Home Blog Page 1280

The Weeknd’s HBO Series ‘The Idol’ Casts Troye Sivan, TV on the Radio’s Tunde Adebimpe, and More

HBO has officially ordered the Weeknd’s new series The Idol. It was previously announced that the Weeknd would star in the series alongside Lily-Rose Depp, and now HBO has revealed the rest of the cast, which includes Troye Sivan, TV on the Radio’s Tunde Adebimpe, Anne Heche, Suzanna Son, Melanie Liburd, Steve Zissis, Elizabeth Berkley Lauren, and Nico Hiraga.

The Idol centers on a self-help guru and cult leader who develops a romantic relationship with a burgeoning female pop star. It was co-created with Euphoria creator Sam Levinson as well as Abel Tesfaye’s producing partner Reza Fahim. Joe Epstein has also been added as a co-writer and executive producer, while Amy Seimetz will direct each episode of the series.

“When the multi-talented Abel ‘The Weeknd’ Tesfaye, Reza Fahim and Sam Levinson brought us The Idol, it was clear their subversive, revelatory take on the cult of the music industry was unlike anything HBO had ever done before,” Francesca Orsi, Executive Vice President of HBO Programming said in a statement. “Shortly after, the brilliant duo of Joe Epstein and Amy Seimetz joined forces with the rest of the team, and this dream became a reality.”

Backxwash and Dreamcrusher Team Up on New Song ‘Thumbs Down (Not I)’

0

Backxwash and Dreamcrusher have joined forces for a new track, ‘Thumbs Down (Not I)’, released as part of Adult Swim’s singles series. Give it a listen below.

“I wrote the lyrics with the thought of what a ‘rebel’ is and what it means, and if that meaning has changed,” Dreamcrusher explained in a statement. “I personally think rebellion is being yourself despite the world and how it treats you. I often think about the crossroads and thin lines between integrity and survival, and these days, with everything being so chaotic (especially for marginalized communities and independent artists). I honestly don’t give a fuck anymore. I just want to create work that I’m proud of, put it out to the world, and eat the fruits of my labor.”

Backxwash added: “This was an amazing opportunity to collaborate with one of the artists I admire and I am happy Adult Swim gave me that opportunity. I think sonically it is the perfect marriage of our styles and that is what collaboration should be all about. Very happy with how this came out.”

Backxwash released her latest album, I Lie Here Buried With My Rings and My Dresses, earlier this year.

Demand for Creative Skills in Tech & Digital World

The one thing, well, up until now, that AI can’t supplant is our imagination. Our innate human capacity to think free-form and make leaps of logic that would astound a computer. Our ability to create, to imagine, to innovate purely on instinct. A computer, software, an app, and AI can outperform your employees in certain aspects, but it still lacks key skills that are of great value not only to the tech industry but the world at large — creative problem-solving thinking skills for a changing world. In this article, we’re going to talk about some of the creative skills that are right now in high demand in the tech and digital world.

What are creative skills in general?

Creativity, according to the World Economic Forum, is one of the top five skills of the immediate future. What are the other 4? Complex problem solving, active learning, analytic thinking, and critical thinking. The shift to digital has accelerated the desire of companies to expand their creative portfolio. 

But what exactly are creative skills?

Creative skill is a broad topic with a lot of branching and overlapping points of interest. There’s no real definable trait that makes one person more creative than the other. In general, when it comes to the workplace, a creative skill is that magic spark that some employees have that helps them develop new ideas, increase their efficiency, and devise solutions to complex problems. In most cases, it is a natural proclivity. Nonetheless, it can be learned and developed over time — still, some people are simply more creative than others. 

Creativity, in general, allows people to think about a task in a new or different way or to use their imagination to generate a new idea. Individuals with a high degree of creativity can look at things from a unique perspective, can uncover connections others have been blind to, can take risks others didn’t consider, can find patterns, ask questions, make imaginative observations. 

It is a soft skill and one that in many cases is inherent to a person — some folks are simply more creative than others. Scientists have discovered that “high-creative” networks – that region in our brain devoted to flights of fancy – is in fact a web of different neurological systems. 3 regions that typically don’t get activated at the same time. Creative people, due to how their brains are “wired” can co-activate these brain regions and make them work in operation — engaging systems that don’t normally work together. 

People with stronger connections between these networks come up with better ideas. Everyone is creative to a degree, but “geniuses” like Aristotle, Stephen King, Picasso, and dozens more are simply wired differently. They have a complex interplay in their brain that is spontaneous to them since childbirth, and one that with deliberate exercise they can eventually control. 

Top 5 creative skills in demand for tech and digital professionals today

Intellectual and creative skills are in high demand, right now, since they are the only things companies can’t replicate. They can’t automate them, they can circumvent them, they can’t outsource them to a computer. Different types of creative skills can’t be replaced by robotics.

Here are some of the soft skills tech companies haven’t been able to reproduce.

Creative Thinking

Creative thinking is a soft skill. It’s not just the ability to come up with new solutions to a problem, but the ability to think innovatively. There’s no true sure-fire way to define creative thinking. Why? Because it involves too many variables. It involves careful analysis and information gathering. It involves communication and active listening. It involves open-mindedness, and opposing stereotypes. It involves all those factors, and sometimes none of them. Most of those variables are social conducts, and sometimes a creative person is everything but sociable. 

Complex problem solving

A clear classical example of complex problem solving is the tale of the Gordian Knot. The legend goes that Alexander the Great was once challenged by an intractable problem – untying an impossibly tangled knot. What did Alexander do? He grabbed his sword and simply cut the knot in half. Not only solving the problem but rendering it moot. 

Complex problem solving is thinking outside the box and using your imagination to create a new innovative solution to them.

Emotional intelligence

One of the most important creative skills to learn is emotional intelligence or EQ. This is the ability to understand and manage and regulate emotions in a positive way. To have empathy, social awareness, and overcome challenges in an efficient manner. 

Data Analysis 

A computer can analyze and audit information, it can find patterns, it can find complex systems working in unison within a maelstrom of bites and terabytes — But, it can’t think illogically. It can’t predict chaotic veer or what wonky data clusters translate to. For all that imaginative thinking, you need people. 

There are, of course, many ways to improve your data analysis skills. A lot of it has to do with what tools you use, so taking a look at that, and the software that you are engaging with, can be really important. If you have access to a git client for mac, for instance, that can be really useful for keeping the data as it needs to be for analysis.

In any case, this is a skill that is certainly going to serve you well now and in the near future, so it is something you might want to think about in that regard.

Growth Mindset and Active Learning 

Studies have shown that after college, most people stop learning actively. They start to acquire information passively. They don’t make any effort to activate their synapse and coordinate their brains to discover and absorb new information. Creative people, those same studies have shown, are completely different. They are constantly “updating” their hardware dynamically and purposefully. 

Why are creative skills important to tech’ companies?

Tech companies, and digital firms, work with the intangible. With 0 and 1. They work with ideas, with concepts, with graphics, with things you can hardly if ever touch. To come up with a new tech device, they first have to devise it, they have to imagine it, they have to conceptualize it — years later, and only if they did their job right, only then will they be able to interact with it on a physical plane. 

These companies need people that can translate those flights of fancy into action. They need leaders that can use their creative skills to impart their BIG vision to their underlings. They need marketing execs’ that can sell their product through emotions and experiences and the power of imagination. Computers can’t do that. 

Companies are looking for effective people that can harness and exploit their creative skills.

Album Review: Adele, ’30’

The first time Adele makes reference to a storm on her new album, 30, she’s not really in the thick of it. “I created this storm, it’s only fair I have to sit in its rain,” she sings on the deceptively upbeat ‘Cry Your Heart Out’, as if invoking not the sweepingly devastating effects of heartbreak – a whirlwind of emotions she’s captured time and time again in her music – but the foggy, difficult silence it leaves in its wake. She doesn’t set fire to it; she just sits there in the quiet, contemplating the lessons she’s learned. It’s in this introspective frame of mind that we find her on much of the record, one that allows her to move beyond the boundaries she had set herself on previous efforts despite grappling with similar themes. It’s an album about “divorce, babe,” as she put it on Instagram Live, but the story it tells is deeply personal in the way it pays attention to her journey of self-growth: “I hope I learn to get over myself,” she sings on ‘I Drink Wine’.

Coming from one of the most powerful and expressive vocalists of her generation, it might come as a surprise that some of the most resounding moments on 30 don’t actually feature Adele singing. Drawing inspiration from Tyler, the Creator and Skepta, the album’s first emotional peak arrives in ‘My Little Love’, an atmospheric R&B ballad that weaves itself around voice recordings of conversations between Adele and her son, Angelo. “Mummy’s been having a lot of big feelings recently,” she admits, then ends the song with a voice note about how truly lonely she feels. Adele’s songwriting has always traded in emotional vulnerability, but it’s the rawness that makes it feel uncomfortably, profoundly honest here, as if the conventional structures that used to shoulder the pain in the past are beginning to fail her. Another voice recording surfaces on ‘I Drink Wine’ – a more traditional ballad that originally ran for 15 minutes – which ends with her describing new memories created in the aftermath of separation as “just memories in a big storm.” When the final word cues the music to stop, it’s as shiver-inducing as her best vocal performances.

These, of course, are anything but absent from the album, and their force can mirror the depth and complexity of her emotional state in ways that the songwriting doesn’t always evoke with the same intensity. The way she glides in and out of her falsetto on ‘Easy on Me’ is by far the most enticing part of an otherwise generic piano ballad. Refreshingly, however, 30 finds the singer exploring new, often playfyl ways of harnessing the power of her voice, like the backround vocals that colour around songs like ‘I Drink Wine’ and ‘Cry Your Heart Out’. Even when she delivers what is perhaps intended as the record’s most empowering, show-stopping vocal turn on ‘Hold On’, it’s the choir of “Adele’s crazy friends” that make its universal premise feel grounded in reality.

The first time we hear Adele’s voice on 30, it is digitally transformed, swirling in a sea of wistful strings and glimmering synths before proclaiming, clear-eyed, “Alright then, I’m ready.” The opening ‘Strangers by Nature’, a collaboration with film composer Ludwig Göransson, is also indicative of the more patient, exploratory mood she traverses throughout much of the LP, a stark reflection of the loneliness she wrestles with and a reminder that the focus is really on herself. “Sometimes loneliness is the only rest we get,” she sings on ‘Hold On’, which affirms that real strength comes from letting “time be patient” and “pain be gracious.” The message might be vague and unconvincing on its surface, but Adele and her collaborators richly embody it by imbuing the songs – half of which clock in at over 5 minutes – with enough space to breathe and bend in different directions.

This near-literal approach – holding back as a means of holding on – works to punctuate the subtlety of Adele’s writing and delivery, but it doesn’t blend with some of the album’s more pop-oriented material. The middle stretch of the record leans into more contemporary sounds, with ‘Oh My God’ and ‘Can I Get It’ (produced by Max Martin and Shellback) offering little in the way of engagement. While it’s promising to hear the singer paying homage to the joys of a new relationship, the production is too sanitized and guarded to channel that kind of thrill, thwarting any attempt, however sincere, to hint at the brightness on the other side. A shorter track that manages to get around this is the Erroll Garner-sampling ‘All Night Parking’, a jazzy interlude whose feather-like touch makes for a smooth transition to the album’s final third. There, producer Inflo, best known for his work with the SAULT collective and Little Simz, suffuses three of its best songs with a tenderness that matches Adele’s mature perspective.

For all the restraint and nuance Adele showcases on this album, resting among those final tracks is a glimpse of the storm that has threatened to swallow her whole. It comes in the form of another piano ballad, ‘To Be Loved’, co-written with Tobias Jesso Jr, in which she envisions singing to her son in his 30s and catches herself in the eye of the storm: “I’ll stand still and let the storm pass by/ Keep my heart safe till the time feels right.” But the minimal arrangement is overpowered by a tempestuous vocal performance that vacillates between desperation and triumph, soaring to its biggest revelation: “To be loved and love at the highest count/ Means to lose all the things I can’t live without.” So her breakdown is an act of both remembrance and defiance: “Let it be known that I tried.” These things aren’t easy to hold, but in doing so with such a fervent display of passion and control, she embraces the possibility of letting go.

Films on MUBI in December, 2021

MUBI, the streaming service behind some of the most exciting art house cinema, has unveiled their list of films for December. The list includes Gagarine, a 2020 film by Fanny Liatard and Jérémy Trouilh, which follows the character of Yuri and his journey to save his community from demolition. The film is part of MUBI spotlight and will be available from the 12th of December.

This is the current list of films on MUBI in December 2021.

1 December | Onibaba | Kaneto Shindo
2 December | Le Bel Indifferent | Jacques Demy | Scenes from a Small Town: Short Films by Jacques Demy
3 December | Azor | Andreas Fontana | Debuts | A MUBI Release
4 December | TBC
5 December | The Consequences of Love | Paolo Sorrentino | Paolo Sorrentino Focus
6 December | Junior | Julia Ducournau
7 December | Two Friends | Louis Garrel
8 December | Los Huesos (The Bones) | Cristóbal León, Joaquín Cociña | Brief Encounters | A MUBI Release
9 December | TBC
10 December | TBC
11 December | Il Divo | Paolo Sorrentino | Paolo Sorrentino Focus
12 December | Gagarine | Fanny Liatard, Jérémy Trouilh | MUBI Spotlight
13 December | Holy Beasts | Israel Cárdenas, Laura Amelia Guzmán | Performers We Love
14 December | Samouni Road | Stefano Savona
15 December | Ali in Wonderland | Djourha Abouda, Alain Bonnamy | Rediscovered | A MUBI Release
16 December | TBC
17 December | TBC
18 December | TBC
19 December | The Great Beauty | Paolo Sorrentino | Paolo Sorrentino Focus
20 December | A Night at the Opera | Sergei Loznitsa | Preludes: Opéra de Paris Shorts
21 December | A Tale of Winter | Éric Rohmer | Tales of the Four Seasons
22 December | Gritt | Itonje Søimer Guttormsen | Debuts | A MUBI Release
23 December | Deerskin | Quentin Dupieux | MUBI Spotlight
24 December | TBC
25 December | Faces, Places | Agnès Varda & JR
26 December | TBC
27 December | The Big Short | Adam McKay
28 December | TBC
29 December | TBC
30 December | Like Someone in Love | Abbas Kiarostami
31 December | TBC

The obstacles facing Canelo Álvarez ahead of cruiserweight move

Las Vegas under the lights is always a big deal in the world of boxing. The glitz and glamour in Sin City painted a picturesque view as Saul ‘Canelo’ Álvarez saw off Caleb Plant, ending the American’s unbeaten streak whilst continuing his own personal purple patch. It wasn’t easy and no one ever expected it to be, but the Mexican established his superiority over the super middleweight division as one of the best pound-for-pound fighters around.

Indeed, unifying the belts doesn’t seem to be enough for Canelo, who already has four wins within the space of a year — more than some fighters will have had in the last five or six years. Having seemingly conquered everything in his current path, the Mexican looks to make the switch to cruiserweight, with a potential bout against Ilunga Makabu in the works.

After being granted approval to make the switch, Canelo will be getting right into the thick of it by making the huge leap to 23lbs and taking on the unbeaten titleholder. Just a matter of weeks ago he was gearing up for the fight with Plant, but seeing how he is so readily focused on the next task at hand is as impressive as it is risky. Read on, as we discuss the difficulty Canelo may find as he joins a new division and how we see the next few years of his career going.

Tougher opponent

While he’s certainly no underdog in the boxing betting with Betfair, Canelo will certainly have a tough bout on his hands against Makabu. Not only does he have to deal with the pressure of making the step up to a new division, but in Makabu the Mexican has an opponent who is still unbeaten, much like Plant was, who will be hungry to earn a victory over such a great fighter. The Congolese has been out of action for the best part of a year, last in the ring for a seventh-round knockout against Olanrewaju Durodola, but that doesn’t mean he should be underestimated — only going to distance three times in his career shows his devastation and ability to cause a stoppage.

New reach

Moving up in weight will also mean the opponents get bigger. Despite showing he can mix it up with a variety of opponents, both taller and shorter, altering reach once again will feel foreign for the Mexican. Plant stood at 6’1” and Canelo took his time before really looking comfortable and forcing the 11th round stoppage which, in all fairness, had been coming. Looking at the top cruiserweights, including Makabu, Lawrence Okolie and Latvian Mairis Briedis, the trend is that they all stand above 6ft meaning Canelo, at 5’7, will certainly have his work cut out for him.

Burnout

Let’s not forget, Canelo has been nonstop these past few years and regardless of the problems caused by the coronavirus pandemic, he has been fighting consistently for the best part of three years — with his last real lengthy absence coming between his bouts with Gennady Golovkin, the last time he failed to record a victory. You get the feeling that if Canelo keeps up this intensity that he could become susceptible to injuries that could affect the latter stages of his career. Approaching his peak now, it would be a shame to see recurring injuries crop up and prematurely stop the Mexican in his stride.

How SlotsJudge Upped Membership Past 10,000 With Their Referral System

Today, SlotsJudge celebrates a huge landmark – exceeding 10,000 registered users in record time. To think that SlotsJudge started fully in 2020, and just within a year, they have attracted all range of bettors; professionals and amateurs alike. This is because SlotsJudge has shown itself to be a hub of honest casino and slots reviews, the latest gaming news, and much more.

How Does the SlotsJudge Referral System Work?

SlotsJudge gives incentives to users for their activity on the site. One of the major incentives is the bonus on referrals. The referral system is a solid structure that has greatly increased the popularity of SlotsJudge. 

Here is how it works: whenever a registered user refers a friend to the platform, the user earns 30 SJ points and also earns points when the SJ points of the friend reach certain levels.

Users receive 50 SJ points upon registration and 25 points when they post comments or share a screenshot of their amazing wins. Users can also post their own casino-related articles on the website. Such an article can land as much as 500 SJ points if approved. 

These points can then be traded in the SJ shop for cash (which can be used to fund a casino bankroll or withdrawn directly to a Skrill account), free spins, and other goodies. There is also a VIP level system in which gamers rise through the ranks as their activity on the site increases. A higher VIP level gives access to better offers in the shop.

Eventually, all these have made SlotsJudge exceed the 10,000 membership mark and is also the potential trigger for greater achievements.

What is SlotsJudge?

SlotsJudge is touted to be the first interactive website about slot games and casinos. They don’t just give out casino-related information, they also allow players to share their own opinions on the latest games and even play demo versions of slot games on their website. SlotsJudge has therefore become a community where gamers can easily find the best casino and slot game recommendation that suits their level.

SlotsJudge initially took off in 2018 but couldn’t make a name until it was relaunched in 2020 by its team of professionals, Scanteam. Since then, the website has been making waves in the iGaming world, helping new and existing users to become profitable when spinning their favourite slots. 

Perhaps the juiciest aspect of SlotsJudge is their reward system. This has boosted the popularity of the website. SlotsJudge has also stood out for their honest and fair reviews of casinos and their offerings. Besides, they give room for users to be the judge themselves.

Also, SlotsJudge has exploited popular social media channels to create awareness of what their site has to offer to gamblers. Their YouTube channel has become a go-to spot for news and analysis of the latest slots and casino games. This has greatly helped gamers to discover the best casinos and casino games to play easily.

All in all, SlotsJudge is set to overshoot its current membership mark as it continues to dole out the great value in the gambling sphere.

Snail Mail Reschedules Tour Dates Due to Vocal Cord Surgery

Snail Mail‘s Lindsey Jordan has postponed a portion of her upcoming tour due to the immediate need for vocal cord surgery. The North American leg of the tour was set to commence this week, but has been rescheduled for summer 2022; details for her UK and European rescheduled dates have yet to be announced.

Jordan wrote in a statement:

Lindsey here – unfortunately, with terrible news this time. I’ve been struggling with my vocal health more and more each year. I lose my voice after a couple days of singing. I went to see an ENT last week and they found massive polyps in my vocal cords (surprisingly from vocal trauma due to talking!! shocker lol) that need to be operated on to prevent permanent damage to my voice. The recovery time is three months/speech therapy and in an effort to make sure the rest of the tour can happen, I will be postponing our first US tour which was supposed to begin this week as well as our initial UK/Euro tour :(. I’m devastated to be pushing off shows even longer.  My team is working overtime to reschedule everything that we’re postponing–we will have everything rescheduled imminently. Thank you so much for all the support you’ve given the new record so far.

Snail Mail released her second album, Valentineearlier this month.

Snail Mail 2022 Tour Dates:

Tue Apr 5 – Philadelphia PA – Union Transfer
Wed Apr 6 – Philadelphia PA – Union Transfer
Thu Apr 7 – Brooklyn NY – Kings Theatre
Fri Apr 8 – Boston MA – Royale
Sat April 9 – Montreal QC – Club Soda
Mon Apr 11 – Toronto ON – Phoenix Concert Theatre
Tue Apr 12 – Cleveland OH – Agora Theatre
Thu Apr 14 – Chicago IL – Riviera Theatre
Fri Apr 15 – Minneapolis MN – First Avenue
Sat Apr 16 – Lawrence KS – Liberty Hall
Sun Apr 17 – Denver CO – Ogden Theater
Wed Apr 20 – Seattle WA – Moore Theatre
Thu Apr 21 – Vancouver BC – Vogue Theatre
Fri Apr 22 – Portland OR – Wonder Ballroom
Sat Apr 23 – Portland OR – Wonder Ballroom
Sun Apr 24 – Oakland CA – Fox Theater
Wed Apr 27 – Los Angeles CA – Hollywood Palladium
Thu Apr 28 – San Diego CA – The Observatory North Park
Fri Apr 29 – Mesa AZ – The Nile
Sat Apr 30 – Santa Fe NM – Meow Wolf
Mon May 2 – Austin TX – ACL Live at the Moody Theater
Tue May 3 – Dallas TX – The Factory Studio
Thu May 5 – Atlanta GA – The Masquerade – Heaven Stage
Fri May 6 – Asheville NC – The Orange Peel
Sat May 7 – Carrboro NC – Cat’s Cradle
Sun May 8 – Nashville TN – Brooklyn Bowl – Nashville
Fri Aug 12 – Providence, RI – Fete Music Hall
Tue Aug 16 – New Haven, CT – Toad’s Place
Wed Aug 17 – Asbury Park, NJ – The Stone Pony
Fri Aug 19 – Richmond, VA – The National
Sat Aug 20 – Norfolk, VA – The NorVa
Sun Aug 21 – Charlotte, NC – Neighborhood Theatre
Tue Aug 23 – Orlando ,FL – The Beacham Theater
Wed Aug 24 – Tampa FL – The Ritz Ybor
Fri Aug 26 – Birmingham, AL – Saturn
Sat Aug 27 – Knoxville,TN – The Mill & Mine
Sun Aug 28 – Louisville, KY – Headliners Music Hall
Tue Aug 30 – Bloomington, IL – The Castle Theatre
Wed Aug 31 – Madison, WI – Majestic Theatre
Fri Sep 2 – Milwaukee, WI – Turner Hall
Sat Sep 3 – St Louis, MO – The Pageant
Sun Sep 4 – Columbus, OH – The Athenaeum Theatre
Tue Sep 6 – Detroit, MI – Majestic Theatre
Wed Sep 7 – Millvale, PA – Mr. Smalls Theatre
Fri Sep 9 – Silver Spring, MD – The Fillmore

Naima Bock Signs to Sub Pop, Shares New Single ’30 Degrees’

Based in South London and of Greek/Brazilian heritage, Naima Bock has announced her signing to Sub Pop and shared the new single ’30 Degrees’. Bock wrote the track and co-produced it with longtime collaborator Joel Burton. Check it out below.

“This song came out of the adolescent duality of fear and freedom and deals primarily with goodbyes,” Block explained in a statement. “The small ones, which feel so big, ‘some final word’ (goodbye to a long-term friendship) and the big ones, ‘the final sigh’ which can feel so small amidst the clutter of surviving day-to-day.”

Naima Bock’s debut full-length is slated for release in 2022. She’s set to play a handful of UK dates in the coming months, including support for Porridge Radio and The Goon Sax; you can find those dates below.

Naima Bock 2021 and 2022 Tour Dates:

Nov 24 – London – Village Underground ^
Nov 25 – London – Ivy House Headline Show
Nov 26 – Nottingham – Bodega ^
Nov 27 – Glasgow – Mono ^
Nov 28 – Edinburgh – Mash House ^
Nov 30 – London – Servant Jazz Quarters *
Dec 2 – Liverpool – District ^
Jan 17 – London  The Lexington (The Line of Best Fit’s Five Day Forecast)
Jan 28 – London  Moth Club %

^ w/ Porridge Radio
* w/ Bingo Fury
% w/ The Goon Sax

This Week’s Best New Songs: Big Thief, Horsegirl, Earl Sweatshirt, and More

Throughout the week, we update our Best New Songs playlist with the new releases that caught our attention the most, be it a single leading up to the release of an album or a newly unveiled deep cut. And each Monday, we round up the best new songs released over the past week (the eligibility period begins on Monday and ends Sunday night) in this best new music segment.

On this week’s list, we have the lead offering from Big Thief’s upcoming double album, ‘Time Escpaping’, which draws from the more kinetic and fragmented corners of the band’s sound to stunning effect; Chicago trio Horsegirl’s first release for Matador, ‘Billy’, a fuzzy, wonderfully constructed slice of indie rock; Adele’s ‘To Be Loved’, an extraordinary highlight from the singer’s new album; Earl Sweatshirt’s introspective new single ’2010’, which is less hazy but just as hypnotic as some of his past material; Thank You Thank You’s wondrously expansive and warmly reflective new track ‘Undiminished Life’; and Sweeping Promises’ driving, infectious ‘Pain Without a Touch’, the latest from the post-punk outfit that just announced their signing to Sub Pop.

Best New Songs: November 22, 2021

Song of the Week: Big Thief, ‘Time Escaping’

Horsegirl, ‘Billy’

Earl Sweatshirt, ‘2010’

Adele, ‘To Be Loved’

Thank You Thank You, ‘Undiminished Life’ 

Sweeping Promises, ‘Pain Without a Touch’