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Crystal Lake Season 2: Cast, Rumours & Release Date

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If you’re looking for a fun watch during spooky season, Crystal Lake fits the bill.  The horror drama coming from A24 explores the origins of the Friday the 13th franchise. It focuses on Pamela Voorhees and her son, Jason, long before Jason becomes the infamous masked killer.

Available on Sky/NOW in the UK, the show delivers eight riveting episodes that are guaranteed to appeal to fans of the slashers. Could more installments be on the way? Here’s what we know so far.

Crystal Lake Season 2 Release Date

At the time of writing, there’s no official news about a potential Crystal Lake season 2.

The show streams on Peacock in the US, which often waits a while before renewing or cancelling series.

“I designed this so that if nobody watches and Peacock decides to not make a second season then it will at least feel like a satisfying whole. At the same time, I know where season two goes. There are more stories to tell in Crystal Lake,” showrunner Brad Caleb Kane said in an interview.

In other words, all we can do for now is wait and see. If all goes well, new episodes could arrive in late 2027.

Crystal Lake Cast

  • Linda Cardellini as Pamela Voorhees
  • William Catlett as Levon Brooks
  • Gwendolyn Sundstrom as Grace Snell
  • Cameron Scoggins as Dorf
  • Devin Kessler as Briana Brooks
  • Callum Vinson as Jason Voorhees

What Is Crystal Lake About?

Crystal Lake is set in the 1970s and follows Pamela Voorhees, a single mother devastated after her young son, Jason, apparently drowns at Camp Crystal Lake. Unable to accept his death, she clings to the hope that he might still be alive.

Before long, gruesome murders begins to plague the community. Pamela’s increasingly disturbing behavior raises suspicions, and people from her past arrive with secrets that threaten to destroy what remains of her life.

Over the course of eight episodes, the story gradually reveals the horrifying truth about Jason’s childhood and the secret experiments that transformed him into something dangerous. The show successfully mixes family tragedy with bloody slasher thrills and a mesmerising performance from Linda Cardellini.

While Crystal Lake season 2 isn’t a sure bet yet, Friday the 13th enthusiasts will find plenty here to love. If the show introduces a new generation to the horror franchise, even better.

Are There Other Shows Like Crystal Lake?

If you enjoyed Crystal Lake, shows with similar vibes include IT: Welcome to Derry, Bates Motel, Stranger Things, Castle Rock, From, and Twin Peaks.

Alternatively, catch up with everything else making waves on Sky/NOW. Like War, The Paper, and Heated Rivalry.

How Casinos Shaped the Look of Digital Entertainment

Open pretty much any app on your phone and you’ll feel it. The glow, the little bounce when a button gives way under your thumb, that cheerful chime when you get something right.

None of it happened by accident. A good chunk of it traces back to a few square kilometres of Nevada desert.

The Strip as a Design School

Las Vegas has never done subtle. When Caesars Palace opened in 1966, it wasn’t really a building so much as a stage set. It had fountains, marble statues and a long curving driveway built to make you feel you’d arrived somewhere that mattered.

The neon signs along the Strip weren’t ads in any normal sense either. They were sculptures, all shouting to be the loudest thing on the horizon.

People noticed. Not just architects, but folks well outside the gambling world.

Think about the old David Jones stores, the way the entrance halls were lit and the sightlines kept tugging you further inside. Or Dreamworld on the Gold Coast, where the entry plaza uses colour and sound to shift your mood before you’ve spent a single dollar. Same family tree as the casino floor. They all treat a physical space like a story you walk through.

Casinos worked out a handful of tricks that now feel like common sense:

  • Light that steers your eye without a single sign
  • Sound as a reward, with short, pleasant cues for small wins
  • Colour as mood, where warm golds and deep reds whisper “plenty”
  • Controlled sightlines, so there’s always something interesting just ahead

Neon Goes Pixel

When entertainment moved onto screens, designers didn’t invent a new language. They borrowed the one that already worked. Arcade cabinets in the late 70s and 80s were flashing and beeping their way through the same vocabulary. Streaming services picked it up later, with autoplay countdowns and punchy thumbnails that behave a lot like a lit-up marquee.

I notice it most in the tiny moments:

  • A fitness tracker that explodes into confetti when you close your rings
  • A language app that cheers wildly after your tenth day in a row
  • Duolingo’s owl, which is charming, sure, but is basically a doorman with better manners

Is that manipulative? Sometimes, honestly, yeah. The line between delightful and pushy gets blurry fast and I tend to trust the products that celebrate you without trying to trap you.

Still, that whole look, reward wrapped in colour and motion, came straight off the casino floor.

Online Casinos and the Same Visual Language

So it’s no surprise that online casinos kept the source material close. A pokies lobby on your phone is a pocket-sized Vegas gaming floor, with themed artwork, spinning reels and sound design that echoes the real thing. The catch is that the designer has about six centimetres of screen to play with instead of a hotel ballroom.

That squeeze has forced some smart choices. Menus get stripped back, thumbnails do the heavy lifting and themes run everywhere from ancient Egypt to retro fruit machines to Aussie outback scenes.

When I’ve talked to people who review these platforms, the same point keeps coming up: first impressions hinge on polish. As Sun Vegas Casino chief editor Maddison
Dwyer might tell you, a site that looks cluttered or dated tends to lose trust before anyone reads the fine print.

What I find interesting is the move away from pure flash. Newer casino interfaces borrow calmer cues from mainstream apps:

  • Cleaner typography
  • Softer gradients
  • Account tools that are easy to find

A wave of redesigns around 2023 leaned hard into dark mode, partly because it looks sleek and partly because it’s kinder to tired eyes at night, which is when plenty of people do their scrolling.

What Players and Designers Can Take From This

If you enjoy online entertainment, it helps to know the toolkit. Bright bursts of colour, rising sound effects and near-miss animations all exist to hold your attention. Knowing that doesn’t ruin the fun. It just keeps you in the driver’s seat.

Setting a time limit or stepping away when the screen starts feeling a bit too persuasive, is simply good sense.

For designers, the lesson runs the other way. Spectacle gets people through the door, but restraint is what makes them stay. The casinos that last on the Strip and the apps that last on your home screen are the ones that make people feel looked after instead of herded.

Looking ahead, I’d bet the next chapter is quieter. As augmented reality and voice interfaces grow up, the neon will probably fade into subtler, more personal cues. That Vegas instinct for theatre isn’t going anywhere, though. It’s just learning to whisper.

Flipped and floating: Alec and Franz offer new perspectives on architecture inside a West London manor house

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Historical architecture may be functional, housing people, worshippers and audiences, but it also holds its own history. Think of the people who have been there, experienced it, lived in it, written about it, and it has outlived most of them. It has seen generations pass by and still stands strong. 

This is what I was thinking when exploring the exhibition Floating Architectural Spaces at Boston Manor House in West London, conceived and created by the collaborative duo Alec Boreham and Francesco Vitali, who go by Alec and Franz.

The project started with drawings of famous buildings that you may recognise, including St. Paul’s Cathedral, the Hagia Sophia in Istanbul and the Sheikh Zayed Mosque in Abu Dhabi. These drawings are then flipped, multiplied and placed at different angles to create different perspectives and, at their most extreme, kaleidoscopic works that feel like optical illusions. 

It makes us step back from our memories of these places and tackle them from a different perspective; we now look at the details we may have missed if the structures were presented in their usual fashion; the drawings themselves are also done from angles you won’t find on postcards to challenge us to re-appraise the architecture that we know. 

The exhibition also incorporates the architecture of Boston Manor House itself, a house with its own history as the home of Lady Mary Reade, who had to downsize from the nearby Osterley House after she was widowed, within a work entitled ‘Winter Cyanotype’. The manor house recently reopened after a major refurbishment, meaning the public can access it once again, and it’s fitting that it should host an exhibition that engages with the Jacobean manor’s architecture.

Some of the drawings have been transformed into lenticulars to offer another way to approach these buildings from a different perspective, in works titled ‘Smile for the X-Ray, Venice’ and ‘Inward vision’, while others hang across windows to create an effect that reminds me of stained-glass windows. 

Music also factors into their practice, and the drawing of the Cremona Opera House has been fashioned into a violin-shaped sculpture, titled ‘The Beauty of Sound Through Fractals’, as a nod to Cremona being the birthplace of the creator of the famous Stradivarius violins. A video in the adjacent room also screens clips from an opera the duo produced titled ‘La Musica e la Ragioni dell’Anima (Music and the Senses of the Soul)’, performed in Cremona.

They have also invited fashion students from the Jimmy Choo Fashion Academy branch at Boston Manor House to respond to their exhibition, which highlights a generosity and a recognition that all the arts benefit from cross-pollinating and that bringing art, music and fashion together can bring the architecture to life. 

We build architecture to shelter and house us, and then we develop a symbiotic relationship with it, maintaining it and infusing it with memories. The longer we spend with certain buildings, the more we start to take them for granted. Floating architecture asks us to stop for a moment, reassess these relationships, look deeply at the history and architecture around us, and appreciate its beauty, history, and longevity.

Alec & Franz: Floating Architectural Spaces is on at Boston Manor House until 25th October. 

All images are copyrighted and courtesy of Alec & Franz. 

What the Oasis Queue Taught Fans About Reading a Headline Number

When Oasis announced their 2027 tour dates in September, the 38 shows came with something the reunion run never had: the full price list, published before anyone reached a checkout. UK tickets were set between £71.50 and £266.60, and fans knew that before their onsale windows opened on 25 September. After the 2024 scramble, a number printed in advance felt almost radical.

That habit of asking what a headline figure actually buys travels well beyond gig tickets. It applies neatly to slot sign up offers, the casino welcome deals that lead with one big round number. Freebets.com’s October comparison of 78 such offers includes one of the boldest on the market right now: Betfred Casino’s “stake £10 and get up to 200 free spins”. Two hundred spins for a tenner reads like a festival poster with every act in capitals. The question a culture desk would ask of either is the same: what is the actual value of the ticket?

Tiers are not the same as value

The 2024 Oasis sale is the cautionary tale. Fans expecting to pay around £148.50 for a standing ticket were met with prices near £350 at checkout, because standing tickets had been released in tiers and the cheaper ones had gone. Many assumed an algorithm was pushing prices up in real time. The Competition and Markets Authority found no evidence of that. What fans met was a tiered structure that nobody had explained, and the watchdog secured undertakings from Ticketmaster to warn buyers 24 hours in advance whenever tiered pricing is used.

Betfred’s “up to 200” turns out to be a tier system of its own, just one that runs in the opposite direction. Once the qualifying £10 stake is placed, a new player chooses a package of spins. At one end sit 50 spins worth 20p each on Age of the Gods. At the other sit the 200 spins of the headline, worth 5p each on Age of the Gods God of Storms 2. Every option on the menu, including a 100 spin package at 10p in between, adds up to exactly £10 of spins.

So the 200 is not four times the value of the 50. It is the same tenner sliced thinner. The difference lies in how the session feels rather than what it is worth on paper: 5p spins stretch play across more rounds with smaller individual results, while 20p spins give fewer, chunkier ones. Neither changes the underlying maths of the game, because a slot’s return to player is a long run average and two hundred spins is nowhere near a long run.

The numbers below the headline

The listing’s own terms fill in the rest. The offer is for new customers depositing by debit card, the £10 stake has to be placed on slots within 30 days of registering, spins arrive within 48 hours, and they expire after seven days. Winnings from the spins carry no wagering requirement, according to the comparison page, which is one of the stronger features of the deal.

Spin value is the figure that quietly decides every one of these offers, and it is rarely the one in the biggest type. Across the October list, 10p is the standard. Some offers pay 20p spins, which doubles the value of each one. Others attach a large spin count to a deposit match that has to be wagered ten times before it can be withdrawn, the maximum the Gambling Commission has allowed since January 2026. A few cap what free spin winnings can pay out, commonly at £100.

The quickest fact check is the one any reviewer would run on a box set or a festival lineup: multiply the headline count by the spin value. Fifty spins at 20p and two hundred at 5p land in the same place. A hundred spins at 10p on top of a deposit match is a different product altogether, because the match money carries its own conditions.

The tenner is a stake, not a ticket

There is one place where the gig ticket comparison breaks down, and it matters. A £266.60 Knebworth ticket buys a guaranteed night in a field in Hertfordshire. The £10 in a sign up offer is not the price of the spins. It is a real money stake on slots, played before the spins are credited, and it can be lost in full before the bonus arrives. The spins are the reward for playing, not the thing the tenner paid for.

That is why the most useful numbers on any welcome deal are the dull ones: the qualifying stake, the spin value, the expiry window and any cap on winnings. Culture fans already apply that scepticism to streaming tiers that quietly add adverts and to ticket listings that bury the booking fee. The same reflex works here. A deposit limit set on day one belongs to the same habit of reading the price list properly.

Back to the price list

Oasis fans heading to Glasgow, Manchester, Slane and Knebworth next summer went into their onsale windows knowing every price in advance, because a regulator insisted on it. Casino headlines are not built that way. The full picture is all there, but it sits in the terms rather than on the poster, and “up to 200” only becomes meaningful once the fan doing the reading divides it back into pence.

Jason Momoa Net Worth, Salary & Highest Grossing Movies

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Whether you know him as Khal Drogo, Aquaman, or from any of his other blockbuster action roles, Jason Momoa has quickly made a name for himself in Hollywood. Ever since his big break in Game of Thrones, the actor has built a solid career while also earning big via brand partnerships and entrepreneurial ventures.

As a result, his net worth should be substantial by now, right? Here’s what we know about Momoa’s earnings.

Jason Momoa Net Worth

In 2026, Jason Momoa’s net worth is estimated to be $50 million.

A big chunk of it comes from his entertainment pursuits. It all started with a role in drama series Baywatch: Hawaii in 1999. After that, he starred in TV shows North Shore, Stargate Atlantis, and The Game.

In 2011, Momoa played Khal Drogo in hit HBO fantasy drama Game of Thrones. As the leader of the Dothraki, he made a powerful impression despite appearing primarily in season one. The same year, he portrayed the title character in Conan the Barbarian, taking on the legendary sword-wielding warrior in a reboot of the fantasy franchise.

It was all uphill from there. In 2014, Momoa starred in Road to Paloma, an independent road drama about a Native American man fleeing the law. The project was particularly important to his development as a filmmaker because he co-wrote, directed, and produced it. On the TV front, he appeared in drama series The Red Road and led historical adventure series Frontier.

Momoa entered the DC superhero universe as Arthur Curry, also known as Aquaman, with a brief appearance in Batman v Superman: Dawn of Justice in 2016, followed by Justice League in 2017. His first solo outing, Aquaman, became a major commercial success. He reprised the role in Aquaman and the Lost Kingdom.

At the same time, Momoa tackled other blockbusters with great success. You might have seen him in Dune, Fast X, or A Minecraft Movie. From 2019 to 2022, he starred in the Apple science-fiction series See. More recently, the actor appeared in drama In the Hand of Dante and TV show Chief of War. He also produced and (co-)wrote many of his projects.

Besides working in entertainment, Momoa collaborated with various brands and launched his own businesses. The list includes production company Pride of Gypsies, a Hawaiian water company, and a vodka brand, among others.

Jason Momoa Salary

While actor salaries are generally kept under wraps, Momoa’s paychecks tend to be on the hefty side. He made the Forbes list of highest-paid actors of 2025 with earnings of $28 million.

Reports also suggest he got a $12 million pay rise to reprise his role in the Aquaman sequel and that he made $600,000 per episode for See. All in all, he can easily command anywhere between $2 million and $15 million per movie, depending on the project.

Jason Momoa Highest Grossing Movies

Momoa’s highest-grossing movie is Aquaman, which made $1.152 billion at the box office. A Minecraft Movie was another big earner with $961.2 million, while Fast X made an impressive $714.4 million worldwide.

This year, fans could catch Momoa in Prime Video action comedy The Wrecking Crew, DC movie Supergirl, and martial arts comedy Street Fighter, which came out in cinemas this month. He’ll also appear in Dune: Part Three, which hits theatres in December.

International Dating: What to Check Before Trusting a Matchmaking Service

International dating has produced millions of genuine long-term relationships and marriages. Pew Research found that one in six adults in the United States has used a dating app or site — and a growing proportion actively seek partners from other countries, drawn by cultural connection, shared values, or simply a wider pool of compatible people. But the same openness that makes international dating appealing creates opportunities for poorly run or deliberately deceptive services to operate. That’s why independent online dating site reviews matter — and why RBB (Rich Bad Boy) — a team of dating industry experts who have personally tested over 100 platforms — exists specifically to help serious men invest their time and money in services that have actually been verified to work. Before you trust any international matchmaking service with your emotions or your finances, here’s what to check. 

Why International Dating Is Different

If you’ve only used local dating apps before, international dating can feel like a different world — and in many ways, it is.

The obvious difference is distance. When the person you’re getting to know lives in another country, you can’t just suggest meeting for coffee to see if the connection is real. Everything has to develop online first, which means every week of conversation represents a genuine investment of time and emotional energy. That raises the stakes considerably when it comes to profile authenticity.

Then there’s language. Even with translation tools, something always gets lost — nuance, tone, the small things that tell you whether someone is being genuine. Some platforms use this to their advantage, maintaining the appearance of a deep conversation while the reality is much more transactional.

Cultural differences add another layer. What feels natural in one country can come across very differently in another. A platform that actually understands both sides of the cultural equation is genuinely rare — and worth paying attention to when you find one.

And then there’s the legal reality. The protections available to you as a consumer depend heavily on where a platform is registered. Some international services operate in jurisdictions where those protections are minimal. That’s not automatically a problem, but it does mean you need to do more of your own due diligence before handing over payment details.

The Problems You’re Most Likely to Encounter

It’s worth being honest about what can go wrong, because some of these issues are more widespread than most people realise.

 Paid chat operators are arguably the most common problem on credit-based international platforms. These are real people — not bots — employed by the platform to keep you engaged and spending. They’re often good at it. The conversations feel warm and personal. The problem is that no matter how well things seem to be going, the conversation will never lead anywhere. Every attempt to move toward a video call or a real meeting will be deflected. If you find yourself in a conversation that’s been going on for weeks without any forward movement, ask yourself honestly what’s actually happening.

 AI-generated profiles are a growing issue in 2025. The technology has advanced to the point where profile photos of people who don’t exist are essentially indistinguishable from real photographs. Real-time deepfake tools can now replicate a face convincingly during a video call. This doesn’t mean every attractive profile is fake — but it does mean you can’t rely on appearances alone.

Hidden credit costs catch people off guard more often than you’d expect. A platform might look affordable at sign-up but charge separately for every message sent, every photo opened, every minute of video chat. On an active day across two or three conversations, that can easily add up to $50 or more — which means $1,500 in a single month without a single real-world meeting to show for it.

 Long-game financial scams are less common but more damaging. Someone invests months in building what feels like a genuine relationship before a financial emergency appears — visa costs, a medical bill, travel funds. The amount requested is usually calibrated to feel plausible given the emotional investment both people have made. It rarely is.

6 Things Worth Checking Before You Commit

1. Find Out Who Actually Runs the Service

This sounds basic, but it’s surprising how many people skip it. A well-designed website tells you nothing about the company behind it.

Look for a registered business name, a physical address you can actually verify, and contact details that go beyond a web form. Check whether the platform appears in any business registration databases. Search the company name alongside words like “complaint” or “review” to see what independent users say.

Most importantly — contact customer support before you pay anything. Ask a specific question about pricing or services. How they respond will tell you a great deal about how they’ll treat you once you’re a paying customer.

2. Work Out What You’ll Actually Be Spending

The advertised price and the real price of using an international dating platform are often very different things. Here’s what a reasonably active day can look like on a credit-based service:

Daily Activity Estimated Cost
Sending 10 messages $15.00
Opening 8 received photos $12.00
20 minutes of video chat $10.00
Reading 5 incoming messages $7.50
Daily total ~$45–55
Monthly total (active user) ~$1,400–1,600

Those figures aren’t extreme — they represent moderate use. Before purchasing any credits, find the actual cost per action in real currency, not platform tokens. If that information isn’t available before you register, that’s telling you something.

Also check: does the subscription renew automatically? How do you cancel? What happens to unused credits? These questions should have clear answers before you pay.

3. Understand What “Verified” Actually Means

Most platforms use the word “verified” somewhere. What it means varies enormously.

Verification Level What It Confirms What It Doesn’t Guarantee
Email only Access to an email address Real-world identity
Phone verification Access to a phone number That it belongs to the person shown
Photo or selfie check Some consistency between images Accuracy of all profile details
Government ID check Identity document matches submission Honest intentions
Passport verification Higher standard of identity confirmation Accuracy of personal circumstances
Third-party verification Independent review of identity claims Complete fraud protection

The honest reality in 2025 is that even document-based verification has limits. AI-generated photos can pass a visual check. Deepfake technology is good enough to fool a casual video call. This is why RBB’s offline events matter — because no AI profile has ever turned up in person at a dating festival.

What to look for: does the platform actually explain what it checks, or does it just display a badge? Is verification required for everyone, or is it optional? Could you register a fake account in five minutes?

4. Test the Communication Before Spending Seriously

This is practical advice that most people don’t follow: use whatever free tier or minimum credit option is available before committing real money.

Start a few conversations. Ask questions that would require personal knowledge to answer — not “how are you?” but something specific enough that a scripted response wouldn’t quite fit. Suggest a video call early on. Note what happens.

Tool Why It Matters Watch Out For
Live video chat The fastest way to confirm you’re talking to a real person Charged per minute with no flat option
Voice calls Tone of voice reveals what text simply can’t Often locked behind expensive upgrades
Translation tools Essential for cross-language relationships Some platforms charge per word
Media sharing Builds a more authentic picture of someone’s life May require credits beyond your subscription

A useful thing to keep in mind: how often you receive messages matters much less than what those messages actually contain. Frequent, warm, generic messages are easier to produce than infrequent, specific, genuine ones.

5. Look for Evidence That Real People Actually Meet

Any platform can claim to facilitate real relationships. Fewer can point to actual evidence.

What genuine offline activity looks like in practice:

  • Organised dating events or festivals with documented attendance records
  • Public information about when and where events have taken place
  • Participation requirements that include identity confirmation
  • Independent accounts from people who attended — not just testimonials on the platform’s own website

RBB organises offline dating events and festivals specifically for this reason. Verified users meet in person, and participation requires identity confirmation. It’s the one form of authenticity check that simply cannot be replicated by technology. If someone turns up in person, they’re real.

6. Know What Happens If Something Goes Wrong

Before you pay for anything, find out what your options are if the service doesn’t deliver what it promised.

Question Where to Look
What is the refund policy for unused credits? Terms of service / FAQ
How do you cancel a subscription? Account settings / cancellation policy
How do you report a suspicious profile? Help centre / reporting tools
Where is the company legally registered? About page / legal notice

If the cancellation process requires a phone call, a specific form submission, or action taken days before a renewal date — that’s intentional design, not an oversight. A service confident in its own quality makes it easy to leave. One that isn’t tends to make it difficult.

How RBB Evaluates International Dating Platforms

RBB (Rich Bad Boy) reviews every platform against the same 7-point evaluation system — with particular attention to the factors that carry more weight in an international context:

Criterion Why It Matters More Internationally
Dating Goal Alignment Long-distance investment requires the platform to genuinely serve serious intentions
Matchmaking Quality Cultural compatibility requires more than algorithmic similarity
Communication Tools Language barriers make tool quality and actual cost critical
Verified Profiles You can’t meet someone in person to check until much later
Collaboration with RBB Independent accountability beyond the platform’s own claims
Beauty Contest Participation Public, traceable proof that profiles belong to real people
Dating Festival Participation In-person attendance — the one thing technology can’t fake

The team creates real accounts, tests communication in real conditions, documents actual costs, and goes through the full payment and cancellation process. Cooperating with RBB doesn’t guarantee a positive rating — every platform is scored independently against the same criteria regardless of any commercial relationship.

Checklist: Before You Trust an International Service

Question Your Answer
Is the company traceable to a real registered legal entity? Yes / No / Unsure
Is the full pricing clearly displayed before registration? Yes / No / Unsure
Do you understand the real daily cost of active use? Yes / No / Unsure
Does the platform explain its verification process specifically? Yes / No / Unsure
Is verification mandatory rather than optional? Yes / No / Unsure
Can you test communication quality before a large credit purchase? Yes / No / Unsure
Does the platform facilitate verified offline events? Yes / No / Unsure
Can you find independent reviews based on real-world testing? Yes / No / Unsure
Is customer support responsive before you’ve paid? Yes / No / Unsure

 

Result What It Means
Mostly YES Worth proceeding — carefully
Several UNSURE Fill in those gaps before paying anything
Several NO Serious concerns — consider a different service

Frequently Asked Questions

Is international dating through a matchmaking service actually safe?
It can be — if you choose a service that has been independently tested, performs meaningful identity verification, and has a real track record of facilitating in-person meetings. The risks are higher than domestic dating, but they’re manageable if you approach the process carefully and choose the right platform.

How do I know whether the profiles on an international platform are genuine?
Look for document-based verification and reviews based on real testing rather than marketing. Genuine people give specific answers, ask their own questions, and are willing to schedule a video call without repeated excuses. Paid operators and bots tend to be warm, attentive, and vague — which is a combination worth paying attention to.

How do I spot paid chat operators?
Instant responses at 3am. Messages that feel personal but somehow never quite answer what you asked. Consistent reluctance to move toward a video call or a meeting. Conversations that feel like they’re building toward something without ever actually getting there. If several of those things are happening at once, the explanation is usually straightforward.

I’ve already sent money. What now?
Stop all further payments — including anything framed as a final transfer needed to complete a previous one. Save everything: messages, transaction records, profile screenshots. Contact your bank as soon as possible. Report the incident to the FTC at ReportFraud.ftc.gov or the FBI at IC3.gov. These operations are professionally designed to feel convincing — being targeted doesn’t reflect badly on your judgment.

Should I buy a large credit bundle to start?
No. Use whatever minimum option is available to test the service first. Good conversation quality, willingness to video call, and natural progression toward meeting are things you can assess before committing significant money. If the platform doesn’t allow meaningful testing before a large purchase is required, treat that as a warning.

The Bottom Line

International dating is a genuine path to a serious relationship — but it rewards careful research in a way that domestic dating simply doesn’t require. Distance, language, cultural difference, and varying legal protections all raise the stakes of getting the platform choice wrong.

The six checks in this article won’t protect you from everything. But they’ll put you in a significantly better position than most people who sign up for an international dating service — who typically discover the problems after they’ve already paid for them.

RBB has tested and ranked over 100 platforms using real accounts, real conversations, and a structured evaluation process. No platform earns a positive rating simply by working with RBB. The ratings reflect what the team actually found — and that’s the point.

Anna Ren’s Installation “Place Untitled” Draws More Than 2,000 Visitors at the East ON Fest

New York multimedia artist He Ren (aka Anna Ren) brought her interactive projection installation Place Untitled to the first East ON Fest in Downtown Easton, Pennsylvania, on September 18–19, 2026, carrying a real-time system developed through ACM TEI ’26 and the CAA Annual Conference into public space.

Invited by the East ON Foundation as One of 21 Artists, Groups, and Studios, Anna Ren Turned a Downtown Wall into a Live Archive of Everyone Who Passed It

The interactive projection installation Place Untitled, by New York-based multimedia artist He Ren (aka Anna Ren), drew more than 2,000 visitors over two nights at the first edition of East ON Fest, a light and projection festival in Downtown Easton, Pennsylvania, held September 18–19, 2026. Ren was invited by the East ON Foundation to present the work as one of 21 local, regional, and international artists, groups, and studios.

Easton marked the first time Ren adapted Place Untitled from a performance into a public installation. The performance was presented in the Art and Performance Track of ACM TEI ’26 at the Griffin Museum of Science and Industry in Chicago and at the CAA 114th Annual Conference, and its full art paper will premiere in the academic program of ISEA 2026 in November. Bringing the work onto a city street meant rebuilding it so that the audience no longer watches it but supplies all of its content.

Walking along a street in Downtown Easton, passersby found their own silhouettes projected onto a wall. Each glowing outline settled over the traces of everyone who had stood there before, so a person who stopped became part of the image and stayed in it after they left. As the night went on, the wall grew denser: a crowd made of people who were never there at the same moment.

Ren designed and built the system herself. A depth camera tracks bodies passing in front of the projection, and her TouchDesigner pipeline extracts each silhouette and returns it to the wall, where it accumulates alongside earlier visitors. The same data records every engagement, so the piece works as a data-driven archive of the street as well as an image of it. Combining body tracking, projection, and archiving in a civic setting, the installation shows that a performance system built for a stage can operate in public space for an audience that never planned to see art.

The work uses time as its material and asks what a place keeps of the people who pass through it. Ren draws on Edward Soja’s concept of Thirdspace, treating place as something the people in it keep producing rather than as fixed architecture.

“In a performance, I decide how the body moves,” Ren said. “On a street, whoever walks by determines the work, and they stay in it after they leave. I wanted to see what a place remembers when nobody is performing for it.” The Lafayette, Lafayette College’s student newspaper, quoted Ren in its September 18 preview of the festival, where she described East ON Fest as a “public setting to showcase” her work.

East ON Fest is the flagship event of the East ON Foundation, a newly launched 501(c)(3) nonprofit founded by Andrea Rincon (President) and Duvan Ayala (Vice President), who has produced art projections in Philadelphia and New York City for more than a decade. The festival turned the Church Street and Bank Street corridor into a walkable gallery of light, with architectural projections and interactive work on building facades and inside First United Church of Christ and the Easton Public Market. It grew out of PORTAL, a 2025 preview produced with the Greater Easton Development Partnership, and its first edition was supported by the Pennsylvania Council on the Arts, with Panasonic as technology partner and Hindle Power as supporting sponsor. Lehigh Valley Public Media previewed the festival in December 2025.

Place Untitled extends a record of international recognition. Ren’s CGI film In-Between won the V Certamen para Estudiantes de Arte Digital (SMTH), which brought it to screens at 13 venues across multiple cities in Spain. It was also shown on the large media wall of AURORA Video Art Night at the AT&T Discovery District in Dallas, selected by Denver Digerati, and named a semifinalist at the Cannes Indie Shorts Awards. The Guinea Pig Eligibility Test, created with Maggie Yuhanxiao Ma, was presented at the Ars Electronica Festival Expanded Conference in Linz, Austria, with its paper published in the ACM Digital Library; its two-person exhibition at THE BLANC in New York was extended after online coverage of the work drew more than 1 million likes and 5 million views in a single day.

Ren holds a BFA in Interactive Media Arts from New York University Tisch School of the Arts and works across CGI, projection, installation, and performance. Her work returns to belonging, memory, and displacement. In Easton, those themes took a direct form: a place shaped by everyone who passed through it, and a record in which no one stood alone in the frame.

Cloud Nothings Announce New Album, Share New Single ‘Death Keeps Me Alive’

Cloud Nothings have announced a new album called What Kind of Hell Did You Survive?. The follow-up to 2024’s Final Summer finds the canonically indie rock band, now signed to Pure Noise, drawing inspiration from the world of metal. It comes out January 29, and the blistering first single is aptly titled ‘Death Keeps Me Alive’. Check it out below, and scroll down for the album cover and tracklist.

“Lyrically ‘Death Keeps Me Alive’ is from the point of view of a lurking evil power that never gets fully defeated in the world and feeds off of death, war and hate, which is kind of a fun generically ‘metal’ thing to sing about,” vocalist/guitarist Dylan Baldi explained in a press release. “I hope people hear this song and get excited for what the rest of the record could possibly sound like, and recognise that this is going to be a new version of Cloud Nothings that didn’t really have a precedent prior to this recording.”

What Kind of Hell Did You Survive? was produced by Seth Manchester (Battles, Lightning Bolt, The Body). “The album is our attempt to pay homage to the heavy rock music we’ve been listening to over the last few years,” Baldi added. “Some pretty direct and popular musical influences on the tracks are Queens of the Stone Age, Motorhead, Earth, and Electric Wizard. We were feeling a little pigeonholed in the indie rock world and wanted to make a change in our sound that revealed a different facet of our interests and abilities.”

What Kind of Hell Did You Survive? Cover Artwork:

Cloud Nothings - What Kind of Hell Did You Survive_ Album Artwork

What Kind of Hell Did You Survive? Tracklist:

1. World Destroyer
2. You and I
3. That’s Life
4. Terror Multiplies
5. Death Keeps Me Alive
6. Part of Something More
7. You Do The Killing Too
8. Die In Piece
9. This World Is Shit

Chvrches Announce New Album ‘All The King’s Men’

Chvrches have announced their first new album in six years. All the King’s Men, the follow-up to Screen Violence, lands on January 22 via Futures Music Group. It includes the recently released single ‘Roses’. Check out the cover artwork and tracklist below.

The Scottish trio haven’t released a new track to accompany the announcement, but they have detailed a world tour that will kick off in February and will take them across North America, the UK, and Ireland. Find the full list of tour dates below, too.

All the King’s Men Cover Artwork:

CHVRCHES - All The King's Men - artwork

All the King’s Men Tracklist:

1. Roses
2. Evil
3. Adore You
4. Overthinker
5. Royal Blue
6. Comedown Tomorrow
7. Friend Of A Friend
8. Three Out Of Five
9. Conman
10. Jamie’s Prayer
11. Faith In Flying

Chvrches 2027 Tour Dates:

Feb 13 Philadelphia, PA – Franklin Music Hall
Feb 17 Brooklyn, NY – Brooklyn Steel
Feb 19 Washington, DC – Anthem
Feb 20 Pittsburgh, PA – Roxian Theatre
Feb 22 Buffalo, NY – Asbury Hall
Feb 23 Toronto, Ontario – History
Feb 25 Chicago, IL – Salt Shed (Indoor)
Feb 26 Milwaukee, WI – Riverside Theater
Feb 27 Madison, WI – The Sylvee
Mar 2 Boise, ID – Knitting Factory
Mar 3 Spokane, WA – Knitting Factory
Mar 5 Vancouver, British Columbia – Vogue Theatre
Mar 6 Seattle, WA – Paramount Theater
Mar 8 Portland, OR – Revolution Hall
Mar 10 Oakland, CA – Fox Theater
Mar 12 San Diego, CA – The Observatory North Park
Mar 13 Phoenix, AZ – The Van Buren
Mar 14 Los Angeles, CA – Hollywood Palladium
Apr 23 Glasgow, England – o2 Academy
Apr 26 Aberdeen, England – Music Hall
Apr 27 Dundee, England – LiveHouse
Apr 29 Dublin, Ireland – 3Olympia
May 1 Manchester, England – Victoria Warehouse
May 2 Birmingham, England – o2 Academy 1
May 4 Bristol, England – o2 Academy 1
May 5 Norwich, England – The LCR UEA
May 6 London, England – O2 Shepherd’s Bush Empire

Love Is Blind Season 12: Cast, Rumours & Release Date

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A fresh batch of singles is ready to fall head over heels in Love Is Blind. The successful Netflix dating series has returned with season 11, which is set in Boston.

Gathering 3.6 million views this week, it’s already among the most-watched titles on Netflix and a Top 10 show in eleven countries. Is another installment on the way? Here’s what we know so far.

Love Is Blind Season 12 Release Date

At the time of writing, there’s no official news about a potential Love Is Blind season 12.

That said, the show continues to draw in viewers, so we don’t see why Netflix would pull the plug. Plus, rumours suggest that the action might return to Atlanta for the next installment.

If all goes well, new episodes could arrive in spring 2027.

Love Is Blind Season 12 Cast

Since there’s no official information on season 12 yet, we also don’t know anything about the cast. Nick and Vanessa Lachey host, and you can check out the list of season 11 contestants here.

What Is Love Is Blind About?

Described as a social experiment, Love Is Blind challenges singles to find love without ever seeing the person they’re committing to.

The show brings together individuals who converse in specially designed rooms called pods. They can hear each other but not see each other. As emotional bonds develop, participants decide whether they’re ready to get engaged before meeting face-to-face for the first time.

After the engagements, the newly formed couples spend time in everyday settings and meet each other’s loved ones. Once that’s done, they have to figure out at the altar if they’re truly prepared to say “I do.”

Season 11 follows the same familiar format, but the cast features many contrasting personalities who keep things interesting. Whether you’ve been a fan from the beginning or are tuning in for the first time, the show is just as addictive as you’d expect.

While it will take a while for Love Is Blind season 12 to drop on Netflix, the current season is still unfolding. You can catch episodes weekly, with the reunion scheduled for November 8.

Are There Other Shows Like Love Is Blind?

If you enjoy Love Is Blind, we suggest sampling some of the other dating shows on Netflix. Like Love Is Blind UK, Badly in Love, Age of Attraction, The Ultimatum: Marry or Move On, Better Late Than Single, and Perfect Match.