Björk has shared a new remix of her track ‘Atopos’ by sideproject, the electronic music trio who also contributed to her latest album Fossora. Check out a visual for it below.
Talking about the remix, Björk said in a statement: “i am so grateful to the incredible icelandic electronic group sideproject, they make me excited about reykjavik music and not worry: the future is fertile!”
sideproject added: “it was an absolute pleasure to work on this remix. we had a great time putting our own spin on the soundscape of atopos and we are really happy with the outcome. thank you so much Björk. takk fyrir okkur.”
Fossora, Björk’s tenth studio LP, arrived in September. The singer-songwriter recently shared a music video for ‘Sorrowful Soil’. Check out where Fossora landed in our 50 Best Albums of 2022 list.
Canadian singer-songwriter Cat Clyde has announced a new album: Down Rounder will arrive on February 17, 2023 via her own Second Prize Records. The follow-up to 2019’s Hunters Trance was produced by Tony Berg at Los Angeles’ famed Sound City studios. Check out a video for the new single ‘Mystic Light’ below, and scroll down for the LP’s cover art and tracklist.
“The album is an exploration and expression of self, patterns in the natural and unnatural world, connecting to nature, the turning wheel of life, shedding old selves, embracing new selves, and the ever changing, expanding and contracting nature of love and life,” Clyde explained in a press release. Of ‘Mystic Light’, she added: “It’s a song about wanting to understand my journey and purpose. I’m exploring feelings of adriftness, asking for the mystery or magic of life to show her face so I can remember what it’s all for.”
Down Rounder Cover Artwork:
Down Rounder Tracklist:
1. Everywhere I Go
2. Papa Took MyTotems
3. Not Going Back
4. The Gloom
5. Mystic Light
6. Real love
7. I Feel It
8. Eternity
9. Hawk In The Tree
10. Send Your Love
Florence and the Machine has shared a new version of ‘Morning Elvis’ featuring Ethel Cain. The live rendition of the song was recorded in Denver during Florence Welch’s recent tour of North America. Check it out below.
‘Morning Elvis’ appears on Florence and the Machine’s latest album, Dance Fever. “‘Morning Elvis is a song about the power of performance,” Welch explained in a statement. “Of rock and roll tragedy and transcendence. And it’s a sign of a truly special artist when they make a cover their own. When Hayden sang this song it felt like it was hers, she really gave it that outlaw energy, like witches of the Wild West. I even threw more lines at her on the day because her tone and cadence was so perfect I wanted to hear more. And she did not miss a line even with only an hour to rehearse. I truly think I have found a kindred spirit aesthetically and artistically. And now every show I sing ‘Morning Elvis’ with an Ethel Cain inflection.”
Ethel Cain added: “I was giggling when we rehearsed the song just the two of us before the show because Florence told me that ‘Morning Elvis’ was her channeling her inner Southern rocker, and I told her I couldn’t stop myself from emulating her British accent on certain words. It felt like a holy convergence happening in a basketball arena. Florence’s dressing room smelled like powder and sage and we were both dressed in white, singing our lines back and forth to each other, and I felt like I was back in choir practice, but with an actual angel this time. She’s never not smiling, and if you would have told me we were the only two people in the entire venue while we sang it in the middle of her set, I would have believed you.”
Five years after the release of her breakout debut Ctrl, SZA is finally back with her new album SOS. The record spans 23 tracks and features guest appearances from Phoebe Bridgers, Travis Scott, Don Toliver, and Lizzo. The late Ol’ Dirty Bastard’s ‘The Stomp’ and Björk’s ‘Hidden Place’ are sampled on the song ‘Forgiveless’, while producers on the LP include ThankGod4Cody, Carter Lang, Jeff Bhasker, Rob Bisel, Benny Blanco, Kenny “Babyface” Edmonds, Emile Haynie, Rodney “Darkchild” Jerkins, Jay Versace, and more. SZA previewed SOS with the singles ‘Shirt’, ‘Good Days’, ‘I Hate U’, as well as ‘Blind’, which she debuted on Saturday Night Live earlier this month.
BADBADNOTGOOD multi-instrumentalist Leland Whitty has released his debut solo album, Anyhow. Whitty plays saxophone, guitar, synthesizer, woodwinds, and strings across the LP, which includes additional instrumentation from BADBADNOTGOOD’s Chester Hansen and Alex Sowinski, as well as the group’s former keyboardist Matthew Tavares. Anyhow marks the first time Whitty has worked with his older brother Lowell, who plays drums throughout. According to press materials, the album “is a look inward, expressing something personal – a reflection of the experience of music itself,” while the title alludes to Whitty’s DIY approach to composition, production, and performance.
Mount Westmore – the West Coast rap supergroup consisting of Snoop Dogg, Ice Cube, E-40, and Too $hort – have dropped their debut studio album. Out now via Mount Westmore/MNRK Music Group, Snoop, Cube, 40, $hort follows Bad MFs, a collection of tracks released as an NFT in June of 2022 via the blockchain platform Gala Music. Ahead of the record’s release, the group promoted it with the singles ‘Too Big’ (featuring Bay Area rapper and producer P-Lo), ‘Big Subwoofer’, ‘Free Game’, and ‘Activated’.
Kentucky guitarist, composer, and archivist Nathan Salsburg has issued the third installment of his Landwerk series, following the first two volumes that dropped in May and December of 2020. The LPs utilizes 78-rpm record samples along with electric guitar, resonator guitar, organ, and piano. Of Landwerk No. 3, Salsburgwhose source material ranges from 1919-1940, Salsburg said in a statement: “78s are weird, because they’re mechanically reproduced, but each one has an aura. No 78 is the same in terms of its surface noise. Every record bears the scars of its existence, and they all sound different. The records I was working with here are sonically unique objects, so it became this very personal sense of uncovering, discovery…”
Other albums out today:
Nina Hagen, Unity; Taken by Trees, Another Year; A Boogie Wit Da Hoodie, Me Vs Myself; Photay and Carlos Niño, More Offerings; Alejandro G. Iñárritu & Bryce Dessner, BARDO (Soundtrack From the Netflix Film); Fäust, Death From Beyond; Emotional Oranges, The Juice Vol. III; Woods of Desolation, The Falling Tide; Nagisa Ni Te, Newocean; Dylan Henner, You Always Will Be.
Weezer have shared ‘I Want a Dog’, the lead single from their upcoming EP SZNZ: Winter. Check it out below.
SZNZ: Winter, the final in Weezer’s series of four seasonal EPs, is set for release on December 21. The collection “encompasses the harrowing sadness that can so easily pair with the winter months,” according to a press release. Spring came out in March, Summer was released in June, and Autumn arrived in September.
The Postal Service and Death Cab for Cutie have announced a co-headlining tour to celebrate the 20th anniversary of their respective 2003 albums: Give Up and Transatlanticism. Marking the first live performances from The Postal Service in over a decade, the trek will kick off September 8, 2023 in Portland, Maine and will include shows at New York City’s Madison Square Garde and the Hollywood Bowl in Los Angeles. Find the bands’ full schedule below.
“I know for a fact I will never have a year again like 2003,” Gibbard said in a statement. “The Postal Service record came out; Transatlanticism came out. These two records will be on my tombstone, and I’m totally fine with that. I’ve never had a more creatively inspired year.”
Earlier this year, Death Cab for Cutie released their latest album, Asphalt Meadows.
The Postal Service and Death Cab for Cutie 2023 Tour Dates:
Sep 8 Portland, ME – Cross Insurance Arena
Sep 9 Kingston, RI – The Ryan Center
Sep 10 New Haven, CT – Westville Music Bowl
Sep 12 Boston, MA – MGM Music Hall
Sep 13 Boston, MA – MGM Music Hall
Sep 14 Washington, D.C. – Merriweather Post Pavilion
Sep 17 Detroit, MI – Meadow Brook Amphitheater
Sep 20 New York, NY – Madison Square Garden
Sep 21 Philadelphia, PA – The Mann Center
Sep 24 Minneapolis, MN – Armory
Sep 26 Denver, CO – Mission Ballroom
Seep 27 Denver, CO – Mission Ballroom
Oct 3 Phoenix, AZ – Arizona Financial Theatre
Oct 4 Las Vegas, NV – The Chelsea Ballroom at the Cosmopolitan of Las Vegas
Oct 7 Seattle, WA – Climate Pledge Arena
Oct 10 Berkeley, CA – Greek Theatre – UC Berkeley
Oct 13 Los Angeles, CA – Hollywood Bowl
H. Hawkline has released a new single from his upcoming Cate Le Bon-produced album Milk for Flowers. It’s called ‘Suppression Street’, and it follows the previous shared title track. Give it a listen below.
Speaking about the song, Huw Evans said in a statement: “I’ve known myself twice. I’ve learnt a new language and know everyone who speaks it. It’s a dead language and you only need a few words. I’m an ice-skating cowboy and a little boy in the bank, we both press against the glass of a filthy French window, sliding it in opposite directions. This one fell into my lap.”
Milk For Flowers is set for release on March 10 via Heavenly.
Paramore have released a new song, ‘The News’, which is taken from their forthcoming LP This Is Why. The track arrives with an accompanying video co-directed by Mike Kluge and Matthew DeLisi. Check it out below.
“‘The News’ is one of those songs that came together pretty quickly and felt exciting from the start,” Hayley Williams explained in a statement. “It feels like a happy medium between classic Paramore angst and bringing in some influences we’ve always had but never exploited. Watching Zac [Farro] track drums for this one was one of my favorite memories from the studio. Lyrically, it probably explains itself. The 24-hr news cycle is just impossible to comprehend. And I feel a pang of guilt when I unplug to protect my headspace. The common reaction, or non-reaction, seems to be dissociation. Not one of us is innocent of that and who could blame us?”
Discussing the track in an interview with Zane Lowe on Apple Music 1, Williams said:
Personally, I was like, “Okay. We’re not typically a political band,” and it’s not a solely political song or a solely political album. I understand that where we live, where we’re positioned is not always reality. And we got four years at home to be members of our own community, be face to face with our families again, and kind of plug into our local community, be citizens, vote in person, all those things, right? But that was our first real experience of that as adults. So who wants to hear a bunch of people whine about how difficult it is to live in 2022 or 2020 when maybe our lives don’t reflect the harshest of realities? But I think the other flip side to that is really wanting to do good and wanting to reflect the times as artists and wanting to be with it enough that we can use our platform. How can you ignore it? How can you not say anything?
It started with just the pandemic. Well, for us it started with the tornado in Nashville, but there was the tornado and then there was the global pandemic. There was George Floyd, there were all these uprisings, there were marches and protests that we went to. There was a bombing by a conspiracy theorist on Christmas Day in Nashville. It’s like we’re experiencing it from whatever vantage point we’re at, and there’s something to say about it. And I’m hoping, I’m praying and hoping that the perspective and the lyrics that we’re presenting is personal enough and as much with respect to everyone’s specific or potential vantage point that maybe other people can relate to it in some way that we haven’t even intended. And that’s the hopeful part of it.
This Is Why, the follow-up to 2017’s After Laughter, comes out February 10 via Atlantic. Paramore previously shared the album’s title track, which they performed on Fallon last month.
Brooklyn’s Foyer Red have signed to Carpark Records, marking the announcement with a new single titled ‘Etc’. It follows the recently released tracks ‘Flipper’, ‘Pickles’, and ‘Pollen City’. Check it out below.
Talking about the new song, which was co-produced by Jonny Schenke, Elana Riordan said in a statement:
My character in ‘Etc’ finds themselves in a dysfunctional relationship in which gender informs internal struggles of power and control. Instead of addressing the problem they state it plainly while asking vague and broad questions about the nature of the world. Rather than seeking a new system they find ways to play into that system to ultimately get what they want in the short-term. Echoing the stark sonic changes in the song, Mitch’s character is on a different page entirely. Taking a note from Algorithms to Live By: The Computer Science of Human Decisions, they are fixated on the optimal stopping problems, seeking to maximize the reward of a great parking space and minimize the cost of distance from the front doors and time spent circling around holding out for a better spot. The syllables are so stiff and stressed at unnatural points in the last verse to exemplify how mechanical the whole process has been, where the character is in their head crunching data to guarantee satisfaction with the outcome.
Gorillaz have shared a new single called ‘Skinny Ape’. It comes alongside the announcement of a pair of events set to take place in New York and London next weekend. The “first-of-their-kind immersive experiences” will use AR technology to bring giant avatars of the cartoon outfit to Times Square (2:30 pm Eastern on December 17) and Piccadilly Circus (2 pm. GMT on December 18). Find more details here, and check out ‘Skinny Ape’ below.
“To all our followers, get ready for the biggest Times Square takeover since that other gorilla smashed the place up,” bassist Murdoc said in a statement. “Bigger in fact cos there’s four of us. Thanks to the techies at Google, we’ve created the music video event of the century, so don your pink robes and come see Gorillaz like you’ve never seen us before. The future is nigh!”