Earlier this week, Sufjan Stevens announced a new album called The Ascension, set for release on September 25 via Asthmatic Kitty Records. Now, the singer-songwriter has shared the first single off the record, a 12-and-a-half-minute track that serves as the album’s sprawling closer. Check it out below.
In a press release, Stevens revealed that the song was originally written during the sessions for his previous album, 2015’s acclaimed Carrie & Lowell. “I was dumbfounded by the song when I first wrote it,” he said. “Because it felt vaguely mean-spirited and miles away from everything else on Carrie & Lowell. So I shelved it. But when I dug up the demo a few years later I was shocked by its prescience. I could no longer dismiss it as angry and glib. The song was clearly articulating something prophetic and true, even if I hadn’t been able to identify it at the time. That’s when I saw a clear path toward what I had to do next.”
Though The Ascension marks his first full solo album in five years, the singer-songwriter released a collaborative record with his stepfather, Lowell Brams, back in March called Aporia.
Southend-on-Sea indie-folk trio in earnest, fronted by couple Thomas Eatherton and Sarah Holburn, have released a new single titled ‘Come Upstairs’, taken from their upcoming 6-track EP. Reminiscent of the emotive, intensely personal songwriting of Julien Baker, the hauntingly affecting ballad explores mental illness as experienced from a sufferer’s partner, with Thomas urging Sarah not to give up hope.
“In the wake of my partner’s mental health struggles, it feels like I spend every waking moment trying to keep a brave or positive face on and there are times when I find it difficult to maintain my own identity,” Thomas explained in a statement. “We’re gradually learning how to combat negative thinking, but I’m usually the one who takes the weight and pulls her out of waves of depression.”
‘Come Upstairs’ is the follow-up to ‘Put Me Under’, the first single from the band’s EP, which was penned from Sarah’s perspective. While there are many acts adopting a similarly confessional style of songwriting, what sets in earnest apart is that emotional exchange between Thomas and Sarah, which makes us excited for what the trio has to offer in the future.
Christine and the Queens has shared a new song titled ‘Eyes of a child’, written as part of the second season of the Amazon Prime Video series HANNA. Listen to it below.
Accompanied by a bare-bones instrumental featuring spare keys and haunting backing vocals, frontperson Héloïse Letissier sings: “She will come whenever I call her/ But she’ll leave as soon as I sigh/ She’s got the eyes of a child/ And she’ll love without any sorrow/ For she just aims for the heart.”
100 gecs have detailed a new remix album titled 1000 Gecs & The Tree Of Clues. The album is out on July 10 via Big Beat/Atlantic and is set to feature remixes of tracks from Laura Les and Dylan Brady’s debut album 1000 Gecs, which was released in May of last year. Check out the cover art and full tracklist below.
In addition to previously shared collaborations with Charli XCX, Rico Nasty, and Kero Kero Bonito, 1000 Gecs & The Tree Of Clues will also feature appearances from Fall Out Boy, Tommy Cash, Hannah Diamond, Nicole Dollanganger, and more.
Back in April, Dylan Brady curated a virtual festival on Minecraft which featured sets from Charli XCX, Cashmere Cat, A.G. Cook, Danny L Harle, Dorian Electra, and more. Earlier this year, he also contributed to Charli XCX’s quarantine album, how i’m feeling now, which we named one of the best albums of the year so far.
1000 Gecs & The Tree Of Clues Cover Art:
1000 Gecs & The Tree Of Clues Tracklist:
1. money machine (A.G. Cook Remix)
2. ringtone (Remix)’ (Feat. Charli XCX, Rico Nasty, & Kero Kero Bonito)
3. 745 sticky (Injury Reserve Remix)
4. gec 2 Ü (Danny L Harle Harlecore Remix)
5. hand crushed by a mallet (Remix)’ (Feat. Fall Out Boy, Craig Owens, & Nicole Dollanganger)
6. 800db cloud (Ricco Harver Remix)
7. stupid horse (GFOTY & Count Baldor Remix)
8. ringtone (umru Remix)
9. xXXi_wud_nvrstøp_ÜXXx (Remix) (Feat. Tommy Cash & Hannah Diamond)
10. 745 sticky (Black Dresses Remix)
11. gecgecgec (Remix) (Feat. Lil West & Tony Velour)
12. xXXi_wud_nvrstøp_ÜXXx (99jakes Remix)
13. gec 2 Ü (Remix) (Feat. Dorian Electra)
14. hand crushed by a mallet (nothankyou Remix)
15. came to my show (intro)
16. came to my show
17. toothless
18. small pipe (Live At Fishcenter)
19. 800db cloud (Live At Fishcenter)
Before making the majority of their back catalog available on Bandcamp to coincide with the site’s revenue waiver today (July 3), Animal Collective have acknowledged that there are “a few things we felt important to address and correct”. Specifically, the band have decided to change the cover art for their 2006 EP People as well as the title of their 2003 album Here Comes the Indian due to “racist stereotypes”. Read their full statement below.
Regarding People, whose cover shows a black nanny with two white children, they wrote: “There is no way to excuse using a ‘mammy’ on our artwork, and so we have decided to remove it. We understand now that using a racist stereotype at all causes more damage than an explanation can repair, and we apologize.” Proceeds from sales of that EP will go to Equal Justice Initiative.
Speaking of Here Comes the Indian, whose name has now been changed to Ark, they added: “With utmost respect to Indigenous people we feel that having the word Indian in our record title sends the wrong message by objectifying the American Indian people which is not what we were intending with the music.” Proceeds from album sales will also be donated to Seeding Sovereignty.
The band has also promised to donate proceeds from 2017’s Meeting of the Waters EP, which features recordings of the Tatuyo tribe in Brazil playing music, to Cultural Survival, an organisation dedicated to advancing indigenous peoples’ rights worldwide. “As we were guests in their world, we feel it is only right to continue to show our gratitude,” they said.
In addition to donating their Bandcamp proceeds to Cultural Survival, the Equal Justice Initiative, Seeding Sovereignty, Southerners on New Ground (SONG), and the Okra Project, the band will also split a $10,000 donation between those groups.
Animal Collective are also releasing a new EP on Bandcamp today, titled Bridge to Quiet. Check that out below as well.
David Gilmour has shared his first new song in five years titled ‘Yes, I Have Ghosts’. The former Pink Floyd frontman originally unveiled the song last month as part of the audiobook for a new novel by Gilmour’s wife and longtime collaborator, Polly Samson, titled A Theatre for Dreamers. Now, a week after the book’s publication, it’s been released as a standalone track. Listen to it below.
“Polly’s vivid and poetic writing, coupled with her very natural narration voice, made joining forces to produce the audio version of A Theatre for Dreamers a fantastic and fulfilling experience,” Gilmour explained in a statement. “The audiobook format has so much untapped potential, and I am surprised more musicians have not creatively collaborated with authors, narrators and audiobook producers in this way before. The two worlds seem to seamlessly link, and music can really help to bring audiobooks to life in unexpected new ways.”
Speaking of the track specifically, which features Gilmour’s daughter Romany on acoustic guitar, harp, and backup vocals, he added: “I was working on this song just as we went into lockdown and had to cancel a session with backing singers. But, as it turned out, the solution was right here and I couldn’t be happier with the way Romany’s voice blends with mine and her beautiful harp playing has been another revelation.”
Though this is marks Gilmour’s first new original song in five years, he has shared a few covers during lockdown, including classics by Leonard Cohen (who appears as a character in the novel) and Syd Barrett.
In this segment, we showcase the most notable albums out each week. Here are the albums out on July 3rd, 2020:
Pop Smoke, Shoot for the Stars, Aim for the Moon
Pop Smoke’s posthumous album has arrived. The Brooklyn rapper was tragically shot and killed in his California home on Feb 19th, shortly after the release of his final mixtape Meet the Woo Vol. 2. Called Shoot for the Stars, Aim for the Moon, the album features appearances from Future, DaBaby, Lil Baby, Quavo, Swae Lee, Roddy Ricch, 50 Cent, Tyga, and Karol G. “You were always shootings for the stars and aiming for the moon,” Steven Victor, who worked closely with Smoke as head of the Victor Victor label imprint, wrote on Instagram. “Everything we talked about is happening, the only thing is you’re not here in the flesh to see it all come together.”
Willie Nelson, First Rose of Spring
Willie Nelson has released his 70th studio album, First Rose of Spring, via Legacy. The 11-track LP was produced by Buddy Cannon, who also co-wrote ‘Blue Star’ and ‘Love Just Laughed’. Originally scheduled for release on April 24 but postponed due to the COVID-19 pandemic, it follows last year’s Ride Me Back Home and features compositions by Chris Stapleton, Toby Keith and Pete Graves. Randy Houser, Allen Shamblin and Mack Vickery wrote the title track, while the closing track is a cover of Roy Clark’s ‘Yesterday When I Was Young’. The album’s cover art was designed by Nelson’s son, Micah.
Boris, NO
Japanese experimental metal band Boris have come through with their new album NO, out now via Bandcamp. The LP follows 2019’s LφVE & EVφL, which was released through Jack White’s Third Man Records. “The anger and discontent we had no outlet for in our youth shone through in our music, helping us to channel negative energy channeled towards creative ends and leading us to new means of expression and artistry,” the band wrote in a statement/manifesto in response to the “closing” of international borders. “We hope this latest album can be a mirror that gathers and reflects people’s negative energy at a different angle, one that is positive. That is the power and potential of the dark, extreme, and brutal noise music that we have experienced up to this point.”
Dream Wife, So When You Gonna…
London-based Alternative rock outfit Dream Wife – comprised of singer Rakel Mjöll, guitarist Alice Go, and bassist Bella Podpadec – are back with their sophomore album, So When You Gonna…, out now via Lucky Number. Following their acclaimed self-titled debut in 2018, the album was “recorded with a full team of women” in an effort to address gender inequality in the music industry, the band told Annie Mac. “Female producers are less than 5% in the industry. It was a real eye-opener working with this team, and they’re incredible,” they added.
The Irrepressibles, Superheroes
The Irrepressibles, the project of avant-garde electronic pop artist Jamie Irrepressible, has put out his third studio album Superheroes, out now via Of Naked Design. Drawing on influences from progressive rock, kraut-rock, and electronic music that the artist absorbed while recently living in Berlin, Jamie describes the album as “a love story about masculinity, mental health, and homosexual love set in Berlin” exploring themes of “awakening, and the transformation and healing of the inner-child through love and acceptance.” He describes the LP as fantasy concept record that “discusses the connection between fantasy that is built in the brain through isolation of a part of oneself that cannot be expressed and how through deep love we enter that space in each other.”
In Alex Garland’s 2014 sci-fi thriller, a young programmer named Caleb (Domnhall Gleeson) is invited to stay with the CEO Nathan Bateman (Oscar Isaac) of the world’s leading search engine in his luxurious and isolated mountain home. Nathan explains that during his weeklong stay, Caleb will get to know Ava (Alicia Vikander), an artificial intelligence machine, and determine whether or not she is capable of consciousness. If Caleb forgets that Ava isn’t human, the experiment will be deemed a success.
Caleb begins to feel an attraction towards Ava, which she seems to reciprocate. But Nathan warns him that she’s only manipulating him so that she can escape to the outside world. Caleb begins to feel paranoid that he’s artificial himself while also becoming increasingly suspicious of Nathan’s behaviour and motivations.
Ava’s incredible mechanical appearance earned the film won an Academy Award for Best Visual Effects. Here are 15 brilliant stills from Ex Machina.
Father John Misty has announced he will be releasing a new EP tomorrow (July 3) via Bandcamp. It’s titled Anthem +3 and will include covers of Leonard Cohen’s ‘Anthem’ and ‘One of Us Cannot Be Wrong’, as well as Link Wray’s ‘Fallin’ Rain’ and Yusuf / Cat Stevens’ ‘Trouble’. Check out the EP’s cover art and tracklist below.
Coinciding with the platform’s monthly 24-hour waiver of its revenue share, proceeds from the EP will be donated to CARE Action and Ground Game LA. In addition to being available on Bandcamp, the EP will later be released on streaming services on July 14 via Sub Pop/Bella Union.
Anthem +3 follows the release of a surprise live album called Off-Key In Hamburg back in March, which was recorded at the Hamburg Elbphilharmonie venue on August 8, 2019. His last studio LP was 2018’s God’s Favorite Customer.
Anthem +3 EP Cover Art:
Anthem +3 EP Tracklist:
1. Anthem (Leonard Cohen cover)
2. Fallin’ Rain (Link Wray cover)
3. Trouble (Yusuf / Cat Stevens cover)
4. One of Us Cannot Be Wrong (Leonard Cohen cover)
Australia’s Dream-pop artist Tim Ayre doesn’t shy away from making ear-pleasing music. With numerous top-notch releases under his belt, Ayre has released his latest song I Want It, just over a month ago. Today, the artist added another dimension to the song, a music video.
Talking about the music video for the song Ayre said “It was really interesting to see this video come together amongst social distancing restrictions, the team was really innovative with what was available and really brought the song to life”