Home Blog Page 1109

The Lounge Society Announce Debut Album, Share Video for New Single ‘Blood Money’

The Lounge Society have announced their debut album, Tired of Liberty, which is set to arrive on August 26 via Speedy Wunderground. Check out lead single ‘Blood Money’ below, along with the album’s cover art and tracklist.

“’Blood Money’ is a reaction to the culture of greed that’s seeping into the corridors of power across the world,” the band commented in a press release. “It’s a reminder that ultimately, we all suffer at the hands of self-serving elites, and it’s our personal perspective on the effects of dirty politics on the everyday lives of ourselves and people we know. For us it’s a song that completely captures this record and us as a band. It feels like the perfect development from our previous releases to our debut album and exactly how this record should be introduced. The balance of driving guitar riffs and the groove of the drums and bass is sort of a snapshot of the album. We’d never claim to be a purely dance based band and we’d never claim to be a purely guitar riff-based band because it’s the combination of the two which excites us.”

They continued: “On’ Blood Money’ it felt like in the studio we took our sound to a different level. We approached the album recording in a totally fresh way to how we have recorded in the past and we got exactly what we wanted. We had good friends & Speedy label mates of ours Anouska (Honeyglaze) and Jojo (Heartworms) do some extra vocals in the chorus, and it really elevated it and gave it an almost operatic feel which was amazing to see develop in the studio.”

Tired of Liberty Cover Artwork:

Tired of Liberty Tracklist:

1. People Are Scary
2. Blood Money
3. No Driver
4. Beneath The Screen
5. North Is Your Heart
6. Last Breath
7. Remains
8. Boredom Is A Drug
9. It’s Just A Ride
10. Upheaval
11. Generation Game

This Week’s Best New Songs: Sharon Van Etten, Bad Bunny, Camp Trash, and More

Throughout the week, we update our Best New Songs playlist with the new releases that caught our attention the most, be it a single leading up to the release of an album or a newly unveiled deep cut. And each Monday, we round up the best new songs released over the past week (the eligibility period begins on Monday and ends Sunday night) in this best new music segment.

On this week’s list, we have Sharon Van Etten’s ‘Mistakes’, a confident and uplifting stand-out from her new LP; Emily Yacina’s ‘DB Cooper’, a tender, dreamy tribute to the Long Beach-based musician’s late friend and collaborator Eric Littman; ‘El Apagón’, a thumping highlight off Bad Bunny’s new record; Camp Trash’s catchy and anthemic ‘Let It Ride’, the lead single from their debut album; Mykki Blanco’s ‘Your Love Was a Gift’, an evocative collaboration with Diana Gordon and Sam Buck; Porridge Radio’s ‘End of Last Year’, a bracingly cathartic song about rebuilding trust in friendships; and Rolling Blackouts Coastal Fever’s ’Dive Deep’, which exhibits a different side of the band’s sound but creeps up on you the more you listen.

Best New Songs: May 9, 2022

Song of the Week: Sharon Van Etten, ‘Mistakes’

Emily Yacina, ‘DB Cooper’

Bad Bunny, ‘El Apagón’

Camp Trash, ‘Let It Ride’

Mykki Blanco, ‘Your Love Was a Gift’

Porridge Radio, ‘End of Last Year’

Rolling Blackouts Coastal Fever, ‘Dive Deep’

Watch Kendrick Lamar’s Video for New Song ‘The Heart Part 5’

Kendrick Lamar has released a new song called ‘The Heart Part 5’. It’s the first single ahead of the release of his new album Mr. Morale & The Big Steppers and his first new song as a lead artist since 2018. It arrives with a music video directed by Dave Free and Lamar in which the rapper’s face morphs into different celebrities including OJ Simpson, Will Smith, Jussie Smollett, Kobe Bryant, Kanye West, and Nipsey Hussle. The clip opens with a quote from his new alter ego oklama: “I am. All of us.” Check it out below.

‘The Heart Part 5’ was produced by Beach Noise, the production trio of Matt Schaeffer, Johnny Kosich, and Jake Kosich, with musical contributions from Kyle Miller and Bekon. It’s the latest installment in the rapper’s ‘The Heart’ singles series; he dropped ‘The Heart Part 4’ right before releasing DAMN..

Lamar announced the follow-up to that LP last month by tweeting a link to his oklama website, revealing that the album’s release date is May 13. More recently, he teased the record with a photo of a hand holding both a book and two compact discs.

Watch Arcade Fire Perform ‘The Lightning I, II’ and ‘Unconditional (Lookout Kid)’ on ‘SNL’

Arcade Fire were the musical guests on last night’s episode of Saturday Night Live, where they performed two songs from their sixth LP WE. After performing lead single ‘The Lightning I, II’, vocalist Win Butler returned to the mic to speak out in support of abortion rights: “A woman’s right to choose forever and ever and ever. Amen.” The Canadian group later delivered a performance of ‘Unconditional I (Lookout Kid)’, which ended with the singer telling his mom he loved her. Watch it below.

This was Arcade Fire’s fifth time appearing on SNL; they previously performed on the show in 2007, 2010, 2013, and 2018. WE, which was produced with Nigel Godrich, came out on Friday. The band recently announced a world tour in support of the album.

Rage Against the Machine Release Statement in Support of Abortion Rights

Rage Against the Machine have issued a statement speaking out against the Supreme Court’s leaked draft opinion voting to overturn Roe v. Wade, which enshrined the right to abortion in the United States in 1973. “Rage Against the Machine stands in support of reproductive justice and will continue to fight against any attempts to restrict or control reproductive freedoms,” the band wrote on social media. “Criminalizing access to abortion will only add to the suffering disproportionately felt by poor, BIPOC and undocumented communities.”

They added: “The constant rightward shift of both major parties should alarm us all – a wake up call that we desperately need to organize radical people power against a warfare state that continues its assault on people’s lives.”

Ever since Politico published the court’s leaked draft opinion earlier this week, a number of musicians have spoken out in support of abortion rights, including Olivia Rodrigo, Lorde, Phoebe Bridgers, Questlove, CHVRCHES’ Lauren Mayberry, and Halsey.

Watch Sharon Van Etten’s New Video for ‘Mistakes’

Sharon Van Etten has shared the music video for ‘Mistakes’, a track from her brand new album We’ve Been Going About This All Wrong. Watch the Ashley Connor-directed clip below.

We’ve Been Going About This All Wrong, Van Etten’s sixth full-length release, came out Friday via Jagjaguwar. The singer-songwriter opted not to release any singles ahead of the release of the LP, which does not include her recent tracks ‘Porta’ and ‘Used to It’. Read our review of the album.

Album Review: Sharon Van Etten, ‘We’ve Been Going About This All Wrong’

Though each album marks a subtle self-reinvention, Sharon Van Etten’s body of work unites around an allegiance to sincerity. Her albums chronicle changing emotional states, with music performing the daunting task of excavating and broadcasting emotional truths. While her musical sensibilities have shifted dramatically across her six albums, this fundamental essence remains unchanged. The evolution of Van Etten’s sound extends from Because I Was in Love’s minimalist folk arrangements sung with heartbreaking immediacy to Remind Me Tomorrow’s turn to explosive and emotive rock anthems. On We’ve Been Going About This All Wrong, Van Etten’s latest, she taps into contemporary woes, both individual and collective. We’ve Been Going… is distinctly a pandemic-era album, built from the almost universal spirit of early quarantine reflection. Through Van Etten’s songwriting, private and public spheres collide, exploring the human response to endings and conflicts. Over the course of ten songs, Van Etten narrates stories about interactions with feelings of inevitable doom (both large and small scale), uncovering flashes of hope amidst the rubble.

We’ve Been Going…’s songs navigate a variety of relationships, casting Van Etten in numerous roles: individual, partner, lover, mother, political body, etc. The tracklist assembles different conversations united by shared feelings of uncertainty. Van Etten’s songwriting is blunter than ever here, often taking the form of urgent pleas and unpretentious declarations. At times, her more lyrical writing runs into staid metaphors. She’s often unweaving a relationship between darkness and light: a cliché that benefits from Van Etten’s ultimate rejection of those very binaries. Ultimately, We’ve Been Going… proposes a spiritual ambivalence, avoiding absolutes and thriving in the mush of uncertainty.

The songs on We’ve Been Going… are always moving. ‘Darkness Fades’ begins as a stripped-back acoustic piece à la early Van Etten, then gradually builds layer-by-layer into an intricately-produced rock rouser. An abrupt transition at the halfway point of ‘Born’ propels the song into something thunderous and incendiary. The constant evolution imbues the songs with excitement, though it’s hardly unpredictable. Most songs here escalate and settle into eruptive climaxes, Van Etten belting over dense tracks of guitar and drums. She repeats simple phrases (“I couldn’t feel anything” on ‘Anything’ or “Baby don’t turn your back to me” on ‘Headspace’) with absolute ferocity. Many of these visceral rock moments are irresistible. ‘Mistakes’ is a high-energy earworm, built on simple songwriting and bouncy bass grooves (it’s the album’s equivalent of Remind Me Tomorrow’s ‘Hands’, and it even shares the same spot on the tracklist). Still, the album’s redundant structuring sometimes restricts the full impact of the songs’ cathartic resonance. This lends a rejuvenating effect to ‘Darkish’, a rare piece on the tracklist that lingers on a sustained moment of raw intimacy.

Even in a field of blaring drums and distorted guitars, Van Etten’s voice remains the centerpiece. As always, she’s a master of close harmony. Yet We’ve Been Going… also reveals a more aggressive potential to her vocals. She’s often roaring the choruses of her songs. It’s a major deviation from the old Van Etten, who’d fill her music with delicate griefs and longings. Her voice was beautiful and subdued, as if worn down by unspeakable pain. On We’ve Been Going…, she taps into a new confidence first exhibited on Remind Me Tomorrow. As Van Etten furthers her ascension into the figure of a rockstar, she’s still a first-rate chronicler of heartbreak, yet it’s a different form of heartbreak altogether. Obstacles no longer feel insurmountable. Hope glimmers in the potentials of human connection. In the end, We’ve Been Going… proposes songwriting as a tool to broach difficult dialogues in an era of alienation and foster connectivity when everything seems to be ending. It might sound heavy-handed on paper, but it’s entirely sincere from Van Etten’s lips.

WVKR: Vassar’s Sound Garden

WVKR is the radio station of Poughkeepsie’s Vassar College. College radio, unencumbered by the dreary homogenization that afflicts most of the radio dial, is a dependable, welcome resource for expansive, interesting music and talk. WVKR’s dedication to eclectic programming is passionate, achieved via a mixture of rotating student DJs and more long-running shows drawn from the greater, non-student community. The WVKR listener can avail oneself of—to name a scattered few–garage rock, polkas, reggae, Bollywood, lounge.  Pipes ’n Pizzazz showcases organ music. Voices Beyond the Wall is a prison outreach show. It is an aural grab bag.

This eclecticism, according to WVKR’s general manager, Chloe Richards—a Vassar student who also hosts her own program of show tunes—is “very intentional. One of our principles to allow new shows onto WVKR is that they’re unique and uplift voices that aren’t normally heard on radio.  We don’t play any top-40. Students come with some of the craziest suggestions of music that I’ve ever heard of in my life! But we love to have it.”

And the DJs are as varied as the station’s broad-ranging musical palate. “We have community members that have had shows for thirty years and can teach us so much. And then we have 18-year-olds who just got out of high school and are freshmen in college and they’re also having shows”—a student roster that undergoes a “big overhaul” every four years.

Pete Clark has helmed the Orphanage of Rock & Roll since 1995. “WVKR is the type of radio station that’s increasingly unique these days,” Clark states. “Commercial-free, listener supported, free-form unicorn. The format changes every several hours, with a vast array of radio formats and shows you just won’t hear anywhere else. Everybody you hear on the air is an unpaid volunteer, not doing a show for profit, but out of passion.”

Vassar student Amy Huang co-hosts The Treehouse with two others. “We play indie music (mostly rock and folk) by women and non-binary artists, particularly artists of color. All three of us are women or non-binary people of color and it was important to us to focus on voices that have been traditionally underrepresented on the radio (this is also why we try to focus on newer artists who are up-and-coming or undiscovered).”

WVKR—like Vassar, like the country as a whole—was disrupted by Covid, but, according to Chloe Richards, the station is now on a more even keel: Most of the students DJs are working live and “probably a little more than half of our community members are coming into the station to do live shows… we’re trying to have as much live radio as possible.”

“There’s something special,” Amy Huang concludes, “about finding a song that speaks to you and then getting to share it with your friends. It’s like asking, ‘This song means something to me. Does it mean something to you too?’”


WVKR can be found at 91.3 FM and online at https://www.wvkr.org

Why online casinos are becoming more popular than real life casinos

To start with, the internet and technological advancement has made a couple of things less popular. Streaming services have made DVD’s far less popular for example, and there are a number of reasons why. In this article, we will be exploring the reasons why online casinos may be putting a dent in real life casino’s popularity. There are now also new types of casinos like this list of new sweeps cash casinos if you study gambling review sites.

COVID-19A–  Growth Spurt for Online Casinos

Although the pandemic card is becoming a little overstated, there is no denying that the pandemic has infiltrated the world of casinos in the same way it infiltrated everything else. Online gaming took centre stage when the pandemic changed the world as we know it back in March 2020. A CAGR of 11.94% is predicted for the online gaming industry between 2021 and 2016.

In the wake of the Covid-19 outbreak, more people resorted to the internet to deal with the many crises which the pandemic brought into fruition. Consumers’ portrayed an increased interest in online gambling following the resulting limitations placed on land based casinos due to  lockdowns. While land-based casinos had to forcefully shut their doors, online casinos soared through the charts.

Bonuses

The popularity of online casinos is not entirely dependent on the pandemic however, as online casinos have been on a very steady rise since before the pandemic. One of the most redeeming factors which sets online casinos apart from land-based casinos is the bonus features which online casinos have to offer. The first and most attractive being the welcome bonus. As the name implies, this bonus is granted to all newcomers; and the reward is far more valuable than the welcome drink you might score upon entering a land-based casino.

Bonus Codes

Another attractive bonus which you can expect to come across when gambling at an online casino is the bonus code. A redeeming site that offers such bonuses is Slots.lv. The trusted basketballinsiders selection of slots lv bonus codes has all the information you will need to understand how these bonus codes work. To capitalise from the Slots.lv Welcome Bonus, you must keep putting money into the game until you can cash out.

Having a wagering requirement of 35X, the bonus amount and your initial deposit must be wagered 35 times and once.As a result, your money will be held hostage until the bonus’s wagering requirements are satisfied. As a result of your deposit, you will have a Locked Balance, as well as a Bonus Balance.

Reload Bonus

After you have signed up to an online casino you can expect to receive more than just a welcome bonus. Online casinos love to make sure that their customers are benefitting throughout the process. When you reload your account, you will also be rewarded with benefits. Whether it’s a deposit made at any time or on a specified day of the week, an offer for a bonus might be made while you are topping up. Land-casinos would not be able to match this kind of offer in any way.

Cashback Bonus

Cashback is a form of compensation for the money you lose. It is often enough paid back in the form of bonus money, and it may cover a specific period of losses or the total amount of losses incurred every week. Given that most in-land casinos do not even offer bonuses to begin with, this kind of incentive cannot be implemented.

The Limits of Time and Space

Traditional casinos confine you to a single location where you may test your luck and put your bets. With online casinos, people can play  from anywhere in the globe, defying the borders of time and space. Playing from literally any  location, including your house, work, the airport, a restaurant, and so on, whenever and wherever you choose sounds like a valid reason for its increasing popularity.  Whether you’re at home or on the go, you can always play. You can open up your preferred online casino app whenever you choose, even if it’s in the early hours of the morning, while you’re trying out an unusual workout or in the late hours of the night. You may bet whenever and wherever you choose since you are not constrained by time or space.

Variety of Games to Choose From

To find out that your favourite game isn’t available at a casino is a disappointment, especially after having to get out of bed, dress up and travel all the way there. Depending on the size of the casino, you are limited to the games they have to offer. Because they don’t require any physical location, online casinos may host an infinite number of games. Having a look at the casino’s website or app will tell you exactly what games they have to offer. You’ll have a lot of fun trying out all of these different games, and you’ll have a better chance of winning if you do well. It’s also much more convenient since you can start playing the game you choose right away, without having to wait for someone else to finish their turn.

4 Games That Changed the Way We Play

Some games cross the line, blurring the distinction between the two. As we get older, our perception of games changes, and the way we play them evolves. Here are some games that changed the way we play forever. Whether it’s because they introduced new concepts to gaming or simply because they were a lot of fun, these titles have had a profound impact on how we interact with digital entertainment.

Card games

Card games are a dime a dozen, but few have had the impact of Magic: The Gathering. First released in 1993, Magic popularized the collectible card game genre and has had a lasting impact on gaming culture. The game is deceptively simple: players use mana (which is generated by land cards) to summon creatures and cast spells in an attempt to reduce their opponent’s life total to zero.

What makes Magic so special is the depth of its strategic possibilities. With over 20 years of expansions, the game now contains over 10,000 different cards, each with their own unique effects. Players have to choose a type of deck based on the land e.g., island (blue), mountains (red), forests (green), swamps (black) and plains (white), then carefully construct decks of 60 cards and choose the right mix of creatures, spells, and lands in order to be successful.

The game has inspired many imitators of Magic Cards, but none have managed to capture the same magic (pun intended). Magic: The Gathering is a true original, and its influence can still be felt today.

First-person shooters

First-person shooters (FPS) are some of the most popular games around, and they owe a lot to id Software’s Doom. Released in 1993, Doom popularized the use of 3D graphics in video games and introduced many of the conventions that we now take for granted in FPS games.

Doom was not the first FPS game, but it was the first to get it right. Previous games in the genre had been hampered by slow, clunky controls and poor graphics. Doom managed to achieve fast, fluid gameplay and impressive visuals for its time. It also featured a level of violence and gore that was previously unmatched in video games.

While Doom might not be as relevant today as it was 20 years ago, it’s still an important part of gaming history. Without Doom, we might not have the Halo franchise, Call of Duty, or even Fortnite.

Online casino games

Online casino games have been around for over 20 years, but they came into their own in the early 2000s. The rise of broadband internet connections and powerful home computers made it possible for people to gamble online from the comfort of their own homes.

Online casinos offer a wide variety of games, including slots, poker, blackjack, and roulette. They also provide an immersive and convenient way to gamble that is unmatched by traditional brick-and-mortar casinos.

The popularity of online gambling has only continued to grow in recent years. In 2018, the global online gambling market was worth over $50 billion, and it shows no signs of slowing down.

Strategy games

The strategy game genre has been around for a long time, but it was popularized by Blizzard’s StarCraft. First released in 1998, StarCraft took the basic mechanics of existing strategy games and added new elements that made it more accessible to a wider audience.

StarCraft is a real-time strategy game, which means that players have to make decisions and take actions in real-time. This can be a daunting task for newcomers, but Blizzard did a great job of easing players into the game with a gradual difficulty curve. The game also featured an engaging story about three warring factions, which helped to add some context to the player’s actions.