

Pecknold previously appeared on Saturday Night Live in 2009. Roddy Ricch was scheduled to perform earlier in the season but ended pulling out due to a COVID exposure, with Bleachers taking his place.

twelve carat toothache, Post Malone’s first album since 2019’s Hollywood’s Bleeding, is set to arrive on June 3.

Britney Spears Reveals She’s Suffered Miscarriage

Britney Spears has revealed that she has suffered a miscarriage. A month after announcing she and fiancé Sam Asghari were expecting their first child together, Spears shared the tragic news on social media in a post signed by both her and Asghari. “It is with our deepest sadness we have to announce that we have lost our miracle baby early in the pregnancy,” they wrote. “This is a devastating time for any parent. Perhaps we should have waited to announce until we were further along however we were overly excited to share the good news.”

They continued: “Our love for each other is our strength. We will continue trying to expand our beautiful family. We are grateful for all your support. We kindly ask for privacy during this difficult moment.”

Spears has two sons, 16-year-old Sean Preston and 15-year-old Jayden James, both with former husband Kevin Federline. She and Asghari have been together since 2016 and the pair announced their engagement last September. This would have been Spears’ first child since being freed from her conservatorship.

“We are grateful for what we have in the process of expanding our beautiful family,” Spears captioned her post on Instagram. In the comments, Asghari wrote, “We will have a miracle soon.”

 

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Watch Kendrick Lamar’s New Video for ‘N95’

Kendrick Lamar has shared a new music video for ‘N95’, a track from his brand new album Mr. Morale & The Big Steppers. Following the deep fake visual for ‘The Heart Part 5’, the clip was directed by Lamar and Dave Free and sees the rapper floating above water while holding his hands up in a Jesus-like pose. Baby Keem, who co-produced the song, also makes an appearance in the video. Check it out below.

Album Review: Florence and the Machine, ‘Dance Fever’

As a star, Florence and the Machine has always seemed unshakable. Since crashing into the upper echelons of mainstream pop with 2009’s Lungs, Florence Welch has shown an unwavering commitment to making art that is as grandiose as it is timeless, maintaining a vision that can only be described as titanic where others would settle for “anthemic” or “cathartic.” Not even singing ‘Margaritaville’ alongside Jimmy Fallon days before the release of her new album could shatter her otherworldly persona or detract from the thrill of her performing a new song that same night – four albums into her career, she clearly has nothing left to prove. Her songs are home to larger-than-life emotions lifted by her sweeping ambition and inimitable voice, and even if Florence and the Machine records have sometimes fallen short of cohering into an even bigger and more profound statement, doing anything other than marvel at the spectacle seems entirely out of the realm of possibility.

Dance Fever, the band’s latest, finds Welch returning to the euphoric bombast of her earlier work in order to interrogate what she and her art are made up of; her way of “winking at [her] own creation,” as she told Vogue. More than any other Florence and the Machine album, it is deeply human and conflicted, approachable yet struggling to let go of the musical and symbolic language that has come to define the project, where everything is a matter of life and death. During the writing process, Welch was fascinated by the concept of choreomania, the “dancing plague” that spread across Europe in the late Middle Ages and drove large groups of people to dance themselves to death – the perfect metaphor for someone so feverishly devoted to the ritual of performance, even when it comes at the cost of true self-knowledge.

If Welch’s songwriting tends to frame personal and collective struggle as a constant battle between heaven and hell, Dance Fever immediately stands out by setting the drama on a much smaller stage. ‘King’ opens with an argument in the kitchen about the limits of her art and the prospect of motherhood, and before it has the time to erupt into a classic Florence and the Machine anthem, the song’s persistent drum beat accompanies the singer as she turns the dispute inwards. “I am no bride/ I am no mother/ I am king,” she howls, a refrain as iconic as her best but ultimately more striking for its ambivalence, each king landing on an ominous note. She continues to reach for such declarations throughout the album’s first half; the next track, called ‘Free’, is a more straightforward attempt at capturing the unabashed joy of music in an album that seems constantly torn by its power. It’s immediately offset by the piercing self-awareness of ‘Choreomania’, which begins with the line: “I am freaking out in the middle of the street with the complete conviction of someone who has never had anything actually really bad happen to them.”

At times, the confessional nature of Welch’s lyrics rises above the theatrical and propulsive qualities of her music. As much as she contemplates her relationship with “the song” and revisits familiar iconography that has marked her previous output, she also demystifies her image with admissions of crying into a bowl of cereal and jokes about evangelicals and how “Heaven is now overrated.” She’s “just another screaming speck of dust,” she sings on ‘Girls Against God’, and confronts herself with questions like, “Is this how it’s always been/ To exist in the face of suffering and death, and somehow still keep singing?” The more the album progresses and she realizes she’s yet to find the answers, though, the more it starts to lose momentum, stumbling rather than settling into the uncertain stillness.

Though she reserves space for intimate cuts like ‘Prayer Factory’ and ‘Restraint’, it’s here that Welch and her collaborators fail to evoke the tension that belies them in a way that feels intentional or imaginative, even if the rawness is captivating. One of the quieter moments that leaves a more lasting impression is ‘Back in Town’, where subtle waves of brass and synth illuminate a dark and restless night. But it’s not just the shorter songs that could have been fleshed out; after the opening trio of high-energy tracks, some of the upbeat songs that attempt to pick up the pace (‘Dream Girl Evil’, ‘Daffodil’) can also feel slightly underdeveloped. This might due to the fact that there’s a clear distinction between the songs Welch produced with Jack Antonoff and those aided by Dave Baley of Glass Animals, and it doesn’t necessarily serve to accentuate the album’s divided core. But Welch’s lyrics can at times feel less inspired and potent, too, particularly with lines like, “Make me evil/ Then I’m an angel instead/ At least you’ll sanctify me when I’m dead.”

Everything still sounds magnificent, of course, even if not every song unravels with the same dramatic intensity as ‘Heaven Is Here’, which actually benefits from being co-produced by both Antonoff and Baley. ‘My Love’ may not be the most complex song in Welch’s catalog, but its danceability has a strange way of amplifying the heavy frustration of the chorus: “I don’t know where to put my love.” That sentiment finds its way back on the following track, where she marvels at herself for having made it through “this somewhat drunken joke” and reaches a poignant realization: “Sometimes I see so much beauty I don’t think that I can cope.” On Dance Fever, Welch devotes all of her effort to the pursuit of holding onto it, extracting the real from the mythical.

Watch Snail Mail Perform ‘Glory’ on ‘Fallon’

Snail Mail was the musical guest on The Tonight Show Starring Jimmy Fallon last night (May 13). Lindsey Jordan and her band performed the Valentine single ‘Glory’. Watch it below.

Snail Mail released Valentine, her sophomore LP, back in November. She previously performed the album’s title track on The Late Show with Stephen Colbert, but had to reschedule her tour dates later that month due to the immediate need for vocal cord surgery. The band will embark on a tour of Europe next month before heading back to the US in August for some shows in the East Coast and Midwest.

Remi Wolf Releases Video for New Song ‘Michael’

Remi Wolf has unveiled a new track, ‘Michael’, which will appear on the upcoming deluxe edition of her debut album Juno. Give it a listen below.

“I wrote ‘Michael’ with my friends Aaron Maine (known as the artist, Porches) and Jack DeMeo,” Wolf explained in a press release. “It was me and Aaron’s first time working together, and we had both just gotten back from a wild trip to Miami, so that energy carried over into the session. We wrote 3 songs that day but ‘Michael’ really stood out to us. When I was writing the song, I was just free-styling and letting words fall out. The meaning has come to me now after a couple months. The song paints a picture of a manic and obsessed woman who craves the high she gets from Michael’s attention and is willing to delve deep into an masochistic toxic pit to get it.

Of the song’s accompanying visual, she added: “I wanted the video to really paint a picture of this lady running around the city trying to find Michael. We filmed run and gun style in Argentina while I was on tour there, it was a bit of a whirlwind, which in the end added to the mania of the video.”

Along with ‘Michael’, the deluxe album will include three more previously unreleased tracks. Earlier this year, Wolf teamed up with Still Woozy for the song ‘Pool’.