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Beyoncé Reveals ‘Cowboy Carter’ Cover Artwork, Shares Statement About New Album

Beyoncé has unveiled the official album artwork for her upcoming album, Cowboy Carter, which is due March 29. She also shared a lengthy statement about the Renaissance follow-up, addressing the success of its first two singles, ‘Texas Hold ‘Em’ and ’16 Carriages’. “This ain’t a Country album,” she said. “This is a ‘Beyoncé’ album.” Check out the album cover and read the full statement below.


TODAY MARKS THE 10-DAY COUNTDOWN TO THE RELEASE OF act ii.
THANK YOU FROM THE BOTTOM OF MY HEART TO ALL OF THE SUPPORTERS OF TEXAS HOLD ‘EM AND 16 CARRIAGES. I FEEL HONORED TO BE THE FIRST BLACK WOMAN WITH THE NUMBER ONE SINGLE ON THE HOT COUNTRY SONGS CHART. THAT WOULD NOT HAVE HAPPENED WITHOUT THE OUTPOURING OF SUPPORT FROM EACH AND EVERY ONE OF YOU. MY HOPE IS THAT YEARS FROM NOW, THE MENTION OF AN ARTIST’S RACE, AS IT RELATES TO RELEASING GENRES OF MUSIC, WILL BE IRRELEVANT.

THIS ALBUM HAS BEEN OVER FIVE YEARS IN THE MAKING. IT WAS BORN OUT OF AN EXPERIENCE THAT I HAD YEARS AGO WHEN I DID NOT FEEL WELCOMED… AND IT WAS VERY CLEAR THAT I WASN’T. BUT, BECAUSE OF THAT EXPERIENCE, I DID A DEEPER DIVE INTO THE HISTORY OF COUNTRY MUSIC AND STUDIED OUR RICH MUSICAL ARCHIVE. IT FEELS GOOD TO SEE HOW MUSIC CAN UNITE SO MANY PEOPLE AROUND THE WORLD, WHILE ALSO AMPLIFYING THE VOICES OF SOME OF THE PEOPLE WHO HAVE DEDICATED SO MUCH OF THEIR LIVES EDUCATING ON OUR MUSICAL HISTORY.

THE CRITICISMS I FACED WHEN I FIRST ENTERED THIS GENRE FORCED ME TO PROPEL PAST THE LIMITATIONS THAT WERE PUT ON ME. act ii IS A RESULT OF CHALLENGING MYSELF, AND TAKING MY TIME TO BEND AND BLEND GENRES TOGETHER TO CREATE THIS BODY OF WORK.

I HAVE A FEW SURPRISES ON THE ALBUM, AND HAVE COLLABORATED WITH SOME BRILLIANT ARTISTS WHO I DEEPLY RESPECT. I HOPE THAT YOU CAN HEAR MY HEART AND SOUL, AND ALL THE LOVE AND PASSION THAT I POURED INTO EVERY DETAIL AND EVERY SOUND.

I FOCUSED ON THIS ALBUM AS A CONTINUATION OF RENAISSANCE… I HOPE THIS MUSIC IS AN EXPERIENCE, CREATING ANOTHER JOURNEY WHERE YOU CANB CLOSE YOUR EYES, START FROM THE BEGINNING AND NEVER STOP.

THIS AIN’T A COUNTRY ALBUM, THIS IS A “BEYONCÉ” ALBUM.
THIS IS act ii COWBOY CARTER, AND I AM PROUD TO SHARE IT WITH Y’ALL!

Cowboy Carter Cover Artwork:

John Grant Announces New Album, Releases New Song ‘It’s a Bitch’

John Grant has announced a new album called The Art of the Lie. The former Czars member’s follow-up to 2021’s Boy From Michigan is set for release on June 14 via Bella Union. Along with the announcement, he’s unveiled the new song ‘It’s a Bitch’, which you can hear below.

“It was a blast making this track which is just about having fun with words, synths and dope rhythms and bass lines and also making fun of post-COVID malaise,” Grant said of ‘It’s a Bitch’ in a statement. “Plus, people get to ponder what a ‘hesher’ is. I loved going to the arcade in the 80s and watching smokin’-hot heshers hold court while playing Tempest, Stargate, Robotron and Asteroids, and while also blasting Iron Maiden and Rush on their Walkmans.”

Grant made The Art of the Lie with producer Ivor Guest. It features contributions from Dave Okumu of the Invisible, Robin Mullarkey, Seb Rochford, and Rachel Sermanni. “We could often only work for two weeks at a time, it was so intense,” Grant recalled. “Ivor assembled a team of incredible musicians. Dave Okumu [from The Invisible] is such an incredible guitar player. He came into the room when we were playing the demo of ‘Father’ and just immediately started doing what you hear on the record. Robin Mullarkey played fretless bass and blew my mind, and the very talented Seb Rochford was on drum detail. There were a lot of moments of magic from everyone.”

“The first time I heard ‘Time It’s Time’, the last song on The Colour of Spring by Talk Talk; or ‘The Night of the Swallow’ by Kate Bush, on The Dreaming; or some of Jane Siberry’s material on The Speckless Sky or anything by Cocteau Twins or Dead Can Dance; those were important moments for me in music,” Grant added. “And of course there is a bit of the Devo spirit in everything I do in some way or another. There’s a lot of amazing humour in their music but they were also serious as a heart attack. I guess this is one of the important themes in my life; it’s about moments and being able to recognize them and be in them while they are happening in spite of whatever else is going on. It’s being in a taxi, the most normal situation in the world and seeing the grandeur, the sheer weight and majesty of a big city passing by, staring in awe. The absurdity of the world on the outside juxtaposed with the world taking place on the inside. That fascinates me, the ability to capture what it really feels like to be a human.”

The album title alludes to Trump’s book, The Art of the Deal, which Grant said is “now seen by MAGA disciples as just another book of the Bible and Trump himself as a messiah sent from heaven. Because, God wants you to be rich.” He elaborated:

This album is in part about the lies people espouse and the brokenness it breeds and how we are warped and deformed by these lies. For example, the Christian Nationalist movement has formed an alliance with White Supremacist groups and together they have taken over the Republican party and see LGBTQ+ people and non-whites as genetically and even mentally inferior and believe all undesirables must be forced either to convert to Christianity and adhere to the teachings of the Bible as interpreted by them or they must be removed in order that purity be restored to ‘their’ nation. They now believe Democracy is not the way to achieve these goals. Any sort of pretence of tolerance that may have seemed to develop over the past several decades has all but vanished. It feels like the U.S. in is free-fall mode.

The Art of the Lie Cover Artwork:

The Art of the Lie Tracklist:

1. All That School For Nothing
2. Marbles
3. Father
4. Mother And Son
5. Twistin Scriptures
6. Meek AF
7. It’s A Bitch
8. Daddy
9. The Child Catcher
10. Laura Lou
11. Zeitgeist

Khruangbin Drop New Song ‘Pon Pón’

Khruangbin have released a new song called ‘Pon Pón’, which will appear on their upcoming full-length A la Sala. It follows earlier cuts ‘May Ninth’ and ‘A Love International’. Take a listen below.

A la Sala, Khruangbin’s first album in four years, arrives on April 5 via Dead Oceans.

Lightning Bug Unveil New Single ‘Opus’

Lightning Bug have released a new single, ‘Opus’, lifted from their forthcoming album No Paradise. Following lead outing ‘December Song’, the track comes paired with an animated video entirely hand-drawn by the band’s Dane Hagen, with color and backgrounds by Melanie Kleid, and based on a ghost story written by singer Audrey Kang. Watch and listen below.

“We imagined ‘Opus’ as a dystopian folk song written for a post-apocalyptic fantasy saga,” the band explained in a press release. “Or maybe it’s for the saga we’re all living in, as every year our humanity resigns itself to a world turning faster towards destruction.”

No Paradise comes out on May 2. Read our Artist Spotlight interview with Lightning Bug. 

Maggie Rogers Shares New Song ‘So Sick of Dreaming’

Maggie Rogers has shared ‘So Sick Of Dreaming’, a new single from her forthcoming album Don’t Forget Me. It follows the previously unveiled title track. Check it out below.

Don’t Forget Me, the follow-up to 2022’s Surrender, will be released on April 12 via Polydor.

Cloud Nothings Release New Song ‘I’d Get Along’

Cloud Nothings have dropped ‘I’d Get Along’, the latest single from their forthcoming album Final Summer. It follows the previously released ‘Running Through the Campus’ and the title song. Listen below.

Vocalist/guitarist Dylan Baldi had this to say about the new track in a statement :”I got pretty obsessed with the band Earth during the pandemic, and that led to an obsession with other doom metal, and then I started buying lots of fuzz pedals and downloading distortion plugins online—basically just anything that would blow out my guitar sound and get it sounding somewhere in the deep and fuzzed out ballpark of the heavy music I was listening to. ‘I’d Get Along’ is sort of a Cloud Nothings take on that sound, where the guitar is big and bulky but there’s a really poppy vocal melody on top, and the drums are bouncy and rolling around the other instruments in their own idiosyncratic way.”

Final Summer lands on April 19 via Pure Noise Records.

Desire Announce New Album ‘Games People Play’, Unveil New Song ‘Darkside’

Desire have announced their third album, Games People Play. The follow-up to 2022’s Escape will be out later this year on Italians Do It Better, and lead single ‘Darkside’ is out now. Check it out below.

“The song is about the invisible line we draw between our outer reality & our inner world,” the duo explained in a statement. “The darkside is a metaphor for the unmasked internal space that we rarely share with strangers, a secret realm that never sees the light of day. On the endless hunt for love, we crave a deeper connection that can only come with truth. The mirror sees you… on the darkside. Crash into the starlight.”

Games People Play Cover Artwork:

FKA twigs Joins Two Shell on New Single ‘Talk to Me’

The mysterious London electronic duo Two Shell have teamed up with FKA twigs for their latest single, ‘Talk to Me’. The group has been cryptically putting out and then deleting versions of the song – featuring edited-in vocals from Frank Ocean, Taylor Swift, Chris Martin, PinkPantheress, and JungKook – for more than two weeks; “a karaoke version and multiple iterations featuring vocal lines from recognisable voices,” according to a press release. But this is an official collaboration that lists twigs as a co-writer and boasts an entirely new arrangement and instrumental. Listen to it below.

FKA twigs stars as Shelly Webster in the upcoming remake of The Crow. Earlier this year, she began teasing a new album inspired by the move she made to Prague a few summers ago, where she “fell in love with techno.” Her mixtape CAPRISONGS came out in early 2022.

Two Shell dropped the Lil Spirits EP in February 2023 and later released ‘✨mum is calling✨’ as its new closing track.

The Decemberists Announce New Album, Share New Single ‘Joan in the Garden’

The Decemberists have announced their first album in six years, As It Ever Was, So It Will Be Again. The follow-up to I’ll Be Your Girl is slated for release on June 14 through YABB/Thirty Tigers. The four-part double LP was produced by lead singer Colin Meloy and Tucker Martine. It includes the previously released single ‘Burial Ground’, featuring the Shins’ James Mercer, and REM’s Mike Mills also appears on the record. New single ‘Joan in the Garden’ is a 19-minute epic that serves as the album’s closing track. Listen to it and find the album’s details below.

“‘Joan in the Garden’ has been kicking around as an idea since the I’ll Be Your Girl sessions,” lead singer Colin Meloy explained in a statement. “I got into a Joan of Arc kick after reading Lydia Yuknavitch’s beautifully batshit novel The Book of Joan. I wanted to make my own version of Joan — but the song that came was as much about the creative process as it was about the actual woman, about angelic visitation and creative visitation and the hallucinogenic quality of both.”

As It Ever Was, So It Will Be Again Cover Artwork:

As It Ever Was, So It Will Be Again Tracklist:

1. Burial Ground
2. Oh No!
3. The Reapers
4. Long White Veil
5. William Fitzwilliam
6. Don’t Go to the Woods
7. The Black Maria
8. All I Want Is You
9. Born to the Morning
10. America Made Me
11. Tell Me What’s on Your Mind
12. Never Satisfied
13. Joan In The Garden

Beirut’s Zach Condon Joins Efterklang on New Single ‘Getting Reminders’

Efterklang have returned with a new single, ‘Getting Reminders’, featuring Beirut’s Zach Condon on trumpet. It accompanies the release of the documentary Efterklang: The Makedonium Band, which is screening at film festivals throughout Europe this summer. Check out a video for ‘Getting Reminders’ and watch a trailer for the documentary below.

“To me, ‘Getting Reminders’ is a flash of light, a domino effect of feelings from a simple reminder, like a photo, a word, or when we encounter love, that suddenly sets our minds free,” vocalist Casper Clausen explained in a statement. “In reality, I feel a dark and highly politicised force tearing us apart, across land and culture. I feel like reminding myself that there’s a landscape that lives beyond and between us all, where we are free to cross and meet one another.”

“We took ‘Getting Reminders’ with us on our trip to North Macedonia for the Makedonium Band, where the song really started shaping itself, finding resonance, it became a sort of mysterious communication tool,” Clausen added. “We would play it to many people there, from shy teens to a confident president and perform it together with local musicians in front of their freedom monument; Makedonium (Ilinden Memorial).”

Efterklang last released the Plexiglass EP in 2022. Their most recent album was 2021’s Windflowers.