In this segment, we showcase our top picks of what to catch at the cinema this weekend, what to stream and our short film of the week.
Our pick of the new releases out on October 25th, 2019:
Cinema: Terminator: Dark Fate
| Rating | Length |
| 15 | 128 MIN |
Director: Tim Miller
Starring: Arnold Schwarzenegger, Linda Hamilton, Mackenzie Davis, Natalia Reyes, Gabriel Luna
When Arnold Schwarzenegger thundered the legendary phrase – “I’ll be back” in the 1984 science fiction film The Terminator – I’m sure that for everyone (even the man himself) it would’ve seemed inconceivable and even insurmountable that there would be five sequels to follow. But, 35 years later and the franchise appears to be still thriving. Since 2003’s Rise of the Machines, which signposted the start of Terminator’s gradual decline, fans have been pleading for the franchise’s redemption. Many are hoping that with the release of Dark Fate, the franchise will be resurrected.
The film, directed by Deadpool’s Tim Miller, adopts a novel approach in that it denies the existence of the pre-existing inferior sequels. Instead, the film is billed as a direct sequel to 1991’s Terminator 2: Judgment Day, which is widely still recognised as one of the greatest sequels of all time. Meanwhile, the other sequels have been made completely redundant and labelled as part of an ‘alternate timeline’.
The plot is relatively simple: A Terminator, Rev- 9 (played by Gabriel Luna) has arrived from a future where machines have taken control over humanity and she has been sent to annihilate a target Dani Ramos (Natalia Reyes’s Dani) who is living in Mexico City with her brother and father but whose existence threatens their cyborg colony. Meanwhile, a member of the human rebellion, Grace (Mackenzie Davis) has also travelled back to the past to try and stop that termination from occurring. Dani’s survival depends on her joining forces with Sarah Connor (Linda Hamilton) and a T-800 called “Carl” (Schwarzenegger).
Even though the film isn’t going to offer anything particularly innovative (it currently holds an approval rating of 67% on Rotten Tomatoes) nor is it going to reach the heights of the original, many are recognising it an action-packed blockbuster that represents a noticeable improvement from its predecessors. Many are also praising the return of Hamilton and remark that she is ably matched by Reyes and Davis.
Stream: Living with Yourself (Netflix)
| Rating | Length |
| 15 | 1 season |
Created by: Timothy Greenberg
Starring: Paul Rudd, Aisling Bea
In this Netflix series, Paul Rudd stars as Miles Elliot, a marketing executive, whose marriage, career and general life are faltering. To solve this problem, he undergoes a mysterious spa treatment that intends to rejuvenate his body and make his life better. But this goes horribly wrong when he discovers that he has been replaced by a cloned version of himself – now the two Rudd’s/Elliot’s must struggle over one life.
It’s described as a comedy and, though it is humorous, it’s eerie in a manner that’s similar to Black Mirror or the work of Jordan Peele. It doesn’t quite hit the complexity of those works, but it does feature an excellent script and entertaining and engaging performance by Paul Rudd – which demonstrates how we should (somewhat disappointingly) just settle for one Paul Rudd in our world!
Short of the week: OVERRUN by Pierre Ropars
It feels very apt to follow a series featuring Antman himself with a short film that also stars an ant. Winning SIGGRAPH’s Best Student Project Award in 2018, Pierre Ropars constructs a beautiful and simply stunning animation, that positions audiences in the perspective of one of the world’s smallest creatures. As the ant attempts to escape the dark place in which it has fallen, it’s met with countless obstructions and complexities in this fascinating (and visceral) world. The animation is as outstanding as the twist at the end is genius.


Rex Orange County, Pony: British singer-songwriter Alexander O’ Connor, aka Rex Orange County, follows up 2017’s Apricot Princess with his new album Pony, out now via Sony Music. Rex Orange County started gaining traction after his contribution to Tyler, the Creator’s Flower Boy, and has been garnering major label attention ever since. O’ Connor wrote, recorded, and performed the new album at the Strongroom Studios in East London, while frequent collaborator Ben Baptie co-produced, engineered, mixed the record. It includes the single ’10/10′.
Michael Kiwanuka, Kiwanuka: Michael Kiwanuka is back with his sophomore LP, Kiwanuka, following 2016’s critically acclaimed Love & Hate. “The last album came from an introspective place and felt like therapy, I guess,” he explains. “This one is more about feeling comfortable in who I am and asking what I want to say. Like, how could I be bold and challenge myself and the listener? It is about self-acceptance in a more triumphant rather than melancholy way. It’s an album that explores what it means to be a human being today.”
Cigarettes After Sex, Cry: This is the second studio album from ambient pop group Cigarettes After Sex, out now via Partisan. Recorded at a mansion on the island of Mallorca, Cry, “the sound of this record is completely tied to the location for me,” frontman Greg Gonzalez explains. “Ultimately, I view this record as a film. It was shot in this stunning, exotic location, and it stitches all these different characters and scenes together, but in the end is really about romance, beauty & sexuality. It’s a very personal telling of what those things mean to me.”



Jimmy Eat World, Surviving: Following 2016’s Integrity Blues, Jimmy Eat World have come out with their 10th studio album Surviving via RCA Records. The record sees the pop punk outfit reuniting with Integrity Blues producer Justin Meldal-Johnsen (Beck, Nine Inch Nails, M83) and is being promoted as one of their most ambitious and personal efforts to date. “Surviving explores some of the different kinds of weights my ego tells me I have to carry, what I see people around me choosing to carry and what I have found to be the truth when I choose to let go,” frontman Jim Adkins explains.
Foals, Everything Not Saved Will Be Lost (Part 2): Foals return with their sixth studio album and the second half of their two-part studio project, Everything Not Saved Will Be Lost. The first part was released back in March to generally favourable reviews. Notably, the album cover was taken by famed National Geographic photographer, Maggie Steber. The indie group have also announced a documentary titled Rip Up the Road to promote project, which will be released on November 15th via Amazon Prime.
Battles, Juice B Crypts: Four years after the release of La Di Da, experimental rock outfit Battles are back, this time as a duo consisting of multi-instrumentalist Ian Williams and drummer John Stanier. Juice B Crypts features a variety of guest artists, including Shabazz Palaces, Tune-Yards, Xenia Rubinos, Jon Anderson of Yes fame, and Taiwanese psych band 落差草原 WWW. Ian Williams said in a statement: ”[Juice B Crypts is] about chord progressions, resolutions, returning home. Take that and throw it into a blender of modern electronic tools like glitching devices, or use melodic lines and take them and regurgitate them and pulverize the traditional stuff but at the same time try and retain harmonic relationships while completely smashing them up.”
clipping., There Existed An Addiction to Blood: This is the third studio album from experimental hip-hop group clipping., out now via Sub Pop. The follow-up to 2016’s Splendor and Misery is described in a press statement as “experimental hip-hop built to bang in a post-apocalyptic club bursting with radiation. It’s horror-core that soaks up past blood and replants it into a different organism, undead but dangerously alive. It is a new sun, blindingly bright and built to burn your retinas.”
Vagabon, Vagabon: Indie singer-songwriter Vagabon aka Lætitia Tamko has released her sophomore self-titled record, previously known as All the Women in Me. Vagabon changed the name of the record when she learned the poet it references, Nayyirah Waheed, preferred not to be quoted. The album follows 2016’s critically acclaimed debut Infinite Worlds, and is reportedly a departure from it, featuring less indie-rock guitars and more cinematic synths as the artist searches for a new musical identity.