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Nick Cave and Warren Ellis Announce ‘Les Panthère Des Neiges’ Soundtrack, Share ‘We Are Not Alone’

Nick Cave and Warren Ellis have composed the original score for the upcoming film Les Panthère Des Neiges. The soundtrack will be released digitally via Invada Records and Lakeshore Records on December 17. Check out the track ‘We Are Not Alone’, an edit not found on the album, below.

The film’s official synopsis reads: “High up on the Tibetan plateau. Amongst unexplored and inaccessible valleys lies one of the last sanctuaries of the wild world, where rare and undiscovered fauna lives. Vincent Munier, one of the world’s most renowned wildlife photographers takes the adventurer and novelist Sylvain Tesson (In the Forest of Siberia) with him on his latest mission. For several weeks, they’ll explore these valleys searching for unique animals and try to spot the snow leopard, one of the rarest and most difficult big cats to approach.”

Ellis commented in press materials for the film: “There is something about the heart of this film that draws you in. I realised after a day, that I wanted to do whatever it took to compose an entire original score. The film deserved to have its own musical voice.  I booked five days and asked Nick if he could come in for a day to write a theme song and play some piano.  He saw the film and stayed for four days. In the end we made what I think is one of the most beautiful films we have ever worked on. One of my favourite experiences ever working on a project. The stars are the animals in all their wild glory, as we have never seen them before, and man in reverence and wonder.”

The film, by Marie Amiguet and Vincent Munier, is set for release in the US on December 22. No UK release date has yet been announced.

Nick Cave and Warren Ellis released their album Carnage earlier this year.

Les Panthère Des Neiges (Originial Motion Picture Soundtrack) Cover Artwork:

Les Panthère Des Neiges (Originial Motion Picture Soundtrack) Tracklist:

1. L’attaque de Loups
2. Les Cerfs
3. Antilope
4. La Bête
5. Les Yaks
6. Des Affûts Elliptiques
7. Les Nomades
8. La Grotte
9. Les Princes
10. La Neige Tombe
11. Les Ours
12. Un Être Vous Obsède
13. L’apparition: We Are Not Alone

Grouper Announces 2022 UK and European Tour Dates

Grouper has announced a run of 2022 UK and European tour dates in support of her latest LP, Shade. The 7-date trek will take place in April of next year and includes a show at The Barbican in London, with support from Coby Sey. Find the tour poster and list of dates below.

Grouper 2022 UK and EU Tour Dates:

Sun 10 Apr – The Hague, NL – Rewire Festival
Tue 12 Apr – Dublin, IE – National Concert Hall
Thu 14 Apr – London, UK – Barbican
Mon 18 Apr – Helsinki, FI – Savoy Theatre
Thu 21 Apr – Malmo, SE – Intonal Festival
Thu 28 Apr – Athens, GR – Conservatoire Amphitheatre
Sat 30 Apr – Viseu, PT – Viriato Theatre

Yard Act Share Video for New Single ‘Payday’

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Yard Act have shared ‘Payday’, the latest single off their upcoming debut album The Overload – out January 21 via Zen F.C./Island. The track, which follows previous entries ‘The Overload’ and ‘Land of the Blind’, comes with an accompanying video directed by James Slater. Check it out below.

“‘Payday’ was one of the few tracks on the record we had to rebuild completely in the studio because the first demo was recorded on my computer and the hard drive corrupted,” vocalist James Smith said in a statement. “We spent about TWO hours trying to figure out that stupid keyboard part I’d put on it and couldn’t remember how to play. It was boring but worth it. It’s about gentrification, class fetish and how the human brain is so powerful that with enough time and processing power combined it will be able to justify, defend and/or continue to commit the actions of any human being it controls.”

Speaking about the video, Smith added: “We wanted to do something less location and narrative based for this video, so an infinity white studio served as the perfect purgatory for an anti capitalist anthem funded by a major record label. It was great to get Kayleigh from ‘The Overload’ car boot shoot back with her friends, and they choreographed a brilliant dance routine for it themselves, which really brings the video to life. It’s also nice to finally be able to explain all the lettuces that kept cropping up in the previous videos.”

Raveloe Unveils New Single ‘Catkins’

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Raveloe – the moniker of Scottish singer-songwriter and producer Kim Grant – has shared a new single called ‘Catkins’ (via Olive Grove Records). Listen to it below.

“When I spotted the catkins, I thought of their temporality and how their presence marked a change and the birth of spring, which led me into thinking of the nature of time in general,” Grant explained in a statement. “This song is about the nature of time/change and is also largely connected with moving through and beyond trauma and pain by showing yourself compassion, learning to be honest with yourself and others and processing it layer by layer.”

‘Catkins’ follows Raveloe’s 2021 EP Notes and Dreams.

Taylor Swift Sets Record for Longest Billboard No. 1 Hit With ‘All Too Well (10-Minute Version)’

Taylor Swift‘s 10-minute version of ‘All Too Well’ has debuted at No. 1 on the Billboard Hot 100, setting the record for the longest song ever to do so. For almost 50 years, the record had previously been held by Don McLean’s ‘American Pie’, which runs just short of nine minutes and topped the Hot 100 in January 1972.

Red (Taylor’s Version), the second in the singer’s promised series of re-recorded albums, debuted at the top of the album charts, making her the second woman with 10 or more No. 1s in the chart’s 65-year history. It follows Fearless (Taylor’s Version), which also debuted at No. 1 in April.

Taylor Swift promoted Red (Taylor’s Version) and ‘All Too Well (10-Minute Version)’ with appearances on The Tonight Show Starring Jimmy Fallon and Late Night With Seth Meyers on the eve of the album’s release. She went on to release a short film for the song starring Sadie Sink and Dylan O’Brien, and performed the full version on Saturday Night Live.  She also shared a ‘Sad Girl Autumn’ version of the track, recorded with Aaron Dessner and Jonathan Low at Long Pond Studios.

The Weeknd’s HBO Series ‘The Idol’ Casts Troye Sivan, TV on the Radio’s Tunde Adebimpe, and More

HBO has officially ordered the Weeknd’s new series The Idol. It was previously announced that the Weeknd would star in the series alongside Lily-Rose Depp, and now HBO has revealed the rest of the cast, which includes Troye Sivan, TV on the Radio’s Tunde Adebimpe, Anne Heche, Suzanna Son, Melanie Liburd, Steve Zissis, Elizabeth Berkley Lauren, and Nico Hiraga.

The Idol centers on a self-help guru and cult leader who develops a romantic relationship with a burgeoning female pop star. It was co-created with Euphoria creator Sam Levinson as well as Abel Tesfaye’s producing partner Reza Fahim. Joe Epstein has also been added as a co-writer and executive producer, while Amy Seimetz will direct each episode of the series.

“When the multi-talented Abel ‘The Weeknd’ Tesfaye, Reza Fahim and Sam Levinson brought us The Idol, it was clear their subversive, revelatory take on the cult of the music industry was unlike anything HBO had ever done before,” Francesca Orsi, Executive Vice President of HBO Programming said in a statement. “Shortly after, the brilliant duo of Joe Epstein and Amy Seimetz joined forces with the rest of the team, and this dream became a reality.”

Backxwash and Dreamcrusher Team Up on New Song ‘Thumbs Down (Not I)’

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Backxwash and Dreamcrusher have joined forces for a new track, ‘Thumbs Down (Not I)’, released as part of Adult Swim’s singles series. Give it a listen below.

“I wrote the lyrics with the thought of what a ‘rebel’ is and what it means, and if that meaning has changed,” Dreamcrusher explained in a statement. “I personally think rebellion is being yourself despite the world and how it treats you. I often think about the crossroads and thin lines between integrity and survival, and these days, with everything being so chaotic (especially for marginalized communities and independent artists). I honestly don’t give a fuck anymore. I just want to create work that I’m proud of, put it out to the world, and eat the fruits of my labor.”

Backxwash added: “This was an amazing opportunity to collaborate with one of the artists I admire and I am happy Adult Swim gave me that opportunity. I think sonically it is the perfect marriage of our styles and that is what collaboration should be all about. Very happy with how this came out.”

Backxwash released her latest album, I Lie Here Buried With My Rings and My Dresses, earlier this year.

Demand for Creative Skills in Tech & Digital World

The one thing, well, up until now, that AI can’t supplant is our imagination. Our innate human capacity to think free-form and make leaps of logic that would astound a computer. Our ability to create, to imagine, to innovate purely on instinct. A computer, software, an app, and AI can outperform your employees in certain aspects, but it still lacks key skills that are of great value not only to the tech industry but the world at large — creative problem-solving thinking skills for a changing world. In this article, we’re going to talk about some of the creative skills that are right now in high demand in the tech and digital world.

What are creative skills in general?

Creativity, according to the World Economic Forum, is one of the top five skills of the immediate future. What are the other 4? Complex problem solving, active learning, analytic thinking, and critical thinking. The shift to digital has accelerated the desire of companies to expand their creative portfolio. 

But what exactly are creative skills?

Creative skill is a broad topic with a lot of branching and overlapping points of interest. There’s no real definable trait that makes one person more creative than the other. In general, when it comes to the workplace, a creative skill is that magic spark that some employees have that helps them develop new ideas, increase their efficiency, and devise solutions to complex problems. In most cases, it is a natural proclivity. Nonetheless, it can be learned and developed over time — still, some people are simply more creative than others. 

Creativity, in general, allows people to think about a task in a new or different way or to use their imagination to generate a new idea. Individuals with a high degree of creativity can look at things from a unique perspective, can uncover connections others have been blind to, can take risks others didn’t consider, can find patterns, ask questions, make imaginative observations. 

It is a soft skill and one that in many cases is inherent to a person — some folks are simply more creative than others. Scientists have discovered that “high-creative” networks – that region in our brain devoted to flights of fancy – is in fact a web of different neurological systems. 3 regions that typically don’t get activated at the same time. Creative people, due to how their brains are “wired” can co-activate these brain regions and make them work in operation — engaging systems that don’t normally work together. 

People with stronger connections between these networks come up with better ideas. Everyone is creative to a degree, but “geniuses” like Aristotle, Stephen King, Picasso, and dozens more are simply wired differently. They have a complex interplay in their brain that is spontaneous to them since childbirth, and one that with deliberate exercise they can eventually control. 

Top 5 creative skills in demand for tech and digital professionals today

Intellectual and creative skills are in high demand, right now, since they are the only things companies can’t replicate. They can’t automate them, they can circumvent them, they can’t outsource them to a computer. Different types of creative skills can’t be replaced by robotics.

Here are some of the soft skills tech companies haven’t been able to reproduce.

Creative Thinking

Creative thinking is a soft skill. It’s not just the ability to come up with new solutions to a problem, but the ability to think innovatively. There’s no true sure-fire way to define creative thinking. Why? Because it involves too many variables. It involves careful analysis and information gathering. It involves communication and active listening. It involves open-mindedness, and opposing stereotypes. It involves all those factors, and sometimes none of them. Most of those variables are social conducts, and sometimes a creative person is everything but sociable. 

Complex problem solving

A clear classical example of complex problem solving is the tale of the Gordian Knot. The legend goes that Alexander the Great was once challenged by an intractable problem – untying an impossibly tangled knot. What did Alexander do? He grabbed his sword and simply cut the knot in half. Not only solving the problem but rendering it moot. 

Complex problem solving is thinking outside the box and using your imagination to create a new innovative solution to them.

Emotional intelligence

One of the most important creative skills to learn is emotional intelligence or EQ. This is the ability to understand and manage and regulate emotions in a positive way. To have empathy, social awareness, and overcome challenges in an efficient manner. 

Data Analysis 

A computer can analyze and audit information, it can find patterns, it can find complex systems working in unison within a maelstrom of bites and terabytes — But, it can’t think illogically. It can’t predict chaotic veer or what wonky data clusters translate to. For all that imaginative thinking, you need people. 

There are, of course, many ways to improve your data analysis skills. A lot of it has to do with what tools you use, so taking a look at that, and the software that you are engaging with, can be really important. If you have access to a git client for mac, for instance, that can be really useful for keeping the data as it needs to be for analysis.

In any case, this is a skill that is certainly going to serve you well now and in the near future, so it is something you might want to think about in that regard.

Growth Mindset and Active Learning 

Studies have shown that after college, most people stop learning actively. They start to acquire information passively. They don’t make any effort to activate their synapse and coordinate their brains to discover and absorb new information. Creative people, those same studies have shown, are completely different. They are constantly “updating” their hardware dynamically and purposefully. 

Why are creative skills important to tech’ companies?

Tech companies, and digital firms, work with the intangible. With 0 and 1. They work with ideas, with concepts, with graphics, with things you can hardly if ever touch. To come up with a new tech device, they first have to devise it, they have to imagine it, they have to conceptualize it — years later, and only if they did their job right, only then will they be able to interact with it on a physical plane. 

These companies need people that can translate those flights of fancy into action. They need leaders that can use their creative skills to impart their BIG vision to their underlings. They need marketing execs’ that can sell their product through emotions and experiences and the power of imagination. Computers can’t do that. 

Companies are looking for effective people that can harness and exploit their creative skills.

Album Review: Adele, ’30’

The first time Adele makes reference to a storm on her new album, 30, she’s not really in the thick of it. “I created this storm, it’s only fair I have to sit in its rain,” she sings on the deceptively upbeat ‘Cry Your Heart Out’, as if invoking not the sweepingly devastating effects of heartbreak – a whirlwind of emotions she’s captured time and time again in her music – but the foggy, difficult silence it leaves in its wake. She doesn’t set fire to it; she just sits there in the quiet, contemplating the lessons she’s learned. It’s in this introspective frame of mind that we find her on much of the record, one that allows her to move beyond the boundaries she had set herself on previous efforts despite grappling with similar themes. It’s an album about “divorce, babe,” as she put it on Instagram Live, but the story it tells is deeply personal in the way it pays attention to her journey of self-growth: “I hope I learn to get over myself,” she sings on ‘I Drink Wine’.

Coming from one of the most powerful and expressive vocalists of her generation, it might come as a surprise that some of the most resounding moments on 30 don’t actually feature Adele singing. Drawing inspiration from Tyler, the Creator and Skepta, the album’s first emotional peak arrives in ‘My Little Love’, an atmospheric R&B ballad that weaves itself around voice recordings of conversations between Adele and her son, Angelo. “Mummy’s been having a lot of big feelings recently,” she admits, then ends the song with a voice note about how truly lonely she feels. Adele’s songwriting has always traded in emotional vulnerability, but it’s the rawness that makes it feel uncomfortably, profoundly honest here, as if the conventional structures that used to shoulder the pain in the past are beginning to fail her. Another voice recording surfaces on ‘I Drink Wine’ – a more traditional ballad that originally ran for 15 minutes – which ends with her describing new memories created in the aftermath of separation as “just memories in a big storm.” When the final word cues the music to stop, it’s as shiver-inducing as her best vocal performances.

These, of course, are anything but absent from the album, and their force can mirror the depth and complexity of her emotional state in ways that the songwriting doesn’t always evoke with the same intensity. The way she glides in and out of her falsetto on ‘Easy on Me’ is by far the most enticing part of an otherwise generic piano ballad. Refreshingly, however, 30 finds the singer exploring new, often playfyl ways of harnessing the power of her voice, like the backround vocals that colour around songs like ‘I Drink Wine’ and ‘Cry Your Heart Out’. Even when she delivers what is perhaps intended as the record’s most empowering, show-stopping vocal turn on ‘Hold On’, it’s the choir of “Adele’s crazy friends” that make its universal premise feel grounded in reality.

The first time we hear Adele’s voice on 30, it is digitally transformed, swirling in a sea of wistful strings and glimmering synths before proclaiming, clear-eyed, “Alright then, I’m ready.” The opening ‘Strangers by Nature’, a collaboration with film composer Ludwig Göransson, is also indicative of the more patient, exploratory mood she traverses throughout much of the LP, a stark reflection of the loneliness she wrestles with and a reminder that the focus is really on herself. “Sometimes loneliness is the only rest we get,” she sings on ‘Hold On’, which affirms that real strength comes from letting “time be patient” and “pain be gracious.” The message might be vague and unconvincing on its surface, but Adele and her collaborators richly embody it by imbuing the songs – half of which clock in at over 5 minutes – with enough space to breathe and bend in different directions.

This near-literal approach – holding back as a means of holding on – works to punctuate the subtlety of Adele’s writing and delivery, but it doesn’t blend with some of the album’s more pop-oriented material. The middle stretch of the record leans into more contemporary sounds, with ‘Oh My God’ and ‘Can I Get It’ (produced by Max Martin and Shellback) offering little in the way of engagement. While it’s promising to hear the singer paying homage to the joys of a new relationship, the production is too sanitized and guarded to channel that kind of thrill, thwarting any attempt, however sincere, to hint at the brightness on the other side. A shorter track that manages to get around this is the Erroll Garner-sampling ‘All Night Parking’, a jazzy interlude whose feather-like touch makes for a smooth transition to the album’s final third. There, producer Inflo, best known for his work with the SAULT collective and Little Simz, suffuses three of its best songs with a tenderness that matches Adele’s mature perspective.

For all the restraint and nuance Adele showcases on this album, resting among those final tracks is a glimpse of the storm that has threatened to swallow her whole. It comes in the form of another piano ballad, ‘To Be Loved’, co-written with Tobias Jesso Jr, in which she envisions singing to her son in his 30s and catches herself in the eye of the storm: “I’ll stand still and let the storm pass by/ Keep my heart safe till the time feels right.” But the minimal arrangement is overpowered by a tempestuous vocal performance that vacillates between desperation and triumph, soaring to its biggest revelation: “To be loved and love at the highest count/ Means to lose all the things I can’t live without.” So her breakdown is an act of both remembrance and defiance: “Let it be known that I tried.” These things aren’t easy to hold, but in doing so with such a fervent display of passion and control, she embraces the possibility of letting go.

Films on MUBI in December, 2021

MUBI, the streaming service behind some of the most exciting art house cinema, has unveiled their list of films for December. The list includes Gagarine, a 2020 film by Fanny Liatard and Jérémy Trouilh, which follows the character of Yuri and his journey to save his community from demolition. The film is part of MUBI spotlight and will be available from the 12th of December.

This is the current list of films on MUBI in December 2021.

1 December | Onibaba | Kaneto Shindo
2 December | Le Bel Indifferent | Jacques Demy | Scenes from a Small Town: Short Films by Jacques Demy
3 December | Azor | Andreas Fontana | Debuts | A MUBI Release
4 December | TBC
5 December | The Consequences of Love | Paolo Sorrentino | Paolo Sorrentino Focus
6 December | Junior | Julia Ducournau
7 December | Two Friends | Louis Garrel
8 December | Los Huesos (The Bones) | Cristóbal León, Joaquín Cociña | Brief Encounters | A MUBI Release
9 December | TBC
10 December | TBC
11 December | Il Divo | Paolo Sorrentino | Paolo Sorrentino Focus
12 December | Gagarine | Fanny Liatard, Jérémy Trouilh | MUBI Spotlight
13 December | Holy Beasts | Israel Cárdenas, Laura Amelia Guzmán | Performers We Love
14 December | Samouni Road | Stefano Savona
15 December | Ali in Wonderland | Djourha Abouda, Alain Bonnamy | Rediscovered | A MUBI Release
16 December | TBC
17 December | TBC
18 December | TBC
19 December | The Great Beauty | Paolo Sorrentino | Paolo Sorrentino Focus
20 December | A Night at the Opera | Sergei Loznitsa | Preludes: Opéra de Paris Shorts
21 December | A Tale of Winter | Éric Rohmer | Tales of the Four Seasons
22 December | Gritt | Itonje Søimer Guttormsen | Debuts | A MUBI Release
23 December | Deerskin | Quentin Dupieux | MUBI Spotlight
24 December | TBC
25 December | Faces, Places | Agnès Varda & JR
26 December | TBC
27 December | The Big Short | Adam McKay
28 December | TBC
29 December | TBC
30 December | Like Someone in Love | Abbas Kiarostami
31 December | TBC