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At What Point are Everyday Users’ Posts Art?

Social media posts inform large parts of our daily life. They can provide humour, information or memories. People can make them physical with a Facebook photobook or printing tweets onto t-shirts. The renaissance left art with a lesson that hasn’t really been shaken since: innovation means breaking all the rules. But the problem with that is that it becomes a lot harder then, without rules, to decide what is considered art. The connotations of art is that there is technique behind some awe-inspiring piece of work, but is that the case? And if that is the case, what’s to stop your everyday user’s post from being considered art?

How is art measured? Is it measured in likes? In fans? In gold stars? In sentimental value? Technique and effort? We explore in this guide that asks if users’ posts are art.

Pushback is a part of innovation

First, it’s worth remembering that a lot of famous artists of every genre, be it painting, photography, poetry, music, literature, etc. were told that their work was awful. Sometimes that was a lecturer laying out strict rules for what made good poetry, as in the case of the Beat Movement poet, Allen Ginsberg, or society at large not appreciating their work until they were long gone, like the tragic case of Vincent van Gogh.

When there’s effort put in?

Jackson Pollock would beg to differ. Or perhaps his seemingly random drips of paint were a tremendous effort? We can easily say “Well, I could do that”, but you haven’t. And you probably wouldn’t do it the same way. Millions of choices led us to where we are now. We are only who we are. And you can’t be someone else, not even Jackson Pollock.

When the fans say so?

That is an argument that takes some thought. Fans, as a collective, like some stupid stuff, they change their mind over time, and they are usually at odds with critics, who are apparently looking for the same things.

The term cult classics comes from a universally recognized objectively bad piece of art becoming something that fans love. Tommy Wiseau’s The Room comes to mind, which packs cinemas regularly with fans who love the term “So bad it’s good”, who cheer and scream whenever anything happens in this “romantic drama” movie.

When the critics say so?

As mentioned, critics often are at odds with what the fans like. And sometimes it’s not just down to the fact that the fans are in the process of enjoying a cult classic or a “so bad it’s good”, but they’re simply looking for other things than what the audience wants.

Or, in the case of the Beat Movement, they simply cannot get past what was considered correct in the past, to enjoy the innovation of now, where fans can recognize it.

Conclusion: It doesn’t matter

Art is subjective. It is the first rule of modern art and art analysis for a reason. One person might consider it art and likely it will be due to vastly different reasons than the next person, who doesn’t. Your mother loved those crayon drawings of the neighbour’s dog, but the New York Times might disagree.

So, print out your social media photos. They will mean something to someone, since they mean something to you, but they could also mean something down the line.

Jagged Little Pill the Musical – What to expect

In 1995 a then-struggling Canadian singer-songwriter by the name of Alanis Morrisette released her third album, Jagged Little Pill. The album went on to enjoy seismic success, spawning multiple hit singles, global chart success, selling over 30 million copies and influencing the pop-rock genre for generations to come. 

Jagged Little Pill saw Morrisette move away from the dance-pop that had dominated her first two albums to explore her angst and aggression at a wide range of topics ranging from failed relationships (You Oughta Know) and predatory men (Right Through You), to religion (Forgiven) and the population’s apathy towards the world we live in (Wake Up). One of the album’s most successful singles, Ironic, was the topic of a widespread linguistic debate on whether the lyrics to the song actually fit the definition of irony or was a malapropism on Morrisette’s part. 

Since its release in the mid-90s, Jagged Little Pill has consistently made ‘definitive album’ lists including the Rolling Stone 500 Greatest Albums of All Time and the book 1001 Albums to Hear Before You Die. Artists including P!nk, Michelle Branch, Kelly Clarkson and Katy Perry have cited the album as a major inspiration. It was in 2013 that news first broke that the album was being turned into a musical with Tony Award and Pulitzer Prize-winning composer Tom Kitt working on orchestrating the album for the stage. Almost 10 years later; Jagged Little Pill: The Musical is launching in the UK in the autumn, but what can audiences expect?

Jukebox musicals are dime a dozen in the modern theatrical landscape, designed to ignite the interests of the mass markets and the hordes of tourists in major cities who want to tick off ‘see a show’ from their bucket lists – think ABBA’s Mamma Mia!, Queen’s We Will Rock You, Jersey Boys based on the music of Frankie Valli and the Four Seasons, and TINA: The Tina Turner Musical

This kind of musical tends to be a whistle-stop autobiographical tour through an artists’ life, from fighting the naysayers to global success, all done to the soundtrack of their biggest hits. Here’s where Jagged Little Pill intended to break the mould. This musical is not at all autobiographical and playwright Diablo Cody – who also wrote the screenplay for the 2007 film Juno – has instead decided to write an entirely original plot.

The musical follows a suburban American family trying to paint a picture-perfect facade, whilst caught in the crossfire of a multitude of contemporary and social issues. A mother trying to hide her reliance on opioids; a father addicted to pornography; a queer, activist daughter trying to force change on everything from climate change to gun violence; an image-conscious son dealing with the rape of a close friend. Every character is given a complex subplot that feeds into the Jagged Little Pill’s overarching narrative. 

Alongside the inclusion of the majority of Jagged Little Pill’s tracklist, the musical also uses songs from several of Morrisette’s other studio albums including “Thank U” from Supposed Former Infatuation Junkie, “Hands Clean” from Under Rug Swept, “Unprodigal Daughter” from Feast on Scraps and two new songs written for the musical – ”Smiling” (which also featured on the singer’s most recent studio album Such Pretty Forks in the Road) and “Predator”. 

Jagged Little Pill opened on Broadway in 2019 to strong critic reviews, with many praising the performances, staging, choreography and score. “You Oughta Know” stopped the show at most performances, garnering rapturous applause and standing ovations from the audience – the performance by Lauren Patten earned a Tony Award for Best Supporting Actress. However, some critics did take issue with the shoehorning of so many different social issues into the show. Rolling Stone described the musical as ‘overly woke’ and Vox called the musical ‘overstuffed’ – it even inspired a New York Times think piece entitled “Has Alanis Morissette Made the Most Woke Musical Since ‘Hair’?”.

UK audiences will soon be able to make up their own minds as Jagged Little Pill is set to make its West End premiere in November 2022. It has been announced that most of the Broadway creative team, including director Diane Paulus, will be working on the show’s West End run. It begs the question – is the London theatre scene ready to be ‘woke’ up or is this musical simply “Uninvited”?

Warpaint Share New Video for ‘Champion’

Warpaint have shared the music video for ‘Champion’, the lead single off their upcoming album Radiate Like This. Watch it below.

“Being apart it was a little tricky to make a video,” the band’s Jenny Lee Lindberg said of the visual in a statement. “It [Theresa Wayman] came up w some key points with camera and angles, so we had some cohesion. The motivation was to feel like a champ and deliver the goods and let your honey flag shine.”

The track is about “being a champion to oneself and for others,” the group explained upon its release in January. “We are all in this together, life is too short not to strive for excellence in all that we do.”

Radiate Like This, Warpaint’s first full-length album in six years, is out on May 6.

Albums Out Today: Charli XCX, Rosalía, Sonic Youth, Oso Oso, and More

In this segment, we showcase the most notable albums out each week. Here are the albums out on March 18, 2022:


 Charli XCX, CRASH

Charli XCX is back with a new album. CRASH is out now via Atlantic, her last LP to be released under her current record contract. The follow-up to 2020’s how i’m feeling now features the promotional singles ‘New Shapes’ (featuring Christine and the Queens and Caroline Polachek), ‘Good Ones’, ‘Beg for You’ (with Rina Sawayama), ‘Baby’, and ‘Every Rule’. “I’d never actually made a major label album in the way that it’s actually done,” the British singer said in an interview with Rolling Stone. “It felt interesting to me to use moments of that process to make this final album as somebody who has really navigated the major label record system since I was 16 in completely on my own terms.”


Rosalía, MOTOMAMI

Rosalía’s new album MOTOMAMI is out now via Columbia. It’s the third LP from the Spanish superstar, following 2018’s El Mal Querer, and was recorded across Puerto Rico, the Dominican Republic, New York, Miami, Los Angeles, and Barcelona. Preceded by the singles ‘SAOKO’, ‘Chicken Teriyaki’, ‘Hentai’, and the Weeknd collaboration ‘LA FAMA’, the album is divided into two sides: MOTO is the “aggressive side of a woman,” while MAMI is “more connected with nature,” Rosalía explained in an interview with i-D, calling it her “most personal album to date.”


 Sonic Youth, In/Out/In

Released today via Three Lobbed, In/Out/In is a new album compiling unreleased material Sonic Youth recorded between 2000 and 2010. The record spans five tracks, including the previously shared ‘In & Out’. “When you’re in the middle of a tour and all of the musical cylinders (musicians, crew + equipment) are warmed up and firing on 10, and if the room/theater/venue and its acoustics allow, you can sometimes catch magic or maybe a basic track,” Sonic Youth’s Steve Shelley explained in press materials. “This magic/music/inspiration doesn’t always occur when you’d like it to show up (you know, during the show!) – however, it sometimes can be caught in small unspoken moments during soundcheck when you least expect it.”


Oso Oso, sore thumb

After returning with the new single ‘Pensacola’ in February, Oso Oso has surprise-released a new album called sore thumb (via Triple Crown). Jade Lilitri recorded the follow-up to 2019’s Basking in the Glow over the course of a month with his late cousin Tavish Maloney at producer Billy Mannino’s (of Bigger Better Sun) Two Worlds Recordings. Maloney passed away less than a month after the recording, and Lilitri decided to keep the songs intact, only handing them over to Mike Sapone to get the album mixed. “The making of this record is a now a memory of a time that I hold closer to my heart than anything,” Lilitri said in a statement. “Regardless of how I feel about these songs in the years to come, I am so happy this exists. Thanks for listening. Be decent.”


Yumi Zouma, Present Tense

New Zealand alt-pop outfit Yumi Zouma have returned with their fourth album, Present Tense. The follow-up to 2020’s Truth or Consequences is out now via Polyvinyl and includes the previously unveiled tracks ‘Where the Light Used to Lay’‘In the Eyes of Our Love’, ‘Mona Lisa’, ‘Give It Hell’, and ‘Astral Projection’. “The lyrics on these songs feel like premonitions, in some regards,” lead singer/keyboardist Christie Simpson said in a press release. “So much has changed for us, both personally and as a band, that things I wrote because the words sounded good together now speak to me in ways I didn’t anticipate.”


Midlake, FOR THE SAKE OF BETHEL WOODS

Midlake have put out FOR THE SAKE OF BETHEL WOODS, their first new album in over 8 years, via ATO. For the follow-up to 2013’s Antiphon, the band worked with John Congleton, who produced, engineered, and mixed the album, marking the first time they’ve worked with an outside producer. “I can’t say enough just how much his influence brought our music to another sonic place than we would have,” frontman Eric Pulido said in a statement. “I don’t want to record without a producer again. Part of that is the health of the band, because as you get older you get more opinionated and you kind of need that person who says, ‘No, it’s going to be this way!’ It’s hard to do that with your friends.”


Babeheaven, Sink Into Me

Babeheaven, the London five-piece led by Nancy Andersen and Jamie Travis, have released their second album, Sink Into Me, via Believe. The follow-up to the group’s 2020 debut full-length, Home For Now, features the advance tracks ‘The Hours’‘Don’t Wake Me’, and the Navy Blue-assisted ‘Make Me Wanna’. “It was a conscious decision to move away from being a trip-hop bedroom-pop band,” Travis said in press materials. “We did that on the last album; now it was time to try something different.”


Other albums out today:

Blanck Mass, Ted K (Original Motion Picture Soundtrack); Mattiel, Georgia Gothic; Feeder, Torpedo; Maggie Gently, Peppermint; Cypress Hill, Back in Black; Hinako Omori, a journey…; Bogdan Raczynski, ADDLE; Dark Funeral, We Are the Apocalypse; Stabbing Westward, Chasing Ghosts.

King Princess Announces New Album, Shares Video for New Song ‘For My Friends’

King Princess is gearing up for the release of their sophomore album, Hold On Baby, due later this year. Today, the singer-songwriter has shared a new track called ‘For My Friends’, which follows the January single ‘Little Bother’, a collaboration with Fousheé. Check out the Nick Harwood-directed video for the song below, and scroll down for King Princess’ upcoming tour dates.

“I thought it would be extra fab to begin releasing this new record with a song about my two best friends from high school,” King Princess said in a press release. “These girls have been through the pits with me, and the more time I spend with them as an adult, the more I’m reminded that they are my home. So thank you my angel horse queens for sticking with me. I love you all and I can’t wait to give you this song.”

King Princess 2022 Tour Dates:

Jul 5 – Vancouver, BC – Queen Elizabeth Theatre
Jul 6 – Seattle, WA – Paramount Theatre
Jul 8 – Forest Grove, OR – Grand Lodge
Jul 9 – Boise, ID – Revolution
Jul 12 – Denver, CO – Mission Ballroom
Jul 13 – Salt Lake City, UT – Union Event Center
Jul 15 – Berkeley, CA – The Greek Theatre
Jul 16 – Los Angeles, CA – The Greek Theatre
Jul 18 – San Diego, CA – SOMA
Jul 19 – Phoenix, AZ – Van Buren
Jul 21 – Austin, TX – Stubb’s Amphitheater
Jul 22 – Houston, TX – House of Blues
Jul 23 – Dallas, TX – House of Blues
Jul 25 – Kansas City, MO – Arvest Bank Theatre at The Midland
Jul 26 – St. Louis, MO – The Factory at The District
Sep 28 – Charlotte, NC – The Fillmore
Sep 30 – Philadelphia, PA – The Fillmore
Oct 3 – New York, NY – Radio City Music Hall
Oct 5 – Boston, MA – Roadrunner
Oct 6 – Portland, ME – State Theatre
Oct 8 – Toronto, ON – HISTORY
Oct 9 – Detroit, MI – The Fillmore
Oct 11 – Pittsburgh, PA – Stage AE
Oct 12 – Cleveland, OH – Agora Theatre
Oct 14 – Madison, WI – The Sylvee
Oct 15 – St. Paul, MN – Palace Theatre

Chino Moreno’s ✞✞✞ (Crosses) Release New Songs ‘Initiation’ and ‘Protection’

✞✞✞ (Crosses) – the project of Deftones’ Chino Moreno and producer/multi-instrumentalist Shaun Lopez – have shared two new songs. ‘Initiation’ and ‘Protection’ mark the duo’s first original music since 2014’s †††. Take a listen below.

On Christmas Eve last year, ††† released a cover of Q Lazzarus’ ‘Goodbye Horses’. The year before, they covered Cause & Effect’s ‘Beginning of the End’.

Syd Announces New Album ‘Broken Hearts Club’, Shares Video for New Single

Syd has announced a new solo album, Broken Hearts Club, which arrives on April 8 via Columbia. The follow-up to 2017’s Fin features the previously reeleased singles ‘Fast Car’, ‘Missing Out’, and ‘Right Track’. Today, Syd has shared a video for the new track ‘Could You Break a Heart’, which features Lucky Daye. Check it out below.

Syd co-wrote, performed, and co-produced Broken Hearts Club, which includes contributions from Kehlani and Smilo as well as additional production from Troy Taylor, G Koop, and Darkchild.

“The album is about a relationship I had that ended in my first real broken heart,” the Internet co-founder said in a press statement. “It almost felt like I joined a club because all of my friends went through similar experiences. It was like a rite of passage. I started writing the album on the relationship when I was in love. You’re really getting the whole journey from the beginning to the end. I want people to find it beautiful. It’s super vulnerable, sentimental, and it’s soft. There’s touching moments and a couple of dark moments.”

Broken Hearts Club Cover Artwork:

Broken Hearts Club Tracklist:

1. CYBAH [feat. Lucky Daye]
2. Tie the Knot
3. Fast Car
4. Right Track [feat. Smino]
5. Sweet
6. Control
7. No Way
8. Getting Late
9. Out Loud [feat. Kehlani]
10. Heartfelt Freestyle
11. BMHWDY
12. Goodbye My Love
13. Missing Out

Normani Drops New Song ‘Fair’

Normani is back with her first song since ‘Wild Side’, her 2021 collaboration with Cardi B. It’s called ‘Fair’, and Normani co-wrote it with Abby Keen, Bernard “HARV” Harvey, and Felisha King Harvey. HARV produced the track, which Normani also performed on The Tonight Show Starring Jimmy Fallon last night (March 17). Check it out below.

“This song really captures me in one of my most vulnerable moments,” Normani said in a statement. “Sharing this record makes me uncomfortable because you have never really seen me in this light. Definitely aware that you might feel like you don’t know much about me but that’s only because it’s what makes me feel protected. I am really forcing myself to let go here. This is huge for me and hopefully this piece of art resonates. Love is beautiful yet so soooo terrifying. I adore you guys to the moon and back.”

 

Album Review: Alex Cameron, ‘Oxy Music’

Alex Cameron has been effectively blurring the line between persona and artist for most of his career, dealing with uncomfortable themes by embodying some version of a sleazy, deplorable male character. It’s been a playful act of exposure more than serious commentary, a quality that has kept his music entertaining as well as refreshing ever since his 2016 debut Jumping the Shark. The Australian musician followed up 2017’s excellent Forced Witness with Miami Memory, a compelling record that promised a more sincere look into relationships. It worked only because that was half-true; whatever earnestness seeped into the picture, it was balanced out by Cameron’s trademark tongue-in-cheek humour. His latest, the smartly titled Oxy Music, would seem to continue that trajectory; it was recorded during lockdown and tackles topics such as mental illness and opioid addiction, which loom larger on the record than any of its morally questionable protagonists.

Oxy Music reflects how the world has changed – and hasn’t – since Cameron put out his last album, but despite the thematic shift, his approach remains virtually the same. Which is why it’s hard to say exactly what it is that holds it back. It’s not that he’s less provocative than before; the appeal of his music has less to do with edginess than a unique ability to simultaneously ridicule and elicit sympathy for the most pathetic dirtbags on the planet. His attempts to do that on this album don’t exactly fall flat, and his character sketches benefit from being candid and thoughtful as well as dark. But though songs like ‘K Hole’ and ‘Hold the Line’ outline interesting scenarios, they lack the nuance and detail that has made Cameron’s work so engaging and slyly subversive in the past. You might feel bad for the guy trying to balance his online and real-life presence on ‘Best Life’, but if you’re waiting for the real punchline, it’s one of the many instances where Oxy Music fails to deliver.

Even if it doesn’t have much of substance to say, Cameron still knows his way around a hook, and he uses it to his advantage. It doesn’t take too many listens to get some of the choruses on the album stuck in your head – ‘Sara Jo’ is the clear highlight in that regard, despite including the line “Who told my brother that his kids are gonna die from this vaccine?” – but on the whole, the album isn’t as memorable as Cameron’s last two efforts, mostly because there’s not a lot that will cut through and leave a lasting impression once you’ve stopped listening. And when it’s not forgettable, it’s often baffling: a catchy hook can cleverly obscure the message of a song, but not knowing whether he’s joking or not doesn’t necessarily make it more meta – it just increases the chances that it’s not funny. That’s certainly the case with ‘Cancel Culture’, in which Cameron croons, “Lily-white but I listen to hip hop, show me the crime/ Says I can’t sing along, I even use the accents, baby.”

It’s so easy to say that all of this is the point. But the album’s lack of commitment extends to the music itself, which rides on the glowing ‘80s synth-pop production that Cameron has successfully employed time and time again – this time, though, the results are less immediately dazzling, more stagnant. On the vocal front, Cameron goes some way into delivering some of his most dynamic and heartfelt performances, particularly on tracks like ‘Hold the Line’ and ‘Dead Eyes’. But for such an unconventional and astute songwriter, he seems to have oddly settled on a formula and struggling to breathe life into it. It might be a self-aware move, but a weak one considering that Cameron’s music seems to be heading in a more emotionally affecting direction. You can only be so vulnerable while keeping an ironic distance; instead of blurring the line between those two tendencies, the impact should come from revealing what’s underneath it.

Everything You Should Know About Custom Home Renovation and Expansion

The transformation of a house is one of the most remarkable. When designing or renovating your home, keep in mind that it’s one of the most personal investments you’ll ever make. Since custom home renovation and extensions can take many forms, you should have no trouble finding a solution that meets your requirements and your budget.

 When planning a home renovation or expansion, finding a siding contractor you can trust is essential to ensuring durability, aesthetics, and long-term value.

Different Methods

Renovation

Consider remodeling if your house is in good shape. Because you don’t have to build anything new, remodeling an existing space will save you money. A two-story addition, on the other hand, allows for more square footage and more amenities.

It’s still possible, however, to update your home while maintaining its original integrity by employing the custom house renovation Sydney method.

Extension

It is possible to get more space for your money by adding an extension to your current house, but this isn’t the best option for everyone. If you’ve already laid the foundation for your house and have enough space on your property, this might be an excellent option for you. 

It is possible to get more space for your money by adding an extension to your current house, but this isn’t the best option for everyone. If you’ve already laid the foundation for your house and have enough space on your property, this might be an excellent option for you. However, before proceeding with an extension project, it is essential to consult with experienced professionals such as general contractors CT. They can assess your property, evaluate the feasibility of an extension, and provide expert guidance throughout the process. Working with general contractors ensures that the project is executed efficiently, adheres to local building codes and regulations, and meets your specific requirements and budget. With their expertise, you can achieve the desired expansion and create a more spacious and functional home.

Preparation is the key to success

Consult with local officials to determine what permits are required before beginning any construction. In addition, you should think about how your home’s appearance and resale value will be affected by the renovation or extension.

Consider hiring a professional architect who can help you plan a functional layout while keeping in mind the aesthetics of your neighborhood. After all, it would be wonderful if that new kitchen had a view of the surrounding area.

Financing

Financing options will vary depending on the scope of your project. It’s possible to contract out your work, but there are other options that might be more suitable for you.

There are some situations where buying someone else’s custom home renovation and extension project may be more cost-effective than starting from scratch.

Licensed Expertise

Consult with a qualified professional for guidance on the best approach before beginning any work. They can give you advice on what materials and techniques are best for your project, as well as information on local prices and rules.

What’s Next?

If you know where to look, there are a plethora of resources available for custom home renovation and expansion ideas. The Internet is your friend, so don’t forget to take advantage of it for inspiration or to get in touch with potential contractors! Check here for more information.

What are the advantages of having a custom home built?

Reduces Anxiety

Often, remodeling or expanding a home is a stressful endeavor. You should stick with what you’ve got if you have enough room. By simply adding an extension to your existing home rather than starting from scratch, custom renovations can alleviate all of that stress.

Enhances Usability

Remodeling an unoccupied area of your home can benefit greatly from a custom house renovation.

Boosts the resale value

A custom home renovation or extension can increase the resale value of your property, as was previously stated. However, you should take into consideration the layout of your current property before making any major changes.

Space is Expanded

Adding square footage to your home is an excellent idea if your children have moved out and you find yourself with more space than you know what to do with.

Final Note

When it comes to this topic, there are numerous ways to approach it. Adding a room to your home is an excellent option if you need more space but don’t want to invest a lot of time or effort in the process.