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Father John Misty to Release New Benefit EP Featuring Leonard Cohen Covers

Father John Misty has announced he will be releasing a new EP tomorrow (July 3) via Bandcamp. It’s titled Anthem +3 and will include covers of Leonard Cohen’s ‘Anthem’ and ‘One of Us Cannot Be Wrong’, as well as Link Wray’s ‘Fallin’ Rain’ and Yusuf / Cat Stevens’ ‘Trouble’. Check out the EP’s cover art and tracklist below.

Coinciding with the platform’s monthly 24-hour waiver of its revenue share, proceeds from the EP will be donated to CARE Action and Ground Game LA. In addition to being available on Bandcamp, the EP will later be released on streaming services on July 14 via Sub Pop/Bella Union.

Anthem +3 follows the release of a surprise live album called Off-Key In Hamburg back in March, which was recorded at the Hamburg Elbphilharmonie venue on August 8, 2019. His last studio LP was 2018’s God’s Favorite Customer. 

Anthem +3 EP Cover Art:

Anthem +3 EP Tracklist:

1. Anthem (Leonard Cohen cover)
2. Fallin’ Rain (Link Wray cover)
3. Trouble (Yusuf / Cat Stevens cover)
4. One of Us Cannot Be Wrong (Leonard Cohen cover)

Tim Ayre Releases a Music Video for ‘I Want It’

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Australia’s Dream-pop artist Tim Ayre doesn’t shy away from making ear-pleasing music. With numerous top-notch releases under his belt, Ayre has released his latest song I Want It, just over a month ago. Today, the artist added another dimension to the song, a music video.

Talking about the music video for the song Ayre said “It was really interesting to see this video come together amongst social distancing restrictions, the team was really innovative with what was available and really brought the song to life”

Album Review: Arca, ‘KiCk i’

For years, Arca has been at the forefront of the experimental music scene. But in addition to striking a fruitful and unusually long-running creative partnership with Björk, the Venezuelan-born artist is one of the few artists who have helped introduce that brand of glitchy, dextrous electronic music into the mainstream, producing for the likes Kanye West and FKA twigs. So when she announced a new album with guest features from ROSALÍA and PC Music-associate SOPHIE, it looked like she was ready to fully thrust herself into the pop music landscape with a crossover album that has more in common with the forward-thinking bangers of Charli XCX than any of her previous work.

With her voice so prominently featured and a striking album cover that’s impossible to ignore, Alejandra Ghersi’s latest seems like a conscious effort to place herself at the front and center of her music. Her previous full-length album, 2017’s magnificent Arca, had already succeeded in shedding off the veil of her ever-mutating persona by flaunting the talented producer’s impressive vocal range, which, though sometimes as difficult to process as her instrumentals, was deeply steeped in emotion. But on KiCk i, the first in a proposed series of four albums, she showcases her ability to use her voice as the most versatile instrument at her disposal – one that can’t only bend and stretch but also take on new forms. As a result, where Arca presented a cohesive vision preoccupied by a sense of otherworldly melancholy, KiCk i, is fluid, multi-dimensional, and frequently rapturous.

These qualities make for a unique expression of queer and gender non-conforming identity, though Arca doesn’t let herself be defined by her otherness as much as her multiplicity. She might be far from the first artist to adopt this post-PC Music, hyperpop approach to electronic music as a means to challenge fixed conceptions of gender – if anything, she’s simply joining an already flourishing scene – but few have done it in such a compelling manner. The opening track, ‘Nonbirary’, acts as a defining statement of sorts: “I don’t give a fuck what you think/You don’t know me—you might owe me,” she spits. The aggressiveness on display here is enthralling, but what makes it so enjoyable is her jubilant, uncompromising attitude: “What a treat it is to be nonbinary, ma chérie, tee-hee-hee/ Bitch!”

It’s unfortunate that the track’s spiritless beat is unable to match Arca’s energy, but there are a few tracks here that achieve that balance perfectly. “I’m too hot for a man,” she proclaims against a throbbing club beat on the Shygirl-featuring ‘Watch’, while the hard-hitting ‘Rip the Slit’ is driven by frenetic snares and pitch-shifted vocals that burst with a sense of restless vitality. Follow-up ‘La Chíqui’ is just as relentlessly fierce, melding together Arca and SOPHIE’s experimental stylings and mutating them to near-orgasmic effect. For all the focus placed on Arca, the moments on KiCk i that leave the biggest impact are those where her collaborative spirit shines through, like the infectious, raeggaton-infused ‘KLK’ featuring ROSALÍA, which also brings in musical influences from her home country of Venezuela by creatively repurposing an instrument Ghersi learned in school called the furruco bass drum.

For an album that can easily be described as Arca’s most accessible effort to date, KiCk i remains impossible to pin down. It succeeds in introducing a new musical universe that draws from a million different reference points while retaining its singular vision, one that inhabits multiple spaces as it fluctuates between different expressions of hybrid cultural and gender identities. But despite its many highlights, the record is unfortunately held back by some of its more underwhelming moments: while ‘No Queda Nada’ makes for a beautifully emotive closer that calls back Arca’s previous effort, tracks like ‘Calor’ and even the Björk-featuring ‘Afterwards’ feel out of place here, and probably wouldn’t stand out in a more fitting environment either. But with the promise of at least three more albums in the same vein, there’s a lot to be excited about in this new era of Arca’s career.

Boygenius to Release Unheard Demos Exclusively on Bandcamp for Charity

Boygenius – aka Julien Baker, Phoebe Bridgers, and Lucy Dacus – have announced they will release three demos from their eponymous 2018 EP to benefit charities in Los Angeles, Memphis, and Richmond. The demos will be available to purchase exclusively on Bandcamp tomorrow (July 3) only for 24 hours (8am BST on Friday to 8am BST on Saturday), coinciding with the platform’s monthly 24-hour waiver of its revenue share.

The demos consist of voice recordings of the tracks ‘Bite The Hand’, ‘Me & My Dog’, and ‘Stay Down’, which were recorded in rehearsal on June 5, 2018, a day before the trio would record their acclaimed EP.

Proceeds will be divided between three charities, with each member having picked an organization local to them. Baker’s donation will go to OUTMemphis, whose mission is to empower, connect, educate, and advocate for the LGBT community of the Mid-South. Bridgers’ proceeds will go to the Downtown Women’s Center in Los Angeles, which helps provide support to women experiencing homelessness and formerly homeless women. Dacus has selected the Mutual Aid Disaster Relief Richmond, which aims to create a support system in response to the coronavirus crisis and the impact it has had on the Richmond community.

Since their 2018, boygenius contributed on ‘Roses/Lotus/Violet/Iris’, from Hayley Williams’ ‘ debut album, Petals for Armor. Bridgers recently released her critically acclaimed sophomore album, Punisher.

Rage Against the Machine’s Tom Morello Drops New Protest Song ‘Stand Up’

Tom Morello, co-founder of Rage Against the Machine, has shared a new protest song called ‘Stand Up’. All proceeds from the track will be donated to to the NAACPKnow Your Rights Camp, the Southern Poverty Law Center, and the Marsha P. Johnson Institute. Listen to the track below.

Co-produced by the Bloody Beetroots, ‘Stand Up’ features contributions from Imagine Dragons’ Dan Reynolds as well as American singer and transgender activist Shea Diamond. The track is a response to recent protests over police brutality and systemic racism. “Stand up,” Morello screams on the chorus, “‘Cause you are standing for nothing.”

Speaking of the track, Morello explained in a statement: “I grew up in the tiny lily white, archly conservative town of Libertyville, Illinois. When I was a kid, someone hung a noose in my family’s garage, there was occasional N-word calling, etc, etc. On June 6 of this year, there was a Black Lives Matter rally and march in that same town that drew over 1,000 people.”

He added: “It seems that the times, they are a’changin’. I was so inspired that night, I reached out to Dan from Imagine Dragons. The Bloody Beetroots and I had conjured a slamming track and within 24 hours Dan had sent back a completed vocal. We got Shea Diamond, a Black transgender woman with a long history of activism, on the track and the coalition was complete.”

For resources in the fight against racism and police brutality, as well as a list of organizations you can donate to, click here.

 

 

Porridge Radio and Lala Lala Join Forces on New Track ‘Good For You’

Porridge Radio’s Dana Margolin and Chicago-based singer-songwriter Lillie West aka Lala Lala have joined forces on a new collaborative track called ‘Good For You’. Check it out below.

“‘Good For You’ landed on me one morning early on in lockdown when I was eating breakfast,” Margolin explained in a statement. “I really love Lillie’s music, and we were vaguely in touch through the internet, so when Lillie got in touch asking if I wanted to make a song together, and then a few days later I’d written this song, it felt really right to collaborate on it.”

She added: “I really loved what Lillie added from the start, and it really organically and easily came together from there. Sam [who drums in Porridge Radio] added parts and produced the song, and it was a really easy and fun process because of the way they both responded to it.”

‘Good For You’ marks the first taste of new music from Porridge Radio since the release of the band’s sophomore album Every Bad back in March, which we named one of the best albums of the year so far. Lala Lala’s last album was 2018’s The Lamb.

JAY-Z’s Made in America 2020 Canceled Due to Coronavirus

JAY-Z’s Made in America Festival, which takes place in Philadelphia every year, has been cancelled due to the COVID-19 pandemic. The event was set to take place September 5-6 at the Benjamin Franklin Parkway. In a statement, festival organizers Roc Nation confirmed that the festival will return in 2021 on Labor Day weekend. Tickets for the 2020 festival will be valid in 2021.

“2020 is a year like no other. We are in a pivotal time in this nation’s history. Collectively, we are fighting parallel pandemics, COVID-19, systematic racism and police brutality,” the statement reads. “Now is the time to protect the health of our artists, fans, partners and community as well as focus on our support for organisations and individuals fighting for social justice and equality in our country. Therefore, the Made In America festival will be rescheduled for Labor Day Weekend 2021.”

Check out the full statement below.

Recently, Jay-Z was featured as a co-writer on Beyoncé’s Juneteenth single, ‘Black Parade’, which also included contributions from previous collaborators Derek Dixie, Caso and Kaydence.

 

 

Radiohead, Coldplay, the Rolling Stones, and Over 1,400 More Artists Sign Open Letter in Support of #LetTheMusicPlay

Radiohead, Coldplay, and the Rolling Stones are among the 1,500 artists who have signed an open letter to the government in support of the #LetTheMusicPlay campaign in an effort to prevent “catastrophic damage” to the music industry in the wake of the coronavirus pandemic. Dua Lipa, Liam Gallagher, The Cure, Nick Cave, Paul McCartney, PJ Harvey, Ed Sheeran, and more also signed the letter, which warns of the devastating effects of COVID-19 on venues and artists.

Addressed to Oliver Dowden, the Secretary of State for Digital, Culture, Media and Sport, the letter reads: “Like every part of the entertainment industry, live music has been proud to play our part in the national effort to reduce the spread of Coronavirus and keep people safe. But, with no end to social distancing in sight or financial support from government yet agreed, the future for concerts and festivals and the hundreds of thousands of people who work in them looks bleak.”

It adds: “This sector doesn’t want to ask for government help. The promoters, festival organisers, and other employers want to be self-sufficient, as they were before lockdown. But, until these businesses can operate again, which is likely to be 2021 at the earliest, government support will be crucial to prevent mass insolvencies, and the end of this great world-leading industry.”

The letter also highlights that the live music industry supports 210,000 jobs across the country, and that venues, concerts, festivals and production companies contributed £4.5bn to the economy in 2019.

“For the good of the economy, the careers of emerging British artists, and the UK’s global music standing, we must ensure that a live music industry remains when the pandemic has finally passed,” it concludes.

In an accompanying statement, Liam Gallagher added: “Amazing gigs don’t happen without an amazing team behind the stage, but they’ll all be out of jobs unless we can get back out there doing what we love.”

Dua Lipa said that she is “proud” to have worked her way up the music industry, but noted that “the possibility for other emerging British artists to take the same path is in danger if the industry doesn’t receive much needed government support.”

Radiohead’s Ed O’ Brien expressed a similar sentiment, writing: “Radiohead played about 100 shows throughout the UK in small venues the length and breadth of this country. This was where we started to learn our craft. We continued to tour this country and by 1997 we were headlining the Pyramid Stage at Glastonbury Festival. The live industry in this country is the lifeblood to for the music industry in this country.”

Emily Eavis, co-organiser of the Glastonbury festival, added: “If the government doesn’t step up and support the British arts, we really could lose vital aspects of our culture forever.”

A spokeswoman for the Department for Digital, Culture, Media and Sport responded by saying that the government is “already providing unprecedented financial assistance which many music organisations and artists have taken advantage of.”

In a statement on Twitter, Dowden added: “I understand the deep anxiety of those working in music & the desire to see fixed dates for reopening. I am pushing hard for these dates & to give you a clear roadmap back. These involve v difficult decisions about the future of social distancing, which we know has saved lives.”

Starting today (July 2), artists and venues have also started posting photographs and films of their last gig or event using the hashtag #LetTheMusicPlay on social media. Fans are also encouraged to show support for the campaign by posting about the last show they attended.

Artists including Lionel Richie, Cher, Mogwai and more have already showed their support on social media. Read some of their tweets below.

Premiere: Kendl ‘Turn’

Proudly premiering on Our Culture, we have Turn by Kendl. This song marks the latest release by Kendl, and one of his songs from his upcoming EP Dreamlike.

Turn is a genre-bending track that experiments with different elements throughout its progression. Leading the track, we hear a tense-like synth, reminding us of melancholy and turbulence. While, on the other end, from the beginning, the dusty sounding textures from Kendl’s own field recordings bring us back to more of a warmer time, making us feel nostalgic in a way. As a piece, the song has beautiful dynamics between the elements it explores, bringing us a genuinely euphonious journey throughout. 

 

“The idea behind Turn is to take you back and forth from light and dark moods and resolve in peaceful stillness.”

 

Kendl is the solo musical project of multidisciplinary artist and composer, Jesse Kendal. He debuted in 2017 with his song For Her, which now has over 1 million streams on Spotify alone. Kendl has also released numerous other tracks and EPs including a superb five-track EP Colours which includes songs such as Holding On and Tide. As an artist, Kendl doesn’t stick with one sound; he blends and constantly shifts to create an eclectic sound for the listener.

If there is anything to look forward in the near future then it must be Kendl’s forthcoming EP Dreamlike. Turn has risen our excitement for it, and we hope it will deliver.

Turn is now streamable via Spotify and other digital platforms.

Ty Dolla $ign Enlists Kanye West, FKA twigs, Skrillex, and serpentwithfeet on New Track ‘Ego Death’

Ty Dolla $ign has shared a new song called ‘Ego Death’ featuring Kanye West, FKA twigs, and serpentwithfeet. Produced by Skrillex, the new track also includes additional production from BoogzDaBeast for BoardMemberz. Check it out below.

Ty$ said in a press release: “‘Ego Death’ is a very special record. It’s always an honor working with my brother ’Ye. He’s a genius and we make incredible records every single time we link up. Skrillex and twigs came in and blessed us with the magic that only they can put on the record. I played it once at a house party and everyone went crazy. A clip leaked online and shit but that’s all good. I just had to find the right time to put it out, so I’m excited that it’s finally THAT TIME!”

The rapper also discussed his new album, which he said is “done” and “coming very soon.” He added: “Shout to my fans for being patient while I made sure it was perfect, it’s worth the wait…. It’s my best work yet. I can’t wait for y’all to hear it!”

Ty Dolla $ign and Kanye West have collaborated multiple times in the past, including on ‘Real Friends’ and ‘Everything We Need’. He also teamed up with serpentwithfeet on last year’s ‘Receipts’ and joined forces with Skrillex on ‘Midnight Hour’, ‘two nights part ii’, ‘Malokera’, and ‘So Am I’.